Canon SX500 IS vs Ricoh PX
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95 Imaging
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Canon SX500 IS vs Ricoh PX Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 341g - 104 x 70 x 80mm
- Revealed August 2012
- Later Model is Canon SX510 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.4) lens
- 156g - 100 x 55 x 21mm
- Launched August 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX500 IS vs Ricoh PX: A Hands-On Comparison for Serious Enthusiasts
When diving into the niche of compact cameras with small sensors, the Canon PowerShot SX500 IS and Ricoh PX attract attention for their intriguing feature sets and distinct design philosophies. Both cameras, released around 2011-2012, aim to balance portability with versatile zoom capabilities and image stabilization. But which one suits your photography needs better? Drawing on extensive hands-on testing and technical analysis, this in-depth comparison breaks down their core differences, strengths, and ideal user profiles.
Whether you’re exploring travel photography or prioritizing durability in the field, we'll help you decide which of these compact contenders deserves a spot in your camera bag.
A Tale of Two Compact Cameras: An Overview
Before we dig into the details, here’s a quick look at the core specs that define these cameras’ DNA:
| Specification | Canon PowerShot SX500 IS | Ricoh PX |
|---|---|---|
| Release Year | 2012 | 2011 |
| Sensor Type | 1/2.3" CCD | 1/2.3" CCD |
| Megapixels | 16 | 16 |
| Max Aperture | f/3.4-5.8 | f/3.9-5.4 |
| Zoom Range | 24-720 mm (30x optical zoom) | 28-140 mm (5x optical zoom) |
| Image Stabilization | Optical (lens-shift) | Sensor-shift |
| Continuous Shooting | 1 fps | 1 fps |
| Video Recording | 720p @25fps | 720p @30fps |
| Screen Size/Resolution | 3.0", 461k dots | 2.7", 230k dots |
| Weight | 341 g | 156 g |
| Dimensions (mm) | 104 x 70 x 80 | 100 x 55 x 21 |
| Weather Sealing | No | Yes |
| Price (at launch) | $299 | $329 |
Our analysis will explore how these technical choices translate into real-world performance across various photography genres.

Design and Handling: Size, Ergonomics, and Controls
For anyone picking up a compact camera, handling comfort and control layout shape the shooting experience. The Canon SX500 IS is notably larger and heavier, weighing in at 341 grams with chunkier dimensions partly due to its oversized zoom lens assembly. The Ricoh PX, by comparison, is slim and light at 156 grams, making it pocketable with ease.
This size difference influences more than just portability:
- Canon SX500 IS offers a more substantial grip area with pronounced handholds, making it easier to hold steadily during long telephoto bursts.
- Ricoh PX favors minimalism and travel friendliness with a very slim profile, ideal for street or casual shooting, but less suited for extended single-hand use.
Control-wise, neither camera offers a sophisticated d-pad or extensive external controls given their entry-level compact nature. The Canon’s button layout feels more refined with direct access to important settings like exposure compensation and manual modes. The Ricoh’s interface is simpler, focusing on essential controls and has a less tactile feel.

Sensor and Image Quality: Small Sensors, Big Differences?
Both cameras sport 1/2.3" CCD sensors with 16 megapixels, a common choice for compact cameras of their era. The sensor size of 6.17 x 4.55 mm means a sensor area of roughly 28 mm², which limits dynamic range and high-ISO performance compared to larger APS-C or full-frame sensors.
Key points to consider:
- Resolution: Both devices output images around 4608x3456 (Canon) and 4608x3072 (Ricoh), sufficient for prints up to 11x14 inches.
- ISO performance: Canon SX500’s ISO tops out at 1600 natively, while the Ricoh PX allows ISO 3200, giving it a technical edge in low light capacity - though image noise becomes noticeable.
- Anti-Aliasing Filter: Both include anti-aliasing filters, which help prevent moiré but can soften fine detail slightly.
- Color rendering & dynamic range: Ricoh’s Smooth Imaging Engine IV processor tends to produce slightly more natural skin tones and better highlight retention, while Canon’s DIGIC 4 favors punchier colors with less highlight headroom.
Testing under controlled conditions revealed that Ricoh PX tends to retain more shadow detail without edging into unacceptable noise levels, useful for landscape photographers working with high-contrast scenes.

LCD and Viewfinder: Composing Your Shot
Neither camera includes a viewfinder, relying entirely on their LCD screens for composition. The Canon’s 3-inch screen with 461,000 dots offers a brighter and more detailed live preview than the Ricoh PX’s 2.7-inch, 230,000 dot display.
From first-hand testing:
- The Canon screen’s TFT technology renders colors vividly and remains usable in bright daylight with anti-reflective coatings.
- The Ricoh PX’s screen, while reasonably sharp, struggles under harsh lighting and shows weaker viewing angles.
The screens are fixed (non-articulating) and non-touch on both cameras, which limits creative angles or menu navigation smoothness but keeps the body size compact.

Lens and Zoom Capabilities: Reach vs Versatility
Arguably the biggest differentiator here is lens versatility:
| Specification | Canon SX500 IS | Ricoh PX |
|---|---|---|
| Optical Zoom | 30x (24-720 mm equiv.) | 5x (28-140 mm equiv.) |
| Max Aperture | f/3.4 (wide) to f/5.8 (tele) | f/3.9 (wide) to f/5.4 (tele) |
| Macro Focus Range | 1 cm | 3 cm |
| Image Stabilization Type | Optical lens-shift | Sensor-shift |
The Canon’s 30x optical zoom is impressive for a compact camera, allowing you to capture distant wildlife or sports events when a telephoto is essential. This flexibility comes with compromises - the lens is slower at the long end (f/5.8) and adds bulk to the camera.
Conversely, the Ricoh PX emphasizes rugged simplicity and faster shooting in everyday scenarios, featuring a shorter zoom range but respectable aperture values across its focal length.
The Ricoh’s sensor-shift image stabilization helps reduce camera shake regardless of zoom but performs best at the wide-to-mid focal lengths. Canon’s lens-shift stabilization is very effective across the 30x zoom range, critical when handholding at extreme telephoto.
For macro enthusiasts, Canon shines with a 1 cm minimum focusing distance, letting you capture close-ups with pleasing detail, while Ricoh’s 3 cm minimum hampers extreme close-ups.
Autofocus and Shooting Performance: Responsiveness on the Go
Both cameras use contrast detection autofocus, typical for compact sensors of this generation.
| Feature | Canon SX500 IS | Ricoh PX |
|---|---|---|
| AF Modes | Single, Face Detection, Tracking | Single, Face Detection, Tracking |
| Focus Points | 1 (center) | Unknown |
| AF Speed | Moderate (0.5-1 sec) | Slightly slower |
| Continuous Shooting | 1 fps | 1 fps |
Neither camera excels in fast-action shooting due to limited AF tracking sophistication and slow continuous shooting rates of just 1 frame per second. For wildlife or sports, you might find it challenging to freeze motion reliably.
Canon’s AF system includes face detection and selective tracking, making it more forgiving for casual portrait and street shooting. Ricoh also offers face detection but lacks an accessible AF point system.
Burst Rate and Buffer: Capturing Fast Moments
With modest 1 fps burst rates and limited buffer, both cameras are not designed for action sequences. If your photography focus is on dynamic sports or wildlife moments requiring multiple bursts, these models fall short.
They are better suited for deliberate, composed shots where timing is less frantic.
Video Capabilities: Sharing Moving Moments
Each camera offers video recording but with notable distinctions:
| Specification | Canon SX500 IS | Ricoh PX |
|---|---|---|
| Max Resolution | 1280x720 (HD) @ 25 fps | 1280x720 (HD) @ 30 fps |
| Video Format | H.264 | Motion JPEG |
| External Mic Port | No | No |
| Stabilization | Optical (during video) | Sensor-shift |
| Max Clip Length | Limited (~29 minutes) | Limited |
While both provide basic HD video suitable for casual use, Ricoh’s higher frame rate (30 fps) offers smoother motion, but the Motion JPEG codec results in larger files and less efficient compression.
Canon’s H.264 compression saves storage space and slightly higher video quality, though neither supports advanced videography features like microphone input or 4K capture.
Durability and Weather Resistance: Built for the Outdoors?
Here the Ricoh PX stands out, being the only weather-sealed model. It’s splash-proof and dust-resistant, ideal for travelers or photographers often shooting outdoors in less-than-ideal conditions. The Canon SX500 IS lacks any weather sealing, making it more vulnerable to moisture and dust.
If you frequently shoot hiking, beach trips, or outdoor adventures, the Ricoh’s robustness is a solid advantage.
Battery Life and Storage Flexibility
- Canon SX500 IS uses the NB-6L battery, rated for around 195 shots per charge under CIPA standards, slightly below modern compact averages.
- Ricoh PX includes the DB-100 battery but no official battery life rating is provided; anecdotal testing suggests slightly lower endurance due to smaller body capacity.
Both cameras use standard SD/SDHC/SDXC cards, with the Ricoh PX offering additional internal storage – a handy feature if you find yourself without a memory card occasionally.
Connectivity: Sharing and Control
The Canon SX500 IS supports Eye-Fi wireless card connectivity, allowing for limited wireless transfer, a fairly niche solution now somewhat outdated. It has a USB 2.0 port but lacks HDMI connectivity.
Ricoh PX includes HDMI out, facilitating easy playback on HDTVs, a plus for sharing images with family or clients immediately. However, it lacks wireless features entirely.
Real-World Performance Across Photography Genres
Let’s translate the specs and testing observations into practical recommendations by genre. This approach helps you match the camera’s strengths to your photography style.
Portrait Photography
- Canon SX500 IS’s face detection and better control layout support capturing natural skin tones. Its longer zoom allows for good subject isolation using telephoto compression, though shallow depth of field is limited by the small sensor and modest apertures.
- Ricoh PX offers competent face detection but less nuanced control and a shorter zoom, reducing flexibility.
Recommendation: The Canon handles portraits with more versatility and is preferred if skin tone fidelity and subject-background separation are priorities.
Landscape Photography
- Both have similar resolutions, sufficient for standard prints.
- Ricoh PX’s better dynamic range and weather sealing tip the scales for outdoor landscapes under tough conditions.
- Canon’s longer zoom is less relevant here; wide-angle sharpness matters more.
Recommendation: Choose Ricoh PX if durability and shadow detail are important; Canon if you value zoom reach for detail capture.
Wildlife Photography
- Canon SX500 IS wins with its 30x zoom, critical for distant subjects.
- AF speed and burst rates are inadequate in both for fast wildlife action but Canon’s tracking AF is better.
Recommendation: Canon is the better choice for casual wildlife shooters needing reach. Serious wildlife photographers should consider faster systems.
Sports Photography
- Neither camera is optimized here due to slow AF, frame rates, and buffer.
- Canon’s slightly better AF tracking is a minor advantage.
Recommendation: Both models are poor fits; consider dedicated sports cameras if this is your main focus.
Street Photography
- Ricoh PX’s compact size and slim profile make it more discreet and travel-friendly.
- Canon’s bulk may hinder spontaneity but offers more versatile zoom.
Recommendation: Ricoh PX suits street photographers valuing stealth and portability.
Macro Photography
- Canon SX500 IS’s 1 cm macro focusing allows for tight close-ups.
- Ricoh PX’s 3 cm minimum focus distance limits close detail.
Recommendation: Canon is superior for macro enthusiasts.
Night / Astro Photography
- Both suffer from limited ISO ranges and small sensor noise.
- Ricoh PX allows ISO 3200 but with noise trade-offs; Canon maxes at 1600.
- Neither offers advanced astro features like bulb mode or long exposures beyond 15 sec for Canon, 8 sec for Ricoh.
Recommendation: Neither excels for astro; Ricoh’s higher ISO cap offers slight advantage but expect noise.
Video Capabilities
- Both record HD 720p videos.
- Ricoh PX’s 30 fps provides smoother motion.
- Canon’s better compression improves storage efficiency.
Recommendation: For casual video, Ricoh edges with smoother capture; Canon preferred for storage and image quality.
Travel Photography
- Ricoh PX’s slim design, weather sealing, and HDMI output make it a sensible travel companion.
- Canon SX500 IS’s zoom and screen size favor versatile travel shooting needing reach.
Recommendation: Ricoh PX for light, rugged travel; Canon SX500 IS if zoom versatility is central.
Professional Work
- Neither offers RAW support or professional-grade reliability.
- Canon’s manual controls and +/- exposure compensation offer marginally better workflow integration.
Recommendation: Use as secondary or casual cameras; professionals should look elsewhere for primary tools.
Image Quality Scores at a Glance
Neither camera has official DxOMark ratings, but based on hands-on testing and common industry benchmarks:
- Both deliver adequate quality for small prints and web use.
- Ricoh PX’s sensor and processor combo produce marginally cleaner images at higher ISOs.
- Canon delivers punchier colors but less dynamic range.
How These Cameras Stack Up Across Genres
Final Thoughts and Recommendations: Which Camera Fits Your Creative Journey?
Both the Canon SX500 IS and Ricoh PX bring their own unique advantages and limitations. Your choice depends heavily on how you shoot and what features matter most to you.
| Photography Need | Recommended Camera | Why |
|---|---|---|
| Versatile zoom & reach | Canon PowerShot SX500 IS | 30x zoom ideal for wildlife, sports |
| Compact, rugged travel | Ricoh PX | Weather sealing and pocketable design |
| Macro photography | Canon SX500 IS | 1 cm minimum focus distance |
| Portraits & casual use | Canon SX500 IS | Better face detection and manual controls |
| Street photography | Ricoh PX | Slimmer, more discreet |
| Basic video capture | Ricoh PX | Smoother 30 fps video |
| Budget-conscious | Canon SX500 IS (often cheaper on used market) | Good zoom and manual features at lower cost |
Getting the Most From Your Compact Camera
Whichever model you choose, remember that mastery comes from practice. Explore manual mode to learn exposure controls, embrace RAW editing if your camera upgrades allow, and pair your camera with lenses or accessories where possible to enhance versatility.
Additionally, invest in good SD cards for speedy buffer clearing and consider an external battery pack or charger for extended outings.
In Summary
The Canon PowerShot SX500 IS suits photographers wanting substantial zoom reach, shooting versatility, and manual control in a compact package. The Ricoh PX shines as a purposeful, rugged, and discreet compact ideal for travel and casual shooting, with notable weather sealing and solid image processing.
While neither device replaces advanced mirrorless or DSLR systems, they both offer reliable, user-friendly experiences that help beginners and enthusiasts explore photography - each in their distinct way.
Well-informed by our hands-on evaluations and deep technical understanding, we encourage you to try these cameras firsthand if possible. Consider your shooting scenarios and prioritize features that support your photographic vision.
Happy shooting!
Note: All images courtesy of official product galleries and test shoots. Your mileage may vary based on shooting conditions and user settings.
Canon SX500 IS vs Ricoh PX Specifications
| Canon PowerShot SX500 IS | Ricoh PX | |
|---|---|---|
| General Information | ||
| Make | Canon | Ricoh |
| Model type | Canon PowerShot SX500 IS | Ricoh PX |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Revealed | 2012-08-21 | 2011-08-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 4 | Smooth Imaging Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Maximum resolution | 4608 x 3456 | 4608 x 3072 |
| Maximum native ISO | 1600 | 3200 |
| Minimum native ISO | 80 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 1 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.4-5.8 | f/3.9-5.4 |
| Macro focusing distance | 1cm | 3cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2.7 inches |
| Resolution of screen | 461 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 8 seconds |
| Highest shutter speed | 1/1600 seconds | 1/2000 seconds |
| Continuous shooting rate | 1.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.00 m | 3.50 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/1600 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 341 gr (0.75 lbs) | 156 gr (0.34 lbs) |
| Physical dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 195 shots | - |
| Battery type | Battery Pack | - |
| Battery ID | NB-6L | DB-100 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2, 10 or Custom) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | Single | Single |
| Pricing at launch | $299 | $329 |