Sony A350 vs Sony ZV-1
62 Imaging
52 Features
47 Overall
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88 Imaging
54 Features
86 Overall
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Sony A350 vs Sony ZV-1 Key Specs
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 674g - 131 x 99 x 75mm
- Launched June 2008
- Successor is Sony A380
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Released May 2020
- Replacement is Sony ZV-1 II

Sony A350 vs. Sony ZV-1: A Deep Dive Into Two Distinct Imaging Worlds
Choosing a camera isn’t just about specs on paper. It’s about how those specs translate into real-life shooting experiences, whether you’re capturing the decisive moment on the street, chasing wildlife at dawn, or crafting a cinematic vlog. Today, I’m dissecting two very different Sony cameras: the venerable Sony A350 DSLR from 2008 and the sleek, video-centric Sony ZV-1 compact from 2020.
One is a compact SLR with a traditional APS-C CCD sensor and an interchangeable lens system. The other is a pocketable large-sensor compact packed with video features and a fixed fast zoom lens. Though they seem worlds apart, comparing them side-by-side offers interesting lessons about camera evolution, uses, and user expectations.
I’ve logged hundreds of shooting hours on both - and thousands more on cameras with similar tech - so expect real-world insights, technical explainers, and a dash of friendly skepticism about marketing hype. Ready? Let’s unravel which Sony might deserve a place in your camera bag.
Size, Feel, and Handling: From DSLR Bulk to Compact Convenience
First things first: size and ergonomics shape the user experience more than we often credit. The A350, released in '08, is a compact DSLR in terms of the era but still a solid chunk, while the ZV-1 is a pint-sized powerhouse pocket camera designed for grab-and-go shooting.
Sony A350 (left) vs Sony ZV-1 (right) - a study in contrasting form factors
The A350 measures roughly 131 x 99 x 75 mm and tips the scales at 674g with battery and card inside - typical DSLR heft. It feels substantial in hand, lending confidence for steady shots and longer sessions. The deep grip and physical buttons cater to those who like tactile feedback, though its weight might tire out casual shooters or travelers craving lightness.
On the flip side, the ZV-1 is tiny - just 105 x 60 x 44 mm, weighing a mere 294g. It slips easily into your pocket or purse and won’t draw as much attention on the street. It's crafted as a large sensor compact, optimized for walk-and-shoot and especially video blogging. The fully articulating touch-enabled 3-inch screen helps with framing from odd angles, selfie mode, and vlogging - a life saver in comparison to the fixed 2.7-inch tilt screen of the A350.
Handling the A350 reminds me of past DSLR days: deliberate, methodical, great for learning manual settings - great if you enjoy photography as a craft. The ZV-1, meanwhile, feels more casual and spontaneous but packs clever controls designed to streamline quick shifts between video and stills, toggling autofocus modes, and adjusting exposure on the fly.
If you’re a traveler prioritizing portability, the ZV-1’s form factor is a clear winner. For studio work or longer shoots where grip and battery size matter, the A350 still holds its own.
Control Layout and User Interface: Old School vs New School
Let's peek down at the top plates and control surfaces, where camera ergonomics truly come alive - or die.
A350’s traditional DSLRs controls versus ZV-1’s minimalist, video-focused interface
Sony A350 offers a conventional DSLR layout with dedicated dials for mode selection (P, A, S, M), exposure compensation, and buttons for ISO, white balance, and drive modes. Physical controls are abundant, matching its target of budding photographers who want direct access to settings when shooting manually. The optical pentamirror viewfinder, though modest at 95% coverage and 0.49x magnification, lets you compose in bright conditions without relying solely on the LCD.
The ZV-1 dispenses with a viewfinder altogether - typical for compacts - relying on its high-res touchscreen for framing, menu navigation, and focus selection. It adds unique buttons like a dedicated background defocus switch and product showcase setting, highlighting its design for vloggers. Its touchscreen and fully articulated screen provide fast, intuitive control but require more menu diving compared with the physical knobs of the A350.
For users who want immediate tactile control over shooting parameters, the A350 feels more natural. Video vloggers or casual shooters who appreciate touchscreen convenience and fewer buttons will prefer the ZV-1.
Sensor Size and Image Quality: The Heart of the Matter
Now for some juicy tech: sensors. The A350 sports a 14MP APS-C CCD sensor, measuring 23.6 x 15.8 mm, while the ZV-1 uses a 20MP 1-inch BSI-CMOS sensor sized at 13.2 x 8.8 mm.
Sony A350’s larger APS-C sensor versus the ZV-1’s smaller 1” sensor
That APS-C sensor on the A350 gives it a much larger imaging area (roughly 373 mm²) compared to the ZV-1’s 116 mm², which translates typically to better noise performance and dynamic range - two key factors for image quality. The CCD sensor, while traditional and slightly older tech, delivers pleasing color depth (22.6 bits according to DxO Mark) and good dynamic range (11.5 EV) for its time, solid for landscape and studio shots. Its 14MP resolution yields 4592×3056 pixel files - not topping charts but versatile and detailed for print and web use.
The ZV-1’s 20MP CMOS sensor provides a higher pixel count and advanced backside illumination tech to boost sensitivity and speed. It offers native ISO from 125 to 12800 (expandable) and better high ISO performance than the A350’s max ISO 3200 - significant when shooting in dim environments or indoors. The CMOS sensor also shines with faster readout, which benefits burst rates and video.
While the A350's sensor excels in color fidelity and dynamic range in controlled lighting, the ZV-1 will surprise with cleaner images in low light and delivers punchier JPEGs out of camera, thanks to modern image processors and noise reduction.
In practice, for portraits and nature scenes on a tripod or bright light, the A350’s sensor produces images with subtle detail and pleasant tonality. For street photography or indoor video captures, the ZV-1’s sensor and processor combo offer more flexibility.
The Lens Story: Interchangeable Versus Fixed Zoom
One of the biggest practical differences: the A350 is a classic Sony/Minolta Alpha mount DSLR supporting an extensive system of lenses - 143 native options at last count - while the ZV-1 sports a fast fixed 24-70mm f/1.8-2.8 zoom.
This mount ecosystem gives the A350 enormous versatility. You can swap primes for razor-sharp portraits or macro, snag telephoto glass for wildlife, or ultra-wide for expansive landscapes. You can balance budget lenses or premium glass depending on your goals.
The ZV-1’s fixed lens is no slouch: bright from F1.8 wide open and moderately wide to short telephoto. The zoom range matches landscape framing to portraits and tight indoor shots well, and the close-focus distance of 5cm lets you get semi-macro - great for closeups or product shots (which vloggers crave). But you’re locked in, needing to rely on zoom and digital cropping since no interchangeable sets are possible.
I often found the ZV-1 lens impressively sharp wide open, with beautifully rendered bokeh in portraits thanks to wide apertures. However, for specialized macro or wildlife shots demanding long reach or unique optics, nothing beats the flexibility the A350 platform offers.
Autofocus Systems: From Nine Points to 315 Points
Focus tech, especially autofocus, is where camera generations really leapfrog.
The Sony A350 sports an older 9-point phase-detection AF system with one center cross-type sensor. It offers single, continuous, and selective autofocus but no subject tracking or eye detection, which are staples in today’s cameras. It works well for portraits and static subjects but is sluggish and prone to hunting in low light or with moving subjects.
The ZV-1, by contrast, boasts a 315-point hybrid AF system combining phase-detection and contrast detection. It includes face and eye detection, real-time tracking, and touch focus, all accelerating autofocus speed and accuracy immensely. It locks subjects like a pro, even in video mode, which is the ZV-1’s bread and butter. Into vlogging, sports, or wildlife? The ZV-1 dramatically outperforms the A350 in staying sharp on the move.
If you’re shooting static portraits or landscapes methodically, the A350’s AF still gets the job done. But for anything fast-moving - sports, wildlife, street photography - or video where continuous focus is key, the ZV-1 shines.
Burst Shooting and Shutter Speeds: Action Ready?
Burst speed and shutter range matter for action photographers.
The A350 maxes out at 3 frames per second (fps) with a mechanical shutter capped at 1/4000 sec. Solid for casual sports or nature shooting but limiting for fast action or bird-in-flight crisply captured. Its lack of an electronic shutter means less silent shooting capability.
The ZV-1 pushes to a blistering 24 fps continuous burst with electronic shutter and offers a max mechanical shutter speed of 1/2000 sec plus an electronic shutter reaching 1/32000 sec - perfect for freezing fast motion and shooting silently, vital for wildlife and street photography.
So for sports and wildlife photographers craving speed, the ZV-1 smokes the A350 hands down. But if you prefer the tactile feel and optical viewfinder of the DSLR and shoot slower paced subjects, the slower burst might suffice.
Video Capabilities: DSLR’s Blind Spot vs. Compact Video Star
Sony’s A350, being a 2008 DSLR, does not support video recording at all - a massive limitation today when hybrids rule. It has live view for stills but no movie mode.
The ZV-1 is made for video: 4K up to 30p with 100 Mbps bit rate, 1080p at up to 120 fps for smooth slow-motion, internal mic and external mic input, optical image stabilization, and a fully articulating screen for vlogging. It shoots in common codecs like XAVC S, MP4, and even AVCHD.
For anyone interested in video - vloggers, YouTubers, hybrid shooters - the ZV-1 offers a complete package whereas the A350 is left in the dust. This isn’t surprising given their generations and design intentions, but critical for many buyers.
The A350’s modest 2.7” tilt display contrasts with the ZV-1’s vivid and fully articulated 3” touchscreen
Battery Life and Storage Options: How Long Can You Go?
When I assess cameras, battery life and storage are often unsung heroes.
The Sony A350’s bulky body houses a battery that delivers around 420 shots per charge based on CIPA standards - a helpful number for a DSLR from its era. Storage is versatile, with a single slot accommodating either CF cards or Memory Stick Duo - a nice legacy perk now rare.
The ZV-1, meanwhile, is rated for approximately 260 shots per battery charge - less than half the A350. This reflects the power demands of its complex electronics (fast AF, 4K video, touchscreen). Storage is via a single SD card slot (also Memory Stick Pro supported). The smaller battery means it's wise to use spares or an external power bank during extended shooting.
So if you’re trekking far from power outlets, the A350’s battery endurance and legacy storage options may offer practical advantages. For vloggers or quick shooters closer to outlets, the ZV-1 still performs well.
Connectivity and Sharing: Old Meets New in Wireless
In 2008, wireless image transfer was in early stages, so the A350 has no wireless or Bluetooth connectivity. USB 2.0 is the only interface for transfer, and there’s no HDMI output for external displays.
The ZV-1 embraces the connected era with built-in Wi-Fi and Bluetooth, enabling quick image transfer, remote control via mobile apps, and easy sharing to social media - key for today’s content creators. It also has HDMI output for clean 4K video feeds to external recorders.
For modern workflows and social-media savvy shooters, the ZV-1's wireless amenities outclass the A350 completely.
Shooting Usability Across Photography Genres
Let’s synthesize how these two cameras fare across common photography disciplines.
Photography Genre | Sony A350 | Sony ZV-1 |
---|---|---|
Portraits | Great sensor color, good dof control via lenses, but lacks modern AF tracking | Superb eye-detect AF, excellent bokeh from fast zoom, responsive focus |
Landscape | Larger sensor yields richer detail and dynamic range; weather sealing absent | Smaller sensor limits ultimate quality but portable and quick to use |
Wildlife | Lens options huge, but slow AF and 3fps bursts limit action shots | Fast AF and high burst – but limited zoom reach; sensor smaller than DSLR |
Sports | Slow burst and AF tracking make it tough for fast action | Very fast burst, excellent AF tracking, but limited lens reach |
Street | Larger, heavier, louder shutter and puff of air from mirror | Incredibly compact, silent electronic shutter, fast AF is perfect for streets |
Macro | Excellent with dedicated macro lenses | Can focus close (~5cm) but no interchangeable optics |
Night / Astro | Larger sensor, better ISO performance up to 3200 | Higher ISO capability, clean noise reduction, but small sensor limits ultimate quality |
Video | No video support | Industry-leading 4K video, external mic input, image stabilization |
Travel | Bulkier body may deter carry-all-day | Lightweight, pocketable, versatile zoom lens, but limited battery life |
Professional | Raw support, reliable platform for studio or pro work, workflow legacy | Raw stills and good video codecs, but single-lens limit and no weather sealing |
Side-by-side comparison of various images: note the A350’s richer detail in landscape and portrait, and the ZV-1’s crisply focused street and video frames.
Performance Ratings and Value Evaluation
Factoring all parameters, here’s a performance snapshot based on my hands-on tests and published benchmarks (including DxOMark where available).
Sony A350 scores strong in sensor quality and image fidelity; ZV-1 excels in speed, video, and autofocus
And how they score within genres more granularly:
ZV-1 dominates video, street, and sports segments; A350 leads in landscape and studio portraits
Final Thoughts and Recommendations: Who Should Buy Which?
So, which camera ends up on your shoulder or your pocket strap?
Sony A350 – Best for Entry-Level DSLR Enthusiasts Who Prioritize Still Image Quality and Flexibility
If you have a penchant for traditional photography, want to grow your lens collection, cherish optical viewfinders, and favor larger sensor stills with good dynamic range and color fidelity, the A350 is a charming, cost-effective gateway. It shines in portraits, landscapes, and more deliberate shooting styles. Its slower autofocus and lack of video aren't dealbreakers if your passion lies mainly in still photography.
Sony ZV-1 – Perfect for Content Creators, Vloggers, and On-the-Go Shooters Needing Speed and Video
If portability, swift autofocus, and strong video capabilities are your daily bread, the ZV-1 is a compelling all-in-one. It handles street, sports, and casual wildlife with aplomb, offers 4K video with microphone inputs, and fits in a jacket pocket. Its fixed lens may limit heavy zoom or macro work, but the image quality punches well above its sensor size.
A Friendly Caveat
Both cameras lack weather sealing and ruggedness, so if you’re chasing adventures in harsh conditions, consider more contemporary weather-resistant bodies. Also, the ZV-1’s battery life can be a hurdle for extended field work; carrying spares or an external charger is advised.
Wrapping Up: Different Eras, Different Strengths
From a hands-on perspective, the A350 feels like a trusty old friend - a DSLR that teaches foundational skills and rewards patient composition with solid files. It’s a bit chunky, a bit slow, but dependable.
The ZV-1 reminds me of the new wave: fast, smart, and tuned for today’s hybrid shooter who values video just as much as photos. It’s small but mighty, fast and connected, designed for instant sharing and storytelling.
Choosing between them boils down to your priorities: are you after traditional controls and larger-sensor still photography? The A350 remains a worthy bargain. Or is your world a fast-paced mix of video and photo content creation where speed and versatility rule? The ZV-1 deserves your attention.
Either way, your Sony will reward you with images and memories - and that’s what truly counts.
I hope this comparison shines a light (and perhaps a little shadow) on these two Sonys. If you want to dive deeper into any particular shooting style or technical facet, I’m here to help explore further. Happy shooting!
Sony A350 vs Sony ZV-1 Specifications
Sony Alpha DSLR-A350 | Sony ZV-1 | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model | Sony Alpha DSLR-A350 | Sony ZV-1 |
Class | Entry-Level DSLR | Large Sensor Compact |
Launched | 2008-06-06 | 2020-05-27 |
Body design | Compact SLR | Large Sensor Compact |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | APS-C | 1" |
Sensor measurements | 23.6 x 15.8mm | 13.2 x 8.8mm |
Sensor surface area | 372.9mm² | 116.2mm² |
Sensor resolution | 14MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4592 x 3056 | 5472 x 3648 |
Max native ISO | 3200 | 12800 |
Max enhanced ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW format | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 315 |
Lens | ||
Lens mount | Sony/Minolta Alpha | fixed lens |
Lens focal range | - | 24-70mm (2.9x) |
Maximal aperture | - | f/1.8-2.8 |
Macro focus range | - | 5cm |
Total lenses | 143 | - |
Focal length multiplier | 1.5 | 2.7 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen size | 2.7" | 3" |
Resolution of screen | 230k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.49x | - |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/2000 secs |
Max silent shutter speed | - | 1/32000 secs |
Continuous shutter speed | 3.0 frames/s | 24.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Max video resolution | None | 3840x2160 |
Video data format | - | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 674 gr (1.49 pounds) | 294 gr (0.65 pounds) |
Dimensions | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO Overall score | 65 | not tested |
DXO Color Depth score | 22.6 | not tested |
DXO Dynamic range score | 11.5 | not tested |
DXO Low light score | 595 | not tested |
Other | ||
Battery life | - | 260 photographs |
Battery form | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Price at release | $600 | $750 |