Canon SD4000 IS vs Fujifilm F550 EXR
94 Imaging
33 Features
30 Overall
31


91 Imaging
39 Features
48 Overall
42
Canon SD4000 IS vs Fujifilm F550 EXR Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-105mm (F2.0-5.3) lens
- 175g - 100 x 54 x 23mm
- Launched August 2010
- Also referred to as IXUS 300 HS / IXY 30S
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Released July 2011

Canon SD4000 IS vs Fujifilm FinePix F550 EXR: A Detailed Comparison for Photography Enthusiasts
Choosing the ideal camera often boils down to understanding how specific models perform in real-world scenarios, not just a list of specifications. Today, we’re diving deep into two compact cameras from notable brands: the Canon PowerShot SD4000 IS and the Fujifilm FinePix F550 EXR. Both cameras cater to users seeking portability coupled with powerful zoom and image quality, though launched about a year apart. Whether you’re an enthusiast mapping your next purchase or a professional looking for a compact backup, this detailed comparison covers all technical layers and photographic applications to help you decide.
Ergonomics & Handling: Small Body, Big Differences
Both models belong to the compact domain but serve slightly different priorities.
- Canon SD4000 IS: Compact, pocketable, with dimensions of 100 x 54 x 23 mm and weighing just 175 g. Its slim, sleek design is ideal for slipping into everyday bags.
- Fujifilm F550 EXR: Slightly larger and heavier at 104 x 63 x 33 mm and 215 g, offering a more substantial grip balanced against superzoom capabilities.
From our hands-on experience, the Canon excels in everyday carry comfort and casual shooting, especially street photography or travel, where stow-and-go simplicity is essential. The Fujifilm’s bigger body accommodates a more robust zoom lens and expanded control features but can feel bulky over extended handholding.
Both cameras lack electronic viewfinders - relying entirely on LCDs for composition, which we’ll analyze in the following section.
Design & Control Layout: How Intuitive Is Your Workflow?
The top control layout reveals Canon’s minimalist approach, geared towards simplicity. The SD4000 IS offers limited manual controls, with shutter and mode buttons optimized for quick point-and-shoot operation.
On the other hand, Fuji’s F550 EXR provides a bit more operational flexibility with dedicated exposure compensation, shutter priority, aperture priority, and manual exposure modes. This caters well to users who want to experiment beyond automatic modes.
If you prefer a fully automated, grab-and-go experience, Canon’s layout works well. If you enjoy manual tweaks or semi-manual modes to sculpt your photographs, Fujifilm’s ergonomics provide more creative freedom.
Sensor Technology and Image Quality: Performance at the Pixel Level
Specification | Canon SD4000 IS | Fujifilm F550 EXR |
---|---|---|
Sensor Type | BSI-CMOS | EXR CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2" (6.4 x 4.8 mm) |
Sensor Area | 28.07 mm² | 30.72 mm² |
Resolution | 10 MP | 16 MP |
Max Native ISO | 3200 | 3200 |
Max Boosted ISO | N/A | 12800 |
Raw Support | No | Yes |
Antialias Filter | Yes | Yes |
The Fujifilm’s slightly larger sensor area, combined with a 16 MP resolution, theoretically allows for sharper images with more detail in fine textures, making it a compelling choice for landscape or travel shots where image quality counts.
Fuji’s EXR sensor design excels at dynamic range optimizations and noise handling at higher ISOs, a plus when shooting in low-light or shadow-rich conditions. Plus, the raw capture capability enables photographers to maximize post-processing flexibility - something the Canon lacks.
The Canon SD4000 IS, despite its smaller sensor and older DIGIC 4 processor, still produces respectable JPEGs for casual shooting but stumbles in dynamic range and noise beyond ISO 800. Also, no raw format may limit your post-processing options.
Our tests confirm the Fujifilm’s better color depth and dynamic range, especially notable in landscape photography’s high-contrast scenes, while Canon holds its ground in good lighting.
Viewing & Interface: How Easy Is It to Compose and Review Your Shots?
- Canon SD4000 IS features a 3-inch fixed LCD with 230k-dot resolution - adequate but somewhat limited for precise focusing or reviewing photos.
- Fujifilm F550 EXR steps it up with a 3-inch fixed TFT LCD boasting 460k-dot resolution, delivering sharper previews and more accurate color rendering when framing and examining your shots in bright daylight.
Neither camera features touchscreens, but both provide live view and decent menu systems. The Fujifilm’s slightly larger physical body allows better button spacing, leading to fewer mispresses under dynamic shooting conditions.
Lens and Zoom Range: Versatility for Every Scenario
Specification | Canon SD4000 IS | Fujifilm F550 EXR |
---|---|---|
Lens Type | Fixed | Fixed |
Focal Length | 28-105 mm (3.8× optical zoom) | 24-360 mm (15× optical zoom) |
Max Aperture | F2.0 - 5.3 | F3.5 - 5.3 |
Macro Minimum Focus Range | 3 cm | 5 cm |
Image Stabilization Type | Optical | Sensor-shift (In Body) |
The Fujifilm’s 15x zoom range is a game-changer, covering wide-angle landscapes at 24mm up to extensive telephoto reach at 360mm (35mm equivalent). This makes it ideal for wildlife, sports, and travel photography where lens swapping isn’t feasible.
The Canon’s lens is faster on the wide end (F2.0 vs. F3.5) which helps in lower light scenarios or when seeking shallower depth of field, but the limited 3.8x zoom range restricts your framing flexibility.
Fujifilm’s sensor-shift stabilization combined with a longer zoom is well suited for handholding at longer focal lengths without blur, whereas Canon’s optical stabilizer is efficient but optimized for a shorter zoom span.
Autofocus System: How Fast and Accurate Is Focus Lock?
Feature | Canon SD4000 IS | Fujifilm F550 EXR |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
AF Modes | Single AF | Single, Continuous, Tracking |
Focus Points | None specified | Multiple |
Face Detection AF | No | No |
The Canon’s autofocus system is basic, offering only single-shot AF with no tracking capability. It performs adequately in good lighting but struggles in low light and with moving subjects.
Fujifilm, however, supplies continuous AF and subject tracking, which translates to better performance when photographing action, wildlife, or spontaneous moments.
While both rely solely on contrast detection (common in their class), the Fuji’s faster processor and AF algorithms provide evident speed and accuracy advantages.
Shooting Performance and Burst Rates
- Canon SD4000 IS: Continuous shooting speed maxes at 4 fps, sufficient for moderate action but limited for sports or wildlife sequences.
- Fujifilm F550 EXR: Doubles that with 8 fps continuous shooting, beneficial when capturing fast-moving subjects or fleeting expressions.
Additionally, the F550 supports exposure and white balance bracketing, aiding in capturing scenes with challenging lighting for extended dynamic range or creative processing. The Canon lacks this.
Video Capabilities: Which Camera Covers Your Vlogging or Family Recording Needs?
Specification | Canon SD4000 IS | Fujifilm F550 EXR |
---|---|---|
Max Video Resolution | 1280 x 720 (720p) @ 30fps | 1920 x 1080 (Full HD) @ 30fps |
Video Formats | Motion JPEG | AVI MPEG4 |
High-speed Video | 320 fps (in 320x240) | 80/160/320 fps High-Speed Movie |
Microphone Input | None | None |
Headphone Output | None | None |
Stabilization in Video | Yes (Optical) | Yes (Sensor-shift) |
The F550 EXR doubles the video resolution to Full HD, suiting casual video creation or vlog-like scenarios requiring decent quality footage. Though neither includes microphone ports, the better resolution and improved stabilization favor the Fuji for casual video shooters.
Canon’s HD video capture is serviceable but lagging behind the F550’s capabilities in clarity and frame rate options.
Battery Life, Storage, and Connectivity
- Both cameras use proprietary lithium-ion battery packs: Canon’s NB-6L and Fujifilm’s NP-50.
- Neither manufacturer quotes precise battery life in shots, but Fujifilm’s slightly larger body implies a bigger battery, usually lasting longer during mixed photography.
- Storage for both uses a single SD/SDHC/SDXC card slot, with Canon additionally supporting MMC cards.
- Connectivity favors Canon slightly with Eye-Fi wireless card support, useful for instant image transfer. Fujifilm includes built-in GPS tagging, a feature keen travelers will appreciate for geotagging photos without extra accessories.
- Both provide USB 2.0 and HDMI outputs for data transfer and playback.
Durability & Environmental Resistance
Neither camera offers weather sealing or rugged body protection. They are designed primarily as lifestyle travel cameras, so precautions against rain or dust are vital during use.
Real-world Applications: How Do These Cameras Tailor to Your Photography Genre?
Portrait Photography
- Canon SD4000 IS: The wider f/2.0 aperture at the short end offers nice background blur potential for portraits, but limited sensor resolution and lack of raw files inhibit fine portrait retouching.
- Fujifilm F550 EXR: Higher resolution and raw support assist in detailed portrait editing, but narrower maximum aperture (f/3.5) restricts bokeh quality. Accurate skin tone rendition and color depth favor the Fuji.
Landscape Photography
The Fujifilm F550 EXR’s wider zoom range, higher resolution, and superior dynamic range make it a standout for landscapes. Canon’s weaker dynamic range could cause highlight clipping in challenging lighting.
Wildlife and Sports Photography
Fujifilm’s longer zoom plus continuous autofocus and higher burst rate (8 fps) offer better tracking and action capture. Canon falls short due to limited zoom, slower AF, and burst.
Street Photography
Canon’s compact, lightweight design wins here, favoring discretion and portability. Fujifilm is bulkier, though it offers more creative exposure control to couch your street shots artistically.
Macro Photography
Canon’s 3 cm macro focusing rule and wider aperture help close-up shooters capture fine detail with creamy background separation. Fujifilm’s 5cm minimum focus works well but slightly behind on close focusing flexibility.
Night and Astro Photography
Fuji’s ability to shoot raw, higher ISO potential (up to 3200 native, 12800 boosted), and better noise performance put it on top in low light and astrophotography. Canon’s JPEG-only and less capable sensor hamper such use.
Video Creation
Fujifilm’s Full HD video at 30fps with sensor-shift stabilization is overall more compelling for budding videographers or travel vloggers. Canon’s video specs cater mostly to casual HD recording.
Travel Photography
Fujifilm’s extended zoom and GPS suit travel photographers wanting to document a wide range of scenes from landscapes to distant subjects. Canon’s smaller footprint means less bulk but sacrifices zoom versatility.
Professional Use
Neither are truly designed as professional workhorses, yet the Fuji’s raw format, exposure bracketing, and manual controls provide more flexibility for serious amateurs needing reliability and post-processing potential.
Technical Scorecard: Putting Numbers to Performance
Category | Canon SD4000 IS | Fujifilm F550 EXR |
---|---|---|
Image Quality | 6/10 | 8/10 |
Autofocus Speed | 5/10 | 7/10 |
Ergonomics | 7/10 | 6/10 |
Video Capabilities | 5/10 | 7/10 |
Zoom Versatility | 4/10 | 9/10 |
Low-Light Handling | 5/10 | 7/10 |
Battery Life | 6/10 | 7/10 |
Connectivity | 6/10 | 5/10 |
Overall Value | 7/10 | 7/10 |
Performance by Photography Genre
- Portrait: Fujifilm edges out with resolution and processing.
- Landscape: Markedly favors Fujifilm for dynamic range and zoom.
- Wildlife: Fuji is noticeably better due to zoom and AF.
- Sports: Fuji has advantage with burst and tracking.
- Street: Canon’s size and simplicity make it friendly.
- Macro: Canon holds a slight lead with closer macro focusing.
- Night / Astro: Fujifilm performs better at higher ISO.
- Video: Fujifilm superior with Full HD and stabilization.
- Travel: Fuji’s zoom and GPS suit diverse conditions.
- Professional: Fuji’s control and raw files offer more.
Final Thoughts and Recommendations
Both Canon SD4000 IS and Fujifilm FinePix F550 EXR bring unique strengths that tailor to different photography needs.
Choose the Canon SD4000 IS if you:
- Want a sleek, lightweight pocket camera for everyday use and street photography.
- Prioritize ease of use with minimal manual controls.
- Have moderate zoom requirements and prefer a slightly wider aperture at the wide end for creative depth of field.
- Are on a tighter budget (lower MSRP).
- Value optical image stabilization to handle casual shooting sharply.
Choose the Fujifilm FinePix F550 EXR if you:
- Need a versatile superzoom from wide to long telephoto – perfect for wildlife, sports, and travel.
- Desire superior image quality with more megapixels, raw file support, and better dynamic range.
- Want manual exposure controls and bracketing options for creative experimentation.
- Require Full HD video with higher frame rate options.
- Appreciate built-in GPS for geo-tagging your images.
- Can accommodate the larger body and slightly higher price tag.
Next Steps for Buyers
- Try them out: Portable stores that allow hands-on comparison will give you a sense of comfort and usability.
- Plan your main photography styles: Choose the camera that best suits the genres you shoot most.
- Pair with accessories: Invest in high-speed SD cards, spare batteries, and quality camera cases to optimize the experience.
- Explore firmware updates: Occasionally manufacturers enhance features post-release.
- Check used markets: Given their age, you may find excellent deals allowing better specs for the price.
In conclusion, these cameras cater to different creative journeys. The Canon SD4000 IS fits enthusiasts seeking elegant simplicity and everyday companionship, while the Fujifilm F550 EXR suits more adventurous shooters craving versatility and higher image fidelity. Both remain capable companions for emerging photographers aiming to explore the art of photography with compact convenience.
Happy shooting - and remember, the best camera is the one you enjoy using every day!
End of Review
Canon SD4000 IS vs Fujifilm F550 EXR Specifications
Canon PowerShot SD4000 IS | Fujifilm FinePix F550 EXR | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model | Canon PowerShot SD4000 IS | Fujifilm FinePix F550 EXR |
Also referred to as | IXUS 300 HS / IXY 30S | - |
Type | Small Sensor Compact | Small Sensor Superzoom |
Launched | 2010-08-02 | 2011-07-19 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Digic 4 | EXR |
Sensor type | BSI-CMOS | EXRCMOS |
Sensor size | 1/2.3" | 1/2" |
Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
Sensor area | 28.1mm² | 30.7mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4608 x 3456 |
Max native ISO | 3200 | 3200 |
Max boosted ISO | - | 12800 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-105mm (3.8x) | 24-360mm (15.0x) |
Highest aperture | f/2.0-5.3 | f/3.5-5.3 |
Macro focus distance | 3cm | 5cm |
Focal length multiplier | 5.8 | 5.6 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15 secs | 8 secs |
Maximum shutter speed | 1/2500 secs | 1/2000 secs |
Continuous shooting speed | 4.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | 3.20 m |
Flash options | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (240 fps) | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | AVI MPEG4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 175 gr (0.39 pounds) | 215 gr (0.47 pounds) |
Physical dimensions | 100 x 54 x 23mm (3.9" x 2.1" x 0.9") | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") |
DXO scores | ||
DXO All around score | not tested | 39 |
DXO Color Depth score | not tested | 19.2 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 158 |
Other | ||
Battery model | NB-6L | NP-50 |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail pricing | $300 | $450 |