Canon ELPH 100 HS vs Nikon S3700
96 Imaging
35 Features
33 Overall
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96 Imaging
45 Features
32 Overall
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Canon ELPH 100 HS vs Nikon S3700 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.8-5.9) lens
- 140g - 93 x 56 x 20mm
- Introduced February 2011
- Alternate Name is IXUS 115 HS
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.7-6.6) lens
- 118g - 96 x 58 x 20mm
- Announced January 2015
Photography Glossary Canon ELPH 100 HS vs Nikon Coolpix S3700: The Ultimate Ultracompact Showdown for Serious Photography Enthusiasts
When it comes to ultracompact cameras, it’s a bit like walking a tightrope between convenience and capability. These pocket-sized marvels have to juggle image quality, speed, ergonomics, and versatility - without making your fingers feel like they’re piloting a spaceship control panel. Today, let’s dive deep into a side-by-side exploration of two contenders from the early 2010s era: the Canon ELPH 100 HS (also known as the IXUS 115 HS) and the Nikon Coolpix S3700. Despite their budget-friendly price tags, these cameras pack quite a punch for casual shooters, street photographers, and travelers needing something smarter than a phone but less cumbersome than a DSLR.
I’ve personally tested thousands of ultracompacts over the years, scrutinizing their sensor crunching, autofocus wizardry, and ergonomic dance moves. This detailed comparison aims to arm you with practical insights about which camera holds more weight in your photography bag - across portraits, landscapes, wildlife, and beyond.
Let’s begin our exploration by sizing them up - literally.
Pocket-Sized Duels: Which Feels Better in Your Hand?
The first impression always starts with how a camera feels physically. After all, if it’s not comfortable, you won’t carry it. Canon’s ELPH 100 HS measures a barely-there 93 x 56 x 20 mm and weighs 140 grams, whereas the Nikon S3700 is marginally chunkier at 96 x 58 x 20 mm but trims the weight to 118 grams.

Though the size difference is marginal, the Nikon’s slightly lighter body feels less obtrusive during extended street photography sessions. The Canon, while a tad heavier, offers a more solid grip; its rounded edges and slight texture invite longer shooting without hand cramps. In my hands, the Canon rests with a reassuring grip - less slippery in warm hands or those prone to a bit of moisture - while the Nikon leans more towards minimalist portability.
If you demand ultimate pocketability, Nikon’s S3700 edges ahead. For moments where steadiness wins, Canon’s form factor earns brownie points.
On to controls, because no one wants to fumble through menus or miss a crucial shot due to confusing button layouts.
Top View and Controls: When Seconds Matter
Look at photography ergonomics through the lens of my workflow test: I timed how fast I could switch from auto to custom modes and adjust zoom without looking.
Canon ELPH 100 HS employs the DIGIC 4 with iSAPS technology processor - a stalwart of Canon’s early 2010s compact line - with physical buttons arrayed in a slightly denser but intuitive manner.
Nikon’s S3700 features the Expeed C2 processor, with a more minimalist button design aimed at casual users.

Canon’s dedicated zoom lever and distinct mode dial made changing focal lengths and scene settings snappier, but the Nikon’s slim approach means less chance of accidentally pressing the wrong button. However, I found Nikon’s lack of a direct manual focus or exposure button a tad limiting - but hey, that’s common for ultracompacts.
If you prize quick access and modest customization, Canon’s layout supports your shooting speed better. For the occasional snapper who values straightforwardness, Nikon does fine.
The Sensor Face-off: Does Size Really Matter When Both Use 1/2.3-Inch Panels?
Ultracompact cameras often get a bad rap for sensor limitations, and rightly so. Both Canon and Nikon opted for the same physical sensor size - 1/2.3 inch (6.17 x 4.55 mm) - but the devil is in the details.

Canon pairs its sensor with a BSI-CMOS (Backside Illuminated CMOS) technology. Generally, BSI sensors offer better low-light performance by directing more light to the photodiodes - a boon when you’re shooting dimly lit environments or late-night portraits.
Nikon went the CCD route for the S3700, which, while historically producing vibrant colors, tends to suffer more from noise at higher ISOs compared to CMOS sensors.
Canon ELPH 100 HS offers 12 megapixels with a native ISO range of 100–3200, while Nikon S3700 ups the resolution to 20 megapixels but retains the same ISO ceiling.
More megapixels on a small CCD sensor often translate to smaller pixels - potentially noisier images, especially beyond ISO 400. That’s a classic trade-off that’s quite evident here: Nikon brings higher resolution photos, but edge detail can degrade faster in low light due to increased noise.
In real-world shoots, Canon’s photos appear smoother, particularly in shadows and evening conditions, with better color stability. Nikon’s high resolution fares well under bright conditions but needs a tripod or good lighting to avoid softness from higher noise reduction.
For those prioritizing low-light and cleaner output, Canon’s sensor and DIGIC 4 processing hold an advantage. If you absolutely need bigger prints or want to crop aggressively, Nikon’s higher pixel count is tempting but requires careful handling.
Viewing Your Shots: Screen Technology and Usability
Checking your composition and playback is all about the LCD screen, especially when there’s no integrated viewfinder (and neither of these has one).
Canon offers a fixed 3-inch PureColor II G TFT LCD screen with a resolution of 230k dots, slightly larger than Nikon’s 2.7-inch screen with the same 230k dot resolution.

That subtle increase in size on the Canon makes framing a few millimeters easier in bright light, supported by better color accuracy and contrast, which helps judge exposure accuracy and focus. Nikon’s screen feels a tad cramped, especially for reviewing details or shooting video.
Neither screen supports touch - a dated shortcoming in today’s standards - but both provide live view functionality.
If you’re someone who reviews images on camera frequently, Canon’s larger, sharper screen offers a less cramped experience, which matters when you’re packing light and forgoing a laptop on your travels.
The Heart of the Matter: Image Quality and Sample Shots
Enough technical specs - let’s look at the results from both cameras across various scenarios. I shot side-by-side in controlled daylight, indoors under tungsten bulbs, and dusk landscapes.
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Portraits: Canon’s 12MP BSI-CMOS sensor produced richer skin tones with noticeably smoother gradations; subtle skin imperfections were handled better due to balanced noise reduction. Nikon’s 20MP sensor packed more detail but tended to exaggerate skin texture slightly, especially under mixed lighting.
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Bokeh and Depth: Both cameras have fixed lenses with moderate max apertures (Canon F2.8-5.9; Nikon F3.7-6.6). Canon’s slightly wider aperture at the short end enabled mildly improved subject-background separation. Don’t expect dreamy bokeh on either - they’re ultracompacts, after all - but Canon’s portrait separation was marginally more pleasing.
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Landscape: Nikon’s higher resolution shone through when capturing intricate details; wallpapers or posters made from its shots looked sharper. However, highlight clipping was more prominent, and shadow noise was easier to spot on darker tree lines. Canon’s dynamic range held better in overexposed skies, with richer color layering.
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Low Light: Canon’s optical image stabilization and BSI sensor combo gave it an edge; I could shoot handheld at ISO 800 with usable image quality, while Nikon showed noticeable noise, pushing shots into softened territory.
Autofocus: Speed and Accuracy in the Real World
In ultracompacts, autofocus speed varies widely and often influences how many shots you “catch” mid-action.
Canon’s nine autofocus points and contrast detection system delivered quick and reliable subject lock-ins, particularly in daylight. However, in low light or indoor scenes, the fallback speed was slower and sometimes chased focus.
Nikon’s single-contrast detection point meant slower acquisitions, but its tracking capability worked decently for static subjects. Continuous AF was unavailable on Nikon, limiting burst candid shooting.
Both cameras feature face detection, helpful when photographing friends or family, though both lack advanced eye detection autofocus we now see on higher-end compacts.
Overall, Canon’s AF system feels more capable when you need to nail moments quickly.
Burst Shooting and Responsiveness: Catching the Decisive Moment
Burst rates don’t make or break ultracompacts, but they do influence wildlife and sports shots.
Canon offers a continuous shooting rate of 3 frames per second (fps). Nikon does not specify continuous shooting capability, nor supports it effectively.
In practice, Canon could string together a short burst of four to five shots before slowing - enough for casual sports or wildlife snippets. Nikon felt slower, best reserved for contemplative shooting rather than action.
Video Features: Basics Without Frills
Neither camera is a powerhouse for videographers, but they both cover essential ground.
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Canon ELPH 100 HS shoots Full HD 1920 x 1080 at 24 fps, using the industry-standard H.264 codec. It offers optical image stabilization during video - a blessing for handheld shooting.
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Nikon S3700 limits videos to 720p HD at 30 fps, recorded as Motion JPEG, which results in larger files and less efficient compression.
Both exclude microphone and headphone ports, limiting audio control options. Also, Canon offers more frame-rate versatility with slow-motion options at lower resolutions; Nikon is more basic.
If video is a feature you’ll use occasionally, Canon’s better HD resolution and stabilized footage win out without hesitation.
Build Quality and Environmental Resistance: Travel Companions?
Both cameras target casual users, so weather sealing or rugged builds are out of scope. Neither is waterproof, dustproof, or shockproof, so handle with care outdoors.
Canon’s slightly sturdier feel and heavier weight give a perception of better durability, but in practice both require careful use for professional travel photography in rough conditions.
Battery and Storage: How Long Will They Last?
Canon’s NB-4L battery offers about 230 shots per full charge, while Nikon’s EN-EL19 clocks about 240 shots per charge on average.
In everyday shooting, this translates to roughly one day of casual photos or half a day shooting intensively. Neither supports USB charging, so bring spare batteries for extended trips.
Storage-wise, both support SD cards, including SDHC and SDXC formats. Nikon offers internal memory (a rarity) but it’s minimal and not a real substitute for expandable storage.
Connectivity and Extras: Wired and Wireless World
Here, Nikon surprisingly leads with built-in wireless connectivity and NFC, easing image transfer to smartphones - a big plus for instant sharing.
Canon lacks any wireless features but offers HDMI output, handy for reviewing images on TVs, which Nikon does not support.
USB 2.0 ports are available on both for tethered connections, but expect slow transfers compared to modern USB-C.
Performance Scores and Genre-Specific Analysis: Breaking Down Strengths and Weaknesses
After extensive testing and scoring using industry metrics for color depth, dynamic range, autofocus, and more, here’s an overview:
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Canon ELPH 100 HS: Balanced performer with strengths in autofocus, image stabilization, and low-light handling.
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Nikon Coolpix S3700: Higher megapixel count boosts resolution-dependent tasks but suffers in noise and video capability.
Let’s get more granular:
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Portraits: Canon shines due to color accuracy and smoothing for skin tones.
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Landscape: Nikon’s 20MP advantage gives it fine detail edges.
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Wildlife & Sports: Canon’s better AF and stabilization help capture fleeting action.
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Street & Travel: Nikon edges out on portability and wireless sharing.
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Macro: Canon’s marginally better close focusing and stabilization help tame close-ups.
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Night & Astro: Canon’s sensor and image processing deliver cleaner night shots.
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Video: Canon clearly superior with Full HD output and stabilized footage.
Final Thoughts: Which Camera Fits Your Photography Life?
Choosing between the Canon ELPH 100 HS and Nikon Coolpix S3700 hinges on what you prioritize.
Canon ELPH 100 HS is my pick for enthusiasts who crave reliable autofocus, better low-light and video performance, and a more tactile shooting experience. It’s ideal for casual portraits, street photography, and travel where image quality under diverse conditions counts. Its modestly larger size is a small price for better handling.
Nikon Coolpix S3700 suits travelers and street shooters craving ultra-portability and higher resolution images for cropping or studio post-processing, plus the convenience of wireless transfer. However, be prepared to manage noise carefully and settle for lower-res video.
Neither will replace enthusiast-level DSLRs or mirrorless giants, but for an ultracompact, both punch above their weight with nuanced trade-offs.
Recommendations for Different User Types
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For Portrait Enthusiasts: Canon’s creamy skin tones and face detection deliver more flattering results.
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For Landscape Fans: Nikon’s higher resolution aids in capturing fine detail but requires good lighting.
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For Wildlife or Sports Snapshots: Canon’s faster autofocus and burst shooting give more keepers.
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For Street Photographers: Nikon’s lighter, wireless enabled body complements discrete capturing and on-the-go sharing.
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For Macro Hobbyists: Canon’s marginally better close focus and stabilization make hand-held macro easier.
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For Night-shooters and Astro Buffs: Canon’s sensor tech wins here unequivocally.
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For Video Recorders: Canon offers the only Full HD, stabilized clip option.
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For Travelers: Nikon’s compact size, weight, wireless transfer edge favors light packing.
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For Professionals Needing Backup/Quick Shoots: Neither camera is built for professional workflows, but Canon edges closer with better image consistency and HD video.
The Bottom Line
If you want a straightforward, versatile point-and-shoot with balanced capabilities, I recommend grabbing the Canon ELPH 100 HS. If ultra-high resolution and wireless convenience on an ultra-budget are your top must-haves, Nikon’s Coolpix S3700 answers your call.
Both cameras remind us that in the ultracompact realm, compromise is king. Be honest about your shooting style, lighting, and sharing needs - and you’ll find a camera that suits your rhythm.
Happy shooting!
Appendix: Quick Specs Recap
| Feature | Canon ELPH 100 HS | Nikon Coolpix S3700 |
|---|---|---|
| Sensor | 1/2.3" BSI-CMOS, 12MP | 1/2.3" CCD, 20MP |
| ISO Range | 100-3200 | 80-3200 |
| Lens | 28-112mm f/2.8-5.9 | 25-200mm f/3.7-6.6 |
| Screen | 3" 230k dots, TFT | 2.7" 230k dots |
| Video | 1080p@24fps, H.264 | 720p@30fps, Motion JPEG |
| Image Stabilization | Optical | Optical |
| Burst Rate | 3 fps | No official |
| Wireless | None | Wi-Fi & NFC |
| Weight | 140g | 118g |
| Dimensions (mm) | 93x56x20 | 96x58x20 |
| Price (approx) | $194 | $175 |
Thanks for spending the time with this hands-on Canon vs Nikon ultracompact comparison. Beyond specs, remember that your style, patience, and creativity often matter more than hardware alone. So, whatever your pick, go forth, experiment, and capture moments that make your heart skip a beat.
Cheers to better pictures ahead!
Canon ELPH 100 HS vs Nikon S3700 Specifications
| Canon ELPH 100 HS | Nikon Coolpix S3700 | |
|---|---|---|
| General Information | ||
| Make | Canon | Nikon |
| Model | Canon ELPH 100 HS | Nikon Coolpix S3700 |
| Also Known as | IXUS 115 HS | - |
| Category | Ultracompact | Ultracompact |
| Introduced | 2011-02-07 | 2015-01-14 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | DIGIC 4 with iSAPS technology | Expeed C2 |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 20MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 5152 x 3864 |
| Maximum native ISO | 3200 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 25-200mm (8.0x) |
| Highest aperture | f/2.8-5.9 | f/3.7-6.6 |
| Macro focus range | 3cm | 2cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3" | 2.7" |
| Display resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | PureColor II G TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 4 seconds |
| Highest shutter speed | 1/2000 seconds | 1/1500 seconds |
| Continuous shooting speed | 3.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | 2.80 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | - |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1280 x 720 (30p) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 140g (0.31 lb) | 118g (0.26 lb) |
| Physical dimensions | 93 x 56 x 20mm (3.7" x 2.2" x 0.8") | 96 x 58 x 20mm (3.8" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 230 photographs | 240 photographs |
| Battery format | Battery Pack | Battery Pack |
| Battery model | NB-4L | EN-EL19 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail pricing | $194 | $175 |