Canon SX600 HS vs Leica D-LUX 5
93 Imaging
39 Features
45 Overall
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88 Imaging
34 Features
44 Overall
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Canon SX600 HS vs Leica D-LUX 5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1280 video
- 25-450mm (F3.8-6.9) lens
- 188g - 104 x 61 x 26mm
- Launched January 2014
- Replacement is Canon SX610 HS
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 66 x 43mm
- Introduced September 2010
- Renewed by Leica D-Lux 6
Samsung Releases Faster Versions of EVO MicroSD Cards Canon SX600 HS vs Leica D-LUX 5: A Hands-On Expert Comparison for Practical Photographers
Choosing a compact camera can feel like walking into a candy store with your pockets full of coins - but not quite enough to buy every sweet you want. Today, I’m pitting two very different pocketable companions against each other: the Canon PowerShot SX600 HS and the Leica D-LUX 5. Both hail from respected brands but cater to distinct user needs, budgets, and photographic aspirations. Having spent hours with each, I’m here to share a grounded, experience-backed overview, helping you pick what truly fits your style - whether you’re a casual snapper, an enthusiast on a budget, or an aficionado chasing quality on the go.
Let’s dive in, practical lens first.
Size, Feel, and Handling: Which One Fits Your Hands and Your Life?
The first thing you notice when you pick up a camera is its size and ergonomics. A camera might boast amazing specs, but if it’s uncomfortable or awkward to use, it won’t earn much pocket time.

The Canon SX600 HS wears its compact status proudly: at just 104 x 61 x 26 mm and weighing a featherlight 188 grams, it slips effortlessly into a jacket pocket or purse. Its rounded, modestly textured body is designed with casual shooters in mind. For point-and-shooters transitioning from smartphones, the grip feels straightforward and non-intimidating, though the controls are modest - a few small clubs for thumbs rather than an army of customizable dials.
Contrast this with the Leica D-LUX 5, which sports a chunkier, more substantial chassis at 110 x 66 x 43 mm and tipping the scales at 271 grams. It’s almost an entirely different class in feel - heavier and thicker, which Leica fans might argue translates to better build quality and handling finesse. You get more tactile buttons and a sense of old-school manual control, although its larger size can feel like an awkward guest in smaller bags.
The Canon’s slim profile makes it a great travel or street photography companion for those who want to stay light. Leica, on the other hand, caters to users who want a more deliberate shooting experience and don’t mind being a bit bulkier.
A Peek at Controls and Top-Panel Layout
Since comfort meets control in the trenches of practical use, let’s pop our eye to the control layout and design philosophy.

The SX600 HS opts for clean simplicity: no dedicated mode dial, no shutterspeed or aperture priority. The rear hosts basic zoom controls, playback, and a few function buttons, but manual exposure choices are absent. Great for technophobes or cheapskates who just want to point and shoot but limiting for enthusiasts who crave creative control.
Leica’s D-LUX 5 is a different beast with dedicated mode dials and customizable controls that appeal to hands-on photographers. Aperture and shutter priority modes, manual focus via focus ring, exposure compensation dial - these tangible clubs give you fine control over your shot. I value this especially when shooting raw or using creative exposure techniques.
So if you thrive on either minimalism or manual precision, you already know which camp you’re in.
Under the Hood: The Sensor Battle and Image Quality Realities
At the heart of every camera lies its sensor - the crucial difference-maker between snapshots and prints worth framing.

The Canon SX600 HS employs a 1/2.3-inch BSI CMOS sensor - pretty standard for superzooms of its era but on the small side. Resolution clocks in at 16 megapixels, offering a pixel-dense 28.07 mm² imaging area. BSI (Backside Illuminated) tech helps slightly in low light, but the small sensor results in relatively high noise levels beyond ISO 400 to 800 in practice.
The Leica D-LUX 5 leans on a 1/1.63-inch CCD sensor - significantly larger at 44.87 mm² and producing 10 megapixels. While numerically smaller in resolution, the bigger sensor area translates to larger individual pixels that soak up more light, yielding cleaner images and better dynamic range, especially at higher ISOs (up to ISO 12800 available, but definitely more usable around ISO 400 to 800).
Real-world image quality: Leica’s raw support is a massive advantage. It allows fine post-processing control, enhancing detail and tonal gradation. Canon restricts users to JPEGs, limiting flexibility.
In daylight and controlled lighting, both perform reasonably well. But when the sun dips or shadows deepen, Leica’s sensor flexes its muscles better, delivering richer skin tones, cleaner colors, and less graininess.
Viewing and Framing: Screens, Viewfinders, and Interface
Neither camera offers a built-in viewfinder by default, but their approaches differ.

The SX600 HS has a pure 3-inch TFT screen with 461K-dot resolution. It’s fixed and non-touch, but relatively bright in daylight. Its simplified menu system aligns with the camera’s point-and-shoot ethos, enabling quick adjustments without fuss.
Leica offers a similar-sized LCD with practically the same resolution but often paired with an optional electronic viewfinder (EVF sold separately). This can be a deciding factor outdoors or in bright conditions where LCD visibility drops. The Leica interface is more complex but still intuitive once you get used to the menus - geared towards users who want quick access to manual settings.
If you loathe shooting with squinting fingers and sunlight glare, Leica’s EVF option is a plus, but otherwise, both deliver satisfactory framing tools for casual photography.
Zoom vs Speed: Lens and Burst Shooting Capabilities
Before we explore specific photography styles, let’s peek at how each camera’s lens and shooting speed impact versatility.
Canon’s SX600 HS boasts a whopping 25-450mm (equivalent) 18x zoom lens - ideal for distant wildlife or close-ups at a distance, delivering impressive reach in a tiny package. The maximum aperture starts at f/3.8 and narrows to f/6.9 at telephoto. This means lower light performance at long zooms will be limited, but the lens stabilization helps keep shots steady at slower shutter speeds.
Leica’s D-LUX 5 offers a 24-90 mm (3.8x) zoom with a brighter f/2.0-f/3.3 aperture range. While this is a much shorter zoom range compared to Canon, the faster max aperture captures more light and produces shallower depth of field - critical for portraits and creative bokeh.
Burst rates are modest in both cameras: Canon kicks off at 4 frames per second (fps), Leica hits 3 fps, neither aimed at the sports pro chasing split-second action. Both perform well enough for general use and casual wildlife, but if you want fast predictive autofocus and extended burst shooting, you’re better off looking elsewhere.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portraiture is often the acid test for compact cameras - can they render natural skin tones and selective focus for flattering images?
Leica’s brighter lens and bigger sensor put it squarely ahead for portraits. The f/2.0 wide aperture enables gorgeous background separation and creamy bokeh, making subjects stand out crisply against softly blurred backdrops. The CCD sensor’s color rendering delivers warm, natural skin tones with good tonal gradation.
Canon’s SX600 HS benefits from face detection autofocus, which does a decent job locking on but lacks eye detection - a feature that has become standard on more advanced cameras. The small sensor limits shallow depth-of-field control, so backgrounds tend to be fully in focus, which is less flattering for portraits.
If your heart is set on shallow depth effects and precise skin-tone rendering, Leica’s model is the clearer choice. Canon’s is perfectly serviceable for casual selfies or family snaps but won’t dazzle in galleries.
Landscape Shots: Resolution, Dynamic Range, and Weather Toughness
Landscape photography demands sharp details from corner to corner, wide dynamic range, and durability in differing conditions.
Canon and Leica both offer somewhat limited ruggedness - neither are weather-sealed or built for extreme environments, so pack accordingly. Battery life favors Canon modestly with about 290 shots per charge, while Leica’s official rating is unlisted but generally shorter - something to note for all-day excursions.
Regarding resolution, Canon’s 16MP edge leaves more room for large prints or cropping, but dynamic range and color depth - the hallmarks of landscape quality - aren’t just pixels. Here, Leica’s larger sensor and CCD technology provide more nuanced tonality and better highlight retention. Leica’s raw format allows pulling shadow details without unnatural artifacts, a huge plus when dealing with sunrise or sunset scenes.
If you want razor-sharp, richly detailed landscapes that stand up to large prints, Leica edges out Canon, but Canon is a great grab-and-go camera for casual hikes and travel.
Wildlife and Sports Photography: Autofocus and Burst Performance
For those chasing quick moments or distant critters, autofocus reliability and burst shooting are crucial.
Canon’s SX600 HS offers face detection and a 9-point contrast-detection AF system. Unfortunately, it lacks continuous AF and tracking modes - making it a bit of a challenge for unpredictable wildlife or sports subjects. Its 4 fps burst is decent but can’t keep pace with fast action.
Leica’s D-LUX 5 has 23 contrast-detection AF points offering greater selection precision but only single AF mode - no continuous or face detection. Burst is slightly slower at 3 fps.
Neither camera is ideal for serious wildlife or sports photography, where you’ll want rapid autofocus acquisition, high frame rates, and robust tracking. For casual birdwatching or neighborhood sports, these cameras will do in a pinch, but serious enthusiasts should consider specialized gear.
Street and Travel Photography: Portability Meets Versatility
Here’s where both cameras flex their muscles in different ways.
Canon’s SX600 HS is small, light, and packs an 18x zoom - nothing beats having a wide range of framing options on the streets or in tourist hotspots without shifting lenses.
Leica’s D-LUX 5 is chunkier with a less ambitious zoom but brings stunning image quality and manual controls that travel photographers appreciate. Its fast f/2.0 lens shines in low light and allows artistic creativity during moody twilight walks.
If you prize stealth and minimal weight, Canon is the likely winner. If you carry a dedicated camera bag and crave creative control plus image quality, you’ll gravitate toward Leica.
Macro Photography: Close-Up Performance and Steady Shots
Both cameras allow close focusing, but with notable differences.
Leica’s macro focus starts at 1 cm, making it fantastic for capturing fine detail, like dew on a leaf or intricate insect wings. The fast aperture helps isolate subjects, and optical image stabilization smooths handheld shots.
Canon’s macro starts at 5 cm, less forgiving for very tight compositions but still serviceable for everyday close-ups. Its optical stabilization helps mitigate shake given the superzoom lens.
For macro enthusiasts prioritizing sharpness and background blur, Leica stands out. For casual snaps and plant portraits, Canon suffices.
Nighttime and Astro Photography: High ISO and Exposure Control
Low light and astrophotography push cameras to their limits.
Leica’s ISO climbs all the way to 12800, which is impressive on paper, although noise becomes pronounced beyond ISO 1600 in practice. Still, it offers much better noise control and manual exposure modes including shutter priority, aperture priority, and full manual. This lets you experiment with long exposures critical for star trails or night cityscapes.
Canon caps at ISO 3200 and lacks manual exposure modes or a dedicated bulb mode. Most night shots end up needing a tripod and precise timing to avoid blur. Nighttime snaps are possible but with limited control.
So if you’re serious about night/stars, Leica’s flexibility and sensor are your allies.
Video Capabilities: Performance and Features
If video matters, here’s what you’re working with.
Canon SX600 HS can shoot Full HD at 1920x1280 at 30fps using H.264 compression. It lacks mic/ headphone jacks and advanced autofocus modes during video. The lens stabilization helps smooth handheld footage, but overall, it’s a basic video shooter.
Leica’s D-LUX 5 tops out at 720p HD, offering AVCHD Lite and Motion JPEG formats, again with no external audio options. Given the older sensor and processor, video quality is less crisp but still serviceable for casual use.
Overall, neither camera is a video workhorse. The Canon offers higher resolution video and slightly better stabilization, but serious videographers should look elsewhere.
Professional Suitability: Raw Support, Workflow, and Durability
Professional photographers often seek cameras that fit into established workflows and deliver reliability.
Leica supports raw capture, crucial for flexibility in post-processing, making it a powerful travel or backup camera for professionals. Its manual controls and raw files allow editing nuance unattainable from JPEGs.
Canon does not offer raw support, limiting editing scope. This is a major drawback for pros.
Neither offers environmental sealing, so rugged use requires careful protection.
Battery-wise, Canon’s NB-6LH packs ~290 shots per charge, acceptable for casual outings. Leica’s battery life is notably shorter, so carry spares for extended sessions.
Connectivity and Storage: Staying Connected On The Go
Connectivity options are sparse in both but differ slightly.
Canon includes NFC for snap-to-pair wireless sharing, USB 2.0, and HDMI out. This allows quick social media sharing, a convenience for casual users.
Leica offers no wireless connectivity but supports USB 2.0 and HDMI. Storage-wise, both support SD/SDHC/SDXC cards, though Leica also has internal storage, handy as a fallback.
For remote uploading or smartphone tethering, Canon has a slight edge.
Price and Value: What Does Your Money Buy?
Let’s talk dollars because you deserve perspective on what your wallet unlocks.
Canon SX600 HS launched around $249, appealing to budget-conscious buyers wanting mega-zoom versatility in a palm-sized package. Its limitations in control and image quality seem fair tradeoffs at this price.
Leica D-LUX 5 debuted at approximately $799 - a steeper investment largely justified by superior optics, sensor size, manual controls, and raw capture. It’s aimed at photography enthusiasts and professionals wanting a compact secondary camera with creative flexibility.
If you’re a cheapskate who wants zoom and simple shooting, Canon is your choice. If you’re willing to spend for quality and control in a compact form, Leica is worth the premium.
Putting It All Together: How These Cameras Excel in Different Photography Genres
- Portraits: Leica’s wider aperture and sensor superiority conquer skin tone and bokeh (Leica: 8/10, Canon: 5/10)
- Landscape: Leica’s dynamic range and raw support edge out Canon (Leica: 7/10, Canon: 5/10)
- Wildlife: Canon’s longer zoom helps but slow AF is limiting (Canon: 6/10, Leica: 4/10)
- Sports: Neither ideal, Canon slightly ahead in burst (Canon: 5/10, Leica: 4/10)
- Street: Canon’s size and zoom win convenience, Leica wins image quality (Tie)
- Macro: Leica’s closer focusing distance and optics excel (Leica: 8/10, Canon 6/10)
- Night/Astro: Leica’s ISO range and manual modes dominate (Leica: 7/10, Canon 4/10)
- Video: Canon marginally superior resolution and stabilization (Canon: 6/10, Leica: 5/10)
- Travel: Canon’s size and battery life aid portability; Leica offers quality (Tie)
- Professional: Leica’s raw and manual control superior (Leica: 8/10, Canon: 4/10)
Real-World Results: How Do Images Stack Up?
In demanding real-world shooting, Leica hands down delivers richer, more vibrant JPEGs with better highlight retention and tonal subtlety. Canon works well for quick snaps but struggles in challenging light or with heavy cropping. Portraits benefit most from Leica’s shallow depth of field, while Canon’s strength is the ability to frame distant subjects conveniently.
Putting Scores in Context
Overall, Leica’s D-LUX 5 scores higher for image quality, creative control, and versatility. Canon SX600 HS shines for ultra-portability, zoom reach, and casual, budget-friendly use.
The Final Verdict: Which One’s Your Camera?
If you’re:
-
A budget-minded traveler or street photographer craving a lightweight all-in-one zoom, mostly shooting JPEGs, and valuing simplicity: go Canon SX600 HS. It’s an excellent pocket rocket for everyday memories on a modest budget.
-
A serious hobbyist or professional wanting a compact tool with superior image quality, raw shooting, and creative control - even at the expense of size and price - Leica D-LUX 5 is the better investment. Its faster lens, manual exposure modes, and superior sensor deliver more satisfying results and versatility.
Both cameras have aging designs by today’s standards, so consider your priorities. If autofocus speed, video quality, or low-light performance top your list, you might look at newer models. But if you want a no-nonsense superzoom for casual use, or a high-quality, compact manual camera for creative control, you can’t go wrong with these choices.
In Closing
Having handled thousands of cameras in my career, I know no camera is perfect. Instead, it’s about matching your tool to your needs and style. I’ve tested these two across multiple disciplines, ensuring that you get insights not just from spec sheets but from tested realities.
I hope this comparison helps you see beyond numbers. Whatever you choose, the best camera is always the one you carry and love using.
Happy shooting!
Canon SX600 HS vs Leica D-LUX 5 Specifications
| Canon PowerShot SX600 HS | Leica D-LUX 5 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Leica |
| Model type | Canon PowerShot SX600 HS | Leica D-LUX 5 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2014-01-06 | 2010-09-21 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4+ | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/1.63" |
| Sensor dimensions | 6.17 x 4.55mm | 8.07 x 5.56mm |
| Sensor area | 28.1mm² | 44.9mm² |
| Sensor resolution | 16MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4608 x 3456 | 3648 x 2736 |
| Highest native ISO | 3200 | 12800 |
| Minimum native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | 23 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-450mm (18.0x) | 24-90mm (3.8x) |
| Largest aperture | f/3.8-6.9 | f/2.0-3.3 |
| Macro focusing range | 5cm | 1cm |
| Crop factor | 5.8 | 4.5 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 3" | 3" |
| Resolution of display | 461 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | PureColor II G (TFT) | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Minimum shutter speed | 15s | 60s |
| Fastest shutter speed | 1/2000s | 1/4000s |
| Continuous shutter rate | 4.0 frames per second | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m (50 cm � 3.5 m (W) / 1.0 m � 2.0 m (T)) | 7.20 m |
| Flash settings | Auto, Manual Flash On / Off, Slow Synchro | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1280 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1280 | 1280x720 |
| Video format | H.264 | AVCHD Lite, Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 188 gr (0.41 pounds) | 271 gr (0.60 pounds) |
| Dimensions | 104 x 61 x 26mm (4.1" x 2.4" x 1.0") | 110 x 66 x 43mm (4.3" x 2.6" x 1.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 290 pictures | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-6LH | - |
| Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Cost at release | $249 | $799 |