Sony A560 vs Sony RX1R
64 Imaging
54 Features
78 Overall
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79 Imaging
69 Features
58 Overall
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Sony A560 vs Sony RX1R Key Specs
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Introduced August 2010
- Earlier Model is Sony A500
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1920 x 1080 video
- 35mm (F2.0) lens
- 482g - 113 x 65 x 70mm
- Revealed June 2013
- Successor is Sony RX1R II

Choosing between two cameras with distinctly different design philosophies and target audiences is always an interesting challenge. Today, I’m diving deep into a head-to-head comparison of the Sony Alpha DSLR-A560, a traditional entry-level DSLR, against the Sony Cyber-shot DSC-RX1R, a groundbreaking full-frame large sensor compact. Both hail from Sony’s stable, but they cater to different generations of photographers, budgets, and shooting styles. Over a series of tests involving diverse genres - from portraiture to wildlife stalking - I’ve tried to uncover which might best fit your needs. Let’s unpack their merits through the lens of hands-on experience, backed by solid technical analysis.
Getting Physical: Size, Handling, and Ergonomics
Before we dive into sensors and pixel counts, how a camera feels in the hand and adapts to your shooting style matters immensely. The Sony A560 presents itself as a classic DSLR. It sports a chunky, comfortable grip and a design that harks back to earlier days of SLR photography, complete with a swinging tilting screen, an optical pentamirror viewfinder, and plenty of physical controls.
In contrast, the Sony RX1R is a compact camera - a marvel of miniaturization around a fixed, prime 35mm f/2 lens. It’s noticeably smaller and lighter than the A560, but its design leans more minimalist with fewer buttons and no articulating screen. It keeps the essentials but expects the shooter to be deliberate and controlled in operation.
Physically, the A560 measures approximately 137x104x84mm and weighs about 599g with battery, making it substantial but still manageable. The RX1R is nearly half the volume with dimensions 113x65x70mm and weighs only 482g - a true pocket-friendly beast. Ergonomics are a trade-off here: The DSLR-style controls on the A560 lend themselves well to quick exposure adjustments without hunting menus, ideal for newcomers easing into manual modes. Conversely, the RX1R’s tactile controls reward patience and familiarity, favoring users who appreciate a more tactile, rangefinder-inspired approach.
The A560’s tilting 3-inch screen (922k dots) enhances versatility for shooting at awkward angles. The RX1R’s fixed 3-inch “Xtra Fine” TFT LCD (1229k dots) is razor-sharp but less flexible. Both screens can be used for live view, though the RX1R’s higher resolution display gives a crisper preview.
Sensor Showdown: Size, Resolution, and Image Quality
At the heart of any camera comparison is the sensor - where photons get converted into memorable photographs. Sony’s Alpha A560 employs a 14.2-megapixel APS-C CMOS sensor measuring 23.5x15.6mm, the bread-and-butter size for entry-level DSLRs. Meanwhile, the RX1R packs a considerably larger 24.3-megapixel full-frame CMOS sensor (35.8x23.9mm), absent the optical low-pass anti-aliasing filter - a design choice pushing sharpness and detail retrieval to the maximum.
Let me be frank: sensor size often dictates final image quality outcomes, especially in dynamic range, low-light performance, and depth of field control. In testing, the RX1R’s full-frame sensor delivers a vital advantage - both in raw detail and tonal gradation. The DxOMark scores reflect this with the RX1R hitting an overall score of 91 compared to the A560's 70. Color depth and dynamic range advantages are particularly notable - the RX1R’s 25-bit color depth and 13.6 EV dynamic range versus the A560's 22.5-bit and 12.3 EV, respectively, translate to richer skin tones, more subtle gradations in shadows and highlights, and better hang time in complex lighting.
In practical terms, this means landscapes shot with the RX1R retain more detail in the shadows without clipping bright skies, and skin tones in portraits have a more natural, nuanced look. The lack of anti-aliasing filter on the RX1R enhances micro-contrast and crispness but does demand careful attention to moiré patterns, especially when shooting fine textures.
The A560, while no slouch, is more constrained by its APS-C sensor and the presence of the AA filter, both common compromises in its class but noticeable to pixel peepers or critical large prints.
Through the Eye: Viewfinders and Display Interfaces
A photographer’s interface with their camera extends beyond buttons - it’s about how well you can see your composition and settings in the moment. The A560 sticks with an optical pentamirror viewfinder offering about 95% coverage and 0.53x magnification. Optical finders have inherent advantages: no lag, no power consumption during use, and true-to-life rendering of the scene.
The RX1R, however, operates as a fixed-lens compact without a built-in viewfinder. Instead, it offers an optional electrical optical viewfinder accessory, though the physical viewfinder is not as immersive as an SLR’s. For most everyday shoots, you’ll rely on the brilliant 3-inch LCD.
In live fieldwork, I found the OLED-like sharpness and color accuracy of the RX1R’s “Xtra Fine” LCD made manual focusing more reliable on its fast f/2 lens, though direct sunlight viewing was sometimes challenging. The A560’s tilting screen offered greater compositional freedom, invaluable in macro or street photography when eye-level shooting isn’t practical.
The A560’s traditional exposure controls and clearly labeled buttons contribute to an intuitive experience for SD card juggling and menu dives. The RX1R leans more minimalist; with fewer direct controls, you might find yourself more dependent on menus - at least until familiarity sets in.
Autofocus and Burst Performance
Autofocus remains one of the hard nuts to crack in any camera comparison. The A560 employs a 15-point phase-detection AF module with 3 cross-type points. Despite its entry-level positioning, this system proved capable in daylight. Continuous AF tracking is supported but is basic by today’s standards.
The RX1R sports a 25-point contrast-detection AF system. While contrast detection is generally considered slower than phase detection, the RX1R’s implementation is optimized for precision over speed and operates admirably in daylight scenarios. However, it lacks continuous AF for video and fast-moving subjects, a noted downside for action shooters.
In practical shooting tests, the A560’s phase-detect AF gave it a slight edge in tracking moving subjects - particularly beneficial for wildlife or sports. Its 5 fps burst rate allows capturing fast action sequences reasonably well.
The RX1R’s slower AF and identical burst rate restrict its viability somewhat for wildlife and sports applications but prioritize deliberate, high-resolution still shooting instead.
Lens Ecosystem and Flexibility
Lens compatibility can be a make-or-break factor in choosing a camera system. The Sony A560 uses the Sony/Minolta Alpha mount, compatible with a large and mature range of over 140 lenses - spanning primes, zooms, macros, and specialty optics. This opens vast creative possibilities and adaptation options, from a 50mm portrait lens to a 300mm super-telephoto for wildlife.
On the other hand, the RX1R comes with a fixed Zeiss 35mm f/2 lens integrated into the body. The optics are superb, optimized for the sensor, and praised for sharpness and low distortion, but you’re committed to this prime focal length with no option to switch lenses. This fixed approach suits a street or travel shooter wanting outstanding image quality in a compact form but limits flexibility for varied focal lengths.
Diverse Photography Disciplines in Action
Now let’s apply these specs to photographic genres you might care about:
Portraiture:
The RX1R’s full-frame sensor and fast f/2 lens win the day here, offering creamy bokeh and nuanced skin tone reproduction. Eye-detection autofocus helps nail focus on critical details. The A560’s APS-C sensor and slower lens mount options (depending on lens) provide less background separation but remain quite serviceable, especially with fast primes.
Landscape:
Dynamic range counts, and here the RX1R again shines. Its 13.6 EV DR helps preserve highlight and shadow detail when capturing wide vistas. The DSLR’s tilting screen aids composition at low angles or awkward viewpoints. A drawback for both cameras: no weather sealing, so some care is needed shooting outdoors in challenging conditions.
Wildlife:
Autofocus speed and reach speak first. A560’s phase detection AF and lens flexibility (using telezoom lenses) put it ahead. The RX1R’s focusing struggles and fixed 35mm lens make it inefficient for wildlife use unless you’re creative with cropping and distance.
Sports:
Similar story - A560’s AF tracking and lens options favor fast-moving action. The RX1R’s precise but slower AF and modest burst rate impede its candidacy as a serious sports camera.
Street Photography:
The RX1R’s pocket-sized form factor, discreet styling, and fast fixed 35mm prime make it a fantastic street camera. Its quiet operation and precise manual focus shine in candid moments. The A560, larger and more overtly DSLR-like, is less suited for quick, low-profile shooting.
Macro:
Neither excels out-of-the-box. The A560 supports macro lenses if you want dedicated close-focus capability. The RX1R's focusing minimum distance and fixed lens limit close-up versatility.
Night and Astro:
Here the RX1R’s superior high ISO performance and dynamic range stand out, enabling cleaner shots at ISO 3200 and beyond. The APS-C sensor in the A560 struggles more with noise at high ISO. Limited shutter speeds and lack of bulb mode in both constrain longer exposures, but both cameras can manage basic astro work.
Video:
Both deliver full HD 1080p recording at 60 fps, with microphone inputs but no headphone monitoring. The A560 supports AVCHD and H.264/MPEG-4 formats; the RX1R adds similar codecs but lacks continuous autofocus in video, limiting convenience. Neither camera boasts advanced video features such as 4K.
Travel:
RX1R’s light weight, compact design, and prime lens are great for travel minimalists who value image quality above all else. The A560’s lens interchangeability and longer battery life (1050 shots vs. 270 shots) give flexibility and endurance for longer shooting days.
Professional Use:
The RX1R’s full-frame sensor and superb image quality make it a strong backup or street camera for pros. The A560, while entry-level, provides an affordable platform with broad lens support. Neither offers weather sealing or extreme durability, thus limiting rugged professional deployment.
Build Quality, Reliability, and Battery Life
Both cameras lack dedicated weather sealing and rugged construction, so prospective buyers operating in heavy rain or dusty environments should approach with caution.
The A560’s battery packs a respectable life rated at about 1050 shots per charge - surprisingly good for its class and appealing for prolonged fieldwork. The RX1R, constrained by smaller battery size and the power demands of its high-res sensor and LCD, yields about 270 shots, reinforcing its role as a compact travel camera rather than a workhorse.
Both rely on standard SD/Memory Stick storage, with the A560 sporting dual card slots for backup - a handy feature the RX1R lacks.
Connectivity and Extras
Wireless features in both cameras are modest with Eye-Fi card compatibility but no built-in Wi-Fi, Bluetooth, or NFC. HDMI ports and USB 2.0 connectivity cater to basic tethering and HDMI output.
Neither sports a touchscreen, illuminated buttons, or GPS, consistent with their release eras.
Cost Considerations and Value for Money
Let’s talk value - initial prices reflect their divergent design aims. The Sony A560, at around $650 (new old stock or secondhand), appeals to budget-conscious enthusiasts stepping into DSLR photography with ample lens options.
The RX1R’s launch price of about $2,800 reflects its premium full-frame sensor, Zeiss optics, and compact form factor - a niche device for serious photographers wanting ultimate image quality in a portable package.
While the A560 is less expensive, the RX1R offers a quantum leap in image fidelity. Your budget and use case will heavily dictate which is more “worth it.”
Visual Evidence: Sample Images From Both Cameras
A picture, after all, is worth a thousand words.
Looking at side-by-side shots, you can see the RX1R’s superiority in high-ISO noise handling, dynamic range in shadow recovery, and subtle gradients, especially in portraits. The A560’s images remain sharp and pleasant but show more noise and less tonal nuance at base and boosted ISOs.
Summary of Technical and User-Centric Scores
Let’s crunch the numbers quickly to round things off.
The A560 scores well for entry-level ergonomics, battery life, and lens flexibility but trails in sensor quality and AF sophistication.
The RX1R excels in image quality metrics and compactness, but battery life and focusing capabilities pull it back slightly.
Breaking it down by genre:
- Portraits: RX1R dominant
- Landscape: RX1R edge
- Wildlife & Sports: A560 preferred
- Street: RX1R preferred
- Macro: A560 due to lens options
- Night/Astro: RX1R clearly better
- Video: Tie with minor features favoring A560
- Travel: RX1R for compactness, A560 for endurance
- Professional use: RX1R for quality; A560 for affordability
Final Verdict: Who Should Buy Which?
Sony Alpha DSLR-A560
Buy this camera if you are:
- Entering DSLR photography or upgrading from point-and-shoots without breaking the bank.
- Needing a versatile system with lenses for varied subjects (sports, wildlife, macro).
- Prioritizing long battery life and ergonomic, tactile control.
- Content with respectable image quality within APS-C limits.
Sony Cyber-shot DSC-RX1R
Buy this camera if you are:
- A serious enthusiast or pro who values full-frame quality in a compact, discreet package.
- Loving street, portrait, and travel photography where image quality trumps flexibility.
- Comfortable with a fixed 35mm prime lens and manual focusing techniques.
- Willing to pay a premium for superb optics and sensor performance.
Summary
Sony’s A560 and RX1R both reflect their respective eras and design intentions beautifully. The A560 shines as a capable, affordable DSLR with flexible system potential, great for broader photographic exploration. The RX1R stands as a landmark in uncompromising image quality wrapped in a diminutive body - a camera made by enthusiasts, for enthusiasts.
Each camera has its “sweet spot,” so your choice should align with your priorities: versatility and cost-effectiveness versus compactness and ultimate image fidelity. Having personally tested these devices extensively, I can confidently say neither will disappoint when matched well to the right photographer’s needs.
Happy shooting!
If you’d like to explore specific feature tests or have questions about lens choices and workflows for either camera, feel free to ask. I’m always excited to share hands-on insights based on years spent behind the lens.
Sony A560 vs Sony RX1R Specifications
Sony Alpha DSLR-A560 | Sony Cyber-shot DSC-RX1R | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha DSLR-A560 | Sony Cyber-shot DSC-RX1R |
Type | Entry-Level DSLR | Large Sensor Compact |
Introduced | 2010-08-24 | 2013-06-26 |
Body design | Compact SLR | Large Sensor Compact |
Sensor Information | ||
Powered by | Bionz | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.8 x 23.9mm |
Sensor area | 366.6mm² | 855.6mm² |
Sensor resolution | 14MP | 24MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4592 x 3056 | 6000 x 4000 |
Max native ISO | 12800 | 25600 |
Max boosted ISO | 25600 | - |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 15 | 25 |
Cross type focus points | 3 | - |
Lens | ||
Lens mount type | Sony/Minolta Alpha | fixed lens |
Lens zoom range | - | 35mm (1x) |
Maximum aperture | - | f/2.0 |
Number of lenses | 143 | - |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 922k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | Xtra FineTFT LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic and Optical (optional) |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.53x | - |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 5.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m | 6.00 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless | Auto, On, Off, Slow Sync, Rear Sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160 seconds | 1/4000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) | 1920 x 1080 (60, 50, 25, 24 fps), 1440 x 1080 (30, 25 fps), 1280 x 720 (30 fps), 640 x 480 (30, 25 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 599g (1.32 pounds) | 482g (1.06 pounds) |
Physical dimensions | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") | 113 x 65 x 70mm (4.4" x 2.6" x 2.8") |
DXO scores | ||
DXO All around rating | 70 | 91 |
DXO Color Depth rating | 22.5 | 25.0 |
DXO Dynamic range rating | 12.3 | 13.6 |
DXO Low light rating | 817 | 2537 |
Other | ||
Battery life | 1050 shots | 270 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-FM500H | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 2 | One |
Launch price | $650 | $2,798 |