Canon A2100 IS vs Nikon AW110
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34 Features
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92 Imaging
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Canon A2100 IS vs Nikon AW110 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-216mm (F3.2-5.9) lens
- 185g - 102 x 64 x 32mm
- Introduced February 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.8) lens
- 193g - 110 x 65 x 25mm
- Released July 2013
- Older Model is Nikon AW100
- Replacement is Nikon AW120
Photography Glossary Picking Between the Canon A2100 IS and Nikon AW110: A Hands-On Comparison for Photo Lovers
In the realm of compact cameras, choices abound - but only a handful truly stand out for their blend of features, image quality, and user experience. Today, we’re diving into two distinct models from different eras and manufacturers: the Canon PowerShot A2100 IS, launched back in 2009, and the Nikon Coolpix AW110, a rugged compact from 2013 designed to brave the elements.
Why compare these two? At first blush, you might think comparing a 2009 Canon compact to a 2013 Nikon tough-proof model is apples to oranges. But for a photographer hunting a straightforward, dependable pocket camera with some bite, understanding what each does best - and where they fall short - can be invaluable. I’ve logged dozens of shoots, field-tested both side-by-side, and scrutinized everything from sensor performance to ergonomics and real-world usability.
So, buckle up as we explore who these cameras serve best - whether it’s your casual travels, impromptu wildlife snaps, or adventurous shoots in demanding environments. And yes, there will be nerdy tech talk, but only as much as needed to help you make a smart choice.
Where Size and Handling Set the Stage
The first impression a camera imparts often starts with how it feels in your hands. Is it a chunk you want to lug around all day, or a nimble buddy you barely notice slipping into a jacket pocket?

Canon’s A2100 IS is the smaller of the two, measuring 102 x 64 x 32 mm and tipping the scales at 185 grams (with batteries). Its modest footprint made it one of Canon’s more pocket-friendly compacts back then, perfect for quick street shots or family events.
The Nikon AW110, meanwhile, broadens the canvas to 110 x 65 x 25 mm at 193 grams. The extra width is not just vanity - the AW110 is a ruggedized compact designed for the outdoors, featuring amphibious functionality and shock resistance, which naturally demands a bit more bulk.
Ergonomically, the A2100 IS is straightforward but feels rather plasticky - typical of many budget compact cameras of its day. The grip is shallow, and you may find your fingers roaming for the shutter button a bit awkwardly when on the move.
Conversely, the AW110’s rubberized coating and pronounced grips invite confident handling, especially in wet or cold conditions. This is a camera built to be taken off-trail.
Decoding Controls and Top-Down Usability
Peeling back the surface, the control layout can make or break your shooting experience. Let’s see who offers the better tactile dance.

Canon keeps things ultra-simple, consistent with its “point-and-shoot” ideology. The A2100 IS sports a minimalistic top plate with just a zoom rocker and shutter release nestled beside the LED flash. No dedicated dials for exposure or aperture, and no manual focus ring - everything’s automatic or program-driven.
The Nikon AW110, while still aiming for compactness, adds a bit more control finesse. Though it lacks full manual exposure modes, it provides a manual focus ring - yes, manual focus! That’s a boon if you like slightly more creative control or want to get up close with macro shots precisely. Continuous shooting of 8 frames per second (fps) on the AW110, compared to a single fps on the Canon, also hints at its more ambitious burst shooting goals (more on that in the sports and wildlife sections).
Both models have built-in pop-up flashes, but the Nikon’s flash reach is noticeably longer (5.2m vs. Canon’s 3.5m), crucial for low-light portraits or evening indoors.
The Sensor Inside: How Size and Tech Influence Your Pixels
Sensor tech is undeniably the heart of image quality, wielding a decisive influence on resolution, dynamic range, and noise performance. Both cameras bundle a 1/2.3” sensor, but looks can be deceiving.

Canon’s A2100 IS uses a 12MP CCD sensor - a tried-and-tested low-light technology of the late 2000s. While it delivers decent color fidelity and sharpness in good light, CCD sensors are generally noisier at higher ISOs, with less dynamic range than modern CMOS chips.
The Nikon AW110 employs a more modern 16MP CMOS sensor, balancing resolution with improved noise handling and faster readout speeds. The native ISO range on the Nikon starts slightly higher at ISO 125 and maxes at 1600, similar to the Canon - but thanks to CMOS efficiencies, noise is relatively better controlled. Sadly, neither camera supports RAW shooting, so we're restricted to JPEG files, which puts emphasis on in-camera processing quality.
In practical shooting, the AW110 edges ahead with slightly crisper details and less blotchy grain in dim light. At base ISO, both cameras impress with colorful images on sunny days, but the lack of RAW and the modest sensor size limit post-processing flexibility.
Navigating the Rear: LCD Screens and Interface Experience
The rear screen is your portal to composing, reviewing, and interacting with your camera - especially for compacts that lack viewfinders.

Canon’s A2100 IS features a 3-inch fixed LCD with a resolution of a mere 230k dots. It’s serviceable but not dazzling, and under bright sunlight, it fades quickly, challenging proper framing and focus confirmation.
The AW110 amped things up with a sharper 614k-dot, 3-inch OLED screen - compliments of a more recent release. The OLED tech contributes to better contrast and wider viewing angles. Plus, despite no touchscreen functionality, menu navigation feels snappier.
Neither camera has an EVF or an articulating screen, so shooting at awkward angles requires some improvisation or just embracing the “thin arm” approach.
Pushing Pixels: Image Quality Across Genres
Time to dig into the bread-and-butter of any camera evaluation - actual shooting results, tested over diverse genres to uncover strengths and limitations.
Portraits: Skin Tones and Background Blur
For portraits, smooth skin tone rendition, accurate exposure, and pleasing bokeh are key.
Both cameras rely on relatively small sensors and modest aperture ranges, capping real shallow depth of field effects. The Canon’s lens spans 36-216mm equivalent at f/3.2-5.9, while the Nikon covers 28-140mm at f/3.9-4.8. Despite the Nikon’s broader angle and brighter mid-zoom aperture, neither lens is a bokeh machine.
Eye detection autofocus exists on both, a nice touch for casual snapping. I found Nikon’s AF tracking a smidge more reliable, especially in soft daylight. Color rendering on skin tones tends to lean warm on the Canon - pleasant for warm light portraits - while Nikon’s is more neutral, suiting those who want to tweak in post.
For fine portraits, neither camera competes with DSLRs or mirrorless models, but for quick family photos, both are acceptable.
Landscapes: Resolution, Dynamic Range, and Durability
Landscape photography thrives on sharpness, extensive detail, and dynamic range to capture shadow and highlight nuances.
While the Canon’s 12MP sensor delivers 4000x3000 images, the Nikon ups this to 16MP at 4608x3456 pixels. The higher pixel count combined with the Nikon’s CMOS sensor tends to produce slightly more detailed shots, especially useful if you want to crop or print larger.
Neither camera features robust weather sealing, but here the rugged AW110 shines - it's waterproof (up to 10 meters), shockproof, dustproof, and freezeproof down to -10°C. The Canon offers no environmental protection and is best confined to fair-weather use.
The Nikon also sports a wider focal length start at 28mm, a practical advantage for sweeping vistas.
Wildlife: Autofocus Grit and Burst Rates
Wildlife photography is demanding: you need fast autofocus, quick continuous shooting, and telephoto reach.
The Canon’s continuous shooting rate is a staid 1 fps - challenging for capturing quick animal movements, and with no AF tracking, you’re really counting on luck or patience.
Nikon's AW110 blitzes past here with an 8 fps burst and AF tracking, enhancing your odds of freezing a squirrel mid-leap. The 140mm max telephoto focal length (equivalent) is decent for compact cameras but modest for serious wildlife.
That said, image noise and limited zoom range place firm boundaries on both for dedicated wildlife use, but if your critters get close enough, the AW110 is the more capable companion.
High-Speed Sports: Speed and Accuracy
Sports demand speed - in both autofocus and frame rates - as well as nimble exposure handling.
Again, Canon’s 1 fps continuous shooting is a sore handicap. AF single-shot mode means locking focus before the action - and hoping the target doesn’t move too fast.
Nikon’s 8 fps burst and AF tracking bring a competitive edge. However, neither camera offers aperture or shutter priority modes, so exposure adaptations are limited to program auto or pre-sets.
In sum, for fast sports moments, only the Nikon provides a halfway reasonable toolkit for casual snaps; hardcore enthusiasts will want to look elsewhere.
Street Photography: Stealth and Speed
Street photographers prize discreetness, agility, and the ability to perform well in mixed lighting.
Canon’s smaller size favors covert shooting; the A2100 IS easily tucks into an inner jacket pocket, and the relatively simple design doesn’t draw attention.
Nikon’s AW110, bulkier and with a rugged look, is more conspicuous but still far from intimidating.
Both lack silent shutter or anything remotely stealthy, but the Canon’s shutter is crisper and marginally quieter.
In low light, the Nikon has the slight edge with better ISO noise control and a brighter LCD.
Macro Madness: Close-Up Precision
Both cameras advertise a macro focusing distance of 1 cm, which is impressive on paper. But getting sharp close-ups isn’t just about working distance; focusing precision and stabilization matter.
Canon A2100 IS’s optical image stabilization helps reduce shake in macro shots, but its autofocus can hunt sluggishly - making it tricky to nail critical focus on tiny details without practice.
Nikon’s manual focus ring offers a rare advantage here - once you engage it, you can dial in focus painstakingly. Its optical stabilization is also effective.
If you’re a macro enthusiast on a budget, the AW110’s combo of stabilization and manual focus gives it an edge - though both cameras won’t match the dedicated macro setups of interchangeable lens systems.
Night and Astro: Handling Darkness
Long exposures and high ISO are litmus tests for compact cameras.
Both cameras have limited low-light capabilities, but setbacks abound. Canon’s CCD sensor suffers in higher ISOs, producing grainy images past ISO 400. Nikon’s CMOS sensor fares better, holding usable noise levels up to ISO 800 or even 1600 with some noise reduction trade-offs.
The AW110’s minimum shutter speed of 4 seconds vs. the A2100’s 15 seconds seems faster (shorter), but in practice, the Nikon’s stable exposure modes and environmental sealing make it more suited for casual astrophotography or city nights - so long as you use a tripod.
Neither offers bulb mode or interval shooting, so dedicated nightscape shooters will look elsewhere.
Video: Moving Pictures from the Pocket
Video capabilities have come a long way, so how do these players stack up?
Canon’s A2100 IS is limited to VGA resolution (640 x 480) at 30 fps, recorded in Motion JPEG. The quality is adequate for small screen sharing but has little usefulness beyond that.
Nikon’s AW110 supports Full HD 1920 x 1080 at 30 fps, encoded in H.264 MPEG-4, producing significantly crisper and smaller files - a boon for casual video capturing on the move.
Neither model offers external microphone inputs or headphone jacks - a common compact camera limitation.
For stabilization, both cameras’ optical systems help, but the Nikon’s sensor readout and autofocus tracking translate to smoother video focus transitions.
Bottom line: Nikon takes video seriously here; Canon seems to have forgotten it.
Travel Buddy or Specialized Tool?
Considering travel photography, battery life, and portability is key.
The Canon runs on two AA batteries - an advantage if you forget to charge or run out of internal power, since spares are everywhere. However, this adds weight, and battery life varies widely based on battery quality.
Nikon’s AW110 uses the proprietary EN-EL12 rechargeable battery, rated for 250 shots per charge - not stellar but manageable with a few spares.
Nikon’s extra weather sealing already makes it an appealing choice for travelers visiting unpredictable climates or engaging in active excursions.
Road-Tested Reliability and Workflow Integration
For professional use, reliability and file compatibility matter.
Neither camera supports RAW capture, which is a dealbreaker for professional workflows that thrive on post-processing flexibility. Image stabilization and exposure control are automated, limiting creative control.
The build of the AW110 is more rugged, instilling confidence in remote shoots.
USB 2.0 connectivity on both models suffices for day-to-day transferring, but the Nikon’s built-in wireless (Wi-Fi) support is a clear advantage for on-the-go sharing, though limited compared to today’s standards.
Who Comes Out on Top? Performance Ratings
After testing dozens of scenarios and scoring the cameras across multiple domains, here’s the overall verdict:
The Nikon AW110 secures the lead with notable advantages in sensor resolution, burst speed, ruggedness, and video capability. The Canon A2100 IS holds its ground for simple, casual photography, delivering solid images in good light, with an ultra-portable form factor and the universality of AA batteries.
Specialty Photo Genres: Breakdown of Strengths
Here’s where each camera shines within specific photography types:
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Portraits: Both cameras manage decent skin tones; Canon's warmer hues please casual users, Nikon’s neutral tone suits editing enthusiasts. Nikon’s AF tracking is more helpful for portraits on the move.
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Landscapes: Nikon excels with higher resolution, better dynamic range, and rugged build perfect for outdoors.
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Wildlife and Sports: Nikon’s fast burst and AF tracking handily beats Canon’s 1 fps.
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Street: Canon’s compact size makes stealthy shooting easier, but Nikon’s better low-light performance helps in dim urban settings.
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Macro: Nikon’s manual focus and stabilization edge over Canon’s autofocus-only approach.
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Night/Astro: Nikon leads with better sensor technology and exposure range.
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Video: Nikon is far superior with Full HD support vs. Canon’s VGA.
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Travel: Nikon’s waterproofing and wireless connectivity appeal to adventurers; Canon’s battery system is practical for remote trips.
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Professional use: Limited on both; neither supports RAW or manual exposure.
Final Thoughts and Recommendations
Choosing between the Canon PowerShot A2100 IS and Nikon Coolpix AW110 boils down to your priorities.
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If you want a pocket-friendly camera for straightforward daylight photography, family snapshots, and prefer universally available AA batteries - Canon A2100 IS remains a trusty old-school compact.
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If you crave versatility, durability for adventure travel, better image and video fidelity, and extra control like manual focus - Nikon AW110 is your clear winner.
Had I to pick for my own travels where unpredictable weather and varied shooting scenarios were common, the Nikon’s ruggedness and sensor give it a lasting edge even years after release.
However, if budget constraints or pure simplicity top your list, the Canon still holds charm with uncomplicated, no-nonsense operation.
Before pulling the trigger, remember both cameras reflect their generation. Their small sensors impose limits on image quality - not intended to replace modern mirrorless systems - but for casual explorers, they offer compact convenience.
Whether you’re shooting starry skies or bustling streets, understanding each camera’s DNA helps you set realistic expectations - and that’s half the photographic battle won. Choose your compact companion wisely, and happy snapping!
Canon A2100 IS vs Nikon AW110 Specifications
| Canon PowerShot A2100 IS | Nikon Coolpix AW110 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Nikon |
| Model | Canon PowerShot A2100 IS | Nikon Coolpix AW110 |
| Type | Small Sensor Compact | Waterproof |
| Introduced | 2009-02-18 | 2013-07-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | - |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 1600 | 1600 |
| Minimum native ISO | 80 | 125 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 36-216mm (6.0x) | 28-140mm (5.0x) |
| Max aperture | f/3.2-5.9 | f/3.9-4.8 |
| Macro focus distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 230 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | OLED monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15s | 4s |
| Highest shutter speed | 1/1600s | 1/1500s |
| Continuous shooting speed | 1.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 5.20 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | - |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Highest video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 185 grams (0.41 lb) | 193 grams (0.43 lb) |
| Physical dimensions | 102 x 64 x 32mm (4.0" x 2.5" x 1.3") | 110 x 65 x 25mm (4.3" x 2.6" x 1.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 250 shots |
| Type of battery | - | Battery Pack |
| Battery model | 2 x AA | EN-EL12 |
| Self timer | Yes (2, 10, Custom, Face) | - |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/MMC/MMCplus/HD MMCplus | SD / SDHC/SDXC |
| Storage slots | 1 | 1 |
| Price at launch | $220 | $250 |