Sony WX500 vs YI M1
91 Imaging
43 Features
56 Overall
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87 Imaging
59 Features
66 Overall
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Sony WX500 vs YI M1 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Introduced April 2015
- Old Model is Sony WX350
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 4096 x 2160 video
- Micro Four Thirds Mount
- 350g - 114 x 64 x 34mm
- Launched September 2016

Sony WX500 vs YI M1: A Detailed Comparison for Photography Enthusiasts and Professionals
Selecting a camera in today’s crowded market demands a nuanced understanding of the device’s technological capabilities, ergonomics, and real-world performance across various photography disciplines. Facing the Sony Cyber-shot DSC-WX500 - a stylish compact superzoom - against the YI M1 - an entry-level mirrorless camera in the Micro Four Thirds (MFT) system - we uncover two cameras that serve very different photographic needs, yet both attract enthusiasts who demand high image quality and feature sets tailored to specific shooting scenarios.
This comprehensive comparison will leverage direct experience drawn from meticulous field testing, detailed technical analysis, and a close look at usability to help you decide which camera fits your creative ambitions best. From portraiture and landscape to video and travel photography, we cover all major disciplines and deliver clearly articulated pros and cons to guide your investment.
Understanding Physical Design and Handling: Compact Convenience vs Mirrorless Versatility
The first impression upon handling either camera reveals fundamental differences rooted in their body design and intended user interface approach.
Sony’s WX500, with dimensions of 102x58x36 mm and a featherweight 236 grams, epitomizes pocketable superzoom compacts. Its clamshell-tilting 3-inch LCD lets users shoot from challenging angles, compensating for the absence of a viewfinder. The streamlined body offers a simple control scheme without luxuries such as touchscreen capabilities, but retains solid grip security for its size.
Conversely, the YI M1, at 114x64x34 mm and 350 grams, occupies the rangefinder-style mirrorless compact niche, featuring a fixed yet higher resolution 3-inch touchscreen LCD (1040k dots vs 921k on the WX500). Its Micro Four Thirds lens mount system encourages lens swaps, sacrificing pocket portability for creative optical versatility and manual operation.
Notably, neither camera provides an electronic viewfinder, which may be a drawback for outdoor shooting in bright environments, yet their robust LCD implementations cater well to casual framing needs. The YI’s touchscreen interface offers modern responsiveness for menu navigation and focus control - a tangible advantage over Sony’s non-touch display.
Ergonomically, the WX500 prioritizes ultra-compact convenience for travel and street photography, whereas the YI M1’s broader body better accommodates more deliberate photographic interaction, favored by users ready to experiment with interchangeable lenses and manual exposure control.
Sensor Technology and Image Quality: The Heart of Photographic Excellence
The leap in sensor capability often defines the magnitude of photographic improvement; here we contrast the tiny Sony 1/2.3-inch BSI CMOS sensor against the far larger Micro Four Thirds sensor powering the YI M1.
Sony WX500 employs an 1/2.3” sensor (6.17x4.55mm, ~28mm² area) with an 18MP count, optimized for compact form factor dynamics. This sensor is a mainstay in advanced compact cameras, often yielding decent detail at base ISOs but limited headroom in high-ISO noise control, dynamic range, and color fidelity compared to larger sensors.
YI M1’s sensor measures 17.3x13mm (~225mm² area) with a 20MP resolution - nearly eight times the sensor area of the Sony. This substantial increase facilitates superior light gathering, improved dynamic range, cleaner high-ISO performance, and finer color gradation. The YI supports up to ISO 25600 (native), versus the WX500’s ceiling at ISO 12800, reflecting this design advantage.
Both cameras incorporate an antialiasing filter, which slightly softens image detail to reduce moiré but maintains artifact-free output.
While the WX500 prioritizes convenience and zoom range, its smaller sensor limits overall image quality, especially in challenging light. The YI M1’s larger sensor array empowers photographers seeking image excellence and post-processing latitude, critical for professional-grade work.
AF Systems and Focusing Performance: Speed and Accuracy in the Field
Autofocus speed, accuracy, and versatility differentiate a smooth shooting experience and ensure missed moments remain exceptions.
Sony WX500 features a contrast-detection AF system with face detection supported, including continuous and tracking modes - appropriate for a compact. However, it lacks phase-detect AF points or sophisticated tracking for moving subjects, somewhat constraining in wildlife or sports contexts.
The YI M1 employs an 81-point contrast-based AF layout combined with face detection but without phase-detection or animal eye AF. It includes touch AF capabilities on its LCD, enhancing manual focus precision and speed in live view.
While neither system matches the elite hybrid AF found in flagship mirrorless or DSLR models, the YI’s more extensive focus point coverage paired with touchscreen control translates into better manual and selective focusing workflows. The WX500’s superior continuous shooting speed of 10 fps slightly edges out the YI’s 5 fps, beneficial when capturing fast burst sequences, but the autofocus lag can occasionally constrict tracking performance.
Lens Ecosystem and Flexibility: Fixed Superzoom vs Micro Four Thirds Interchangeability
Lens versatility is intrinsic to creative photographic expression.
WX500’s fixed 24-720mm equivalent superzoom lens (F3.5-6.4) delivers exceptional reach, rare for compact cameras, enabling wide-angle landscapes to distant wildlife telephoto shots without lens swaps. Optical image stabilization aids in combating shake across the zoom range.
In contrast, the YI M1 supports the well-established Micro Four Thirds mount with over 100 compatible lenses spanning primes, zooms, macros, and specialist optics. This ecosystem opens vast creative avenues - from ultrafast portraits to macro close-ups - while supporting stabilization within lenses or cameras (though the YI M1 body lacks in-body stabilization).
Your choice here hinges on whether flexibility or outright zoom power aligns best with your style. The WX500’s “one-lens-does-all” approach excels in convenience; the YI M1 rewards investment in glass for tailored image rendition.
Exposure Controls, Ergonomics, and Interface: The Photographer’s Command Center
Handling and the user interface directly influence shooting flow and overall satisfaction.
Both cameras offer shutter priority, aperture priority, and manual exposure modes, but only the YI M1 boasts touchscreen control and touch AF, which modern shooters increasingly demand.
Sony’s WX500 complicates precise focusing and menu navigation with the lack of touchscreen, but features physical dials and buttons accessible and comfortable despite its petite body. The tilting LCD facilitates shooting at awkward angles but is limited to tilt - no full articulation or selfie flipping.
YI M1’s interface benefits from responsive touchscreen menus, simplifying focus point selection, menu adjustments, and exposure settings, reducing reliance on physical buttons.
Neither camera has illuminated buttons - a minor inconvenience in dim environments. Custom white balance is available in the WX500 but missing from the M1, which may hinder color accuracy in tricky lighting without post-processing.
Video Performance: From HD to 4K Realities
The video domain challenges cameras with resolution demands, stabilization needs, and codec efficiency.
Sony WX500 shoots Full HD (1920x1080) video up to 60p, supporting both AVCHD and XAVC S formats, catering to enthusiasts prioritizing smooth temporal resolution. Optical image stabilization integrated with the lens assists handheld video clarity.
YI M1 impresses by recording genuine 4K UHD video (4096 x 2160) at 30p, albeit lacking optical or in-body image stabilization - a means to obtain sharp footage relies on stabilized lenses or gimbals. Video encoding uses MPEG-4 with H.264 compression, delivering comparable quality to more expensive mirrorless models in its price segment.
One drawback for both is the absence of external microphone and headphone jacks, limiting critical audio capture and monitoring options during recording.
The YI’s touchscreen greatly enhances video focus pulling and exposure adjustments, while the Sony’s lack of touchscreen and simpler controls restricts dynamic video creativity.
Battery Life and Storage Options: Practical Considerations for Long Shoots
Sony WX500’s 360 shots per charge versus YI M1’s 450 shots situates both within typical compact and mirrorless averages, yet the YI’s marginally better endurance aligns with its slightly larger physical size.
Both cameras utilize SD/SDHC/SDXC cards, though the WX500 supports Memory Stick Duo, reflecting Sony’s cross-compatibility legacy.
Storage slots are singular, demanding disciplined media management on extended shoots.
USB 2.0 connectivity and built-in Wi-Fi (plus NFC on Sony and Bluetooth on YI) facilitate image transfer but lack advanced tethering functions found on higher-end models.
Weather Sealing and Durability: Handling Nature’s Elements
Neither camera features environmental sealing or rugged body protections such as dustproofing, shockproofing, or freezeproofing.
This limits their use in inclement weather or harsh environments. Photographers intending to shoot landscapes, wildlife, or adventure sports in demanding conditions should consider protective measures or alternative models.
Specialized Photography: Discipline-Specific Performance and Suitability
To offer practical guidance, we assess how each model performs across core photographic genres:
Portrait Photography
The YI M1’s larger sensor, higher resolution, and interchangeable fast lenses deliver more flattering skin tones and desirable shallow depth of field bokeh effects, enhanced by Touch AF face detection for sharp eye focus. Sony’s WX500, while competent, struggles with background separation due to smaller sensor and slower optics.
Landscape Photography
The WX500’s built-in 24mm equivalent wide angle is useful, but limited sensor size constrains dynamic range and fine detail. The YI M1’s MFT sensor shines here, with a class-leading dynamic range and superior resolution ideal for landscape detail-rich captures. Weather sealing limitations apply equally.
Wildlife Photography
Sony’s impressive 30x zoom lens (720mm equivalent) is unmatched by the YI M1’s interchangeable lens system unless paired with large telephoto lenses (which increase bulk). However, the WX500’s autofocus is less responsive with moving subjects, favoring static animals or casual telephoto use.
Sports Photography
Neither camera is ideal for professional-level sports due to lack of phase-detect AF and limited continuous shooting capabilities: 10 fps on WX500 bests YI’s 5 fps but with slower AF tracking, favoring burst over precision. The WX500’s small sensor also limits ISO flexibility in challenging lighting.
Street Photography
The WX500’s discreet size, silent operation, and ready zoom make it excellent for candid street shooting. The YI M1’s larger form factor and no built-in flash reduce spontaneity. Lack of viewfinders on both may hinder bright light shooting.
Macro Photography
Close-focusing at 5 cm on the WX500 is convenient but optical quality and background separation are limited. YI M1’s interchangeable lens arsenal includes superior macro optics with enhanced magnification and resolution, supported by precise touch focusing.
Night and Astro Photography
YI M1’s native ISO range to 25600 and larger sensor area afford significant noise control, essential for night and astrophotography. Sony’s smaller sensor and ISO limit reduce its viability, though optical stabilization assists handheld night shots.
Video Usage
YI M1’s genuine 4K recording capability sets it apart, despite no stabilization, while Sony WX500 is confined to Full HD but benefits from optical stabilization and advanced video codec options. For enthusiasts serious about video, the YI M1’s resolution and touchscreen controls provide a creative edge.
Travel Photography
WX500’s compactness and all-in-one zoom are compelling for travel, combining reduced kit weight with diverse focal lengths. The YI M1’s lens interchangeability and superior image quality excel but at the expense of bulkier gear.
Professional Applications
Neither camera fully qualifies for demanding professional workflows: both lack weather sealing, dual card slots, high-speed wired or wireless tethering, or extensive video/audio monitor features. The YI M1’s raw support, larger sensor, and 4K video provide creative advantages in specific professional contexts such as online content creation or casual commercial work.
Overall Performance Ratings and Practical Verdict
To synthesize extensive testing data:
Beyond raw specs, our hands-on evaluations confirm that the YI M1 outperforms the Sony WX500 significantly in image quality, manual control, and video capability, whereas the Sony compensates through pocketability, zoom versatility, and faster burst rates.
Granular Genre-Specific Scoring: Where Each Camera Excels
- Portraits: YI M1 leads for bokeh and detail.
- Landscapes: YI M1 for dynamic range.
- Wildlife: WX500’s zoom offers reach; focus speed limits.
- Sports: WX500’s burst frame rate benefits rapid shooting.
- Street: WX500’s compactness prevails.
- Macro: YI M1’s lens options dominate.
- Night: YI M1’s sensor size critical.
- Video: YI M1’s 4K wins.
- Travel: WX500 for packability.
- Professional Use: YI M1 edges forward.
Real-World Image Quality and Sample Comparison
Inspecting side-by-side captures illustrates these technical nuances vividly.
YI M1 shots display richer tonal range, superior color fidelity, and cleaner shadows. WX500 photos excel in accessible framing flexibility with decent sharpness surprisingly for a small sensor.
Top-Down View on Design and Controls
Exploring top panel layout shows the design philosophy:
Sony’s minimalism contrasts with YI’s more traditional dedicated dials suited to manual operation preferences.
Back Screen and Interface Experience
Engagement with the display touches highlights user friendliness:
YI M1’s touchscreen provides a modern user experience, while WX500’s simpler LCD suits basic control without touch.
Value for Money: Budget-Conscious Recommendations
At roughly $320–350 price points, both deliver exceptional value in distinct categories:
- If your priority is one-lens convenience for travel and superzoom photography, at the cost of smaller sensor image quality, Sony WX500 is a strong pick.
- For photographers emphasizing image quality, manual control, future lens system expansion, and 4K video, the YI M1 offers an unbeatable entry-level mirrorless proposition.
Final Thoughts: Which Camera Fits Your Needs?
For casual photographers and travel enthusiasts, the Sony WX500 offers unmatched zoom versatility in an ultra-compact body, delivering satisfactory image quality in bright conditions and convenience that encourages spontaneous shooting. Its intuitive operation and stabilization support non-technical users well.
For enthusiasts growing into more serious photography and video production, particularly those valuing image quality, creative lens choices, and 4K video, the YI M1 is a gateway to a professional ecosystem. Its sensor and control benefits outweigh the slightly larger size and lack of built-in stabilization, especially with lenses tailored to your genre.
Neither camera is a perfect all-rounder, but together they represent two vital entry points into modern photography - one emphasizing compact versatility (Sony WX500), the other prioritizing creative potential (YI M1). Your choice depends on how you balance convenience, image quality, and future expandability in your photographic journey.
Sony WX500 vs YI M1 Specifications
Sony Cyber-shot DSC-WX500 | YI M1 | |
---|---|---|
General Information | ||
Company | Sony | YI |
Model | Sony Cyber-shot DSC-WX500 | YI M1 |
Type | Small Sensor Superzoom | Entry-Level Mirrorless |
Introduced | 2015-04-14 | 2016-09-19 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Bionz X | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 18 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3672 | 5184 x 3888 |
Maximum native ISO | 12800 | 25600 |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 81 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 24-720mm (30.0x) | - |
Maximum aperture | f/3.5-6.4 | - |
Macro focus distance | 5cm | - |
Available lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3" | 3" |
Screen resolution | 921 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 30s | 60s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 10.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.40 m (with Auto ISO) | no built-in flash |
Flash modes | Auto, flash on, slow sync, flash off, rear sync | Auto, On, Off, Slow Sync, Red-Eye Slow |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) | 4096 x 2160 @ 30p / 75 Mbps, MOV, H.264, AAC |
Maximum video resolution | 1920x1080 | 4096x2160 |
Video file format | AVCHD, XAVC S | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 236 gr (0.52 pounds) | 350 gr (0.77 pounds) |
Physical dimensions | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") | 114 x 64 x 34mm (4.5" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 360 pictures | 450 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-BX1 | - |
Self timer | Yes | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Memory Stick Duo | SD/SDHC/SDXC card |
Storage slots | One | One |
Price at release | $348 | $320 |