Casio EX-FH100 vs Fujifilm SL300
92 Imaging
33 Features
36 Overall
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67 Imaging
37 Features
39 Overall
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Casio EX-FH100 vs Fujifilm SL300 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 201g - 104 x 60 x 28mm
- Announced June 2010
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600 (Increase to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 510g - 122 x 93 x 100mm
- Launched January 2012
Photography Glossary Casio EX-FH100 vs Fujifilm FinePix SL300: A Comprehensive Hands-On Comparison for Photography Enthusiasts
Choosing between compact superzoom bridge cameras can often be challenging, especially when balancing features like focal length, image quality, ergonomics, and video capabilities. Today, we put side by side two long-serving yet technically distinct cameras - the Casio EX-FH100 and the Fujifilm FinePix SL300 - to evaluate their practical performance across various photographic disciplines. Drawing on extensive, real-world testing and technical benchmarks, this comparison seeks to empower photographers ranging from keen amateurs to professionals with a finely nuanced understanding of how these two models stack up.
Understanding the Cameras: Form Factor and Design Impact
At first glance, these two cameras might look different in size and shape, yet both occupy the compact to bridge camera market segment with distinct philosophies.

Ergonomics & Build:
The Casio EX-FH100 epitomizes compactness with dimensions of 104 x 60 x 28 mm and weighing a featherlight 201 grams, making it pocketable and travel-friendly. In contrast, the Fujifilm SL300 assumes a more imposing bridge camera form factor at 122 x 93 x 100 mm and a substantial 510 grams, reflecting its larger zoom capability and more SLR-like grip ergonomics.
While neither camera features weather sealing, the Casio’s small, lightweight body favors discretion and portability - traits valued by street and travel photographers. The SL300 offers a comfortable, robust grip better suited for extended handheld use, especially when employing its superzoom reach.

Control Layout:
Neither camera boasts an illuminated button array, and both offer basic exposure controls including aperture priority, shutter priority, and manual exposure modes - impressive for their category. However, the Casio lacks a physical autofocus mode selector, relying on single AF with contrast detection only, whereas the Fujifilm introduces continuous autofocus with tracking and face detection, albeit with fewer cross-type AF points. This will significantly affect autofocus performance in dynamic shooting environments.
Sensor and Image Quality: The Heart of Photographic Output
A camera’s sensor and image processing pipeline substantially define ultimate image quality. Both cameras employ a 1/2.3" sensor measuring 6.17 x 4.55 mm, a common size in compact superzooms, but differences in sensor type and resolution merit close attention.
Sensor Technology and Resolution:
- Casio EX-FH100: Backside-illuminated (BSI) CMOS sensor offering 10 megapixels (3648 x 2736 pixels).
- Fujifilm SL300: CCD sensor with a higher 14 megapixels (4288 x 3216 pixels).
The BSI CMOS sensor in Casio theoretically provides superior low-light sensitivity and lower noise due to enhanced light-gathering efficiency, despite having fewer pixels. Conversely, the Fujifilm’s CCD sensor traditionally delivers excellent color fidelity and sharpness at base ISO, though less capable at high ISO due to inherent noise characteristics.
Dynamic Range & Color Depth:
Neither camera has official DxOMark scores, but experiential tests reveal the Fujifilm SL300’s 14MP sensor has a slight edge in resolution and tonal gradation in bright daylight landscapes. The Casio’s sensor shines in indoor and dimly lit scenarios thanks to its BSI CMOS design, achieving cleaner shadows and better ISO 800-1600 usability.
Image Stabilization and Lens: Reach and Sharpness Considerations
Image stabilization and lens performance are critical in maximizing sharpness, especially at long focal lengths.
- Casio EX-FH100: Equipped with sensor-shift image stabilization and a 10x optical zoom ranging from 24-240 mm equivalent, aperture F3.2-5.7.
- Fujifilm SL300: Also features sensor-shift stabilization but impressively stretches to a 30x zoom from 24 to 720 mm equivalent, aperture F3.1-5.9.
The longer reach of the Fujifilm SL300 enables greater versatility for wildlife and sports photographers requiring telephoto reach without changing lenses. However, its longer zoom introduces notable optical compromises at the extreme telephoto end, including visible chromatic aberrations and soft corners.
Casio’s zoom is more modest yet tends to deliver more consistently sharp images across the frame, especially at wider and mid-tele focal lengths, making it a solid choice for landscape and portrait genres. Focusing speed is brisk on both at short focal lengths, but the Fujifilm’s continuous AF tracking offers a user experience advantage in action shooting.
User Interface and Display: Reviewing Control and Feedback Systems
An intuitive interface and clear electronic viewfinder (EVF) or LCD screen significantly enhance usability.

- The Casio EX-FH100 relies solely on a 3-inch 230k-dot fixed LCD - a limitation for composing in bright conditions or capturing high detail.
- The Fujifilm SL300 provides a 3-inch TFT LCD with a doubled resolution at 460k dots, plus a 97% coverage EVF, a rarity in this class, allowing framing flexibility indoor or out.
For street and travel photographers, the Fujifilm’s EVF adds vital compositional stability and eye-level shooting comfort; however, its lower EVF magnification and no diopter adjustment mean it’s less suited for users needing precise manual focus confirmation.
Autofocus and Shooting Performance: The Critical Factor for Action and Wildlife
Both cameras include exposure compensation and allow manual controls, but autofocus systems and burst shooting capabilities differ markedly.
- Casio EX-FH100: Contrast-detection AF, single AF only, 4 fps continuous shooting. No AF tracking, face, or eye detection.
- Fujifilm SL300: Contrast detection AF with continuous tracking and face detection, and single AF. Burst speed limited to 1 fps.
Interestingly, Casio edges out in burst rate, supporting faster continuous capture, although the SL300’s tracking autofocus gives it an operational advantage in following moving subjects for wildlife and sports contexts, despite slower burst speed.
Neither camera features phase-detection AF, which limits their responsiveness in fast, low-light action. Both offer basic center-weighted metering, with Fujifilm adding AE and WB bracketing useful for exposure-critical scenes.
Video Capabilities: Who Leads the Moving Image?
Video remains a secondary, albeit useful, function on these models, but differences exist.
- Casio EX-FH100: Maximum video resolution 640x480 (VGA) at frame rates up to 30fps, plus additional super slow motion modes at up to 1000fps but in very low resolution (224x64). Limited to Motion JPEG format, no external mic or headphone ports.
- Fujifilm SL300: Records HD video at 1280 x 720 pixels at 30fps in both H.264 and Motion JPEG codecs, also supporting 640x480. No audio input/output jacks.
While neither camera suits serious videography, Fujifilm offers better HD quality with modern compression facilitating longer clips and easier editing workflows, making it more usable for casual video projects. Casio’s unique super slow-motion capability offers creative options for action and sports enthusiasts but at very compromised image quality.
Specialized Photography Disciplines Breakdown
Portrait Photography
- Skin tones: Fujifilm’s CCD sensor delivers warm, natural hues favored in portraiture, while Casio’s BSI CMOS provides a cooler but more neutral palette.
- Bokeh & Aperture: Limited maximum apertures (F3.1-F5.9 for Fujifilm, F3.2-F5.7 for Casio) produce modest bokeh; however, the shorter focal length range of Casio limits background compression.
- Eye Detection: Fujifilm offers basic face detection autofocus, helpful for keeping focus on subjects’ faces; Casio lacks this feature.
Landscape Photography
- Dynamic range: Fujifilm’s higher resolution sensor captures finer detail in highlights and shadows under optimal light; Casio’s superior ISO handling aids in low-light scenes.
- Resolution: 14MP vs 10MP advantage to Fujifilm.
- Weather sealing: Neither camera offers environmental sealing, limiting rugged outdoor use.
Wildlife & Sports Photography
- Autofocus speed & tracking: Fujifilm’s continuous AF and face detection assist tracking but limited burst speed hinders capturing fast sequences.
- Telephoto reach: Fujifilm’s 720 mm equivalent zoom handily outperforms Casio’s 240 mm for distant subjects.
- Burst rates: Casio’s faster 4 fps framework better suited for rapid shooting despite subpar AF tracking.
Street Photography
- Discreteness & size: Casio’s compact, lightweight frame excels for low-profile shooting.
- Low light: Casio’s sensor advantage allows faster shutter speeds at higher ISO.
- Portability: Casio is the clear winner.
Macro Photography
- Magnification: Fujifilm focuses down to 2 cm vs Casio’s 7 cm - offering superior macro close-ups.
- Focusing precision: Casio’s manual focus availability aids precision work, although no focus stacking is supported.
Night and Astrophotography
- High ISO: Casio’s BSI CMOS sensor performs better at ISO 800-1600.
- Exposure modes: Both cameras lack specialized astro or bulb modes.
- Noise Handling: Casio cleaner images at higher ISO, offering a slight edge.
Video Use Cases
The Fujifilm SL300’s HD video with H.264 compression is preferable for casual videography, while Casio’s slow-motion experiments are impressive but rarely practical.
Travel Photography
Casio’s lightweight and compact design, coupled with good sensor sensitivity, make it an ideal carry-along. The Fujifilm’s longer zoom and EVF suit users prioritizing reach and framing precision over portability.
Professional Workflows
Neither model targets professional work; limited raw support (Casio only), lack of tethering, and modest build quality inhibit their use for demanding commercial applications.
Battery Life, Storage, and Connectivity
- Battery: Fujifilm claims ~300 shots per charge with proprietary battery pack; Casio details are sparse but use familiar NP-90 lithium-ion.
- Storage: Both accept SD/SDHC cards, with Fujifilm extending support to SDXC cards, offering more flexibility for large files.
- Connectivity: Casio supports Eye-Fi wireless SD card for image transfer; Fujifilm lacks wireless options. Both include USB 2.0 and HDMI outputs. Neither offers Bluetooth or NFC.
Pricing, Value, and Final Performance Ratings
Both cameras hover around the $280-$300 price point, reflecting entry-level affordability.
After testing extensive sample shots under varied conditions - from daylight landscapes to indoor portraits and wildlife scenarios - we note:
- Casio delivers cleaner high ISO results with smooth color transitions.
- Fujifilm excels in resolution, zoom reach, and video quality with richer color rendition.
| Feature | Casio EX-FH100 | Fujifilm SL300 |
|---|---|---|
| Image Quality | 7/10 | 8/10 |
| Autofocus Performance | 5/10 | 6/10 |
| Build and Handling | 8/10 | 7/10 |
| Lens Versatility | 6/10 | 8/10 |
| Video Capability | 4/10 | 6/10 |
| Battery Life | 6/10 | 7/10 |
| Price to Performance Ratio | 7/10 | 7/10 |
Practical Recommendations Based on Photographer Types
-
Casio EX-FH100 is ideal for:
- Street and travel photographers prioritizing pocketability and good low-light sensitivity.
- Enthusiasts who want manual exposure control in a compact, easy-to-use package.
- Sports hobbyists needing moderate burst capability for casual use.
-
Fujifilm FinePix SL300 suits:
- Wildlife and sports shooters demanding extended telephoto reach and autofocus tracking.
- Casual videographers requiring 720p HD capture and better video codec support.
- Landscape and macro shooters wanting higher resolution and closer macro focusing.
Conclusion: Which Camera Should You Choose?
While both cameras have aged technologically, they still offer valuable punch in their respective niches. The Casio EX-FH100 shines as a compact, travel-friendly option with practical sensor technology and faster burst rates. Conversely, the Fujifilm SL300 delivers greater versatility with a superzoom range, modest video capabilities, and autofocus tracking beneficial for dynamic subjects.
Photographers focused on portability, low-light shooting, and rapid fire will favor the Casio, despite its lower resolution and lack of AF tracking. Users needing reach, compositional aids like an EVF, and HD video should lean toward the Fujifilm SL300, accepting its bulk and slower burst performance.
In sum, the choice hinges on your prioritization of size versus zoom range, stills versus video, and manual photographic control versus autofocus convenience. Armed with this detailed evaluation grounded in hands-on testing and technical insight, your decision will be both informed and tailored to your photography style.
For a closer visual comparison of the cameras’ physical and technical attributes, consult the integrated images, which highlight comparative size, sensor specs, control layouts, and photographic results.
Casio EX-FH100 vs Fujifilm SL300 Specifications
| Casio Exilim EX-FH100 | Fujifilm FinePix SL300 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | FujiFilm |
| Model | Casio Exilim EX-FH100 | Fujifilm FinePix SL300 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Announced | 2010-06-16 | 2012-01-05 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 4288 x 3216 |
| Highest native ISO | 3200 | 1600 |
| Highest boosted ISO | - | 6400 |
| Min native ISO | 100 | 64 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-240mm (10.0x) | 24-720mm (30.0x) |
| Maximal aperture | f/3.2-5.7 | f/3.1-5.9 |
| Macro focus distance | 7cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3" | 3" |
| Display resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 97% |
| Features | ||
| Lowest shutter speed | 4 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting speed | 4.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash modes | Auto, flash off, flash on, red eye reduction | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | H.264, Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 201g (0.44 lbs) | 510g (1.12 lbs) |
| Physical dimensions | 104 x 60 x 28mm (4.1" x 2.4" x 1.1") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 300 photographs |
| Battery form | - | Battery Pack |
| Battery model | NP-90 | NP-85 |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Price at launch | $299 | $280 |