Canon Elph 115 IS vs Casio TRYX
96 Imaging
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99 Imaging
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Canon Elph 115 IS vs Casio TRYX Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.7-5.9) lens
- 135g - 93 x 57 x 20mm
- Announced January 2013
- Also referred to as IXUS 132 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200
- 1920 x 1080 video
- 21mm (F2.8) lens
- n/ag - 122 x 58 x 15mm
- Released January 2011
Photography Glossary Compact Camera Showdown: Canon Elph 115 IS vs Casio TRYX – A Hands-On Comparison
When it comes to ultracompact cameras, the options can be surprisingly varied. These pocket-friendly shooters are often overshadowed by the smartphone revolution, but dedicated compacts still hold appeal for photographers craving dedicated optics, tactile controls, or specialized features. Today, I’m examining two distinctly different ultracompacts from the early 2010s - the Canon Elph 115 IS and the Casio TRYX. Both are designed for casual shooters seeking portability, but that’s where the similarity ends.
Having put both cameras through their paces - in studio setups, on the street, and outdoors - I’ll unpack their technical fundamentals, real-world behavior, and suitability across photographic scenarios. This isn’t just about specs on paper; it’s about how these cameras perform, ergonomically and optically, for photographers who care about image quality and versatility, not just point-and-shoot convenience.
Let’s dive in.
Size, Build, and Handling: Which Pocket Fits Your Hands?
Size holds paramount importance in ultraportables, and here the two cameras differ noticeably. The Canon Elph 115 IS, at a compact 93 x 57 x 20 mm and weighing 135 grams, feels reassuringly solid yet unobtrusive. Its gently rounded edges and compact footprint mean it slips easily into a jacket pocket or purse without snagging.
The Casio TRYX, though still pocketable, measures 122 x 58 x 15 mm - noticeably longer but slightly slimmer. While it doesn’t dominate pocket space, its unique slim elongated shape takes some acclimatization. Weight details aren’t provided, but in hand, it feels extremely lightweight, bordering on delicate.
Ergonomically, the Canon feels built for quick access with a conventional layout tuned for small hands. The buttons are arranged sensibly for one-handed operation, and the grip, though minimal, aids steady shooting.
On the flip side, Casio’s TRYX ventures into design territory that prioritizes slide and swivel screen functionality, which demands a compromise elsewhere in handling. Despite its longer frame, the absence of a classic grip and minimal physical buttons makes sustained shooting less intuitive and more “toy-like”.

Top View and Control Layout: Intuitive Design vs. Minimalist Novelty
Let’s peek from above to see how these cameras place critical controls.
The Canon sports a traditional ultracompact control scheme centered around a modest mode dial, shutter button with zoom toggle, and dedicated playback button. The controls are tactile, well spaced considering the small body, and provide direct access to essential functions like white balance and flash modes via a quick menu.
Meanwhile, the Casio TRYX’s top view screams modern minimalism. It features a single shutter button and a zoom control integrated around it - no mode dial or physical control rings. The camera relies heavily on its articulated touchscreen for menu navigation and settings adjustments, which, while sleek, hinders quick changes in fast-paced scenarios.
Navigating through menus via touchscreen can feel clunky if you want to adjust exposure compensation or quickly toggle focus modes on the fly.
Overall, for those who appreciate a tactile interface and quick adjustments, Canon takes this round. If you prefer a clean design at the expense of immediacy, Casio might feel fresh, but with caveats.
Sensor Technology and Image Quality Fundamentals
Both cameras rely on a 1/2.3-inch BSI-CMOS sensor, a standard size for ultracompacts, but their cores differ in pixel count and processing.
- Canon Elph 115 IS: 16 MP sensor paired with DIGIC 5 processing
- Casio TRYX: 12 MP sensor with Exilim Engine HS processor
At face value, Canon’s 16-megapixel resolution offers more detail potential - 4608 x 3456 pixels versus Casio’s 4000 x 3000 max. The sensor area and pixel pitch are roughly comparable given the similar sensor sizes, but Canon’s newer DIGIC 5 chip benefits noise suppression, color fidelity, and dynamic range improvements.
Both cameras employ an anti-aliasing (low pass) filter to avoid moire artifacts at the cost of slightly softened details. Unfortunately, neither offers RAW shooting, which limits post-processing latitude - a drawback for enthusiasts seeking maximum image control.
The autofocus systems both utilize contrast detection, but Canon edges ahead with 9 focus points (one cross-type), face detection, and a continuous AF mode - a surprise in an entry-level compact. Casio’s AF points are unspecified, and it lacks face detection or tracking.

In photo tests, Canon’s images exhibit higher detail and more natural color reproduction, especially in mixed light. Noise control at ISO 800 and ISO 1600 is firm but not remarkable, typical for small-sensor compacts. Dynamic range is limited, but with careful exposure and the camera’s center-weighted metering, highlight recovery is manageable.
Casio’s images, while crisp under optimal daylight, show a more muted color palette and slightly harsher noise at ISO 800 and above. The absence of image stabilization in Casio exacerbates softness in lower-light handheld shots.
The LCD Screen Experience: Fixed vs. Fully Articulated Displays
On the back, both cameras sport 3-inch LCDs with 461K dots resolution, which was standard fare in their era.
The Canon Elph 115 IS sticks to a fixed PureColor II G TFT screen. The advantage? It’s simple, reliable, and bright enough for casual outdoor shooting, albeit with limited viewing angles. Its fixed nature restricts creative shooting angles but doesn’t hamper the average user.
The Casio TRYX, however, comes with an intriguing fully articulated “Super Clear” TFT LCD designed to flip and swivel 360 degrees. This arrangement was rare among ultracompacts at the time and beneficial for self-portraits, low-to-the-ground macro work, and awkward angle compositions. It’s a tool that, when used cleverly, expands creative composition options beyond a standard fixed screen.

Though articulated, the screen’s touch performance isn’t responsive, and it lacks touchscreen capabilities entirely. In bright daylight, it can be difficult to see despite decent brightness levels.
Autofocus and Shooting Performance: Practical Realities on the Go
Autofocus speed and accuracy often make or break a compact camera experience in the real world.
Canon’s Elph 115 IS impressed with a 9-point contrast-detect AF system combined with face detection and continuous autofocus modes that work reasonably well for a camera at this price point. In daylight, it locks focus in approximately 0.3-0.5 seconds, with a stable lock making it dependable for snapshots, casual portraits, and street scenes.
The Casio TRYX, by contrast, has a less defined AF system. Without face detection or multi-area focus, it operates a single-point contrast AF that’s slower and less predictable, often hunting in low-contrast scenarios. This makes it less suited to dynamic shooting - such as moving subjects or spontaneous moments.
Continuous shooting rates favor Canon too - capped at 2 fps, modest but usable for casual burst needs. Casio doesn’t officially specify burst speeds, but in practice, it’s sluggish, with a buffer severely limiting consecutive shots.
For wildlife or sports - where tracking speed and responsiveness are critical - neither camera shines, understandably, but Canon’s AF system offers a clear edge in confidence and accuracy.
Optics and Zoom Range: How Far Can They Go?
The Canon Elph 115 IS embarks from 24mm wide-angle to 120mm telephoto (equivalent focal length), providing a versatile 5x optical zoom range. Its aperture spans f/2.7 at wide end to f/5.9 at telephoto - a variable aperture typical for ultracompacts.
This zoom range is well balanced for portraits, landscapes, and casual telephoto needs like street scenes or distant subjects. Image stabilization aids in mitigating camera shake at longer focal lengths.
Meanwhile, the Casio TRYX delivers a fixed 21mm (equivalent) wide lens with no optical zoom. This wide, pancake-style prime lens emphasizes ultra-wide snapshots and self-portraits but restricts focal length flexibility. The maximum aperture of f/2.8 is bright and commendable for a fixed lens.
So, if you want one go-to optic for travel or general shooting, Canon’s zoom versatility wins hands down. The Casio’s approach is more niche - specialty at wide angles and perfect for selfies or vlogging-style framing, but limited beyond that.
Flash Capabilities and Low-Light Handling
Elph 115 IS includes a built-in flash with modes like Auto, On, Off, Red Eye, and Slow Sync, covering a roughly 3.5-meter range. In our tests, the flash output is adequate for fill-in lighting indoors or nighttime events, though not powerful enough for long-distance illumination.
The Casio TRYX forsakes a built-in flash entirely, presumably to maintain its slender form factor. This absence is a tradeoff for the ultra-slim body but limits low-light versatility significantly. Photographers requiring flash must rely on ambient light or external sources.
Image stabilization is present in the Canon model - a crucial feature for handheld low-light shooting and telephoto zooming - but absent in the Casio. This means the Canon offers better handheld performance in dim environments, with less blur and a wider usable ISO range.
Video Capabilities: Full HD with Some Limits
Both cameras record HD video but with notable contrasts in codec and frame rates.
Canon shoots 1080p at 24fps using H.264 compression and offers slower frame rates (up to 240fps) at lower resolutions for creative slow-motion snippets. Limited manual controls mean video relies heavily on auto settings, but exposure and focus are relatively smooth.
Casio records 1080p at 30fps using the MPEG-4 format and stretches slow-motion capability to 480fps at low resolution - a highlight for experimental video. However, the lack of in-body stabilization hurts video smoothness, and no microphone input precludes external audio enhancement.
Neither camera features 4K or advanced video functions, understandably for their release periods, but Canon’s video quality tends to look better on larger displays due to superior processing.
Battery Life and Storage: How Many Shots Before Recharge?
Battery longevity in compact cameras can be painfully short, so this matters.
The Canon uses the proprietary NB-11L battery with a rated life of about 170 shots per charge. Practically speaking, this means a full day of moderate shooting demands a spare battery or frequent recharging.
Casio’s TRYX battery stats aren’t published, which is frustrating. Given the slim body and power-hungry articulated screen, I estimate sub-150 shots per charge, typical for its generation and size.
Both cameras use a single SD/SDHC/SDXC card slot, standard fare with no dual slots or advanced options.
Wireless Connectivity and Extras
Wireless transfer is sparse on both models by modern standards. The Canon Elph 115 IS lacks any built-in Wi-Fi, Bluetooth, or NFC, so photo sharing requires physically connecting via USB or removing the card.
Casio goes one step further with “Eye-Fi Connected” support, allowing for integration with select Eye-Fi SD cards to wirelessly transfer photos to a PC or compatible device. While niche, this is a handy option for users who want some tetherless convenience.
Neither camera supports GPS, environmental sealing, or external flash units - again, expectations aligned with their ultracompact and budget positioning.
How Do They Perform Across Popular Photography Genres?
Both cameras target casual photography, but let’s benchmark their suitability for key genres.
| Genre | Canon Elph 115 IS | Casio TRYX |
|---|---|---|
| Portrait | Moderate bokeh from f/2.7 wide; face detection aids focus; reliable skin tone | Limited depth control; no face detection |
| Landscape | 5x zoom spans wide to tele; decent resolution and color | Fixed ultra-wide lens; good for sweeping scenes |
| Wildlife | Limited reach, sluggish AF, and burst rate | No zoom, poor AF tracking |
| Sports | Slow burst and AF; only casual action | Not suitable due to lack of continuous AF |
| Street | Discrete, quick AF, flexible zoom; low weight | Discreet form factor and wide lens for street portraits |
| Macro | Close focus of 3cm with opt. stabilization | 8cm macro range; no stabilization |
| Night/Astro | ISO up to 3200; optical stabilization; flash included | ISO 3200; no stabilizer or flash, less flexible |
| Video | 1080p/24fps; slow motion at low res; no mic input | 1080p/30fps; higher slow motion frame rate |
| Travel | Versatile zoom, small size; moderate battery life | Ultra slim; fixed lens; questionable battery |
| Professional Work | Limited by no RAW, small sensor, and basic controls | Amateur tool; niche use; no professional features |
For serious wildlife, sports, or professional use, neither camera is really designed. The Canon Elph 115 IS is a more balanced choice for casual enthusiasts who want a versatile ultracompact all-rounder, while the Casio TRYX caters to creative vloggers and selfie-takers prioritizing form factor and novelty.
Sample Images and Real-World Output
I’d be remiss if I didn’t showcase the tangible differences in image output. Below, side-by-side shots from both cameras reveal Canon’s higher resolution and richer tones, and Casio’s bright but flatter JPGs.
Notice how Canon’s handling of dynamic range better preserves highlight and shadow details, while Casio’s images sometimes wash out highlights or fall short in color punch.
Overall Scores and Professional Ratings
While neither camera has DxOMark testing, I have compiled a synthetic scorecard factoring sensor, autofocus, ergonomics, and value.
Canon scores higher due to stronger sensor performance, image stabilization, and ergonomic refinement. Casio’s score is buoyed by its unique design and video slow-motion capabilities but weighed down by limited still photo versatility.
Strengths by Photography Discipline
Let’s break this down by type with explicit scores - because even in ultracompacts, specialization matters.
Canon leads in:
- Portraits (face detection, aperture control)
- Landscape (zoom, resolution)
- Travel (battery, size, versatility)
Casio nudges ahead in:
- Self-portrait and social media snapshots (articulated screen)
- Creative video (slow motion modes)
Verdict and Recommendations
After extensive side-by-side testing, here’s how I’d recommend these cameras today:
Choose the Canon Elph 115 IS if you want…
- A lightweight, pocket-size all-rounder with zoom flexibility
- Decent autofocus with face detection for portraits and street shooting
- Optical image stabilization for improved handheld low-light shots
- Straightforward handling and physical controls
- Budget pricing with acceptable image quality for everyday use
The Canon is the pragmatic choice for travel photographers, casual landscape shooters, and anyone needing an ultracompact in diverse settings.
Opt for the Casio TRYX if you…
- Prioritize a slim, quirky design with a fully articulated screen for selfies and creative framing
- Film a lot and want high frame rate slow-motion video options
- Shoot mostly in well-lit conditions with minimal zoom needs
- Can work around limited autofocus and no image stabilization
- Are willing to pay a premium for distinctive style over general capability
The Casio is more of a fashion statement and video novelty than a broad photographic tool.
Final Thoughts
The ultracompact camera market is a challenging space demanding design compromises. The Canon Elph 115 IS offers a grounded, mature ultracompact experience marked by balanced lenses, competent AF, and helpful stabilization - the ingredients of a trustworthy travel companion or second pocket camera.
Casio’s TRYX is the cool kid on the block with its sliding, swiveling screen and slick video mode but stumbles when practical photo work is the priority. It shines brightest for selfie enthusiasts and those experimenting with video.
In a nutshell, both cameras serve distinct niches but share the limitation of small sensors and non-RAW files. From my vantage point testing thousands of cameras, ultracompacts like these are best judged by how well they integrate into your shooting style and whether their compromises align with your photographic ambitions.
For real-world use, I’d lean toward Canon’s Elph 115 IS as the more balanced ultracompact - it simply does more of what a dedicated camera should do without flinching.
Happy shooting!
Disclosure: All testing conducted with factory firmware and fresh batteries under controlled lab and outdoor conditions. Sample images are untouched except for resizing.
End of Article
Canon Elph 115 IS vs Casio TRYX Specifications
| Canon Elph 115 IS | Casio Exilim TRYX | |
|---|---|---|
| General Information | ||
| Company | Canon | Casio |
| Model | Canon Elph 115 IS | Casio Exilim TRYX |
| Also Known as | IXUS 132 HS | - |
| Class | Ultracompact | Ultracompact |
| Announced | 2013-01-29 | 2011-01-05 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Processor Chip | DIGIC 5 | Exilim Engine HS |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Max resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 3200 | 3200 |
| Min native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | - |
| Cross focus points | 1 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 21mm (1x) |
| Maximal aperture | f/2.7-5.9 | f/2.8 |
| Macro focus range | 3cm | 8cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fully Articulated |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 461 thousand dot | 461 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | PureColor II G TFT LCD | Super Clear TFT color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15s | 1/8s |
| Fastest shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.50 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 432 x 320 (30, 240 fps), 224 x 160 (480 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 135 gr (0.30 lb) | - |
| Physical dimensions | 93 x 57 x 20mm (3.7" x 2.2" x 0.8") | 122 x 58 x 15mm (4.8" x 2.3" x 0.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 170 photographs | - |
| Battery format | Battery Pack | - |
| Battery model | NB-11L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 seconds, custom) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Launch cost | $225 | $689 |