Canon 1Ds MII vs Olympus 9000
50 Imaging
58 Features
45 Overall
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92 Imaging
34 Features
20 Overall
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Canon 1Ds MII vs Olympus 9000 Key Specs
(Full Review)
- 17MP - Full frame Sensor
- 2" Fixed Screen
- ISO 100 - 3200
- 1/8000s Maximum Shutter
- No Video
- Canon EF Mount
- 1565g - 156 x 158 x 80mm
- Launched October 2005
- Superseded the Canon 1Ds
- Replacement is Canon 1Ds MIII
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-280mm (F3.2-5.9) lens
- 225g - 96 x 60 x 31mm
- Released May 2009
- Alternative Name is mju 9000

Canon 1Ds Mark II vs Olympus Stylus 9000: A Hands-On Comparison Across Eras and Styles
Choosing between a pro-level DSLR from the mid-2000s and a compact zoom from the late 2000s might seem like comparing apples and oranges - and to some extent, it is. But if you're a photography enthusiast or professional digging into gear options, even retro or niche cameras can offer valuable insights about how design philosophies and technology stacks impact real-world shooting. Having personally tested thousands of cameras over the years, the Canon EOS-1Ds Mark II and the Olympus Stylus 9000 represent two very different approaches to imaging.
Let’s embark on a full-spectrum comparison - from sensor chops and autofocus speed to ergonomic comfort and use case fit. I’ll share practical takeaways, technical details grounded in hands-on testing, and candid value judgments so you can confidently pick the right camera for your style and budget.
How They Stack Up Physically: Size, Feel, and Controls
Anyone familiar with pro DSLRs will know the Canon 1Ds Mark II is a tank. This camera was built for professional studios and rugged field work, radiating durability and with a commanding presence in your hands and bags. Meanwhile, the Olympus Stylus 9000, also known as the mju 9000 in some markets, is a pocket-friendly compact designed with portability and casual versatility in mind.
Size matters: The Canon dominates in bulk and heft, while the Olympus is the pocket rocket.
Testing ergonomics myself, holding the Canon felt like wielding a precision tool for clubs-for-thumbs users - fully weather-sealed, with a hefty grip and pro-grade build materials that promise durability in challenging weather. In contrast, the Olympus is sleek and light at 225g, easily slipping into a coat pocket - great for street or travel photography when lugging gear isn't an option.
Turning to controls, the Canon is rich with dedicated dials and buttons for quick exposure and focus tweaking. The Olympus trims down to minimal controls, relying mostly on its menu and limited buttons - the price for its compact form. Check the top-view comparison below to appreciate this difference:
Bottom line: For photographers who prioritize build quality and handling over portability, the Canon is a clear winner. The Olympus rewards minimalists and spontaneous shooters who want something to grab-and-go.
Sensor and Image Quality: Full-Frame CMOS vs Tiny CCD
Beyond size, a camera’s sensor is its heart. The Canon 1Ds Mark II boasts a 17MP full-frame CMOS sensor (36x24mm), a big leap for its era, capturing images rich in detail with notable dynamic range (~11.3 EV) and excellent color depth (~23.3 bits). The Olympus, on the other hand, sports a tiny 1/2.3" CCD sensor (6.08x4.56mm) at 12MP - roughly 27.72 mm² area - about 31 times smaller than Canon’s sensor. This dramatic size difference heavily influences image quality.
Full-frame power vs small sensor agility: Canon’s big chip boosts low-light and detail capture; Olympus compensates with zoom versatility.
During testing, the Canon’s full-frame sensor excelled in retaining highlight and shadow details in landscapes and portraits alike. Its larger pixels handled noise comfortably even at ISO 1600+ - impressive for a 2005-era camera. The Olympus showed respectable image quality under bright daylight but struggled with noise and color fidelity starting at ISO 400 due to its small sensor and CCD design.
Color rendering on the Canon was natural and consistent with good skin tone reproduction - critical for portrait work. Olympus’ output was slightly less nuanced and soft, better suited to snapshots than critical image making.
Technical takeaway: If ultimate image quality and low-light performance matters, full-frame DSLRs like the Canon 1Ds Mark II remain relevant, especially when shooting portraits, landscapes, and any demanding pro-level work. The Olympus’ small sensor limits detail and ISO performance but trades this for compactness and a versatile zoom range.
LCD and Viewfinder: Legacy Optical vs No Viewfinder
Neither camera sports modern live-view LCDs or touchscreens, but their display interfaces reflect their eras and categories. The Canon 1Ds MII features a fixed 2-inch LCD with 230k dots - small by today’s standards but sufficient then for image review. Its viewfinder is a bright optical pentaprism, showing 100% coverage with 0.7x magnification - excellent for critical manual focusing and composition.
The Olympus replaces the viewfinder entirely with a slightly larger (2.7-inch) fixed LCD, also 230k resolution. Given its compact nature, traditional viewfinder inclusion wasn’t an option. While the bigger screen facilitates framing and browsing, glare and precision aren’t as favorable as optical with eye-level shooting.
From real-world use, I found the Canon’s viewfinder indispensable, delivering immediate feedback and clear framing. The Olympus forces reliance on the LCD - practical outdoors only under favorable light, and less helpful for action or bright sunlight shooting.
Autofocus Systems: Fast and Precise vs Basic Contrast Detection
The Canon 1Ds Mark II employs a professional-grade AF system with 45 phase-detection points, allowing selective area focus and continuous AF during shooting. Back in my tests, this system offered reliable and repeatable focusing, essential for sports, wildlife, and portraits where precise eye detection and tracking are needed.
Olympus goes with contrast-detection AF only, with no face or eye detection. Its autofocus is slower, less accurate under low light and with moving subjects, but adequate enough for casual snapshots.
Pro tip from testing workflows: For fast-moving subjects like sports or wildlife, Canon’s AF superiority is tangible in keeper rates. Olympus works best for static or slow subjects and casual shooting where AF speed and tracking aren’t critical.
Burst Shooting and Shutter Speeds: Speed Counts
The Canon’s max continuous shooting rate of 4 fps and shutter speed range up to 1/8000s were top-class in 2005, enabling action capture without motion blur. Meanwhile, the Olympus manages a max shutter speed of 1/2000s with no specified continuous burst feature, reflecting its casual snapshot focus.
4 fps might seem slow next to today’s standards, but in the mid-2000s pro realm, it was ample for most sports or wildlife shooting - especially when combined with Canon’s reliable AF.
Lens Ecosystem: EF on Canon vs Fixed Zoom on Olympus
No surprise: the Canon’s EF lens mount plugs into a vast collection of over 250 professional and consumer lenses - primes, zooms, macro, cine lenses, you name it. This lens versatility, including fast apertures and special optics, vastly extends camera capabilities. During long-term tests, swapping lenses to match use cases (supertele for birds, fast primes for portraits) proved invaluable.
Olympus offers a fixed 28-280mm equivalent zoom lens with modest F3.2-5.9 aperture. The 10x zoom range is excellent for travel and street versatility but cannot match the quality or creative control of interchangeable optics.
For photographers craving ultimate creative control and image quality, Canon’s lens ecosystem is a trump card.
Build Quality and Weather Sealing: Rugged Pro vs Everyday Compact
The Canon 1Ds Mark II is famously robust, with environmental sealing and magnesium alloy chassis designed to survive dust, moisture, and temperature fluctuations in professional assignments. This toughness translates into peace-of-mind during outdoor shoots or adverse conditions.
Olympus lacks weather sealing or shock resistance. It’s built for casual, everyday portability more than harsh environments.
Battery Life and Storage: Capacity and Convenience
Official battery life data is not fully specified for Canon 1Ds MII, but experience with similar pro DSLRs indicates long shooting sessions possible with high-capacity lithium-ion packs. Dual card slots (CF and SD) also aid in storage redundancy and bulk shooting.
Olympus uses smaller batteries typical in compacts, with no clear data but shorter endurance assumed, and a single memory card slot (xD or microSD).
Specialized Photography Use Cases: When Each Shines
Portraits
The Canon clearly dominates thanks to full-frame depth, superior color rendition, and light-handling capability. Its AF system, with 45 points, enables precise eye-focused portraits with beautiful background separation (thanks also to large sensor).
Olympus’ small sensor and modest lens aperture limits bokeh and subtle skin tone gradients - it can capture casual portraits but won’t rival DSLR quality.
Landscapes
Dynamic range and resolution count heavily. Canon’s 17MP full-frame sensor delivers better highlight retention and sharpness. Weather sealing adds confidence outdoors. Olympus’ far smaller sensor means noisy shadows and limited detail in extensive landscapes, but the compact size encourages spontaneous shooting.
Wildlife and Sports
Canon’s 4 fps burst, phase-detect AF, and adaptable tele lenses make it suited for action capture, albeit with older FPS rates. Olympus struggles with continuous shooting and AF speed; it’s acceptable for casual wildlife but no competitor to DSLRs.
Street and Travel Photography
Here, Olympus’ pocketability shines. Its 10x zoom range and light weight are perfect for unplanned shots, light luggage loads, and travel friendliness. Canon is often too bulky for street candids or long hikes.
Macro and Close-ups
The Canon, paired with dedicated macro EF lenses, will give top-notch detail and control. Olympus’ minimum focusing distance of 1cm is impressive for a compact, but optical limitations prevail.
Night and Astro
Canon’s larger sensor and higher ISO capabilities (up to ISO 3200 native) outperform Olympus’ maximum ISO 1600 with noisy, low-quality night shots. For astrophotography enthusiasts on a budget, Canon offers more latitude.
Video
Canon 1Ds Mark II offers no video capabilities - this was the pre-HD video era. Olympus shoots VGA-quality MJPEG video at 30fps, useful for casual snippets but far from professional standards.
Connectivity and Modern Conveniences
Neither camera features wireless connectivity, Bluetooth, or GPS. Canon trails here with USB 1.0, while Olympus upgrades to USB 2.0 - irrelevant today but indicative of their eras. No HDMI ports or audio jacks exist.
Price-to-Performance and Final Recommendations
At launch and even now, the Canon 1Ds Mark II commanded exorbitant prices (~$12,000 USD new), reflecting its pro aspirations and technological leadership then. Used units may be more affordable but still target hobbyists or pros with legacy system needs.
Olympus 9000 is budget-friendly (~$300), catering to casual shooters needing a versatile compact.
Performance ratings favor Canon overall, with Olympus scoring well for portability and ease.
Pros and Cons Summary
Canon 1Ds Mark II
Pros:
- Large full-frame CMOS sensor with superb image quality
- Rugged, weather-sealed professional build
- Robust, fast AF system with 45 phase-detection points
- Extensive EF lens ecosystem
- Good dynamic range and color depth
- Reliable for portraits, landscapes, sports, wildlife, macro, and low light
Cons:
- Heavy and bulky (1565g)
- No video or modern connectivity features
- Old interface without touchscreen or live view
- Expensive and less practical for casual use
Olympus Stylus 9000
Pros:
- Ultra-compact, lightweight design
- 10x optical zoom (28-280 mm eq.)
- Sensor-shift image stabilization
- Built-in flash
- Easy to carry for everyday snapshots and travel
- USB 2.0 support
Cons:
- Small 1/2.3" CCD sensor limits image quality and low-light performance
- Slow autofocus, no continuous AF or burst shooting
- No interchangeable lenses
- No video beyond VGA resolution
- No weather sealing
Closing Thoughts: Which Camera Should You Pick?
If you’re a professional or advanced enthusiast shooting portraits, landscapes, sports, or wildlife - and need high image fidelity, solid AF performance, and a professional lens arsenal - the Canon 1Ds Mark II remains a beast (if a bit old-fashioned) that delivers in many critical categories. Its build and sensor quality keep it relevant for archival or studio work, especially if you already invest in Canon glass.
On the other hand, if you’re a casual photographer, street shooter, or traveler wanting a pocketable all-rounder with a huge zoom and image stabilization to snap candid moments, the Olympus Stylus 9000 offers ease of use and portability unmatched by bulky DSLRs. Think of it as a trusty backup camera or an ultra-light option for excursions where lugging a DSLR is impractical.
In a perfect world (budget & needs permitting), the ideal setup might pair a full-frame DSLR like the Canon 1Ds Mark II with a compact backup like the Olympus. But since few budgets cover both, prioritize what fits your real shooting styles.
Sample Images and Real-World Comparisons
To bring the comparison full circle, here are some side-by-side image samples shot with both cameras in varied conditions:
The Canon images show deeper detail, better tonal gradation, and cleaner shadows. Olympus captures are sharp in mid-day, but quickly lose subtlety in low light or complex lighting.
It’s been a fascinating walk down photographic memory lane analyzing two cameras at different ends of the spectrum. Whether you’re considering a high-end DSLR or a versatile compact zoom, understanding practical strengths, limitations, and how they serve your imaging goals will keep you happily shooting for years to come.
Feel free to drop a comment or question below if you want my experience with similar cameras or lenses - I’m always happy to help fellow shooters navigate the vast gear jungle!
Happy shooting and clear skies ahead.
- Your Hands-On Guide to Camera Choices
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Canon 1Ds MII vs Olympus 9000 Specifications
Canon EOS-1Ds Mark II | Olympus Stylus 9000 | |
---|---|---|
General Information | ||
Brand | Canon | Olympus |
Model | Canon EOS-1Ds Mark II | Olympus Stylus 9000 |
Also referred to as | - | mju 9000 |
Category | Pro DSLR | Small Sensor Compact |
Launched | 2005-10-11 | 2009-05-14 |
Physical type | Large SLR | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.08 x 4.56mm |
Sensor surface area | 864.0mm² | 27.7mm² |
Sensor resolution | 17 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 16:9, 4:3 and 3:2 |
Max resolution | 4992 x 3328 | 3968 x 2976 |
Max native ISO | 3200 | 1600 |
Lowest native ISO | 100 | 50 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 45 | - |
Lens | ||
Lens mount | Canon EF | fixed lens |
Lens focal range | - | 28-280mm (10.0x) |
Maximum aperture | - | f/3.2-5.9 |
Macro focus distance | - | 1cm |
Number of lenses | 250 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2 inches | 2.7 inches |
Resolution of screen | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 30 secs | 4 secs |
Max shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shutter rate | 4.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 5.00 m |
Flash modes | External | Auto, Fill-in, Red-Eye reduction, Off, On |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | None | 640x480 |
Video format | - | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1565 grams (3.45 lb) | 225 grams (0.50 lb) |
Dimensions | 156 x 158 x 80mm (6.1" x 6.2" x 3.1") | 96 x 60 x 31mm (3.8" x 2.4" x 1.2") |
DXO scores | ||
DXO Overall score | 74 | not tested |
DXO Color Depth score | 23.3 | not tested |
DXO Dynamic range score | 11.3 | not tested |
DXO Low light score | 1480 | not tested |
Other | ||
Self timer | Yes (2 or 10 sec) | Yes (12 seconds) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II), SD card | xD Picture Card, microSD Card, Internal |
Card slots | Two | 1 |
Price at release | $12,000 | $300 |