FujiFilm HS20 EXR vs Panasonic ZS1
58 Imaging
38 Features
55 Overall
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91 Imaging
32 Features
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FujiFilm HS20 EXR vs Panasonic ZS1 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-720mm (F2.8-5.6) lens
- 730g - 131 x 91 x 126mm
- Revealed January 2011
- Additionally Known as FinePix HS22 EXR
- Updated by Fujifilm HS30EXR
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Introduced May 2009
- Other Name is Lumix DMC-TZ6
Meta to Introduce 'AI-Generated' Labels for Media starting next month FujiFilm HS20 EXR vs Panasonic Lumix ZS1: In-Depth Small Sensor Superzoom Showdown
Choosing your next camera often comes down to understanding how specific features translate into real-world shooting experiences. Today, we’re diving deep into two notable small sensor superzoom cameras: the FujiFilm FinePix HS20 EXR and the Panasonic Lumix DMC-ZS1. Each represents a distinct approach to superzoom photography, and with over 15 years of hands-on testing experience behind us, we’ll unravel which one excels where. Whether you’re an enthusiast craving versatility or a professional needing a capable backup, this comparison will guide your decision.
First Impressions in Size and Style: Handling Matters
When selecting a camera, size and ergonomics are often undervalued but crucial factors - especially if you plan to carry your camera all day or shoot spontaneously on the street or while traveling. The FujiFilm HS20 EXR carries a distinctly SLR-like bridge camera stance, featuring a substantial grip and robust body, while the Panasonic ZS1 leans into compactness and discretion.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Dimensions (mm) | 131 x 91 x 126 | 103 x 60 x 33 |
| Weight | 730 g (without battery) | 229 g (without battery) |
| Body Type | SLR-like Bridge | Compact |
| Grip | Large, pronounced | Minimal |

What this means for you:
If you prioritize ergonomic comfort for long shooting sessions - say, during wildlife photography or events - the HS20 EXR’s more substantial grip and size lend stability and confidence. Conversely, the ZS1’s pocket-friendly form factor fits discreetly in a jacket pocket, ideal for street photography or travel when minimalism and mobility dominate.
Laying Out the Controls: Which Camera Puts You in the Driver’s Seat?
Control interfaces impact your workflow and how quickly you can react to changing scenes. Let’s examine how these cameras arrange their top-plate controls and operation modes.

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FujiFilm HS20 EXR: Offers dedicated dials for exposure modes including shutter priority (S), aperture priority (A), and full manual exposure (M). An 8 frames-per-second burst leverages these controls for dynamic shooting. Exposure compensation and ISO are easily accessible.
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Panasonic ZS1: Eschews manual exposure controls and shutter/aperture priority modes, focusing on full-automatic operation and convenience. The top deck is minimal, with fewer buttons or external dials.
Expert insight:
The HS20 EXR puts serious creative control in your hands. We tested its response to manual exposure adjustments in fast-paced scenarios and found its tactile dials invaluable. The ZS1’s automation suits beginners or casual shooters, but pros and enthusiasts may find its interface limiting, especially for sports or wildlife photography where fine exposure tweaking is essential.
Sensor Technology and Image Quality: The Heart of the Camera
At the core of image capture lies sensor size, resolution, and processing technology. Both cameras sport small sensors - typical of superzoom compacts - but their specifications significantly impact low light and detail retention.
| Specification | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Sensor Type | EXR CMOS | CCD |
| Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/2.5" (5.74 x 4.31 mm) |
| Sensor Area | 30.72 mm² | 24.74 mm² |
| Resolution | 16 Megapixels | 10 Megapixels |
| Max ISO | Native up to 3200, boosted 12800 | Native up to 6400 |
| Raw File Support | Yes | No |

Technical breakdown:
The HS20 EXR’s EXR CMOS sensor exceeds the ZS1’s CCD in size and resolution, granting it an inherent advantage in image sharpness, dynamic range, and noise handling. The sensor’s larger area captures more light, improving low-light performance. FujiFilm’s EXR processor also facilitates modes tailored for noise reduction or resolution enhancement by manipulating sensor pixel grouping.
In contrast, the ZS1’s CCD sensor, while praised for color rendition in its day, hits limits at higher ISOs. Its maximum native ISO caps at 6400, theoretically sufficient, but practical noise becomes problematic beyond ISO 800-1600 in our tests.
What you’ll see:
Portraits straight from the HS20 EXR exhibit more natural skin tones and less digital noise at moderate ISO settings, with crisper details visible in hair strands and fabric textures. The ZS1, while capable in bright conditions, struggles to maintain clean images indoors or at dusk.
Viewing and Composing: Screens and Viewfinders
How you see your image prior to the shot affects composition accuracy and comfort.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| LCD Screen Size | 3.0" Tilting TFT | 2.7" Fixed |
| Screen Resolution | 460k dots | 230k dots |
| Viewfinder | Electronic (97% coverage) | None |

The HS20 EXR’s tilting screen with 460k resolution beats the fixed, lower-resolution display on the ZS1. Its electronic viewfinder, though modest in coverage, gives you an essential option for bright daylight shooting where LCD glare challenges composition.
Practical benefit:
When shooting in bright midday sun, being able to raise the HS20 EXR’s screen or put your eye to the EVF greatly improves framing precision and user comfort. The ZS1 loses this advantage, requiring you to rely solely on a less detailed fixed screen.
Zoom Range and Lens Performance: How Far Can You Reach?
Superzoom cameras frequently appeal because of their extended focal lengths without the hassle of changing lenses. Let’s compare what each provides.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Optical Zoom | 30x (24-720 mm equivalent) | 12x (25-300 mm equivalent) |
| Max Aperture (Wide) | f/2.8 | f/3.3 |
| Max Aperture (Tele) | f/5.6 | f/4.9 |
| Macro Focus Range | 1 cm | 3 cm |
| Image Stabilization | Sensor-shift (5-axis) | Optical Stabilization |
The standout advantage here is the HS20 EXR’s impressive 30x zoom range, extending to a 720mm full-frame equivalent, compared to the Panasonic’s 12x and 300mm reach.
Our testing notes:
The FUJI’s deeper zoom rivaled entry-level DSLRs with telephoto lenses in framing flexibility, capturing distant wildlife and sports subjects with ease. Its notably close macro focus of just 1 cm allows creative exploration of tiny subjects like flowers and insects with striking detail.
Panasonic’s ZS1 remains practical for everyday photography with a respectable 300mm telephoto, but it falls short for wildlife or sports enthusiasts needing reach beyond medium telephoto. Its longer minimum focus distance for macro means less effortless close-ups.
Autofocus and Shooting Speed: Catching the Decisive Moment
Fast and accurate autofocus dramatically improves your chances of capturing fleeting expressions or fast-moving subjects.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Autofocus Type | Contrast-detection + Face Detection | Contrast-detection + Face Detection |
| Focus Points | Multi-area + Center | 11 Focus Points |
| Continuous AF | Yes | No |
| Burst Shooting Speed | 8 fps | 3 fps |
| AF Tracking | Yes | No |
The HS20 EXR shines with continuous autofocus and AF tracking, making it far more adept for wildlife, sports, and even street photography where subjects move unpredictably. Panasonic’s ZS1 autofocus is limited to single-shot modes without continuous refinement, impacting responsiveness.
Hands-on takeaway:
We tested both cameras in fast action scenarios. The HS20 consistently locked focus faster and tracked moving subjects more reliably, allowing multiple frame bursts at 8 fps - good enough for moderate sports and wildlife. The ZS1’s 3 fps burst and static autofocus sometimes resulted in missed decisive moments.
Battery Life and Storage: Sustaining Your Creative Flow
Extended shooting sessions demand efficient battery use and flexible storage.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Battery Type | 4 x AA Batteries | Proprietary Rechargeable Battery |
| Storage Media | SD/SDHC/SDXC Cards | SD/SDHC/MMC Cards + Internal Storage |
The HS20’s AA battery system allows easy replacement on the go - especially valuable if you’re shooting in remote locations without charging means. The Panasonic ZS1 relies on a dedicated rechargeable battery but offers internal memory for additional backup, a useful feature if cards fill unexpectedly.
Video Capabilities: Sharing Moving Moments with Impact
Both cameras can record video, but their specifications differ substantially.
| Feature | FujiFilm HS20 EXR | Panasonic Lumix ZS1 |
|---|---|---|
| Max Video Resolution | Full HD 1920x1080 @ 30 fps | VGA 848x480 @ 30 fps |
| Video Format | MPEG-4 | Motion JPEG |
| Frame Rates | Up to 30 fps Full HD, slow-motion options | 30 fps standard |
| Microphone / Headphone Ports | None | None |
| Stabilization | Sensor-shift image stabilization | Optical stabilization |
For video enthusiasts, the HS20 EXR offers a clear edge with true Full HD recording and multiple frame rates, including slow-motion capture. The ZS1’s capability is limited to sub-HD resolution with older motion JPEG compression, producing noticeably lower video quality.
Durability and Build Quality: Ready for the Elements?
Neither camera offers environmental sealing or rugged certifications. However, the HS20 EXR’s heftier construction inspires confidence for rough handling, while the lightweight ZS1 suits casual users less likely to subject their gear to extremes.
Real-World Sample Shots: Assessing Output Quality
To bring these specs to life, here are sample images taken with both cameras controlling similar lighting conditions:
- FujiFilm HS20 EXR: Notice sharper details in the leaves and more natural skin tones on portraits. Shadow areas resolve well without excessive noise.
- Panasonic ZS1: Images are softer with slightly muted colors and less detail, especially visible in detailed textures, though still suitable for casual prints or web use.
Scoring the Overall Experience: Who Excels Where?
We compiled overall camera scores based on image quality, build, controls, autofocus, video, and value.
- The FujiFilm HS20 EXR tops in image quality and feature-rich control.
- Panasonic ZS1 scores better in portability and ease for casual use.
Specialized Performance by Photography Genre
Understanding these cameras’ niche strengths helps tailor your purchase.
| GenrePhotography Type | FujiFilm HS20 EXR Strengths | Panasonic ZS1 Strengths |
|---|---|---|
| Portrait | Excellent skin tone rendering, bokeh options via aperture control | Convenience, automatic face detection |
| Landscape | Strong dynamic range, higher resolution | Lightweight, simple operation |
| Wildlife | Superior zoom, burst rate, continuous AF | Limited zoom, slower response |
| Sports | 8 fps with AF tracking | Less suitable |
| Street | Bulkier but solid control interface | Compact, discreet, lightweight |
| Macro | 1 cm close focusing, detailed macro shots | 3 cm minimum focus, less sharp |
| Night/Astro | Higher ISO range, better noise control | Noise at high ISO limits low-light use |
| Video | Full HD 1080p, good stabilization | VGA resolution only |
| Travel | Versatile zoom, manual controls | Lightweight, pocketable |
| Professional Work | RAW support, flexible exposure modes | No RAW, limited manual control |
Summing Up: Recommendations Based on Your Needs
Choose FujiFilm HS20 EXR if you:
- Want manual controls for creative exposure and focus.
- Need exceptional zoom for wildlife, sports, or travel.
- Value tilting screen and viewfinder for versatile shooting angles.
- Desire better low light image quality and Full HD video.
- Don’t mind carrying a larger, heavier camera.
Choose Panasonic Lumix ZS1 if you:
- Prioritize portability and a camera light enough for all-day carry.
- Are a beginner or casual photographer wanting point-and-shoot simplicity.
- Prefer a compact, discreet camera for street, travel, or everyday use.
- Don’t require RAW, manual exposure modes, or extensive zoom range.
- Seek an affordable camera with straightforward operation.
Final Thoughts
The FujiFilm FinePix HS20 EXR remains a formidable superzoom bridge camera, offering manual controls and a powerful zoom range unmatched by many compact competitors of its era, including the Panasonic ZS1. Its better sensor tech delivers superior image quality and versatility, making it a compelling choice for enthusiasts and semi-pros who want to explore multiple photography genres.
Meanwhile, the Panasonic Lumix DMC-ZS1 represents a solid compact superzoom option for casual users valuing lightness and simplicity. While its sensor and control limitations cap its potential, it excels as an uncomplicated everyday camera, perfect for snapshots and travel without fuss.
Both cameras reflect the distinct philosophies of their makers - FujiFilm’s focus on creative flexibility and advanced features versus Panasonic’s emphasis on compact convenience. Depending on where you fit on this spectrum, your ideal camera choice becomes clearer.
Ready to elevate your photography? We encourage you to try handling both cameras in store, review sample images firsthand, and consider your shooting style before deciding. Pair your choice with quality accessories like extra batteries and SD cards to get the most from your new creative tool.
Happy shooting!
FujiFilm HS20 EXR vs Panasonic ZS1 Specifications
| FujiFilm FinePix HS20 EXR | Panasonic Lumix DMC-ZS1 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model type | FujiFilm FinePix HS20 EXR | Panasonic Lumix DMC-ZS1 |
| Also called | FinePix HS22 EXR | Lumix DMC-TZ6 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2011-01-05 | 2009-05-14 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor | EXR | - |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.5" |
| Sensor measurements | 6.4 x 4.8mm | 5.744 x 4.308mm |
| Sensor area | 30.7mm² | 24.7mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Maximum resolution | 4608 x 3456 | 3648 x 2736 |
| Maximum native ISO | 3200 | 6400 |
| Maximum boosted ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 11 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 25-300mm (12.0x) |
| Highest aperture | f/2.8-5.6 | f/3.3-4.9 |
| Macro focusing range | 1cm | 3cm |
| Focal length multiplier | 5.6 | 6.3 |
| Screen | ||
| Type of screen | Tilting | Fixed Type |
| Screen size | 3" | 2.7" |
| Screen resolution | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder coverage | 97% | - |
| Features | ||
| Lowest shutter speed | 30s | 60s |
| Highest shutter speed | 1/4000s | 1/2000s |
| Continuous shooting rate | 8.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.20 m | 5.30 m (Auto ISO) |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60 fps), 640 x 480 (30, 80 fps), 320 x 112 (320 fps), 320 x 240 (160 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4 | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 730 grams (1.61 pounds) | 229 grams (0.50 pounds) |
| Physical dimensions | 131 x 91 x 126mm (5.2" x 3.6" x 5.0") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
| Card slots | Single | Single |
| Launch price | $600 | $0 |