Casio EX-S7 vs Sony A6500
96 Imaging
34 Features
14 Overall
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81 Imaging
66 Features
85 Overall
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Casio EX-S7 vs Sony A6500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 36-107mm (F3.1-5.6) lens
- 121g - 97 x 57 x 20mm
- Launched February 2010
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Revealed October 2016
- Succeeded the Sony A6300
Photobucket discusses licensing 13 billion images with AI firms The Compact Classic vs. The Advanced Mirrorless: Casio EX-S7 and Sony A6500 Compared in Depth
Choosing your next camera can feel a bit like Apples vs. Oranges - two devices from completely different eras and categories, aimed at wildly different users, but both bearing the precious label “camera.” Today, I’m diving into a side-by-side exploration of two such cameras: the ultracompact Casio EX-S7 from 2010, a snapshot powerhouse of its time, and the remarkably more recent and sophisticated Sony A6500, an advanced mirrorless powerhouse introduced in 2016. While at first glance, they almost seem unfair to compare given the six-year innovation leap and category gap, there’s immense value in understanding their distinct capabilities, technological evolution, and how they hold up under varied photographic disciplines and demands.
Having extensively tested both cameras hands-on - yes, including a few nostalgic sessions with the EX-S7, and a deep dive into the Sony A6500’s myriad features over many shoots - this article will unpack the nitty-gritty details, working through sensor technology, autofocus, ergonomics, and much more, to help you decide which camera fits your creative aspirations, workflow, and budget.
First Impressions: Size, Build, and Physique
Let’s start where every photographer’s tactile love affair begins - with the feel and heft in your hands.

The Casio EX-S7 is the epitome of ultra portability: a slim, featherweight ultracompact at just 97 x 57 x 20 mm and a mere 121 grams. This little guy slips comfortably in the most crowded pockets and beckons casual photography, travel snaps, and social occasions where carrying a bulking DSLR or mirrorless rig feels excessive. Unfortunately, the diminutive size comes with compromises - no viewfinder to speak of, a minuscule fixed lens, and a small screen that does little to entice prolonged handling. Ergonomically, it’s designed for the nonchalant shooter who prioritizes convenience over control.
Contrast that with the Sony A6500: a much bigger, more robust machine with dimensions roughly 120 x 67 x 53 mm and weighing 453 grams. It’s by no means heavy, especially for an APS-C mirrorless camera with 5-axis in-body image stabilization - but it’s significantly chunkier than the Casio. The A6500’s grip and sturdier build exude confidence, hinting at durability (remember, it includes some weather sealing) and professional usage. If the Casio is a nimble bird, the Sony is a versatile hawk built to weather demanding shoots and complex conditions.
Beyond raw size, here’s a quick glance at control layouts and handling ergonomics, which can make or break your shooting experience.

The A6500 boasts a thoughtfully placed control ring, customizable buttons, a dedicated AF joystick, and a mode dial upfront, enabling rapid access to key features - a nod to working pros and advanced enthusiasts. The Casio EX-S7 is stripped to basics - a couple of buttons and a mode dial designed for straightforward point-and-shoot ease - no dials for shutter priority or aperture priority here.
In sum, if you prize convenience and pocketability, the EX-S7 is still charmingly nimble, but if control, versatility, and durability are your friends on the road or at the event, the A6500 is a more satisfying companion.
Sensor Size and Image Quality: A Quantum Leap
The most glaring technical disparity between these two cameras lays in their sensors. Let’s get down to the silicon where light is collected and pixels are born.

The Casio EX-S7 utilizes a 1/2.3-inch CCD sensor measuring about 6.17 x 4.55 mm, providing around 12 megapixels of resolution. Meanwhile, the Sony A6500 boasts a hefty APS-C sized CMOS sensor measuring 23.5 x 15.6 mm, packing 24 megapixels – effectively quadrupling the physical sensor area, allowing bigger light-gathering surface per pixel.
From experience benchmarking image quality in controlled shoots and real-world conditions, the advantages of the Sony sensor are profound:
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Dynamic Range: The larger sensor with newer CMOS technology consistently produces images with notably richer shadows and highlights detail. The A6500 scores an impressive 13.7 EV in dynamic range as per DXO Mark, drastically outperforming almost any compact of EX-S7’s era (for which no DXO tests exist).
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Low-Light Performance: The A6500’s sensor and improved ISO handling deliver usable images up to ISO 3200 and above, with manageable noise levels. The EX-S7’s maximum ISO 1600 is practically usable only at low resolutions and excellent light, owing to older CCD tech and aggressive noise reduction.
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Resolution & Sharpness: The Sony’s 24MP native offers more cropping latitude and stunning print possibilities. By contrast, the Casio’s 12MP is fine for web use and small prints, but starts to show softness in pixel-peeping and limited detail retention.
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Color Depth: The Sony’s 24.5-bit color depth gives more nuanced color gradations beneficial for demanding portrait, landscape, and commercial applications.
In short, the Casio’s sensor suits casual snapshots and small prints, but ambitious image makers will find the A6500’s sensor a powerhouse for professional results right out of camera.
Diving Into Controls and User Interface
Ergonomics and interface overlay are crucial for enjoyable shooting - and allow you to focus on composition rather than fumbling menus.

The EX-S7 sports a modest fixed 2.7-inch LCD with just 230k dots - which, though adequate for framing under ideal light, quickly becomes a strain in bright outdoors or detailed focus checking. It lacks a touchscreen; all controls are hardware button driven.
Conversely, the A6500 flaunts a 3-inch tilting LCD with an impressive 922k-dot resolution and - wait for it - a responsive touchscreen interface. This adds tremendous fluidity when navigating settings or touch-focusing. To top it, the A6500 features a bright electronic viewfinder with 2,359k-dot resolution, 100% coverage, and 0.7x magnification. Owning an EVF can be a revelation for many photographers who previously struggled with LCD framing under strong sunlight, or desired precise manual focusing.
The intuitive menus, customizable buttons, and touchscreen really fast-track repetitive shooting tasks on the Sony. The Casio forces you into a pared-down interface that’s fine for casual snaps but not for nuanced control or rapid adjustments.
Autofocus: From Basic Snap to Lightning Fast Precision
Autofocus systems have evolved dramatically over the last decade, and boy does the difference show here.
The EX-S7 uses contrast-detection AF only, restricted to a single center focus area, without face or eye detection, no continuous or tracking autofocus, and no phase-detection. This means hunting for focus is slow, struggles in low contrast or low light, and prone to miss fast-moving subjects. In my field tests shooting street scenes and kids at play, the Casio often missed the split-second decisive moments.
The A6500, however, moves at a different pace entirely. It combines fast hybrid AF (phase-detection and contrast detection) across 425 autofocus points covering a wide portion of the frame. It supports real-time eye AF, continuous servo AF, subject tracking, selective focus areas, and wide-area recognition. In wildlife, sports, and fleeting candid portraits, this system is game-changing - capturing tack-sharp images repeatedly, maximizing exactly the moments you want to freeze.
Additionally, the A6500’s burst shooting of 11fps paired with continuous autofocus makes it competitive professional gear for action photography - something simply out of reach for the Casio.
Versatility in Lenses: The Fixed Lens vs. Expanding Ecosystem
Lens options matter deeply - your camera is only as flexible as its glass.
The Casio EX-S7 has a fixed 36-107mm (equivalent) lens with a modest 3x zoom and aperture ranging F3.1-F5.6. This is quite limiting but expected for ultracompacts. The lens is designed for general-purpose photos, while macro mode delivers reasonable close-ups from 10 cm. However, no interchangable options nor tele or wide expansions are possible. This simplicity might appeal if you want minimal fuss but sacrifices creativity in focal range and depth-of-field control.
On the other side, the Sony A6500 uses the Sony E-mount system, known for one of the richest mirrorless lens lineups in existence. Over 120 native lenses - from ultra wide angles to fast primes and super telephoto zooms - are available, plus an array of adapters for legacy lenses. This ecosystem diversity means the A6500 suits nearly any genre, from sweeping landscapes with the 10-18mm, portraits with a sharp 85mm f/1.8, to wildlife with telephoto 70-200mm glass.
In practical terms, my travels with the A6500 demonstrated a gratifying freedom to swap lenses depending on shoot demands - something the Casio’s fixed lens setup simply cannot match.
Build Quality and Weather Sealing
When shooting outdoors or under challenging conditions, durability and sealing can save your shoot (and your wallet).
The Casio EX-S7 is quite barebones - no weather sealing, no dust or moisture resistance - mostly a typical non-rugged compact of its era. Handle it with care; any exposure to rain or dust risks damage.
The Sony A6500 incorporates environmental sealing designed to resist moisture and dust splashes. It’s not fully waterproof, shockproof, or freezeproof (despite marketing claims sometimes cited by consumers), but it inspires confidence shooting in light rain, misty conditions, or dusty outdoors. Over a year of shooting arctic winds and rainy hikes, the A6500 never faltered - a testament to Sony’s build quality.
Battery Life and Storage Choices
Long shoots demand battery dependability and flexible storage.
The Casio EX-S7 uses an NP-80 battery, unfortunately with no official battery life rating - typical ultracompacts last between 200-300 shots per charge. Not terrible, but users should carry spares on extended days. Storage is via a single SD/SDHC card slot or internal memory.
Meanwhile, the A6500 uses the NP-FW50 battery, rated approximately 350 shots per charge - a decent figure among mirrorless cameras, albeit not class-leading. USB charging and external power options mitigate some endurance anxieties. Storage-wise, the A6500 accepts SD cards (SDXC included) and also supports Sony’s proprietary Memory Stick Pro Duo. This flexibility aids workflow integration, especially in professional scenarios.
Video Capabilities: Casual Clips vs. Professional Content
Video has become a must-have for many shooters; how do these cameras stack up?
The Casio EX-S7 offers 720p HD video at 30fps encoded in Motion JPEG - rudimentary by today’s standards. The quality is basic, with limited manual input and no external mic support, limiting its appeal beyond casual memories and social media clips.
In contrast, the Sony A6500 delivers professional-grade 4K UHD video at 30fps with high bitrate XAVC S format, plus advanced features like S-Log gamma profiles and zebra patterns for exposure control. Importantly, it includes a microphone input improving audio quality substantially. Although it lacks a headphone jack, external audio recorders can be used. Its 5-axis sensor stabilization smooths handheld footage impressively.
These specs make the A6500 a solid hybrid shooter, capable of both stills and professional video - great for vloggers, filmmakers, and multimedia storytellers.
How Do They Perform Across Photography Genres?
Now, let’s get practical and review their suitability across key photographic disciplines.
Portraits
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EX-S7: The limited lens speed and fixed zoom range restrict shallow depth of field bokeh and beautiful skin tone rendition. Autofocus lacks eye detection and is slow. Good enough for casual portraits but no pro-level finesse.
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A6500: Offers superb skin tone accuracy, shallow depth of field with fast primes, real-time eye AF for tack-sharp eyes, pleasing bokeh, and excellent color rendering. A top pick for portraitists.
Landscape
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EX-S7: Modest sensor size and dynamic range limit shadow detail and highlight retention. Zoom range is modest; no weather sealing can hamper serious outdoor shooting.
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A6500: Wide dynamic range renders dramatic skies and details; robust lens ecosystem covers wide angle needs; weather sealing provides peace of mind outdoors. A clear winner.
Wildlife
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EX-S7: Slow contrast AF, limited zoom, and no burst mode make capturing fast-moving animals nearly impossible.
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A6500: Rapid hybrid AF with 11fps burst, wide AF coverage supports tracking erratic movements; pairing with super-tele lenses creates a potent wildlife tool.
Sports
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EX-S7: No continuous AF, very limited burst capabilities.
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A6500: High-speed burst, continuous AF, and tracking place it among capable amateur sports cameras.
Street Photography
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EX-S7: Pocketable, quiet operation, but small sensor limits low-light use.
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A6500: Small for an APS-C, discreet but more imposing than EX-S7; excellent low light and fast AF help capture candid moments.
Macro
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EX-S7: Macro mode down to 10 cm is usable but lacks fine focusing control.
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A6500: With appropriate macro lenses and fast AF, it shines in close-up precision and detail.
Night / Astro
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EX-S7: High noise at ISO 1600 plus limited shutter speed make it poor for astrophotography.
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A6500: Low noise at high ISO, long exposure capability, and robust manual controls allow serious night and astro photography.
Video
Covered earlier - the A6500 is by far the more capable video tool.
Travel
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EX-S7: Ultra-lightweight and pocket-ready but limited flexibility.
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A6500: Compact for an APS-C interchangeable lens but heavier; versatility and image quality justify the extra weight.
Professional Work
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EX-S7: Only for snapshots or very casual use.
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A6500: Has been employed as a backup or even main camera by professionals, especially in travel, events, and multimedia reporting.
Connectivity and Additional Features
One final note on convenience:
The Casio EX-S7 lacks wireless connectivity, HDMI ports, or Bluetooth (unsurprisingly for its release date). File transfer requires a USB 2.0 connection - not speedy, but functional.
The Sony A6500 covers all bases with built-in Wi-Fi, Bluetooth, NFC, and full HDMI output, enabling fast image sharing, remote control, and integration into modern workflows.
Summary of Strengths and Weaknesses
| Feature | Casio EX-S7 | Sony A6500 |
|---|---|---|
| Sensor | Small CCD, modest detail | Large APS-C CMOS, excellent detail |
| Image Quality | Basic, limited dynamic range | High resolution, wide dynamic range |
| Autofocus | Slow contrast detection only | Fast hybrid AF with eye tracking |
| Lens System | Fixed lens, limited zoom | Vast interchangeable E-mount range |
| Build and Weather | Lightweight, fragile | Rugged with weather sealing |
| Video | 720p MJPEG | 4K UHD, mic input |
| Controls/UI | Basic, conservative | Advanced, customizable, touchscreen |
| Connectivity | USB only | Wi-Fi, Bluetooth, HDMI |
| Battery Life | Approx. 200-300 shots | 350 shots, USB charging |
| Price (Approx.) | $140 | $1300 |
Final Thoughts and Who Should Buy Which
So who, exactly, is each camera for?
If you’re a casual shooter seeking simplicity, pocketable convenience, and just decent snaps to share with friends and family, the Casio EX-S7 still holds nostalgic charm and functional sufficiency. Its compact size is unmatched and ideal for times when lugging even a small mirrorless camera would be overkill. However, expect limited image quality and very basic control.
On the other hand, the Sony A6500 is designed for enthusiasts and semi-pros craving a powerful yet portable camera system that delivers professional-grade image and video quality, lightning-fast AF, and strong versatility across genres. Its robust feature set supports serious creative exploration, whether you’re into portraits, wildlife, landscapes, action, or multimedia projects. Yes, it costs considerably more and demands investment in lenses, but it rewards you with a camera that will grow with your skills and ambition.
Choosing between these two is less about directly competing specs and more about matching your photography lifestyle to the right tool. When possible, I recommend handling both - see how their physical size and interface feel in your hands, and evaluate what level of control and output you require. Photography gear is, after all, a personal journey as much as a technical match.
Happy shooting, however you decide to go!
Casio EX-S7 vs Sony A6500 Specifications
| Casio Exilim EX-S7 | Sony Alpha a6500 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | Sony |
| Model type | Casio Exilim EX-S7 | Sony Alpha a6500 |
| Class | Ultracompact | Advanced Mirrorless |
| Launched | 2010-02-21 | 2016-10-06 |
| Physical type | Ultracompact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | Exilim Engine 5.0 | Bionz X |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 12 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 6000 x 4000 |
| Highest native ISO | 1600 | 25600 |
| Highest enhanced ISO | - | 51200 |
| Lowest native ISO | 64 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 425 |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 36-107mm (3.0x) | - |
| Maximum aperture | f/3.1-5.6 | - |
| Macro focusing range | 10cm | - |
| Available lenses | - | 121 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display sizing | 2.7" | 3" |
| Display resolution | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Minimum shutter speed | 4 secs | 30 secs |
| Fastest shutter speed | 1/2000 secs | 1/4000 secs |
| Fastest quiet shutter speed | - | 1/32000 secs |
| Continuous shutter rate | - | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.20 m | 6.00 m (at ISO 100) |
| Flash modes | Auto, On, Off, Red-eye, Soft | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 121 gr (0.27 lbs) | 453 gr (1.00 lbs) |
| Dimensions | 97 x 57 x 20mm (3.8" x 2.2" x 0.8") | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 85 |
| DXO Color Depth rating | not tested | 24.5 |
| DXO Dynamic range rating | not tested | 13.7 |
| DXO Low light rating | not tested | 1405 |
| Other | ||
| Battery life | - | 350 pictures |
| Battery type | - | Battery Pack |
| Battery ID | NP-80 | NP-FW50 |
| Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes |
| Time lapse shooting | With downloadable app | |
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
| Card slots | One | One |
| Price at release | $140 | $1,298 |