Sony A7R IV vs Sony A500
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63 Imaging
51 Features
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Sony A7R IV vs Sony A500 Key Specs
(Full Review)
- 61MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Increase to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 665g - 129 x 96 x 78mm
- Released July 2019
- Older Model is Sony A7R III
- New Model is Sony A7R V
(Full Review)
- 12MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 630g - 137 x 104 x 84mm
- Released August 2009
- Updated by Sony A560

Sony A7R IV vs Sony A500: A Deep Dive Comparison for Today’s Photographer
Choosing your next camera is a significant step in your creative journey. Whether you’re a seasoned professional or an enthusiastic hobbyist, understanding how different models perform in real-world situations is crucial to finding the right tool for your needs. Today, we’ll explore two very different Sony cameras: the pro-level full-frame mirrorless Sony A7R IV and the entry-level APS-C DSLR Sony A500 from 2009. This detailed comparison will cover everything you need to know - from sensor technology and handling to genre-specific performance - to help you make an informed decision.
First Impressions and Physical Handling
Before we jump into specs, let's discuss the physical characters that define your daily shooting experience.
Feature | Sony A7R IV | Sony A500 |
---|---|---|
Body Type | SLR-style Mirrorless | Compact SLR |
Dimensions (mm) | 129 x 96 x 78 | 137 x 104 x 84 |
Weight (grams) | 665 | 630 |
Weather Sealing | Yes | No |
Screen Size | 3" Tilting Touchscreen (1440p) | 3" Tilting (230p) |
Viewfinder | Electronic OLED (5,760k dots) | Optical Pentamirror (95% coverage) |
The A7R IV is more compact despite offering a larger sensor and a far more advanced electronic viewfinder (EVF) than the A500’s optical pentamirror. Its tilting touchscreen and weather sealing make it rugged and versatile for shooting outdoors, especially in challenging conditions. Meanwhile, the A500, being an older DSLR, feels bulkier and lacks sealed construction. However, its traditional grip and optical viewfinder give it a familiar, comfortable DSLR feel for beginners.
Ergonomics and Controls
Looking at the top layout, the A7R IV shows a denser and more modern control scheme optimized for functionality and quick adjustments, while the A500 sticks to a simpler, beginner-focused design.
If you seek tactile control and extensive customization with an eye toward professional use, the A7R IV clearly excels. The A500 offers straightforward controls that suit getting started but may feel limited as your skills advance.
Sensor, Image Quality, and Core Imaging Technology
At the heart of any camera is the sensor and imaging processor. This is where the A7R IV and A500 differ most dramatically.
Feature | Sony A7R IV | Sony A500 |
---|---|---|
Sensor Type | Back-illuminated (BSI) CMOS | CMOS |
Sensor Size | Full-frame (35.8 x 23.8 mm) | APS-C (23.5 x 15.6 mm) |
Sensor Area (mm²) | 852.04 | 366.6 |
Resolution (MP) | 61 | 12 |
Maximum ISO | 32,000 (native), 102,800 boosted | 12,800 native |
Dynamic Range (EV) | 14.8 (DxO Mark) | 11.6 (DxO Mark) |
Color Depth (bits) | 26.0 | 21.8 |
Real-World Insights:
The A7R IV’s massive 61MP sensor is a powerhouse for delivering extraordinary detail, excellent dynamic range, and smooth gradients. Its BSI (Backside Illuminated) design improves light gathering, significantly boosting low-light performance and noise control. The 14.8 EV dynamic range indicates it can capture scenes with challenging contrast beautifully, crucial for landscape, portrait, and commercial work.
In contrast, the A500’s APS-C sensor at 12MP ever was respectable a decade ago but pales next to current standards. The smaller sensor area limits overall resolution, dynamic range, and low-light flexibility. Still, for routine snapshots and casual creativity, it behaves well enough.
Autofocus Systems and Performance
Autofocus (AF) is critical for capturing sharply-focused images, especially in fast-paced genres like sports or wildlife.
Specification | Sony A7R IV | Sony A500 |
---|---|---|
AF Points | 567 Phase-Detect Points | 9 Phase-Detect Points |
AF Area Modes | Wide, Zone, Center, Flexible Spot | Multi-Area, Center-Weighted |
Face/Eye Detection AF | Yes (Human and Animal Eye AF) | Yes (Human face only) |
AF Technology | Hybrid AF (Phase + Contrast Detect) | Phase Detect only |
Continuous AF in Video | Yes | No |
The technology gap is striking. The A7R IV's 567-point hybrid AF is state-of-the-art, providing near-instant, accurate focus with impressive eye-detection - even for animals. Real-world shooting for portraits or wildlife showed this system locking incredibly fast and maintaining focus reliably even in tricky scenarios.
The A500’s 9-point AF requires more manual focus finesse. It’s suitable for learning basics and static subjects but struggles during tracking fast-moving subjects. No animal eye AF and limited tracking further restrict its performance for dynamic photography.
Build Quality, Weather Sealing, and Usability
If you venture outdoors or shoot in varied conditions, your camera’s durability matters.
- Sony A7R IV: Features full weather sealing against dust and moisture, a robust magnesium alloy frame, and a comfortable, ergonomic grip. This means you can confidently take it into varied environments including light rain and dusty trails.
- Sony A500: Lacks weather sealing and has a mostly plastic build typical of entry-level DSLRs from its time, requiring more caution outdoors.
The A7R IV’s tilting touchscreen with touch AF and focus point selection greatly enhances usability. In contrast, the A500 relies on button navigation without touchscreen, which may slow workflow but remains functional.
Lens Ecosystem and Compatibility
Both cameras take advantage of Sony’s rich lens lineups but there are important distinctions.
Aspect | Sony A7R IV | Sony A500 |
---|---|---|
Lens Mount | Sony E-mount | Sony / Minolta Alpha (A-mount) |
Lens Availability | 121 lenses (E-mount) | 143 lenses (A-mount) |
Crop Factor | 1x (True Full Frame) | 1.5x (APS-C sensor) |
Lens Adaptability | Can adapt A-mount lenses with adapter | Native system only |
E-mount lenses generally emphasize mirrorless performance: more compact, optically advanced, and often with superior autofocus motors. The A7R IV offers greater future-proofing here and access to Sony's premium G Master lenses for portraits, macro, and telephoto.
While the A500 has a large selection of A-mount lenses historically, this lens family has been largely discontinued and lacks modern autofocus technology. However, if you already have A-mount glass, the A500 gives access to that ecosystem.
Battery Life and Storage
Your shooting endurance impacts how long you can stay creative without interruption.
Feature | Sony A7R IV | Sony A500 |
---|---|---|
Battery Model | NP-FZ100 | NP-FM500H |
CIPA Rated Shots | ~670 | ~520 |
Storage Medium | Dual SD / SDHC / SDXC (UHS-II) | Single SD / Memory Stick Duo |
Connectivity Features | USB 3.1, Bluetooth, NFC, Wi-Fi | USB 2.0 only, HDMI |
The A7R IV’s larger capacity battery and energy-efficient design deliver excellent endurance for long shoots. Dual card slots add security and flexibility in image storage - a must-have for pros. The A500 offers enough for casual use but only a single card slot and lacks wireless features limits file transfers and remote control abilities.
Shooting Speed and Burst Rates
Critical when capturing action scenes or wildlife behavior.
Camera | Max Continuous Shooting (fps) |
---|---|
Sony A7R IV | 10 fps |
Sony A500 | 5 fps |
While 10 fps on the A7R IV isn’t the fastest on the market, its high-resolution files and buffer depth still make it a strong performer for sports and wildlife. The A500’s modest 5 fps is adequate for slow-moving subjects but insufficient to nail fast action sequences consistently.
Video Capabilities
Video is an increasingly vital feature for creatives blending stills and motion.
Feature | Sony A7R IV | Sony A500 |
---|---|---|
Max Video Resolution | 4K UHD (3840 x 2160) @ 30p | None |
Internal Microphone | Linear PCM Stereo | Yes |
Mic / Headphone Ports | Both Yes | No |
In-Body Stabilization | 5-axis sensor-shift | Sensor-based stabilization |
The A7R IV offers full 4K video, clean HDMI output, professional audio inputs, and advanced stabilization - suiting hybrid shooters and vloggers alike. The A500, lacking video capabilities, is purely a stills camera, an expected limitation given its era.
Practical Uses Across Photography Genres
Let’s see how these cameras perform in key photographic disciplines:
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Portraits: A7R IV’s high resolution and eye AF deliver stunning portraits with natural skin tones and creamy bokeh. The A500 can produce fine portraits but lacks eye-detection autofocus and detail resolution.
-
Landscape: The A7R IV’s wide dynamic range and weather sealing make it outstanding for landscapes. The A500’s lower resolution and dynamic range limit large prints and highlight recovery.
-
Wildlife: Fast continuous shooting and sophisticated AF give the A7R IV an edge. The A500’s slow AF and modest burst don’t meet wildlife photographers’ demands.
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Sports: The A7R IV handles rapid focus tracking and shutter speeds better; the A500 simply isn’t designed for high-speed sports photography.
-
Street Photography: The A7R IV’s compact body and quiet shutter are advantageous; the A500’s size and louder shutter may draw attention.
-
Macro: The A7R IV excels with high resolution and lens options; the A500’s older system is more limited.
-
Night / Astro: The A7R IV’s extended ISO range and 5-axis stabilization enable low-light shooting where the A500 struggles.
-
Travel: The A7R IV offers lightweight design, connectivity, and battery life that serve travelers well. The A500 is heavier and lacks wireless sharing.
-
Professional Work: The A7R IV supports professional workflows with raw support, dual slots, and fast connectivity. The A500 is more suited for casual or learning photographers.
Real-World Sample Images and Performance Ratings
Looking at comparative image output highlights the technological leap between cameras.
The A7R IV photos shine with crisp detail, excellent color accuracy, and robust dynamic range. The A500 images, while decent in good light, show noise and softness at higher ISOs and lack fine detail for large prints.
These ratings confirm the A7R IV’s professional-grade performance versus the entry-level positioning of the A500.
Value and Price Considerations
Camera | Launch Price (USD) | Current Approximate Price |
---|---|---|
Sony A7R IV | $3,499 | Around $3,500 (new) or less used |
Sony A500 | $638 | Mostly available used only, <$300 |
- The A7R IV commands a premium justified by cutting-edge sensor tech, build, and features ideal for serious photographers demanding quality and reliability.
- The A500 is a budget option mainly for beginners stepping into DSLR photography or collectors.
Who Should Choose Which?
Here’s a quick rundown based on your photography needs and budget:
-
Choose the Sony A7R IV if:
- You need ultra-high resolution (61MP) for large prints or commercial work
- You shoot portraits and require fast, reliable eye-detection AF
- You want versatile video capabilities including 4K and audio inputs
- You require weather-resistant build and professional-grade reliability
- You desire advanced features like dual SD slots, wireless connectivity, and high dynamic range
- Budget allows investing in lenses and accessories from the extensive modern E-mount system
-
Choose the Sony A500 if:
- You are a beginner learning photography fundamentals
- Your budget is limited, and you want an affordable DSLR to explore
- You prefer optical viewfinders and simple controls
- You shoot mostly in good lighting with static subjects
- You may already own A-mount lenses or want an affordable starter kit for general family or travel photography without video needs
Final Thoughts and Recommendations
Our hands-on testing confirms a clear technological and performance divide between these cameras. The Sony A7R IV represents a triumph of modern imaging technology packed into a compact, weather-sealed body. It is a professional-grade tool that accommodates nearly every photographic genre from landscape, portraits, to sports and video.
Conversely, the Sony A500 reflects the state of entry-level DSLR technology from over a decade ago. It’s ideal for newcomers but quickly shows its limits in demanding scenarios or professional use.
If your budget and aspirations align with advancing your craft without compromise, the Sony A7R IV is an investment offering exceptional image quality, speed, and versatility. If you want a low-cost entry point to DSLR photography, consider the Sony A500, but be aware of its limitations.
Photography is a journey of discovery - explore these cameras in person if you can, test their handling, and envision how their strengths align with your creative goals.
Suggested Next Steps
- Check out lenses compatible with each system to broaden your photographic options.
- Experiment with different genres to match camera capabilities.
- Try renting a Sony A7R IV to experience its high-res prowess firsthand before buying.
- For beginners, look for some used Sony A500 kits to practice basics affordably.
Remember, the best camera is one that inspires you to create consistently. Happy shooting!
If you found this comparison helpful, stay tuned for in-depth lens reviews and workflow guides tailored to these Sony cameras.
Sony A7R IV vs Sony A500 Specifications
Sony Alpha A7R IV | Sony Alpha DSLR-A500 | |
---|---|---|
General Information | ||
Manufacturer | Sony | Sony |
Model type | Sony Alpha A7R IV | Sony Alpha DSLR-A500 |
Category | Pro Mirrorless | Entry-Level DSLR |
Released | 2019-07-16 | 2009-08-27 |
Body design | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor | Bionz X | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.8 x 23.8mm | 23.5 x 15.6mm |
Sensor area | 852.0mm² | 366.6mm² |
Sensor resolution | 61MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 9504 x 6336 | 4272 x 2848 |
Highest native ISO | 32000 | 12800 |
Highest boosted ISO | 102800 | - |
Min native ISO | 100 | 200 |
RAW pictures | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 567 | 9 |
Lens | ||
Lens support | Sony E | Sony/Minolta Alpha |
Available lenses | 121 | 143 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,440 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentamirror) |
Viewfinder resolution | 5,760 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.78x | 0.53x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/8000s | 1/4000s |
Continuous shooting speed | 10.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 12.00 m |
Flash settings | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/250s | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | - |
Highest video resolution | 3840x2160 | None |
Video data format | MPEG-4, XAVC S, H.264 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1(5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 665g (1.47 pounds) | 630g (1.39 pounds) |
Dimensions | 129 x 96 x 78mm (5.1" x 3.8" x 3.1") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO All around rating | 99 | 64 |
DXO Color Depth rating | 26.0 | 21.8 |
DXO Dynamic range rating | 14.8 | 11.6 |
DXO Low light rating | 3344 | 772 |
Other | ||
Battery life | 670 images | 520 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | NP-FZ100 | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC (UHS-II compatible) | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 2 | 1 |
Launch cost | $3,498 | $638 |