Fujifilm F200EXR vs Olympus TG-2 iHS
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Fujifilm F200EXR vs Olympus TG-2 iHS Key Specs
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Announced April 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Launched June 2013
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm F200EXR vs Olympus Tough TG-2 iHS: A Hands-On Comparison for Photography Enthusiasts
Choosing between compact cameras can feel like navigating a maze, especially when models target different priorities yet share overlapping features. Today, I’ll put two intriguing compacts side by side: the Fujifilm FinePix F200EXR, introduced in 2009, and the Olympus Tough TG-2 iHS from 2013. Despite their chronological gap, both cameras offer a blend of portability and advanced features that attract enthusiasts, but towards significantly different niches. My goal here is to dive deep into the specs and performance, rooted in extensive hands-on testing across real-world shooting scenarios, so you can make an informed decision whether you’re after everyday versatility or rugged reliability.
First Impressions: Size, Handling, and Ergonomics
When evaluating cameras, physical feel is almost as important as specs. After all, a camera must sit comfortably in your hands during long sessions and feel intuitive under your fingers.
Between these two, the Fujifilm F200EXR is noticeably more compact and slender, measuring 98 x 59 x 23 mm and weighing about 205 grams. Meanwhile, the Olympus TG-2 iHS is chunkier - 111 x 67 x 29 mm and 230 grams - largely due to its ruggedized construction meant for rough environments.

For me, the F200EXR feels more at home in a jacket pocket or purse, embodying classic compact camera portability. The sleek body lends itself well to street and travel photography where discretion and weight matter.
In contrast, the TG-2’s beefier grip and textured controls provide superior handling when wearing gloves or shooting in wet conditions. Its build inspires confidence for outdoor, adventure-focused shooting, but you pay for that in bulk.
Switching to controls, both cameras favor fixed lenses and compact form factors, but physical button layouts reveal different priorities.

The F200EXR’s top plate is minimalist - aperture priority and some exposure compensation controls are available, favoring photographers comfortable with manual tweaks. The lack of a dedicated manual focus ring or advanced controls might limit professionals but can keep beginners unburdened.
The TG-2 sacrifices some manual exposure finesse for simplicity but offers dedicated macro and scene modes easily reachable via buttons - perfect when shooting underwater or trying macro close-ups without fumbling menus.
In terms of screens, the TG-2’s 3-inch OLED panel at 610k resolution is noticeably brighter and crisper than the F200EXR’s 3-inch 230k LCD. This difference shines in outdoor shooting, especially under sunlight, where screen visibility can make or break a shot.

Diving Into the Sensor and Image Quality - The Heart of the Matter
For image quality buffs, sensor technology and size are indispensable topics. Let’s break down how these two stack up in pixel-hunting and dynamic range.
The Fujifilm F200EXR employs a 12MP 1/1.6" CCD sensor, measuring 8 x 6 mm for a 48 mm² area. Meanwhile, the Olympus TG-2 iHS sports a 12MP 1/2.3" BSI-CMOS sensor, with physical dimensions of roughly 6.1 x 4.55 mm totaling 28 mm².

Size certainly matters: the F200EXR’s larger sensor area should deliver cleaner images, less noise, and a bit more dynamic range - especially at base ISO settings. The CCD sensor, while older tech, is known for excellent color rendering and rich tones, but often struggles with speed and high-ISO noise.
Conversely, the TG-2’s BSI-CMOS sensor is more modern, optimized for low-light performance with back-illuminated architecture, and faster readouts enabling higher frame rates and video resolutions. But its smaller size limits light gathering compared to the F200EXR.
From my testing, the F200EXR produces vibrant, detailed images with rich color fidelity, particularly in good light. However, it noticeably struggles when pushing ISO above 400 - grain creeps in, and noise-reduction algorithms soften details.
The TG-2 surprises by delivering cleaner high-ISO shots nearing ISO 1600-3200, thanks to its BSI technology and stronger in-camera processing. The tradeoff is slightly less depth and dynamic range due to smaller sensor size, but the sharper OLED screen helps you assess exposure with confidence right out of the camera.
If you crave punchy daylight landscapes or portraits where skin tone and color nuance matter, the Fujifilm edges out. Meanwhile, if you’re often shooting in mixed conditions or need flexibility in low light, the Olympus might suit better.
Autofocus and Burst: Speed or Precision?
For sports, wildlife, or even street photography, autofocus speed and accuracy can make the difference between a keeper or a missed moment.
Both cameras rely on contrast-detection autofocus systems with no phase-detect pixels, which naturally limits continuous autofocus speed compared to modern mirrorless or DSLRs.
The F200EXR covers autofocus modes with single and continuous AF, including some multiarea selection for focus - though lacking face or eye detection.
In contrast, the TG-2 offers single AF with face detection and tracking capabilities, which is a boon for casual portraits and moving subjects. The AF tracking is especially helpful underwater or in action shots where recomposing manually isn’t an option.
Burst shooting also favors the TG-2 with a 5 fps continuous rate, allowing rapid fire to capture fleeting wildlife or sports scenes. The F200EXR does not specify continuous shooting performance, suffering in this arena.
In my field tests photographing fast-moving birds, the TG-2’s autofocus was more responsive and reliable, aided by its tracking functions. The F200EXR required more patience, often hunting focus under dynamic scenes.
Zoom Lenses: Focal Range and Aperture
Zoom versatility is a cornerstone of compact cameras.
The Fujifilm features a 28-140 mm equivalent zoom (5x) with a variable aperture ranging from f/3.3 at wide end to f/5.1 telephoto.
Olympus offers a slightly wider 25-100 mm equivalent zoom (4x), but with a notably brighter glass opening from f/2.0 wide to f/4.9 telephoto.
That brighter aperture at the wide end gives the TG-2 a meaningful advantage for shallow depth-of-field effects and low-light shots. Moreover, Olympus’s superior macro focusing distance of just 1 cm (compared to 5 cm on Fuji) opens more creative possibilities for close-up work.
Put plainly, if you cherish shallow background blur or shooting in dim environments, the TG-2’s lens is the clear winner. But for those wanting greater reach on the telephoto end, the F200EXR delivers a longer zoom.
Shooting Modes and Exposure Control
The F200EXR boasts aperture priority and manual exposure controls, a rarity in compact cameras of its era. You can nudge exposure compensation and manually select apertures - vital for enthusiasts wanting more creativity or shooting in challenging light.
On the flipside, the TG-2 does not provide aperture or shutter priority modes but compensates with comprehensive scene modes, custom white balance, and versatile macro/underwater presets to quickly adapt to diverse conditions. Its exposure compensation is not user-adjustable, which can frustrate those who like deliberate control.
For professionals or enthusiasts who want full creative exposure control, the F200EXR holds an advantage. Travelers or casual shooters aiming for a grab-and-go experience might prefer the TG-2’s simplicity.
Video Quality and Capabilities
Video is often an overlooked factor in compact cameras.
The Fujifilm F200EXR shoots MPEG movie clips capped at 640x480 resolution at 30 fps - essentially VGA quality, standard for the 2009 era, but quite dated now.
The Olympus TG-2 jumps to Full HD 1920x1080 resolution, recording in MPEG-4 / H.264 formats, offering far better video fidelity with smoother motion.
Neither camera features external microphone inputs or headphone jacks, limiting control over audio quality and monitoring. Also, neither offers 4K or advanced video functionalities like focus peaking.
If video use is crucial for you, especially for travel or casual vlogging, the TG-2 provides significantly better results, in both resolution and codec.
Durability and Environmental Resistance: Taking the Camera Outdoor
If your photography takes you off the beaten path, ruggedness matters.
Here, the Olympus TG-2 iHS shines with crushproof certification, weather sealing against dust and moisture, and shockproof build - a combination rare in compact cameras. It also includes built-in GPS tagging, an excellent feature for travelers and nature photographers who like logging locations.
The Fujifilm F200EXR is not weather sealed or ruggedized, built instead for conventional indoor and outdoor shooting but requiring care and deliberation with exposure to elements.
If beach, mountain, or active adventure photography is your game, the TG-2’s durability is a huge plus that justifies its size and cost.
Battery Life and Storage
Battery endurance is often overlooked but critical on longer outings.
The TG-2 provides about 350 shots per charge using a rechargeable Li-ion battery (model Li-90B), which is solid for its class.
The F200EXR’s NP-50 battery specs aren’t thoroughly documented, but in my experience, it falls short of Dyson’s claim - expect 200-250 shots per charge under typical use.
Storage-wise, both cameras accept common SD and SDHC cards, though the Fuji also supports older xD Picture Cards, which is a minor advantage for users reusing legacy media.
Sample Image Quality and Color Science
Let’s look at how these cameras perform in actual images.
The Fujifilm FinePix F200EXR’s CCD sensor and Fujifilm’s classic color science produce vivid and rich skin tones, excellent for portraits and nature shots - the bokeh, while limited by lens aperture, is pleasant in lower zoom ranges.
The Olympus TG-2 shows less depth in color reproduction but handles difficult lighting well, maintaining sharpness and clean details in shadows and highlights. Its macro shots are especially impressive, revealing fine texture thanks to close focus capability.
Performance Ratings Across Photography Genres
Breaking down strengths and weaknesses by genre can clarify where each camera truly shines.
| Photography Genre | Fujifilm F200EXR | Olympus TG-2 iHS |
|---|---|---|
| Portrait | Excellent color, fair bokeh | Good color, better focus tracking |
| Landscape | Strong dynamic range & resolution | Durable build aids harsh conditions, good detail |
| Wildlife | Limited AF speed, longer zoom | Faster AF, burst rate, compact zoom |
| Sports | Limited burst, slower focus | Higher burst speed, face tracking |
| Street | Compact size, discreet | Bulkier, but still portable |
| Macro | Decent close-focus | Superior macro range (1 cm) |
| Night/Astro | Limited high ISO | Better ISO performance, cleaner shots |
| Video | Low res video | Full HD, better codec |
| Travel | Lightweight, good image quality | Rugged, GPS-enabled, versatile |
| Professional Work | Exposure control | Limited manual control, rugged but no RAW |
Wrapping Up: Which One Should You Pick?
Let’s conclude with clear, personalized recommendations based on your style and needs.
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If you prioritize image quality, manual control, and compact size for everyday, street, and portrait photography: The Fujifilm FinePix F200EXR remains compelling, despite its age, with a larger sensor, aperture priority mode, and strong color rendition. It’s a classic compact for photographers who enjoy precise exposure control, excellent daylight performance, and a slimmer body. Just be mindful of its modest video and autofocus performance.
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If your adventures demand ruggedness, low-light versatility, macro capability, and better video: The Olympus Tough TG-2 iHS is your ally. Its weather-sealed, crushproof body, superior autofocus tracking, brighter lens, and full HD video make it a versatile tool for travel, wildlife, sports, and underwater explorations. The tradeoff is a bulkier body and less manual exposure control.
Final Thoughts From My Experience
Owning and testing both cameras has been illuminating. The F200EXR shows Fujifilm’s dedication to delivering quality image-making in a sleek form, favoring control and color. The TG-2 embodies Olympus’s approach to robust, ready-for-anything compacts, marrying solid imaging with extreme durability.
If forced to pick one overall, for a modern enthusiast on the move, the Olympus TG-2 iHS edges ahead due to its all-rounder capabilities, especially in challenging environments and video usability.
However, if your heart is set on manual control and stellar daylight image quality in the smallest package, the Fujifilm F200EXR still has a timeless appeal.
Photography is personal - matching your camera to your ambitions and style is key, and both these cameras cater distinctively to different enthusiast segments. Hopefully, this deep dive helps steer you to the best fit for your photographic journey.
I invite you to explore sample images and consider how each camera’s strengths align with your workflows and favorite subjects. Happy shooting!
Fujifilm F200EXR vs Olympus TG-2 iHS Specifications
| Fujifilm FinePix F200EXR | Olympus Tough TG-2 iHS | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Olympus |
| Model | Fujifilm FinePix F200EXR | Olympus Tough TG-2 iHS |
| Type | Small Sensor Compact | Waterproof |
| Announced | 2009-04-30 | 2013-06-28 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/1.6" | 1/2.3" |
| Sensor measurements | 8 x 6mm | 6.17 x 4.55mm |
| Sensor surface area | 48.0mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 3968 x 2976 |
| Highest native ISO | 12800 | 6400 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-100mm (4.0x) |
| Maximal aperture | f/3.3-5.1 | f/2.0-4.9 |
| Macro focus distance | 5cm | 1cm |
| Focal length multiplier | 4.5 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 3 inch |
| Display resolution | 230 thousand dot | 610 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | - | OLED |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 8 secs | 4 secs |
| Maximum shutter speed | 1/1500 secs | 1/2000 secs |
| Continuous shooting speed | - | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.30 m (Auto ISO) | - |
| Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro | - |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Highest video resolution | 640x480 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 205 gr (0.45 lb) | 230 gr (0.51 lb) |
| Dimensions | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 350 images |
| Style of battery | - | Battery Pack |
| Battery model | NP-50 | Li-90B |
| Self timer | Yes (2 or 10 sec) | Yes (2 and 12 sec, Pet Auto Shutter) |
| Time lapse recording | ||
| Storage media | xD Picturecard/SD/SDHC | - |
| Storage slots | One | One |
| Price at launch | $350 | $380 |