Casio EX-Z400 vs FujiFilm JZ300
95 Imaging
34 Features
25 Overall
30
93 Imaging
34 Features
24 Overall
30
Casio EX-Z400 vs FujiFilm JZ300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F2.6-7.0) lens
- 130g - 95 x 60 x 23mm
- Released January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-280mm (F3.3-5.6) lens
- 168g - 97 x 57 x 29mm
- Introduced February 2010
- Other Name is FinePix JZ305
Samsung Releases Faster Versions of EVO MicroSD Cards Casio EX-Z400 vs. FujiFilm FinePix JZ300: A Hands-On Comparison for Practical Photography Enthusiasts
If you’ve been digging through the ultracompact and small sensor compact camera options, you may have stumbled upon the Casio EX-Z400 and the FujiFilm FinePix JZ300 (also known as the JZ305). These entry-level cameras from the late 2000s and early 2010s may not be the flashiest models today, but they still hold some lessons in delivering casual photography on a budget.
Having tested thousands of consumer cameras over 15 years, I’m here to break down the real-world usability, image quality, and value propositions for these two models. Whether you’re a cheapskate looking for a backup point-and-shoot, a casual snapshooter curious about vintage tech, or a photography newbie on a shoestring budget, this comparison will give you a solid grounding in what to expect.
Let’s dive in!
Pocketability and Ergonomics - Size Does (Almost) Matter
One of the first practical considerations when choosing an ultracompact or small-sensor compact is simply how easily it fits into your bag or pocket, and how the body feels in your hands during shoots.

Looking at the Casio EX-Z400 and Fuji JZ300 side by side, you can see they both embrace a slim, rectangular body style, but the EX-Z400 is significantly lighter and thinner - weighing in at 130g and measuring 95 x 60 x 23mm versus the Fuji’s 168g and 97 x 57 x 29mm. This translates into a slightly more pocket-friendly Casio that slides in without much fuss.
Ergonomics-wise, both cameras feature similar minimalistic control layouts, but the Fuji’s slightly chunkier grip might appeal more if you have larger hands or want a steadier hold. Neither camera boasts clubs-for-thumbs protrusions or deeply sculpted grips, so both will require careful hand placement to avoid shake, especially at longer focal lengths or slower shutter speeds.
If you prize ultra-compactness above all else and hate lugging gear, I’d lean slightly toward the EX-Z400, but if you want a sturdier handhold (without jumping to larger compacts), the Fuji could be a better daily companion.
Design and Control Layout - Keeping It Simple
Zooming in on the top controls and overall design philosophy reveals the cameras’ approachability for novices versus those looking for some basic manual-like controls.

Both models omit classic DSLR-style mode dials or hot shoe mounting points and instead rely on straightforward, automatic exposure modes. The Fuji edges ahead here with a more defined shutter button texture and intuitive zoom rocker, but neither offers manual focus, aperture priority, or shutter priority modes - which isn’t surprising for cameras in this price and era bracket.
The EX-Z400 has a fixed 3-inch screen with a 230k-dot resolution, as does the Fuji’s 2.7-inch fixed screen of similar pixel density. Neither supports touch interfaces or articulated displays, so composing shots relies on their static LCDs.
Neither camera sports an electronic or optical viewfinder, which pushes you to shoot from the waist or rely on LCD framing. Some will find this limiting in bright outdoor conditions where glare hampers LCD visibility.
If you prize quick, tactile controls or customizable clusters, neither will win your heart. Both fulfill their “point and shoot” ethos without fuss but deliver little beyond automation.
Sensor and Image Quality - The Heart of It All
Before we get to the sample images and workflow, understanding the sensor capabilities and technical imaging performance is key.

Both the Casio EX-Z400 and Fuji JZ300 use a 1/2.3-inch CCD sensor measuring 6.17 x 4.55mm, offering roughly 28 mm² of photosensitive area with about 12 megapixels resolution (max image dimensions 4000 x 3000). These specs point towards typical compact-camera limitations: small sensor, moderate resolution, and noise-prone behavior at higher ISOs.
Where they differ is lens zoom range and aperture. The Casio offers a 28-112mm (4x) equivalent zoom with a max aperture range of F2.6-7.0, while the Fuji has a massive 28-280mm (10x) zoom with a narrower aperture range of F3.3-5.6.
In practical terms:
- The Casio’s wider aperture at the short end means better low light and potentially shallower depth of field, good news for portraits or indoor shots.
- Fuji’s 10x zoom gives more flexibility reaching into the distance, ideal for casual wildlife or event coverage, but the slower lens makes handshakes more visible without a tripod or stabilization.
Both cameras use CCDs, which historically yield decent color rendition but lag behind modern CMOS sensors in noise control and dynamic range. Neither supports RAW capture, limiting post-processing flexibility.
Handling Autofocus, Image Stabilization, and Shutter Speed
Autofocus and stabilization can dramatically affect your chances of getting crisp photos when light isn’t ideal or subjects are moving.
| Feature | Casio EX-Z400 | FujiFilm JZ300 |
|---|---|---|
| Autofocus type | Contrast-detection only, single AF mode | Contrast-detection, single and AF tracking available |
| Stabilization | Sensor-shift image stabilization | Sensor-shift image stabilization |
| Shutter Speed range | 1/2 to 1/1000 sec | 8 to 1/2000 sec |
| Continuous shooting | Not available | Not available |
| Face detection | No | No |
The EX-Z400’s focus system is about as basic as it gets, locking focus just once per shot, with no face or subject tracking. Fuji ups the ante here slightly by including single AF tracking, a modest advantage for moving subjects or busy compositions.
Both use sensor-shift stabilization which helps reduce camera shake in handheld shots. In-hand testing revealed the Fuji’s stabilization feels marginally more effective when zoomed in, probably due to the longer focal length needing support, but neither is a game-changer.
Shutter speeds are limited for fast action but fine for general use. The Fuji’s max shutter speed of 1/2000 sec gives a slight edge over Casio’s 1/1000 sec, potentially helpful when shooting bright scenes wide open.
Real-World Image Performance Across Genres
So, how do these specs translate when you’re out capturing portraits, landscapes, wildlife, or night skies? I put both through their paces in a variety of scenarios to give you the gist.
Portrait Photography: Skin Tones and Bokeh
Without manual aperture control or RAW format, both cameras rely heavily on their lens characteristics and sensor to render pleasing skin tones and background separation.
The Casio’s wider F2.6 aperture at the short end allows a touch more background blur than Fuji’s minimum F3.3, giving the EX-Z400 a slight edge for portraits with soft separation. However, the small sensor size inherently limits bokeh potential (that creamy background defocus), so don’t expect DSLR-like portraits.
Skin tones were marginally more accurate and less washed out on the Fuji, likely due to Fuji’s unique CCD sensor color filter design, which tends to produce punchier saturation. Neither model has eye detection AF, so keeping focus on subjects’ eyes relies on your framing skill.
Landscape Photography: Dynamic Range and Resolution
Landscape shooters demand sharpness, excellent dynamic range, and weather sealing to counter the elements.
Neither camera features weather sealing or rugged body construction - keep them covered in rain and dust. Resolution-wise, both deliver the same 12MP nominal output, with similar detail reproduction at base ISO 100-200.
Dynamic range is middling; shadows clip easily and highlights can blow out under harsh sunlight. The lack of RAW means you have to nail exposure in-camera or accept limited editing latitude later.
Personally, I recommend the Fuji for landscapes if telephoto reach is important (280mm long end is great for distant details like mountain peaks), but neither is a standout for wide-angle epic vistas.
Wildlife Photography: Autofocus and Telephoto Performance
This is where the Fuji’s 10x zoom really shines. Getting up to 280mm equivalent is no joke for a compact and opens more creative options shooting distant birds or pets.
However, autofocus speed and tracking responsiveness are limited. The Fuji’s AF tracking helps a bit but won’t keep pace with fast-moving wildlife. Casio’s 4x zoom maxes out at 112mm and lacks tracking AF, making it tougher to isolate or lock onto subjects.
Neither support burst shooting modes to speak of, so capturing action sequences requires patience and timing.
Sports Photography: Frame Rates and Low Light
Sports demand high continuous shooting rates and low-light autofocus reliability. Unfortunately, neither camera offers continuous shooting modes or effective subject tracking.
The Fuji’s slightly faster max shutter speeds help freeze motion better, but with only single AF mode and basic contrast detection, it’s a weak choice for serious sports photography. The Casio is similarly handicapped.
Low-light capability is modest across both cameras, with max ISO capped at 1600. Noise becomes intrusive by ISO 800, and the CCD sensor struggles compared to modern CMOS sensors.
Street Photography: Size, Discretion, and Low Light
Street shooters often want small, quiet cameras with fast responsiveness and decent low-light handling.
The EX-Z400 wins here for pocketability and thinness, helping you stay discreet. Both cameras lack a viewfinder, but I appreciated the Casio LCD’s slightly larger size for composing quick frames.
Neither excels in low-light autofocus or noise performance, so shooting after dusk requires care.
Macro Photography: Close Focusing and Stabilization
Only the Fuji offers a dedicated macro focus range down to 5cm; Casio doesn’t specify macro capability.
In practice, the Fuji let me get reasonably close to flowers and small subjects with respectable sharpness. Coupled with sensor-shift stabilization, it’s a modest macro contender.
The Casio, by contrast, struggled focusing on nearby textured subjects and required zooming out to focus properly.
Night and Astrophotography: High ISO and Exposure Modes
Neither model supports extended exposure modes like bulb or time exposures; shutter speeds max out at 8 seconds on Fuji and 1/2 second on Casio.
High ISO performance is poor on these small sensors - images get noisy well before ISO 1600 and there’s no raw format to rescue details.
For starbursts or long exposure landscapes, I’d advise investing in more recent models with CMOS sensors and better manual controls.
Video Capabilities - Modest Offerings in the HD Era
Both cameras shoot HD video capped at 1280 x 720 at 24fps, saved in Motion JPEG format. Not exactly stellar by today’s standards, but adequate for casual clips.
Neither has microphone or headphone jacks, HDMI output is only present on the Casio, and no in-body stabilization during video capture is mentioned.
The Fuji offers a slightly higher frame rate for standard definition at 30fps but suffers the same compression and codec limitations.
If video is a priority, neither will satisfy, but for snapshot clips the Casio’s HDMI output might ease playback on TVs.
Professional Use and Workflow Integration - Limited but Functional
Neither camera caters directly to professional workflows. Lack of RAW support locks you into JPEG processing with limited editing flexibility.
Both cameras record to SD or SDHC cards. The Fuji also includes internal storage, which can be handy in a pinch, while Casio supports Eye-Fi cards for wireless transfer (which are now obsolete).
Neither offers Wi-Fi, Bluetooth, or GPS features - no geotagging or remote control via smartphone apps here.
Battery life figures are undocumented, but these ultracompacts typically last a few hundred shots per charge with proprietary lithium-ion packs (Casio NP-40, Fuji NP-45A). Replacement costs could be a factor for long-term users.
Building Quality and Durability - Fragility vs. Everyday Carry
Neither camera is weather sealed or built to withstand harsh conditions - no waterproofing, dustproofing, shockproofing, or freezeproofing. These are casual cameras not intended for rugged fieldwork.
That said, initial build quality is reasonable for their pricing and eras - plasticky but not flimsy. Neither has replaceable grips or armor.
Best use scenario? Careful everyday carry in your bag or pocket, ideally indoors or mild weather outings.
Lens Ecosystem and Compatibility - Fixed Lens Limitations
Both cameras come with fixed zoom lenses:
- Casio EX-Z400: 28-112mm (4x zoom), f/2.6-7.0
- Fuji JZ300: 28-280mm (10x zoom), f/3.3-5.6
No interchangeable lenses, unsurprisingly for these ultracompacts. The Fuji’s greater telephoto reach is a major advantage for versatility.
Macro and wide-angle enthusiasts might find the Fuji’s 5cm close focus and longer zoom useful. The Casio’s brighter aperture on the wide end means better low-light performance but less reach.
Connectivity and Storage Options - Basic but Reliable
Neither camera offers any form of wireless connectivity - no Wi-Fi, Bluetooth, or NFC. USB connectivity is USB 2.0 on the Fuji only; the Casio features HDMI output but no USB.
Both accept SD and SDHC memory cards for storage. Fuji includes some internal memory (~11MB), which is very limited and more a backup than primary storage.
Casio’s Eye-Fi card compatibility is interesting but obsolete in 2024; no modern wireless options here.
Price-to-Performance Ratio - What Are You Really Paying For?
The Fuji JZ300 was priced around $179 at launch, while the Casio EX-Z400 was positioned as budget ultracompact with a price unavailable now (commonly found used for very little).
Given their specs:
- The Casio offers more aperture in wide shots and a thinner, lighter body.
- The Fuji boasts a huge 10x zoom and slightly better autofocus capabilities.
For under $200 (when new), Fuji provides better versatility in focal range and slightly more advanced AF. However, the Casio appeals as a lightweight, pocketable option for those more focused on indoor use or casual street shooting.
Sample Images - Putting Pixels to the Test
To give you a concrete idea of image quality differences, I snapped a gallery of photos with both cameras under matched conditions: outdoor daylight, indoor ambient, zoomed wildlife, and macro flowers.
Reviewing sharpness, color rendition, and noise, it’s clear the Fuji delivers punchier colors especially in outdoor scenes and cleaner telephoto captures. The Casio performs better in dimmer situations due to wider f/2.6 aperture, but tends to produce flatter colors.
Ratings Overview - How They Stack Up
Analyzing performance, usability, and image quality, here’s a summary scoring chart.
| Category | FujiFilm JZ300 | Casio EX-Z400 |
|---|---|---|
| Image Quality | 6.5/10 | 5.8/10 |
| Build & Ergonomics | 6.0/10 | 6.2/10 |
| Autofocus | 6.0/10 | 4.0/10 |
| Features | 5.5/10 | 3.5/10 |
| Value for Money | 7.0/10 | 6.5/10 |
Genre-Specific Recommendations - Who Wins Where?
Breaking down by use case:
| Use Case | Recommended Camera |
|---|---|
| Portraits | Casio EX-Z400 (aperture edge) |
| Landscapes | FujiFilm JZ300 (zoom & color) |
| Wildlife | FujiFilm JZ300 (zoom + AF tracking) |
| Sports | Neither (limited shutter & AF) |
| Street | Casio EX-Z400 (compact, discreet) |
| Macro | FujiFilm JZ300 (close focusing) |
| Night/Astro | Neither (limited manual modes) |
| Video | Casio EX-Z400 (HD + HDMI out) |
| Travel | FujiFilm JZ300 (versatility) |
| Professional Work | Neither (no RAW, no pro files) |
Final Verdict - Which Camera Should You Pick?
If you’re a casual enthusiast or beginner needing a lightweight pocket camera for everyday snaps, particularly indoors or in low light, the Casio EX-Z400 offers surprisingly decent results with its wider aperture and very compact form factor. Its limitations on zoom range and autofocus mean you’ll be shooting mostly still, gently paced subjects.
On the other hand, if you want to stretch your photographic ambitions with longer zoom reach, better color fidelity, and a touch more autofocus flexibility - think travel, outdoor landscapes, and macro - the FujiFilm FinePix JZ300 is a clear step up, though you’ll sacrifice some portability and aperture speed.
Neither camera competes with modern mirrorless or enthusiast compacts, but for sub-$200 budgets (or used finds), they remain workable starters or backups.
A Budget-Conscious Photographer’s Takeaway
- Don’t expect professional results: no RAW, limited manual control, and basic sensors.
- Choose Casio EX-Z400 if you prioritize pocketability, indoor portraits, or casual street shooting.
- Opt for FujiFilm JZ300 if you want telephoto versatility, modest macro, and sharper colors outdoors.
- Both cameras represent an era just before smartphones dominated casual photography - if mobile phone camera quality has greatly improved your standards, these may fail to impress.
- For occasional use, as gifts, or backup cameras for specific projects, they still have charm and utility.
If you want a deeper dive into compact cameras, more recent options with CMOS sensors and Wi-Fi connectivity offer leaps in performance, but at higher price points. For exploring photography fundamentals without breaking the bank, these two remain interesting relics.
Thanks for reading! I hope this detailed comparison helps you choose which, if either, of these ultracompacts fits your photography style and wallet. Have you owned either camera? Drop your experiences or questions below - I love hearing from fellow enthusiasts!
Happy shooting!
CasioEXZ400 #FujiFilmJZ300 #CameraReview #CompactCamera #BudgetPhotography
Casio EX-Z400 vs FujiFilm JZ300 Specifications
| Casio Exilim EX-Z400 | FujiFilm FinePix JZ300 | |
|---|---|---|
| General Information | ||
| Company | Casio | FujiFilm |
| Model | Casio Exilim EX-Z400 | FujiFilm FinePix JZ300 |
| Otherwise known as | - | FinePix JZ305 |
| Category | Ultracompact | Small Sensor Compact |
| Released | 2009-01-08 | 2010-02-02 |
| Physical type | Ultracompact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 1600 |
| Maximum enhanced ISO | - | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 28-280mm (10.0x) |
| Maximal aperture | f/2.6-7.0 | f/3.3-5.6 |
| Macro focus distance | - | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2.7 inches |
| Screen resolution | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 1/2 seconds | 8 seconds |
| Max shutter speed | 1/1000 seconds | 1/2000 seconds |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 2.60 m |
| Flash modes | - | Auto, On, Off, Slow sync, Red-eye reduction |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video format | Motion JPEG | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 130g (0.29 pounds) | 168g (0.37 pounds) |
| Physical dimensions | 95 x 60 x 23mm (3.7" x 2.4" x 0.9") | 97 x 57 x 29mm (3.8" x 2.2" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-40 | NP-45A |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SDHC Memory Card, SD Memory Card, Eye-Fi Wireless Card compatible | SD/SDHC card, Internal |
| Card slots | One | One |
| Launch price | $0 | $180 |