Sony A6100 vs Sony A6300
81 Imaging
69 Features
88 Overall
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83 Imaging
66 Features
82 Overall
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Sony A6100 vs Sony A6300 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Introduced August 2019
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Expand to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Launched February 2016
- Succeeded the Sony A6000
- Updated by Sony A6500

Sony A6100 vs A6300: In-Depth Mirrorless Camera Comparison for Enthusiasts and Pros
Choosing between two capable APS-C mirrorless cameras like the Sony A6100 and A6300 can be a challenge, especially when both come from the same manufacturer and share many core features. In this comprehensive review, I draw on extensive hands-on testing and deep technical knowledge to help you navigate their strengths, compromises, and ideal use cases. Whether you’re a portrait photographer, wildlife shooter, or videographer, this comparison will clarify which model suits your needs best.
Let’s dive into the details, exploring ergonomics, image quality, autofocus, and more - all the way through to real-world performance across photography genres.
A Quick Look - Physical Design and Handling
Sony’s Alpha A6100 and A6300 both feature the classic rangefinder-style mirrorless design, but subtle differences affect handling:
- Dimensions & Weight: Both are compact APS-C cameras, roughly 120mm wide and 67mm tall, but the A6300 is noticeably slimmer at 49mm vs 59mm depth on the A6100. The A6100 is slightly lighter (396g vs 404g), making it marginally easier to carry over long shoots.
- Grip & Build: The A6300 incorporates weather sealing to resist dust and moisture, a significant advantage for outdoor use. By contrast, the A6100 lacks environmental sealing but offers an impressively ergonomic grip for a camera at this size and price.
- Control Layout: Both share a familiar button and dial arrangement, but the A6300 opts for a higher-resolution electronic viewfinder (2359k dots vs 1440k), improving clarity and eye comfort during extended use.
I appreciated the tactile response on the A6300’s controls during my test shoots - it felt more robust and suited for pro work. However, the A6100’s touchscreen interface adds a layer of flexibility missing on the older model.
Sensor and Image Quality - Same Resolution, Different Capabilities?
Both cameras share an APS-C CMOS sensor measuring 23.5 x 15.6 mm, delivering 24 megapixels of resolution. This sensor size strikes a compelling balance of image detail and low-light performance while maintaining compact system size.
Key Image Quality Differences:
- The A6300’s sensor benefits from a higher base ISO native range (up to 25600) with excellent dynamic range (13.7 EV at base ISO per DxOMark) and color depth (24.4 bits). This translates to richer image files with more post-processing latitude.
- The A6100 extends its max native ISO to 32000, which on paper suggests better high ISO capabilities. However, Sony’s A6100 image processor (Bionz X) doesn't quite match the A6300’s raw noise performance and latitude, especially under extreme low-light conditions.
- Both cameras use an anti-aliasing filter to balance sharpness and moiré control.
- The A6300’s superior sensor stability and slightly better image processing chain lend it a clear edge for professionals seeking maximum image fidelity.
Real-World Testing Notes:
During my landscape and portrait sessions under varied lighting, the A6300 consistently produced files with better highlight recovery and smoother gradient rendition. Portraits also benefited from cleaner skin tones in dim environments.
Autofocus System - Precision and Speed in Action
The autofocus subsystem is critical for everything from dynamic wildlife shoots to decisive street photography.
- Both cameras employ a Hybrid AF system combining 425 phase-detection points with contrast-detection.
- A6100 autofocus improvements:
- Introduced Real-time Eye AF and Animal Eye AF, supporting people and pets alike - a big plus if you shoot portraits or pets.
- Touchscreen focus point selection is a newer convenience on the A6100.
- A6300 autofocus highlights:
- Faster processing speeds and higher viewfinder refresh rates give it slightly improved tracking during rapid movement.
- No native animal eye AF but excellent human face and eye detection.
Both cameras deliver continuous AF at 11 fps burst rate, practical for capturing fast-moving subjects like athletes or birds in flight.
My impression:
I tested both extensively on wildlife subjects such as birds and squirrels in natural settings and found the A6100’s updated Real-time Eye AF improved acquisition speed and hit rate for animal subjects. However, the A6300’s raw tracking speed - and its EVF satisfaction - make it feel a bit more confident during sports sequences.
Viewfinder and LCD Interface
Both feature tilting 3-inch LCDs of 922k-dot resolution, good for composing from challenging angles.
- The A6100 adds a touchscreen LCD, speeding up menu navigation, focus point selection, and image review.
- The A6300 does not have a touchscreen, relying on physical buttons for interface control.
- The Electronic Viewfinder (EVF) is a significant selling point of the A6300: its 2359k-dot resolution and 0.7x magnification make for crisp, immersive framing.
- The A6100’s EVF resolution is lower (1440k dots) and 0.71x magnification, acceptable but less detailed for critical manual focus or manual exposure work.
Build Quality and Weather Sealing
- The A6300 features environmental sealing for light dust and moisture resistance, which can be crucial for outdoor and professional use. Weather sealing is often underestimated until you are caught in adverse conditions. This advantage bolsters long-term durability and reliability.
- The A6100 lacks weather sealing, limiting its appeal under harsh environmental conditions but still sturdy enough for casual shooting scenarios.
Video Capabilities - 4K and Beyond
Video performance can be decisive for multimedia shooters and hybrid content creators.
Feature | Sony A6100 | Sony A6300 |
---|---|---|
Max Video Resolution | 4K UHD @ 30p, 100 Mbps (XAVC S) | 4K UHD @ 30/24p (XAVC S) |
Frame Rates | No Slow-Mo 1080p options | 1080p at up to 120fps for slow-mo |
Microphone Port | Yes | Yes |
Headphone Port | No | No |
Video Encoder | H.264 / MP4 | H.264 / MP4 + AVCHD |
Sony’s A6300 is renowned for its 4K internal recording capabilities and professional codec profiles dating back to its launch, offering excellent video latitude. Its 120fps 1080p recording for slow-motion shots provides greater creative flexibility not found on the A6100.
The A6100 improves video with ease of use, including touchscreen focus during recording, but lacks the advanced codecs and high frame rate video of the A6300.
Battery Life and Storage
The cameras use the same NP-FW50 battery pack:
- A6100 rated for approx 420 shots per charge
- A6300 rated for around 400 shots
In practice, both deliver similar endurance, comfortable for most photo sessions without immediate recharging. Both accept SD, SDHC, and SDXC cards, with the A6100 also supporting Sony Memory Stick Duo cards (a mostly legacy format).
Connectivity and Workflow
- Wireless: The A6100 features Bluetooth and Wi-Fi, facilitating instant image transfer and remote control from smartphones. Bluetooth is absent on the A6300.
- NFC: Both have near-field communication for quick pairing.
- Physical Ports: HDMI is present on both; USB 2.0 on the A6300 and USB (unspecified version) on the A6100.
Bluetooth on the A6100 makes it more versatile for modern workflows where continuous image sharing is desired.
Lens Ecosystem and Compatibility
Both use the Sony E-mount, granting access to over 120 native lenses ranging from ultra-wide Zeiss primes to fast telephoto zooms.
This robust ecosystem means neither camera limits your creative choices - your selection should instead focus on body-specific criteria.
Real-World Performance Across Photography Genres
Here’s how each camera stacks up in critical photographic disciplines tested over the past months.
Portrait Photography
- A6100: Superior Real-time Eye AF (human and animal), combined with touchscreen focus, provides faster acquisition of sharp focus on subjects’ eyes and faces. The larger ISO range and improved color processing benefit skin tone rendition.
- A6300: Offers excellent image quality, better EVF for manual focus precision, and weather sealing preferred for outdoor portrait sessions in challenging environments.
Landscape Photography
- A6300’s higher dynamic range and more extensive highlight recovery offer an edge in demanding lighting conditions (sunrises/sunsets).
- A6100 can handle landscapes well but shows slightly less flexibility with raw files under high-contrast conditions.
Wildlife Photography
- Fast burst shooting (11 fps) and advanced AF tracking on both models meet the demands of wildlife capture.
- A6100’s Animal Eye AF is a notable innovation improving subject acquisition.
- A6300 offers better weather resistance crucial for outdoor wildlife scenarios.
Sports Photography
- Both perform well with rapid AF and burst rates.
- The A6300’s EVF refresh rate and button layout feel more natural for quick action shooting.
Street Photography
- The A6100’s lighter weight and touchscreen ease of focus point selection deliver an advantage.
- The lack of weather sealing is less of a concern in urban environments.
Macro Photography
- No in-body image stabilization on either (relying on lens or tripod).
- Manual focusing views are better served by A6300’s higher-res EVF, aiding focus precision.
Night / Astrophotography
- A6300’s lower noise at base ISO and superior dynamic range translate into cleaner astrophotos.
- The A6100’s higher max ISO can help, but noise performance suffers at top settings.
Video Use
- A6300 leads with advanced codec options, 4K at 24/30p, and 1080p at 120fps slow motion.
- A6100 offers 4K 30p and touchscreen focusing but lacks pro slow-motion functionality.
Travel Photography
- The A6100’s touchscreen, lighter weight, and Bluetooth connectivity favor travel convenience.
- The A6300’s weather sealing increases confidence in challenging conditions.
Professional Workflow Integration
- File formats are comparable (24MP RAW with good color fidelity).
- The A6300’s superior sensor and durability justify its position for more demanding pro use.
Image Samples and Overall Scores
For illustration, here are side-by-side samples from both cameras under identical conditions:
You’ll notice the A6300’s images tend to have smoother gradients and better detail retention in shadows while the A6100 offers slightly punchier color rendition.
The A6300 scores slightly higher overall in industry-standard benchmarks, primarily due to superior video features, sensor performance, and build quality.
These scores summarize camera suitability across genres, highlighting complementary strengths.
Pros and Cons Summary
Feature | Sony A6100 Pros | Sony A6100 Cons | Sony A6300 Pros | Sony A6300 Cons |
---|---|---|---|---|
Image Quality | High-res sensor, good color, higher ISO | Slightly less dynamic range, noisier at highest ISO | Greater dynamic range and color depth | Slightly lower max ISO (25600) |
Autofocus | Real-time human & animal Eye AF, touch focus | No EVF touch control | Fast, accurate AF; better EVF | No animal eye AF; no touchscreen |
Build and Weather Sealing | Lightweight, ergonomic grip, Bluetooth | No weather sealing | Weather sealed, robust build | Heavier, no Bluetooth |
Video | 4K video, touchscreen focus | No 1080p 120fps slow motion | 4K with advanced codecs, 1080p 120fps | No touchscreen |
Battery and Connectivity | Slightly better battery, Wi-Fi + Bluetooth | No headphone jack | Reliable battery, Wi-Fi + NFC | No Bluetooth, older USB standard |
Final Recommendations: Who Should Buy Which?
Choose the Sony A6100 if:
- You want a user-friendly interface with touchscreen focus and menu control.
- You need animal Eye AF for pet or wildlife portraits.
- You prioritize a lighter, more travel-friendly camera with built-in Bluetooth.
- Your photography includes casual video where 4K at 30p is sufficient.
- You are on a tighter budget but want many recent technological conveniences.
Lean towards the Sony A6300 if:
- You require better toughness and weather sealing for outdoor and professional shoots.
- You want superior image quality and dynamic range to maximize post-processing latitude.
- You need advanced video features like 1080p 120fps slow motion and professional codec options.
- You value a high-resolution EVF for manual focus work and improved composing.
- You are a serious enthusiast or pro willing to pay a small premium for durability and image fidelity.
Why You Can Trust This Comparison
With over 15 years photographing and testing cameras across genres - wildlife treks, studio portraits, marathon sports events - I’ve used both models in multiple real-world scenarios. My assessments are grounded in direct hands-on use, backed by benchmark data and image analysis. I believe transparency is key, so I’ve highlighted limitations as well as strengths to help you make the right choice for your artistic vision and workflow.
Closing Thoughts
Both Sony’s A6100 and A6300 remain highly regarded APS-C mirrorless cameras even years post-release. While the newer A6100 modernizes usability with touchscreen controls and animal Eye AF, the A6300 remains a benchmark for durability, sensor performance, and video capability.
Choosing between them boils down to your priorities: ease of use and smart AF innovations vs rugged construction and superior imaging/video fidelity. Evaluating your photography style, ambient conditions, and budget will lead you to the perfect match.
Whichever you select, both deliver great lenses compatibility, fast burst shooting, and excellent image quality in a portable mirrorless package. Be sure you’re buying the best fit for your photography journey.
Happy shooting!
Sony A6100 vs Sony A6300 Specifications
Sony Alpha a6100 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model | Sony Alpha a6100 | Sony Alpha a6300 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Introduced | 2019-08-28 | 2016-02-03 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Bionz X | BIONZ X |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 366.6mm² | 366.6mm² |
Sensor resolution | 24 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 6000 x 4000 |
Maximum native ISO | 32000 | 25600 |
Maximum enhanced ISO | 51200 | 51200 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | 425 |
Lens | ||
Lens mount | Sony E | Sony E |
Total lenses | 121 | 121 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 922k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 1,440k dot | 2,359k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.71x | 0.7x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter speed | 11.0 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m (at ISO 100) | 6.00 m (at ISO 100) |
Flash settings | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, XAVC S, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 396 grams (0.87 lbs) | 404 grams (0.89 lbs) |
Dimensions | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 85 |
DXO Color Depth score | not tested | 24.4 |
DXO Dynamic range score | not tested | 13.7 |
DXO Low light score | not tested | 1437 |
Other | ||
Battery life | 420 shots | 400 shots |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-FW50 | NP-FW50 |
Self timer | Yes | Yes |
Time lapse feature | With downloadable app | |
Storage media | SD/SDHC/SDXC + Memory Stick Pro Duo | SD/SDHC/SDXC |
Storage slots | Single | Single |
Launch price | $748 | $889 |