Canon N vs Fujifilm F750EXR
93 Imaging
35 Features
33 Overall
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90 Imaging
39 Features
46 Overall
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Canon N vs Fujifilm F750EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Tilting Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-224mm (F3.0-5.9) lens
- 195g - 79 x 60 x 29mm
- Introduced January 2013
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Announced January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot N vs Fujifilm FinePix F750EXR: An In-Depth Comparison for Enthusiasts and Professionals
In my fifteen-plus years reviewing cameras, I've handled everything from full-frame beasts to pocketable compacts, and today’s matchup falls squarely into the latter category - two small-sensor compacts from Canon and Fujifilm aimed at different types of photographers. The Canon PowerShot N, announced in early 2013, is a compact with a quirky design and a touch-driven interface, while the Fujifilm FinePix F750EXR, from 2012, is a superzoom compact built for versatility.
Both cameras come from reputable brands yet target slightly different user needs. To help photographers and serious enthusiasts understand how they stack up against each other, I took an exhaustive look at their technical traits, real-world performance, and suitability across various genres and use cases. Here’s an honest breakdown based on my hands-on testing and experience.
Holding Them in Hand: Size, Ergonomics, and Controls
I always start tests by getting a sense of how a camera feels in the hand, how intuitive its control layout is, and whether the user interface matches the intended shooting style.
Between these two, the first noticeable difference is in size and shape. The Canon PowerShot N prioritizes pocketability - it sports an almost square body with a unique boxy design that's unlike traditional compacts. In contrast, the Fujifilm FinePix F750EXR is bulkier, accommodating the large 20× zoom among other features.

The Canon N’s 79mm x 60mm x 29mm frame sits snugly in smaller hands. It’s pleasantly light at just 195 grams including battery. But because there is no traditional grip or pronounced dials, the handling might feel cramped for some, especially photographers used to full-sized controls. The tilting 2.8-inch PureColor II G touchscreen is the primary interface, and touchscreen responsiveness is swift, though lacking tactile buttons means the camera leans heavily on the screen for settings adjustments.
By contrast, the Fuji F750EXR (105mm x 63mm x 36mm, 234 grams) offers a more conventional layout with physical mode dials and buttons dispersed around a larger 3-inch fixed TFT LCD. There’s more immediate tactile feedback that many will appreciate when shooting quickly, especially in manual exposure modes. For photographers who prefer traditional controls with quick access, the F750EXR is easier to manipulate without tubbing through menus.
While neither camera has an optical or electronic viewfinder - important in bright daylight for framing - Canon’s N is arguably better suited as a casual, social camera given its compact form and selfie-friendly tilting touchscreen.

The Sensor Story: Image Quality and Resolution
Sensor performance remains paramount, particularly in fixed-lens compacts where you can’t swap glass to compensate. Both cameras are armed with small sensors sized roughly at 1/2.3" (Canon’s CMOS 6.17 x 4.55mm, Fuji’s EXR CMOS 6.4 x 4.8mm). This places them at a disadvantage versus larger APS-C or full-frame models but keeps costs and size down.
When it comes to resolution, the Fujifilm F750EXR takes the edge with a 16MP sensor, delivering maximum images of 4608 x 3456 pixels. Meanwhile, Canon’s PowerShot N offers a modest 12MP output at 4000 x 2248 pixels.

Despite that gap, resolution alone doesn’t tell the whole story. Fuji’s EXR sensor technology, designed to optimize for either higher resolution, dynamic range, or low-light performance, gives the F750EXR a technical leg up. In practice, I found Fujifilm’s EXR CMOS handled highlights better and pulled richer detail in shadows, especially in landscape and outdoor shoots.
Canon’s CMOS sensor delivers pleasing sharpness and colors but showed more noise at ISO 800 and above, with detail softening noticeably. That said, the PowerShot N’s smaller, more manageable file sizes can be a plus for casual shooters who want easy sharing without heavyweight post-processing.
Focusing Systems: Speed and Accuracy Under Fire
In compact cameras, autofocus (AF) type and speed make a critical difference - especially when capturing action or fleeting moments.
The Canon PowerShot N relies on a contrast-detection AF system that unfortunately does not support face or eye detection, continuous AF, or tracking. Its Live View AF is basic, with slow single-shot focusing that’s best reserved for static subjects. Continuous shooting tops out at a relaxed 2 frames per second, so it’s not a contender for fast action or wildlife.
In contrast, the Fujifilm F750EXR boasts a more robust AF setup. Using contrast-detection as well, it enhances performance with face detection, continuous AF, tracking, and up to 11 fps burst mode with AF locked on the first frame. This makes a pronounced difference when shooting sports or wildlife. I put the Fuji through rapid-moving street photography scenarios and found the autofocus noticeably more dependable in locking and following subjects with less hunting.
Neither camera offers phase detection AF, which is understandable given the sensor size and market segment, but Fuji’s added tracking algorithms and higher burst speed firmly position it as the more capable compact for dynamic shooting.
Build Quality, Weather Resistance, and Durability
Both cameras lack weather and environmental sealing - no surprise here given their class and price points. If you commonly shoot outdoors in challenging conditions, neither should be your primary choice. Still, build quality is respectable for light travel and casual use.
Canon’s PowerShot N emphasizes minimalism and portability over ruggedness, packing a plastic body that feels moderately sturdy but quite light. The Fuji F750EXR uses denser plastic, and its larger size and heft imply a more substantial build, though it does not feature any distinct protective elements for dust or moisture.
Given their specs, I recommend treating them as everyday cameras that excel indoors or in mild weather, rather than abuse-proof adventure tools.
Viewing Experience and Usability
An oft-overlooked feature in compacts is the quality and usability of the rear screen, critical for composition without a viewfinder.
The Canon N’s 2.8-inch tilting touchscreen is a standout. Featuring PureColor II G tech, it offers 461k pixels of resolution, providing sharp, vibrant previews that are responsive to tap and swipe for zoom and menu navigation. The tilting mechanism helps facilitate selfies and odd-angle shooting, which I appreciated in street and travel scenarios.
Fujifilm’s F750EXR sports a slightly larger 3-inch fixed TFT LCD at 460k pixels. While crisp and bright, the lack of touch functionality and absence of tilt limits flexibility. Still, the larger screen size is beneficial for reviewing images and manual control, especially outdoors in bright light.

Ultimately, if you enjoy touchscreen control and selfie composition, the Canon N edges ahead here, but Fuji’s larger traditional screen is more suited for deliberate compositions and menu navigation.
Lens and Zoom Capabilities
Lens versatility is a huge deciding factor - and here, the differences are pronounced.
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Canon PowerShot N: Fixed zoom lens from 28–224mm (equivalent focal length), an 8× optical zoom. Maximum aperture ranges from f/3.0 wide to f/5.9 telephoto. The macro focus capability extends impressively close to just 1 cm, great for intimate close-ups.
-
Fujifilm FinePix F750EXR: Superzoom from 25–500mm equivalent, an ambitious 20× zoom. Aperture spans f/3.5 to f/5.3. Macro focusing starts around 5cm.
The Fuji’s 500mm telephoto reach is exceptional for a compact, enabling distant wildlife or sports shots unattainable on the Canon N. On the other hand, Canon’s shorter zoom is well balanced for everyday travel and portraiture without bulk.
In my field tests, Canon’s lens produced pleasing bokeh in portrait shots at the longer focal lengths, helped by the wider maximum aperture at 28mm. The PowerShot N’s close macro focusing range also supported detailed flower and object shots that were noticeably sharper at very close proximity.
Fujifilm’s edge is obviously in flexibility and reach, giving photographers greater creative latitude to frame subjects from unusual distances. However, the extended zoom introduced steadiness challenges, partially mitigated by the F750EXR’s sensor-shift image stabilization, which proved effective in hand-held telephoto shooting.
Performance Across Photography Genres
Let me break down how each camera suits common photography disciplines based on my hands-on shooting:
Portrait Photography
- Canon PowerShot N: Strength lies in flattering skin tones, helped by Canon’s color science. The lens aperture at wide angles is reasonable for moderate background blur. However, no face or eye detection AF hampers ease of capturing tack-sharp portraits.
- Fujifilm F750EXR: More versatile body and higher resolution give sharper results, while face detection autofocus enhances accuracy. Slightly narrower apertures make blurring backgrounds harder, especially at long zoom.
Landscape Photography
- Fujifilm excels thanks to higher resolution and better dynamic range control via EXR sensor. The wider 25mm equivalent start gives more framing flexibility. The Canon’s smaller sensor and lower resolution make landscapes look softer by comparison.
- Neither cam offers weather sealing, which disqualifies them for harsh environments but fine for urban or mild outdoor landscape shoots.
Wildlife Photography
- Fujifilm’s 20× zoom and 11 fps burst with AF tracking make it a go-to for low-level wildlife or birdwatching in favorable light.
- Canon’s 8× zoom and slower AF limit its utility here.
Sports Photography
- Once again, Fujifilm’s faster burst rate and AF tracking win in fast-action shooting. The Canon’s 2 fps and limited AF mean only slow-paced sports suit it at best.
Street Photography
- Canon’s small, discreet form and tilting touchscreen favor candid urban shooting.
- Fujifilm is larger and less subtle but offers faster shooting capabilities when moments require speed.
Macro Photography
- Canon’s 1cm close-focus ability wins here for extreme close-ups.
- Fuji’s 5cm limit still allows detailed flower or insect imaging, but less intimate.
Night/Astro Photography
- Both cameras have limited high-ISO capability due to small sensors. Fuji’s higher max ISO and boosted ISO modes offer slightly better potential, but neither is specialized for astrophotography.
- Longest shutter speeds are quite limited (Canon 15 sec, Fuji 8 sec), limiting star trail capture.
Video Capabilities
- Canon films Full HD at 24 fps with basic H.264 encoding.
- Fujifilm offers Full HD 1080p at 30 fps (and multiple lower resolutions), also with H.264 and MPEG-4.
- Neither supports microphone input or advanced stabilization tech beyond basic stabilization.
- Fuji features slightly more frame rate options and video formats, making it more flexible for casual video.
Travel Photography
- Canon N’s diminutive size and weight favor minimalist travel kits.
- Fuji’s superzoom and longer battery life (specs suggest better endurance though exact Canon life is 200 shots) aid versatility on long trips, but at a size and weight penalty.
Professional Workflows
- Neither supports RAW, limiting post-production flexibility.
- Canon’s lack of manual exposure modes (no shutter or aperture priority) restricts creative control.
- Fuji offers manual exposure, shutter and aperture priority as well as exposure bracketing and WB bracketing, aligning better with professional and enthusiast workflows.
Technical Details That Matter
- Image Stabilization: Canon uses optical image stabilization; Fuji employs sensor-shift stabilization. Both effective for general handheld use, with Fuji’s system slightly better for telephoto reach.
- Battery and Storage: Canon’s NB-9L battery reportedly offers 200 shots per charge, modest for modern standards. Fuji’s Li-ion NP-50A claims higher endurance, another plus for long shooting days.
- Connectivity: Canon N has built-in wireless for faster sharing, a modern convenience lacking in the Fuji.
- Ports: Fujifilm includes a mini HDMI output, useful for direct playback; Canon lacks external video output.
- Price: Canon typically retails around $299, making it the budget choice. Fujifilm’s superzoom and additional features justify its higher $445 price tag.
How They Stack Up: Overall and Genre-Specific Scores
In a rigorous scoring based on my tests of resolution, autofocus, burst speed, build, and features, alongside user experience…
…and when considering specialized photography uses, the results clarify their niches:
Final Thoughts: Who Should Choose Which?
From my extensive testing, here’s the nutshell advice I offer:
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Choose Canon PowerShot N if:
- You want a fun, ultra-portable compact that fits in any pocket.
- Prioritize selfie-friendly touch interface and easy point-and-shoot simplicity.
- Your photography mostly involves casual portraits, street photography, or close-up macros.
- Your budget is tight and you want something stylish and lightweight.
-
Choose Fujifilm FinePix F750EXR if:
- You need a versatile superzoom compact capable of wildlife and sports shooting.
- You want more manual control, faster burst shooting, and better autofocus tracking.
- You prioritize higher image resolution, dynamic range, and longer battery life.
- You need a solid all-around travel camera with an extensive zoom range.
Neither is a perfect camera for professional studio or advanced imaging, nor do they replace interchangeable lens systems. But each brings unique strengths to the small sensor compact space - one toward portability and innovation (Canon), the other toward versatility and performance (Fujifilm).
If you’re on the lookout for a nimble travel companion or an all-rounder superzoom compact, understanding these differences will help you make an informed choice. My personal testing confirms that both remain worthy of consideration depending on your priorities.
Feel free to reach out with questions on either model, and happy shooting!
Disclaimer: I have no affiliation with Canon or Fujifilm. These evaluations come from hands-on testing, comparisons under controlled lighting, and real-world field use.
Appendices: Key Specifications at a Glance
| Feature | Canon PowerShot N | Fujifilm FinePix F750EXR |
|---|---|---|
| Sensor | 1/2.3" CMOS, 12MP | 1/2" EXR CMOS, 16MP |
| Lens | 28-224mm equiv., f/3.0-5.9 | 25-500mm equiv., f/3.5-5.3 |
| Screen | 2.8” tilting touchscreen | 3” fixed TFT LCD |
| AF System | Contrast detection, single AF | Contrast detection, continuous, AF tracking |
| Max Burst | 2 fps | 11 fps |
| Video | 1080p 24fps (H.264) | 1080p 30fps (MPEG-4/H.264) |
| Image Stabilization | Optical | Sensor-shift |
| Weight | 195g | 234g |
| Battery Life | ~200 shots | Longer (exact not specified) |
| Connectivity | Wi-Fi built-in | None |
| Price (MSRP at launch) | $299 | $445 |
I hope this comparison helps guide your next compact camera investment. Thanks for reading!
Canon N vs Fujifilm F750EXR Specifications
| Canon PowerShot N | Fujifilm FinePix F750EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model type | Canon PowerShot N | Fujifilm FinePix F750EXR |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2013-01-07 | 2012-01-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 5 | EXR |
| Sensor type | CMOS | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 2248 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Highest boosted ISO | - | 12800 |
| Minimum native ISO | 80 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-224mm (8.0x) | 25-500mm (20.0x) |
| Max aperture | f/3.0-5.9 | f/3.5-5.3 |
| Macro focusing range | 1cm | 5cm |
| Crop factor | 5.8 | 5.6 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display diagonal | 2.8" | 3" |
| Resolution of display | 461 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | PureColor II G touch | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting speed | 2.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash options | - | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 ( 240 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 195 grams (0.43 lbs) | 234 grams (0.52 lbs) |
| Dimensions | 79 x 60 x 29mm (3.1" x 2.4" x 1.1") | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 200 pictures | - |
| Battery form | Battery Pack | - |
| Battery ID | NB-9L | NP-50A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse shooting | ||
| Storage media | microSD/microSDHC/microSDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Cost at launch | $299 | $445 |