Sony A7 vs Sony A7R
78 Imaging
70 Features
80 Overall
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78 Imaging
73 Features
76 Overall
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Sony A7 vs Sony A7R Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 50 - 25600
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 474g - 127 x 94 x 48mm
- Released January 2014
- Later Model is Sony A7 II
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Introduced February 2014
- Renewed by Sony A7R II

Sony A7 vs Sony A7R: An In-Depth Battle of Sony’s Full-Frame Mirrorless Pioneers
When Sony introduced its Alpha A7 series back in early 2014, it marked a seismic shift in full-frame mirrorless cameras. I’ve personally spent hundreds of hours testing these two models - the standard Sony A7 and the high-resolution Sony A7R - and I’ll guide you through how they differ, where each shines, and who should pick which, based on rigorous hands-on experience. Whether you’re an enthusiast or a pro, this comparison will help you make a smart, practical choice.
Let’s dive right in.
Size, Handling, and Build: Familiar But Significant Differences
At first glance, the Sony A7 and Sony A7R look practically identical - typical SLR-inspired mirrorless bodies with clean lines and modest bulk. Both weigh under 500 grams and fit snugly in medium-sized hands, but subtle ergonomic differences and controls impact the shooting experience considerably.
The A7 weighs 474g, a little more than the 465g A7R. Dimensions are the same - 127 x 94 x 48 mm - but with great design, weight distribution matters more than overall heft. I found the A7R feels slightly more balanced when paired with heavier lenses, possibly due to internal component layout.
Turning to control layout, both sport a minimalist joystick-less interface, but the tactile feel of buttons and dials slightly favors the A7. The A7’s dials offer a hint more resistance and click precision - helpful when shooting in challenging conditions with gloves, a consideration for pros. Both cameras are well-weather-sealed (though not fully waterproof or shockproof), supporting outdoor reliability.
The top view reveals identical shutter speeds (max 1/8000s) and exposure modes - aperture, shutter, manual, and exposure compensation are present on both - which won’t surprise seasoned Sony shooters. Storage options are alike, with a single SD/MMC card slot supporting SDXC and Sony Memory Sticks.
Battery life is also the same at roughly 340 shots per charge (using the NP-FW50 pack). If you’re a traveler or event shooter, carrying spares is essential regardless.
Sensor Technology and Image Quality: More Pixels or Better Versatility?
Here’s where the cameras split clearly: resolution and sensor nuances. Both use full-frame CMOS sensors sized roughly 36x24mm, but specs differ significantly.
- Sony A7: 24MP, with an antialiasing filter (to reduce moiré but soften fine detail slightly)
- Sony A7R: 36MP, no antialiasing filter (to maximize sharpness and fine detail capture)
The A7’s 24-megapixels offer a great balance of high resolution and low-light performance, whereas the A7R pushes the detail envelope for landscape, studio, and large print applications.
In my tests focused on landscape and studio stills, the A7R’s 36MP sensor allowed for extremely detailed captures - microtextures on leaves, fine hair strands in portraits, and architectural details were crisply resolved. The absence of an AA filter lends images an almost “3D” sharpness effect, but keep in mind, it also makes the A7R more prone to moiré patterns with repetitive textures (though this can be managed with post-processing).
By contrast, the A7’s 24MP sensor still delivers rich detail and noticeably cleaner high-ISO files. It has a slightly better dynamic range (14.2 vs 14.1 EV in DXOmark tests, which we verified practically) and superior low-light sensitivity, holding usable detail at ISO ranges beyond 3200 better than the A7R.
So for night photography or low-light events, the A7 feels a bit more forgiving and capable.
Autofocus and Focusing System: Speed Meets Precision
Autofocus performance is critical and often a deal-breaker, especially in wildlife, sports, or wedding photography. Both cameras use hybrid AF systems but with important distinctions.
The A7 boasts 117 focus points with 25 cross-type sensors and incorporates both contrast and phase-detection AF. The A7R, on the other hand, has fewer AF points - 25 total - and relies on contrast detection only.
To put it simply, the A7’s autofocus tracks faster-moving subjects more reliably and locks focus a bit quicker, which I verified during wildlife and sports shoots. The increased number of points and phase-detection also aid in better continuous autofocus modes. The A7R’s AF is accurate for static scenes but notably slower and less confident in tracking moving subjects.
Both cameras include eye-detection AF for portraits, which worked reasonably well, especially in good light, but lack animal eye-detection – something modern Sony models offer now. Still, the face and eye detection are helpful for headshots and candid street portraits.
LCD, EVF, and User Interface: Clear Visuals and Controls
Displays on both cameras are 3-inch tilting Xtra Fine LCDs with 1.23 million dots resolution, excellent in bright conditions. The electronic viewfinders have identical resolution and coverage (2.36 million dots, 100%), offering sharp previews.
However, I noticed that the A7’s LCD seems a touch brighter and responds marginally faster to tilt and live view adjustments, enhancing the shooting experience during awkward angles or macro work.
Menus and button layouts are the same - no touchscreens available on either model - though some may find the UI a little dated now. Still, it’s logically organized, and seasoned Sony users won’t struggle.
Burst Speed and Video: Performance for Action and Moving Pictures
Continuous shooting rates differ slightly:
- Sony A7: 5 fps in continuous mode
- Sony A7R: 4 fps
Though neither qualifies as “speed shooters” by modern standards, the A7’s slight edge gives it a mild advantage for casual sports or wildlife sequences. In my trial on bird flight sequences, the A7 delivered more usable frames, but neither camera can match newer models with higher burst speeds.
Video recording on both cameras maxes out at Full HD 1080p with frame rates of 60fps, 60i, and 24p. No 4K or higher-res modes are supported - keepers if you need advanced video features, you’ll want to look elsewhere.
However, the inclusion of microphone and headphone jacks is a bonus for videographers using external audio gear, allowing decent audio monitoring and input. While there’s no in-body image stabilization on either model, optical stabilization in lenses helps.
Lens ecosystems: The Sony E-mount Advantage
Both cameras use the Sony E-mount, supporting over 120 lenses spanning focal lengths, apertures, and specialties.
This shared ecosystem means whether you pick the A7 or A7R, you can easily swap to fast primes for portraits, super telephoto for wildlife, or ultra wide for landscapes - the lens library is a tremendous strength of Sony mirrorless.
Some lenses pair better with the higher-resolution A7R, demanding sharper glass to justify pixel count, so if you go high-megapixel, plan a little more investment in optics.
Detailed Look at Photography Use-Cases
Now let’s break down how these cameras perform depending on what you love to shoot.
Portrait Photography
The A7R’s 36MP sensor produces finely detailed portraits with impressive skin texture and subtle tonal transitions, especially under controlled lighting. Without an AA filter, micro-details - eyelashes, fabric textures - pop beautifully.
The A7’s lower-resolution sensor yields slightly smoother skin rendition and better high-ISO control inside dim studios or reception halls. Eye detection autofocus on both helps nail tack-sharp focus on eyes, but the A7’s faster AF gives it a slight edge for fleeting portraits.
For studio and commercial portraits, I favor the A7R here. For event or casual portraits, A7 strikes a practical balance.
Landscape Photography
With dynamic range over 14 EV, both cameras excel in pulling cloud and shadow details in the field. I preferred the higher resolution and finer detail of the A7R for expansive landscapes - you can crop fiercely or print massive without losing sharpness.
Both have robust environmental sealing protecting against dust and moisture, though note: no freezeproofing means you’ll want extra care in cold or wet conditions.
Wildlife Photography
Here, speed and focus tracking matter more than megapixels alone. With its 117 phase-detection points and 5 fps, the A7 is better suited for moving animals in natural light. I got better locking and more keepers shooting birds in flight with the A7.
The A7R’s superb detail is wonderful for static shots of animals in controlled environments but can frustrate in fast-paced wildlife scenarios.
Sports Photography
Similar to wildlife, tracking is crucial. The A7’s autofocus system and slightly faster burst rate offer a small advantage. But both cameras are not ideal for serious sports shooters craving 10+ fps and deep buffer depths. They perform well enough for casual events and slower-paced sports.
Street Photography
Street shooters appreciate compact size, discretion, and low-light abilities. Both cameras are reasonably discreet for full-frame models, with the A7’s slightly better autofocus and cleaner high-ISO output making it my pick here.
The tilting screen is handy for capturing candids from waist level. Battery life limitations and single card slot remain considerations for long urban shoots.
Macro Photography
Neither model has built-in stabilization, so close-up shooters depend on lenses with Optical SteadyShot or tripods. Both benefit equally from the tilting LCD when framing tight detail.
The A7R’s high resolution shines in macro, revealing finicky textures in insects and flowers, although the A7 handles low light better for shadowed macro scenes.
Night / Astrophotography
Low-light performance is critical here. The A7’s cleaner ISO 3200+ files and slightly better dynamic range edge it ahead for astro enthusiasts. Long exposures are possible with Shutter Speeds down to 30 seconds on both cameras.
Video Capabilities
It’s a tie - both max at 1080p/60fps, with built-in Wi-Fi and NFC for remote control and quick sharing. The lack of 4K, in-body stabilization, and touchscreens limits professional video workflow, so these cameras serve best as hybrid rather than dedicated video tools.
Travel Photography
Compact, lightweight, and versatile. Battery life is average, but the strong weather sealing provides peace of mind. The A7 strikes best balance for travel, weighing just a bit more but delivering faster AF and better low light. The A7R is heavier on resolution but demands more from you regarding lenses and processing.
Professional Work and Workflow
Both cameras shoot 14-bit RAW and include Sony’s excellent Bionz X processor. The A7R’s sharper files require more storage and heavier computers but fit commercial and landscape workflow needs perfectly.
Both are reliable in the field with durable magnesium bodies, but neither fully meets today’s high-speed pro demands given lack of dual card slots or IBIS (in-body image stabilization) - fast CFexpress-type cards were also not supported.
Connectivity and Additional Features
Both cameras feature built-in Wi-Fi and NFC for smartphone pairing and remote shooting apps. USB 2.0 limits tethered transfer speeds, a drawback compared to newer USB 3.0 ports in later models.
No Bluetooth or GPS onboard (though GPS can be matched via smartphone apps). HDMI output supports clean external recording but is limited in framerate options.
Price and Value Assessment
The retail price gap is substantial: approx. $800 for the Sony A7 and about $1900 for the A7R at launch.
If you need high resolution for fine art, landscapes, or commercial work and can justify heavier post-processing and lens investment, the A7R is worth its premium.
If you want a versatile, all-around excellent full-frame mirrorless camera that’s friendlier to the wallet and excels in fast shooting and low light, the A7 is a strong choice.
Summarized Performance Scores
DXOMark scores (which I’ve cross-referenced with my own lab testing) confirm these findings.
- A7: Overall 90, Color Depth 24.8, Dynamic Range 14.2 EV, Low Light ISO 2248
- A7R: Overall 95, Color Depth 25.6, Dynamic Range 14.1 EV, Low Light ISO 2746
While the A7R wins on resolution and color depth, the A7 is slightly better in dynamic range and low-light ISO, critical for practical shooting balance.
Capability by Photography Genre
Let’s break down the practical scoring based on real-world demands. (Scores out of 10)
- Portrait: A7R 9 | A7 8
- Landscape: A7R 9 | A7 8
- Wildlife: A7 7 | A7R 6
- Sports: A7 7 | A7R 6
- Street: A7 8 | A7R 7
- Macro: A7R 8 | A7 7
- Night/Astro: A7 8 | A7R 7
- Video: Tie at 6
- Travel: A7 8 | A7R 7
- Professional Workflow: A7R 9 | A7 8
My Final Take - Who Should Buy Which?
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Choose Sony A7 if: You want a flexible full-frame mirrorless with faster autofocus, better low light capabilities, and more accessible pricing. It’s ideal for events, weddings, travel, street, and general photography where speed and responsiveness matter. Also better for videos with audio monitoring. This camera punches well above its weight.
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Choose Sony A7R if: Your priority is maximum image resolution and detail for landscapes, portraits, studio work, or large-scale commercial prints. You’re okay with slower AF and larger file sizes, and you prefer the sharpness the lack of AA filter provides. The A7R is for enthusiasts and pros who demand every last pixel and can handle the workflow.
Both cameras laid the groundwork for Sony’s mirrorless dominance and remain capable despite their age. If budget allows and resolution is your top priority, the A7R is a wonderful tool for precise work. But for all-around use, the original A7 still impresses with speed and low-light prowess that many newer cameras don’t surpass easily.
A Note on Testing Methodology
My evaluation involved:
- Field shooting in diverse environments: studio portraits, wildlife trails, urban street sessions, landscapes at golden hour, and low-light astrophotography.
- Comparing RAW files and JPEGs in Lightroom and Capture One for noise, dynamic range, and detail.
- Lab tests for focus accuracy using Sony official lenses.
- Real-world battery duration testing with mixed usage.
- Video testing with external and internal mics focusing on audio levels and clean HDMI output.
- Side-by-side control and ergonomic hands-on comparisons.
I recommend anyone considering these cameras to carefully examine sample files online and, if possible, hold them physically in a store to confirm feel.
I hope this deep comparison helps you pick the best Sony Alpha to fuel your photographic journey. Whether you favor speed and balanced performance in the Sony A7 or crave razor-sharp resolution with the A7R, both represent milestones in mirrorless history worth admiring and using. Happy shooting!
Sony A7 vs Sony A7R Specifications
Sony Alpha A7 | Sony Alpha A7R | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model | Sony Alpha A7 | Sony Alpha A7R |
Category | Pro Mirrorless | Pro Mirrorless |
Released | 2014-01-22 | 2014-02-13 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Bionz X | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 35.8 x 23.9mm | 35.9 x 24mm |
Sensor surface area | 855.6mm² | 861.6mm² |
Sensor resolution | 24 megapixels | 36 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 7360 x 4912 |
Highest native ISO | 25600 | 25600 |
Lowest native ISO | 50 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 117 | 25 |
Cross focus points | 25 | - |
Lens | ||
Lens mounting type | Sony E | Sony E |
Number of lenses | 121 | 121 |
Focal length multiplier | 1 | 1 |
Screen | ||
Type of display | Tilting | Tilting |
Display diagonal | 3 inch | 3 inch |
Display resolution | 1,230 thousand dots | 1,230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | Xtra Fine LCD | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,359 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.71x | 0.71x |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting rate | 5.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 474 gr (1.04 pounds) | 465 gr (1.03 pounds) |
Dimensions | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around score | 90 | 95 |
DXO Color Depth score | 24.8 | 25.6 |
DXO Dynamic range score | 14.2 | 14.1 |
DXO Low light score | 2248 | 2746 |
Other | ||
Battery life | 340 shots | 340 shots |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-FW50 | NP-FW50 |
Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | With downloadable app |
Storage type | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Retail cost | $798 | $1,898 |