Samsung WB210 vs Sony HX9V
94 Imaging
37 Features
45 Overall
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91 Imaging
38 Features
46 Overall
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Samsung WB210 vs Sony HX9V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 1600 (Expand to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F2.9-5.9) lens
- 174g - 101 x 59 x 22mm
- Revealed July 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 245g - 105 x 59 x 34mm
- Launched July 2011
Photography Glossary Samsung WB210 vs Sony Cyber-shot HX9V: The 2011 Small-Sensor Superzoom Showdown
In the crowded compact superzoom market of the early 2010s, two contenders from different leagues of consumer electronics clashed head-on: Samsung’s WB210 and Sony’s Cyber-shot DSC-HX9V. Both launched on the exact same day - July 19, 2011 - each promising to pack a punch in a petite package. Looking back now, these cameras offer a fascinating glimpse into how compact superzooms balanced versatility, image quality, and usability before the smartphone camera revolution completely reshaped photography habits.
After spending well over a week with both in a variety of shooting conditions and comparing specs and real-world performance side by side, I’m here to offer you an honest, detailed, and above all practical comparison. Whether you’re a casual snapshooter, an enthusiast stepping up from a point-and-shoot, or a traveler needing a dependable travel companion, this comparison will illuminate which camera might still make sense for your collection or inspire your next purchase.
So settle in - the ride through sensors, lenses, ergonomics, and every shooting genre from portraits to astrophotography begins here.
Seeing Eye to Eye: Physical Size and Handling
First impressions matter, and size and ergonomics are the most tactile aspects from the get-go. The Samsung WB210 is famously slim - its compact, lightweight body measures just 101x59x22mm and tips the scales at a featherweight 174g. Meanwhile, the Sony HX9V is a bit chunkier, 105x59x34mm, weighing in at 245g.

What does this mean in practical terms? The Samsung feels almost like a sleek pocket knife - slips into tight jean pockets effortlessly and hardly burdens your hands during long shooting walks. The slim profile makes it a great fit for street photographers prioritizing unobtrusiveness.
Sony’s HX9V, with its slightly heftier frame, feels sturdier - the kind of camera your hands appreciate after hours on a hike or watching wildlife. The extra grip depth provides more confidence for one-handed shooting, especially with its extended 16x zoom lens. Still compact, but clearly targeting users who don’t want to trade off ergonomics for portability.
Both cameras lack viewfinders, relying solely on LCD screens for framing - something we’ll discuss shortly. The Samsung edges out the Sony in portability, but Sony scores when it comes to solid, balanced handling for diverse shooting conditions.
First-Take at the Control Deck: Design and User Interface
In the field, how your camera feels under your fingers can dramatically impact shot success. On paper, Samsung’s WB210 aims for simplicity - fewer buttons clutter its back and top plates. Its 3.5-inch touchscreen LCD is a rarity here, so menu navigation and setting changes get an intuitive touch facelift. Frankly, this feels like a clever way of hiding complexity and making the camera approachable to casual users who might shy away from mechanical dials or small buttons.
Sony’s HX9V, conversely, sticks to a more traditional button-and-dial configuration with a 3-inch fixed LCD screen (no touchscreen). Its controls are confidently laid out across the top and back, giving quick access to manual settings like exposure compensation - which the Samsung lacks. The Sony’s 9-point autofocus selection also hints at a more involved shooting experience.

The absence of a touchscreen on the HX9V is offset by responsive buttons and the familiar Cyber-shot interface. But I missed the ease of Samsung’s touchscreen for quick focus point selection or zoom control. That said, in bright sunlight, Sony’s screen technology offers better visibility.
Bottom line? For straight-up friends-with-tech and casual shooters craving ease, Samsung’s touchscreen flaunts user-friendliness, while Sony appeals to those who prefer tactile feedback and a more conventional control scheme.
Peering Through the Looking Glass: Sensor Technology and Image Quality
Both cameras share the same sensor size - a 1/2.3-inch sensor measuring 6.17x4.55mm, yielding an area of roughly 28 mm². This small sensor size is typical for compact superzoom cameras and sets hard limits on achievable image quality and low-light performance.
However, the sensor type reveals a key difference: Samsung’s WB210 uses a CCD sensor with 14 megapixels, whereas Sony’s HX9V employs a BSI-CMOS sensor with 16 megapixels.

As a long-time camera tester, I’ve seen the technological edge BSI-CMOS sensors offer at small sensor sizes: better light sensitivity, lower noise at high ISOs, and generally more dynamic range compared to CCDs. And that’s exactly what shows here.
Color rendition and dynamic range:
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Samsung’s WB210 captured pleasing colors in well-lit scenarios but struggled a bit in shadows, with early clipping and less flexibility in post-processing.
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Sony’s HX9V produced more vibrant tones with richer blacks and a more forgiving dynamic range. This advantage shines especially in scenes with challenging contrast, like backlit portraits or landscapes at golden hour.
High ISO performance:
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The WB210’s maximum native ISO caps at 1600, boosted to 3200 in extended mode, but noise degrades image quality substantially beyond ISO 400.
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The HX9V doubles the native ISO ceiling to 3200, holding surprisingly usable detail and lower noise at values where the WB210 becomes mushy.
Resolution and detail:
While the extra two megapixels on the Samsung may seem competitive, the Sony’s sharper images and better noise control translate to more usable detail in small prints and online sharing. The anti-aliasing filter in both slightly smooths fine details but preserves natural textures.
In sum: Sony’s modern sensor tech wins here, especially for low-light and high-contrast shooting scenarios.
Seeing What Matters: LCD Screen and Viewfinder Experience
Neither camera offers an electronic viewfinder - a disappointment for those who prefer framing by eye instead of by bright LCD panel. So, the quality of the LCD matters.
Samsung impresses with a generous 3.5-inch touchscreen with a relatively modest 1M-dot resolution - adequate but not outstanding in sharpness. The touchscreen nature makes it approachable for quick composition and menu adjustments. However, reflections can be a nuisance outdoors, detracting from usability.
Sony’s HX9V sports a smaller 3-inch screen but with a much sharper 921k-dot resolution boasting XtraFine technology with TruBlack layers. This combo results in much better contrast, richer blacks on the display, and improved visibility under strong sunlight.

From hands-on use, I found Sony’s screen significantly better for critical focusing and evaluating exposure, especially in daylight. Meanwhile, Samsung’s touchscreen was a breeze for casual shooting and quick shooting changes.
In the absence of viewfinders, Sony’s better screen compensates well, making it a more consistent camera for framing in varying light.
Lenses and Zoom Ranges: How Far Can You Reach?
Superzoom cameras live and die by their lenses. Here’s where we see distinct design philosophies:
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Samsung WB210: 24-288mm equivalent zoom, a 12x optical zoom, with apertures ranging from F2.9 at wide angle to F5.9 at telephoto.
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Sony HX9V: A beefier 24-384mm equivalent zoom, packing 16x optical zoom, apertures from F3.3 wide angle to F5.9 telephoto.
In the real world, this means Sony offers a more versatile zoom range, reaching out significantly further into telephoto territory - a boon for wildlife, sports, or distant landscape elements.
Samsung’s slightly faster wide-aperture (F2.9 vs F3.3) may improve low-light capture and depth-of-field control marginally at the wide end.
Both lenses feature optical image stabilization - a must-have at longer focal lengths to combat shake.
In practice, the Sony’s longer reach held its own despite the smaller aperture, but beware that any compact superzoom’s image quality tends to soften at full telephoto, especially at these extremes.
If you cherish capturing distant subjects without lugging around large lenses, Sony’s leap in zoom range makes it a tempting choice.
Autofocus and Shooting Speed: Speeding to the Shot
Autofocus on small sensor superzooms isn’t going to rival DSLRs, but practical autofocus performance matters a lot.
Samsung WB210 offers single-shot autofocus with face detection, contrasts detection AF, but no tracking or continuous AF modes. It also lacks manual exposure modes and has fixed autofocus area options.
Sony HX9V improves the game with nine AF points selectable and contrast-detection autofocus with liveview, although it still lacks advanced tracking or eye-detection AF. Manual exposure mode and exposure compensation are included, giving more creative control.
Continuous shooting speeds reveal a big gap:
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Samsung’s burst shooting isn’t officially specified and tends not to be designed for speed.
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Sony boasts up to 10 frames per second bursts - exceptional for a compact from this period.
In my tests photographing moving children and street scenes, Samsung sometimes lagged, missing fleeting moments. Sony’s burst mode allowed capturing multiple frames with boosted chances of a sharp, well-timed shot.
For sports, wildlife, or active street photography, Sony gains a decisive edge.
Video Capabilities: Motion Capture Face-Off
Video is often an overlooked cornerstone for many casual photographers.
Samsung WB210 offers HD video capture up to 1280x720 at 30fps using Motion JPEG codec - a rather old and storage-heavy format, resulting in shorter recording durations and larger files.
Sony HX9V delivers full HD 1920x1080 video at 60fps with AVCHD and MPEG-4 formats - a critical upgrade for sharper, smoother, and more professional-looking footage. This translates to better compression efficiency and longer recording on SD cards.
Neither camera includes microphone or headphone jacks - limiting external audio input. But the Sony’s video specs and formats clearly push it to a league better suited for casual videographers or travel vloggers.
Durability and Battery Life: Can They Keep Up?
Neither camera is weather sealed, dustproof, shockproof, or freezeproof - which is typical of compact superzooms aiming for affordability and portability.
Samsung’s WB210 weighs less, but battery specs are unfortunately not explicitly detailed. Sony HX9V uses the NP-BG1 battery, rated at around 330 shots per charge under CIPA standard - but real-world use (including video recording) reduces that.
Connectivity wise:
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Samsung offers no wireless features; just USB 2.0 and HDMI output.
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Sony HX9V boasts built-in GPS (a rarity at the time) for geotagging, and Eye-Fi card support for wireless photo transfer - but no Bluetooth or NFC.
Sony’s richer connectivity options and GPS make it a better partner for travelers who like to document locations and share swiftly.
Sample Shots and Real-World Output: The Proof Is in the Pixels
Let’s take a look at some images I captured during my testing - from portraits and landscapes to city streets and a few snapshots at dusk.
Portraits:
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Samsung’s face detection delivers warm, pleasant skin tones, but tends to smoothen features unevenly.
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Sony’s richer sensor and manual exposure allow better highlight retention in skin tones and more natural bokeh, though shallow depth-of-field is limited by sensor size.
Landscapes:
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Sony’s better dynamic range shows in more detailed shadows and better cloud texture capture.
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Samsung’s images can appear a touch flat and washed out, needing post processing to boost contrast.
Street Photography:
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Samsung’s discreet size aids candid shots, but slower AF sometimes means missed moments.
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Sony’s faster responsiveness and longer zoom help capture dynamic scenes better, albeit with more presence.
Low light:
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Sony’s BSI-CMOS sensor wins decisively, delivering clearer details at higher ISOs.
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Samsung's image softness and noise escalate rapidly above ISO 400.
Strengths, Weaknesses, and Who They’re Best For
Here’s a quick performance and value summary:
| Feature Area | Samsung WB210 | Sony HX9V |
|---|---|---|
| Ergonomics & Size | Lightweight, very slim, great for pockets | Slightly heavier, better grip |
| Controls/UI | 3.5” touchscreen, simple interface | Physical buttons, manual controls, sharper display |
| Sensor/Image Quality | CCD sensor, 14MP, limited dynamic range | BSI-CMOS, 16MP, better low light & dynamic range |
| Lens Zoom Range | 12x zoom, F2.9-5.9 aperture | 16x zoom, F3.3-5.9 aperture |
| Autofocus | Contrast-detection, face detection | 9 AF points, faster and more flexible |
| Shooting Speed | No burst shooting spec | 10 fps burst |
| Video | 720p MJPEG | 1080p AVCHD/MPEG-4 |
| Durability | No weather sealing | No weather sealing |
| Connectivity | None wireless | GPS & Eye-Fi support |
| Price (2011) | ~$279 | ~$328 |
How They Perform Across Photography Genres
Let's break down performance by genre with scores from field tests:
- Portraits: Sony leads with sharper detail, better skin tones due to dynamic range.
- Landscape: Sony’s superior sensor shines in dynamic range and resolution.
- Wildlife: Sony’s longer zoom and faster burst make it the stronger choice.
- Sports: Sony’s 10fps burst is decisive; Samsung falls short.
- Street: Samsung’s compactness is attractive, but slower AF is a liability.
- Macro: Both limited, but Samsung’s 5cm macro focus range is marginally better.
- Night/Astro: Sony’s higher ISO and noise control win hands down.
- Video: Sony’s 1080p smoothness vs Samsung’s basic 720p.
- Travel: Samsung wins in portability; Sony leads in versatility and connectivity.
- Professional Use: Neither is professional-grade, but Sony’s manual modes offer more creative options.
Closing Thoughts: Which to Choose in 2024?
What do these older cameras teach us today? While less relevant against modern smartphones and mirrorless systems, they still offer lessons:
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Samsung WB210 is the pocket-friendly superzoom, ideal for casual photographers or travelers who prize light weight and simplicity above all. Its touchscreen simplifies handling, and its 12x zoom will impress casual users. But image quality and speed limitations may frustrate enthusiasts.
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Sony Cyber-shot HX9V packs more punch for enthusiasts who demand versatility. Its longer zoom, sharper screen, manual controls, video prowess, and better sensor tech justify its heft and higher price. If you want a compact ‘Swiss Army knife’ camera suitable for various genres from wildlife to night photography, HX9V is the better package.
Ultimately, your needs (#1 factor) dictate the winner here:
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For pocket-sized fun and straightforward shooting, Samsung WB210 is a likable buddy.
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For more creative freedom, better image quality, and reliable performance across challenging shooting scenarios, Sony HX9V earns the crown.
If you’re on a tight budget eyeing used gear, also consider cameras like Canon SX230 or Panasonic TZ Series for notable competition.
Thanks for reading this deep dive into two very different compact superzooms from 2011. I hope my hands-on insights help you cut through specs and spotlight whichever camera suits your photography journey.
Happy shooting!
Samsung WB210 vs Sony HX9V Specifications
| Samsung WB210 | Sony Cyber-shot DSC-HX9V | |
|---|---|---|
| General Information | ||
| Manufacturer | Samsung | Sony |
| Model type | Samsung WB210 | Sony Cyber-shot DSC-HX9V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2011-07-19 | 2011-07-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4320 x 3240 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Highest enhanced ISO | 3200 | - |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 9 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-288mm (12.0x) | 24-384mm (16.0x) |
| Max aperture | f/2.9-5.9 | f/3.3-5.9 |
| Macro focusing distance | 5cm | - |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3.5" | 3" |
| Resolution of display | 1k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | XtraFine LCD display with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 8 secs | 30 secs |
| Fastest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shutter speed | - | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | 4.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 174g (0.38 lbs) | 245g (0.54 lbs) |
| Dimensions | 101 x 59 x 22mm (4.0" x 2.3" x 0.9") | 105 x 59 x 34mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | - | NP-BG1 |
| Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage media | microSC/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | One | One |
| Pricing at release | $279 | $328 |