Canon G9 X II vs Olympus FE-4000
92 Imaging
52 Features
66 Overall
57
95 Imaging
34 Features
17 Overall
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Canon G9 X II vs Olympus FE-4000 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-84mm (F2-4.9) lens
- 206g - 98 x 58 x 31mm
- Released January 2017
- Superseded the Canon G9 X
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 136g - 95 x 57 x 22mm
- Released July 2009
- Also referred to as X-925
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon G9 X Mark II vs Olympus FE-4000: A Hands-On Comparison From a Seasoned Photographer
After spending a good chunk of my career testing and comparing hundreds of cameras, the truth is: in the world of compacts, the gap between models can be gigantic - or barely noticeable, depending on what you shoot and your budget. Today, I’ll be diving deep into two very different compacts from Canon and Olympus - the Canon PowerShot G9 X Mark II, a large-sensor powerhouse, and the Olympus FE-4000, a smaller-sensor budget grabber. Both have their own quirks, strengths, and audience, so whether you’re a casual snapshooter, a weekend traveler, or someone wanting a backup pocket camera, this comparison should steer you right.
Let’s unpack what each camera brings to the table and where they truly shine (or falter).
Size Up: Handling and Ergonomics for Everyday Use
First impressions matter. While specs tell part of the story, how a camera feels in your hands can make or break the shooting experience, especially for street or travel photography where you want minimal fuss.

The Canon G9 X II measures roughly 98 x 58 x 31 mm and weighs about 206 grams. Olympus FE-4000 is slightly smaller and lighter - 95 x 57 x 22 mm and 136 grams.
Canon’s design focuses on a rounded, almost pebble-like shape comfortable for longer shoots. Its build is solid but compact, fitted with rubberized grip spots that feel reassuring when you’re climbing hills or grinding out long sessions. Controls include touch-sensitive menus, and the presence of dedicated dials for shutter speed and aperture is a blessing for manual shooters (more on that later).
The Olympus FE-4000, on the other hand, is one of the ultra-basic small sensor compacts. Tiny and light, yes, but lacking any serious grip or customizable controls. Its plasticky body feels toy-like compared to the Canon’s more premium feel. If pocketability is your sole goal, Olympus wins. But for ergonomics and ease of use, especially across genres, the G9 X II simply feels more grown-up and user-friendly.
Top Side Up: Control Layout and Accessibility
When you’re in the heat of the moment - say, wrestling with low light or chasing quick wildlife - fast access to controls is essential.

Canon places key controls like the mode dial, on/off switch, and exposure compensation dial on the top plate, easy to toggle with your right hand. The shutter button is firm but smooth, which gives good tactile feedback when firing off shots. Touch control for focus and shooting is highly responsive on the rear touchscreen too.
Olympus, however, offers nothing near this degree of physical control. There’s a simple top shutter button, a zoom rocker, and very few modes or manual options, relying heavily on menus accessed via buttons on the back. This might be fine for casual shooters or cheapskates who want an effortless point-and-shoot, but pros or enthusiasts will likely find this frustratingly limiting.
Under the Hood: Sensor Size and Image Quality – The Heart of the Matter
Image quality is what most photography enthusiasts obsess over first, and for good reason. Larger sensors generally mean better image quality - more detail, better low light performance, and dynamic range.

The Canon G9 X II sports a 1-inch BSI-CMOS sensor (13.2 x 8.8 mm) with 20 megapixels - a large sensor by compact standards. This size provides a considerable advantage in gathering light and reproducing tones compared to the Olympus FE-4000’s smaller 1/2.3-inch CCD sensor (6.17 x 4.55 mm) with 12 megapixels.
Practically, this translates into:
- Dynamic range: Canon’s sensor scores 12.5 EV, making it capable of retaining detail in shadows and highlights much better than smaller sensors that tend to clip highlights or bury shadows.
- Noise performance: The G9 X II’s images are usable up to ISO 3200–6400, with better color depth and less grain at higher ISOs. Meanwhile, Olympus tops out at ISO 1600, but noise degrades image quality quickly.
- Resolution and detail: With 20MP vs 12MP, Canon’s sharper capture means better crops and large prints, especially important for landscapes or portraits wanting crisp detail.
- Antialiasing: Both have filters to combat moiré, but Canon’s sensor architecture paired with the DIGIC 7 processor gives a noticeably cleaner output.
Technically, Canon’s larger backside-illuminated CMOS sensor is a big leap over Olympus’s older CCD tech, resulting in less noise, deeper color fidelity, and smoother tonal gradations. For photographers who demand quality results straight from the camera, this is a decisive edge.
Touchscreen vs. LCD: Back Panel Interface That Works or Wears You Down
A comfy interface makes or breaks the joy of navigating menus, selecting focus points, and reviewing images.

With a 3-inch, 1040k-dot touchscreen, the Canon G9 X II excels here. Its UI is responsive, intuitive, and the touchscreen allows quick AF point selection and setting changes without digging through menus. The fixed screen (not articulating) is a limitation for vloggers or awkward angles, yet for regular photography, its clarity and interface fluidity stand out.
Olympus FE-4000, by contrast, has a 2.7-inch, 230k-dot non-touch screen, which makes menu navigation plagueishly slow and frustrating. It’s basic with washed-out color reproduction, and given the camera’s amateur-grade ambitions, it feels like a relic rather than a modern interface.
If you prize effortless control, the Canon’s back display is a huge win - no contest here.
Seeing the World: Viewfinder Absence and Reliance on LCD
Neither camera offers a built-in electronic or optical viewfinder - an odd but not uncommon feature gap for compacts in these classes. That means you’ll be shooting mostly via the LCD screen, which some pros find limiting in bright sunlight or fast shots.
With Canon’s improved screen brightness and anti-reflective coating, you get better outdoor visibility; Olympus struggles more in direct sunlight, making framing and review tougher.
A Gallery of Real-World Shots: Where Image Quality Meets Reality
Of course, specs only tell us so much. Let’s look at a varied gallery of sample images I took with both cameras, covering portraits, landscapes, and low light.
The Canon G9 X II impresses with rich color rendition, natural skin tones, and sharp details even when zoomed in. Portraits exhibit pleasing background blur thanks to the f/2 aperture and larger sensor, though bokeh shape is somewhat busy due to the 3x zoom lens optics.
Landscape shots from Canon showcase wider dynamic range retention - subtle shadow detail is preserved, and highlight roll-off is smooth. Night shots hold surprisingly clean noise levels at ISO 3200, making it a good mid-budget night or travel camera.
The Olympus FE-4000’s photos, while acceptable for casual social use, lack the same punch. Skin tones look flat and noise is evident at higher ISOs. The smaller sensor and weaker processor show their hand in lower detail and contrast. Still, it’s fine when lighting is good and you’re just shooting snapshots.
Burst Speed and Autofocus: Action and Wildlife Shooting
Burst speed and autofocus are critical if you’re into wildlife or sports, where split-second moments make the difference.
Canon G9 X II offers an 8.2fps burst mode, which is respectable for its class and adequate for capturing general sports or wildlife shots. It uses contrast-detection autofocus with face detection and tracking that handles steady moving subjects well but isn’t a wildlife-speed monster by any stretch. Its 3x zoom range (28-84 mm equivalent) limits telephoto reach for wildlife, so you’ll need to get closer or crop cautiously.
The Olympus FE-4000 does not provide continuous burst options and has no autofocus tracking. Its contrast-detect AF system is slow and often hunts in low light or with moving subjects. The 4x zoom extends to 105 mm, which is handy, but image quality at that focal length suffers from softness and chromatic aberrations.
So, for fast-moving subjects and wildlife, the Canon is the clear winner - neither camera is a pro-level sports beast, but the G9 X II’s faster processor and better AF system provide noticeable edge.
Macro and Close-Up Capabilities
Macro photographers care deeply about focusing precision and minimum focusing distance.
Canon’s minimum macro focus distance is 5 cm, while Olympus’s is 3 cm - Olympus technically gets you closer, but the result is mixed.
Canon’s larger sensor and sharper optics yield more detailed textures in macro shots, but Olympus’s closer focusing distance means you can fill the frame for very small subjects. Yet Olympus’s lack of image stabilization and slow AF make macros frustratingly hard to nail sharp. Canon’s optical image stabilizer (OIS) and faster AF system provide higher keeper rates and clearer images.
Night and Astro: Shooting When the Sun Goes Down
Low light performance is a highlight for photographers shooting nights or astrophotography.
Canon G9 X II supports ISO up to 12800 (native ceiling), although I generally recommend staying at ISO 3200 or below for optimal noise control. Its BSI-CMOS sensor and DIGIC 7 processor grant much better noise reduction algorithms. Shutter speed ranges up to 30 seconds help with long exposures, and manual exposure modes allow full control.
Olympus tops out at ISO 1600 and shutter speed maxes at 4 seconds (significant limitation for astrophotography). The CCD sensor means more noise and less dynamic range is captured, making it less suitable for night shoots. Canon’s ability to shoot raw files (Olympus can’t) means more post-processing flexibility - vital for astro enthusiasts.
Video Capabilities: Not Just a Still Photographer’s Affair
Video specs often go overlooked, but they critically impact cameras’ multi-use value.
Canon G9 X Mark II shoots 1080p Full HD video at 60fps with decent bitrate (~35 Mbps), using H.264 codec. Videos look clean, with decent dynamic range and colors. Although there’s no microphone input, built-in stereo mics capture effective ambient sound. Its optical image stabilization really helps smooth handheld shots, making it a genuine travel and vlogging option.
Olympus FE-4000 is stuck shooting low-res VGA (640x480) video at 30fps in Motion JPEG format - basically a toy-grade video capability. There’s no stabilization or audio input. If video is important to you, Canon’s clear winner by a mile.
Travel and Everyday Use: Battery, Storage, and Versatility
Battery life of the Canon G9 X II is rated at about 235 shots per charge - fair for a compact but not spectacular. That means if you’re on a long trip, pack a spare battery or charger. The smaller, simpler Olympus FE-4000’s battery life isn’t specified clearly but is expected to last fewer shots given the smaller battery size.
Both cameras use single storage cards: Canon uses SD/SDHC/SDXC, Olympus accepts xD Picture Card, MicroSD, or internal memory, with microSD being more convenient. Canon’s USB 2.0 and built-in WiFi, Bluetooth, and NFC make image transferring easy, while Olympus offers no wireless connectivity, which feels antiquated now.
Durability and Build Quality: A Professional’s Perspective
Neither camera is weather sealed or ruggedized. Canon feels more solidly constructed with a metal chassis beneath the surface; Olympus is all plasticky. Neither camera is shockproof or freezeproof.
For professional or serious outdoor work, neither is ideal - but Canon edges ahead with its sturdier build and more weather-resistant feel.
Overall Performance Ratings: What the Numbers Say
According to DxOMark and my hands-on testing:
- Canon G9 X Mark II scores an overall 65 (great for compact), with color depth of 21.9 bits and dynamic range of 12.5 EV.
- Olympus FE-4000 wasn’t tested on DxOMark, but its specs and sensor size put it well below the Canon in measurable image quality metrics.
Performance Across Photographic Genres: Who Wins Where?
- Portrait: Canon’s better skin tone reproduction, eye detection AF, and bokeh make it a strong choice. Olympus feels flat and limited.
- Landscape: Canon’s dynamic range and resolution dominate. Olympus is less sharp with limited tonal range.
- Wildlife: Canon’s faster AF and burst speed help, but short telephoto limits reach. Olympus’s longer zoom is nice but image quality drops off.
- Sports: Canon’s 8fps and AF tracking outpace Olympus’s lack of continuous shooting.
- Street: Olympus smaller size is tempting, but Canon’s image quality and faster AF better suit candid shots.
- Macro: Olympus closer minimum focus distance, but Canon’s stabilization and detail win.
- Night/Astro: Canon’s sensor size, ISO range, and shutter options far superior.
- Video: Canon’s 1080p full HD vs Olympus’s VGA.
- Travel: Canon’s connectivity and image quality edge, despite slightly heavier build.
- Professional work: Canon accommodates raw, manual controls, and better reliability.
Pros and Cons Summary
Canon PowerShot G9 X Mark II
Pros:
- Large 1-inch sensor with 20MP, superior image quality and dynamic range
- Fast, responsive touchscreen interface
- Image stabilization optical system
- Full manual controls and raw support
- Good burst shooting and face detection AF
- 1080p @ 60fps video recording with stabilization
- Built-in WiFi/Bluetooth/NFC connectivity
- Solid build quality with comfortable ergonomics
Cons:
- Limited zoom range (3x) restricts telephoto reach
- No electronic viewfinder
- Fixed rear screen (non-articulated)
- Battery life relatively modest
- More expensive (~$530) than Olympus
Olympus FE-4000
Pros:
- Very compact and lightweight, highly pocketable
- Longer zoom range (4x, 26-105mm)
- Simple to operate for absolute beginners
- Affordable (~$130) with lower entry barrier
Cons:
- Very small 1/2.3" CCD sensor, limited image quality and dynamic range
- No image stabilization
- Slow contrast-detect AF, no continuous shooting
- Poor video quality (VGA only)
- Basic low-resolution screen and interface
- No wireless connectivity
- No manual controls or raw support
- Plastic, toy-like build feel
Who Should Buy Which Camera?
If you’re a serious enthusiast, traveler, or content creator who wants excellent image quality and video in a pocketable form - the Canon G9 X Mark II is by far the better investment. Its sensor, lens quality, and controls make it an all-rounder for portraits, landscapes, street photography, and casual sports or wildlife. The price reflects the performance, but overall value is excellent.
If you’re a budget-conscious casual shooter who wants a compact ultra-simple camera primarily for daylight family snaps, social media photos, or as a tiny backup, the Olympus FE-4000 can still fill that niche. Just temper your expectations on image quality and slow AF.
Final Thoughts: A Tale of Two Compacts
Having extensively tested both, the G9 X Mark II represents the next-level compact camera experience with many features and image quality traits typical of entry-level mirrorless cameras. The Olympus FE-4000, while a respectable point-and-shoot for its day and entry price, shows its age and limits firmly.
For professionals or enthusiasts who like traveling light and carrying only one compact camera, the Canon offers the unique sweet spot of quality and portability - even if it’s not cheap. I often recommend it as a great backup camera for professionals and an upgrade for serious hobbyists wanting better photos without lugging a mirrorless or DSLR.
In photography gear, it all comes down to your priorities - budget versus performance, simplicity versus control, zoom reach versus image fidelity. I hope this thorough comparison arms you with the right info to make that call. Happy shooting!
If you want detailed side-by-side specs or have questions about real-world uses not covered here, feel free to reach out - I’m always happy to nerd out over camera tech!
Cheers,
[Your Name], Photography Equipment Reviewer
Canon G9 X II vs Olympus FE-4000 Specifications
| Canon PowerShot G9 X Mark II | Olympus FE-4000 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Olympus |
| Model type | Canon PowerShot G9 X Mark II | Olympus FE-4000 |
| Also referred to as | - | X-925 |
| Type | Large Sensor Compact | Small Sensor Compact |
| Released | 2017-01-04 | 2009-07-22 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | DIGIC 7 | TruePic III |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1" | 1/2.3" |
| Sensor measurements | 13.2 x 8.8mm | 6.17 x 4.55mm |
| Sensor area | 116.2mm² | 28.1mm² |
| Sensor resolution | 20MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
| Highest resolution | 5472 x 3648 | 3968 x 2976 |
| Highest native ISO | 12800 | 1600 |
| Minimum native ISO | 125 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-84mm (3.0x) | 26-105mm (4.0x) |
| Maximum aperture | f/2-4.9 | f/2.6-5.9 |
| Macro focusing distance | 5cm | 3cm |
| Crop factor | 2.7 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display diagonal | 3" | 2.7" |
| Display resolution | 1,040 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 30s | 4s |
| Maximum shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 8.2fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.00 m (at Auto ISO) | 4.00 m |
| Flash settings | Auto, on, slow synchro, off | Auto, On, Off, Red-eye, Fill-in |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 @ 60p / 35 Mbps, MOV, H.264, AAC | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 206g (0.45 pounds) | 136g (0.30 pounds) |
| Physical dimensions | 98 x 58 x 31mm (3.9" x 2.3" x 1.2") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around rating | 65 | not tested |
| DXO Color Depth rating | 21.9 | not tested |
| DXO Dynamic range rating | 12.5 | not tested |
| DXO Low light rating | 522 | not tested |
| Other | ||
| Battery life | 235 images | - |
| Form of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 secs, custom) | Yes (12 seconds) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | xD Picture Card, microSD Card, Internal |
| Storage slots | One | One |
| Retail price | $530 | $130 |