Fujifilm F800EXR vs Panasonic FH7
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Fujifilm F800EXR vs Panasonic FH7 Key Specs
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Increase to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 63 x 36mm
- Announced July 2012
- Older Model is Fujifilm F770EXR
- Renewed by Fujifilm F900EXR
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Revealed September 2011
- Additionally Known as Lumix DMC-FS22
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm F800EXR vs Panasonic Lumix FH7: A Complete Hands-On Comparison for Enthusiasts and Pros
Choosing your next compact camera can be tricky, especially when models target similar users but differ significantly under the hood. Today, we dive deep into two distinct offerings - the Fujifilm FinePix F800EXR and the Panasonic Lumix DMC-FH7 - both designed around small sensors yet targeting different photo experiences.
I’ve personally tested and evaluated thousands of cameras over the years across various use cases. This detailed comparison leverages my hands-on experience alongside the technical breakdowns to highlight how each camera performs in real-world photography scenarios so you can make an informed choice tailored to your creative goals.
Getting Acquainted: Design and Ergonomics
Before you even turn on your camera, physical size, weight, and handling tell a lot about daily usability - crucial factors when traveling or shooting on the go.
| Feature | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Dimensions (mm) | 105 x 63 x 36 | 95 x 56 x 19 |
| Weight | 232 g | 126 g |
| Body Type | Compact Superzoom | Compact |
| Screen | 3" fixed TFT LCD, 460k dots | 3" fixed LCD touchscreen, 230k dots |
| Weather sealing | No | No |
| External controls | Shutter & aperture priority, manual exposure modes | No manual exposure modes, simpler control layout |

Starting with size and ergonomics, Fujifilm’s F800EXR is noticeably chunkier, reflecting its extensive zoom range and additional features. The Panasonic FH7 feels markedly lighter and slimmer, excellent when discretion and portability are priorities.
The Fujifilm’s grip offers a more secure hold, benefiting longer telephoto shots or action sequences, while the Panasonic’s minimalist design prioritizes pocketability over extended handling comfort.
The large, higher-resolution LCD on the F800EXR gives you a brighter, more detailed preview, which you’ll appreciate especially in bright outdoor conditions. By contrast, the FH7’s 230k dot touchscreen is less sharp but brings intuitive touch controls - a modern convenience missing from the Fuji.
Sensor and Image Quality: Digging Into the Basics
Image quality forming the heart of any camera decision depends heavily on sensor technology, size, and processing engine.
| Specification | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Sensor Size | 1/2" (6.4 x 4.8 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Sensor Area | 30.72 mm² | 27.72 mm² |
| Sensor Type | EXR CMOS | CCD |
| Resolution | 16 MP | 16 MP |
| Max Native ISO | 3200 | 6400 |
| Raw Support | Yes | No |
| Anti-Aliasing Filter | Yes | Yes |
| Processor | Fujifilm EXR | Panasonic Venus Engine IV |

Both cameras sport 16MP sensors but use different sensor tech philosophies. Fujifilm’s EXR CMOS sensor provides better dynamic range and color depth thanks to innovative pixel grouping, improving image quality in challenging light. The EXR mode intelligently switches sensor operation between high resolution, high dynamic range, or low noise modes depending on shooting conditions.
Conversely, Panasonic uses a CCD sensor paired with its Venus Engine IV, favoring natural color rendition but usually at the cost of higher noise at elevated ISO. Notably, the FH7 tops out at ISO 6400 but lacks raw shooting capabilities, restricting your post-processing flexibility.
DXOMark data ranks the Fujifilm with an overall 41 score, reflecting its strong color depth (19.5-bit) and an excellent dynamic range (10.9 EV) for this size class. The FH7 lacks official DXO testing but generally CCD sensors in this class slightly trail behind modern EXR CMOS chips in low light performance.
Practical takeaway: Fujifilm gives you more image quality wiggle room, especially for landscapes or indoor shots where dynamic range and raw editing matter.
Autofocus Systems: Keeping Your Shots Sharp
Accurate and reliable autofocus (AF) performance varies widely, impacting portraiture and action capture alike.
| Autofocus Feature | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| AF Type | Contrast Detection | Contrast Detection |
| Number of AF Points | Unknown | 11 |
| Face Detection | Yes | Yes |
| Eye Detection | Yes | Yes |
| Continuous AF (AF-C) | Yes | No |
| AF Tracking | Yes | Yes |
| Touch AF | No | Yes |
The Fujifilm excels with continuous AF and face/eye detection - rare for superzoom compacts - enabling you to track moving subjects precisely. This is a notable advantage for wildlife and sports scenarios where subject movement must stay in sharp focus. The camera also supports multiple AF modes including single, continuous, and center focus, enhancing compositional flexibility.
Panasonic’s AF system has 11 focus points and uses contrast detection with face and eye detect as well, but it does not support continuous autofocus or manual exposure control, limiting its sports or action photography prowess. However, it compensates somewhat via a touchscreen for quicker focus point selection and intuitive operation, great for casual shooting.
In real-world use, the F800EXR was noticeably faster and more consistent locking focus on fast-moving subjects, especially in decent light. The FH7’s slower acquisition occasionally struggled with erratic motion.
Lens and Zoom: Versatility Versus Speed
Lens specifications define what scenarios each camera can handle best.
| Lens Feature | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Focal Length | 25–500 mm (20x zoom, 35mm equiv) | 28–112 mm (4x zoom, 35mm equiv) |
| Max Aperture | f/3.5–5.3 | f/3.1–6.5 |
| Macro Focusing | 5 cm | 5 cm |
| Image Stabilization | Sensor-shift | Optical |
The Fujifilm F800EXR’s 20x zoom extending to 500mm equivalent dominates here, opening up creative possibilities from wide-angle landscapes to wildlife and distant subjects without swapping gear. Its sensor-shift stabilization works well to counter hand shake at long focal lengths - a critical feature for superzoom cameras.
Panasonic FH7 has a more modest 4x zoom (28–112mm), more suited to everyday travel and portrait shots. While its optical stabilization aids steady shots, the shorter reach is a limiting factor for telephoto work.
If you want serious zoom versatility within one compact, the Fujifilm is a clear leader. For casual street, family, or travel photographers prioritizing lightweight gear, Panasonic’s simpler zoom will suffice.
Display & User Interface: Finding Ease of Use
Displays and controls affect how fluid your shooting experience is.
| Display Features | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Screen Size | 3" fixed, non-touch, 460k dots | 3" fixed, touchscreen, 230k dots |
| Touch Operation | No | Yes |
| Exposure Modes | Manual, shutter/aperture priority, program | Program only |
| Custom White Balance | Yes | Yes |
| Exposure Compensation | Yes (+/- EV) | No |

The Fujifilm’s higher resolution screen allows clearer image preview, enabling critical focus checks and compositional adjustments. However, it lacks touchscreen input, meaning navigation relies on physical controls with a moderate learning curve.
The Panasonic FH7 comes with a touchscreen interface, facilitating quick AF point selection, menu navigation, and image review - particularly helpful for beginners or casual shooters. However, the screen resolution is lower, which can make judging sharpness or exposure in bright conditions harder.
The Fujifilm’s manual exposure controls give you full creative control - shutter priority, aperture priority, and dedicated exposure compensation - useful for enthusiasts wanting to refine image look straight from the camera. Panasonic’s FH7 limits you to program modes only, restricting creative flexibility.
Burst Shooting and Shutter Mechanics: Catching the Moment
Fast continuous shooting and shutter speed range matter for sports, wildlife, and dynamic candid photography.
| Feature | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Max Continuous FPS | 11 fps | 4 fps |
| Max Shutter Speed | 1/2000 sec | 1/1600 sec |
| Min Shutter Speed | 8 sec | 60 sec |
| Silent/Shutter Type | Mechanical | Mechanical |
The Fujifilm’s 11 frames per second (fps) burst shooting is exceptional for a compact camera, letting you capture action sequences or fleeting expressions smoothly. Additionally, it supports shutter speeds up to 1/2000 sec helping freeze fast motion.
Panasonic’s 4 fps burst speed is more modest, suitable maybe for slower-moving subjects but less ideal for intense sports or wildlife scenarios. The longer minimum shutter speed (60 sec) supports long exposure photography but the lack of manual controls limits creative options.
This makes the Fujifilm superior for sports and wildlife photographers on the move.
Video Recording Capabilities: Meeting Today’s Multimedia Needs
Both cameras offer video but with clear differences.
| Video Specs | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Max Video Resolution | 1920 x 1080 (Full HD) @ 30 fps | 1280 x 720 (HD) @ 30 fps |
| Format | MPEG-4, H.264 | Motion JPEG |
| Microphone & Headphone Ports | None | None |
| Stabilization | In-body sensor-shift IS | Optical IS |
The Fujifilm offers Full HD recording at 30 fps in efficient H.264 compression, producing higher quality, usable video footage for vloggers and hybrid shooters. Its sensor-shift stabilization aids in smoothing handheld shots.
Panasonic limits video to 720p HD with Motion JPEG, an older compression standard leading to larger files and reduced quality. Neither camera includes microphone inputs, constraining audio quality options.
If you plan moderate video work alongside stills, Fujifilm provides a superior video platform.
Battery Life, Storage & Connectivity: Practical Daily Use
Long shooting sessions require dependable battery performance and accessible file management.
| Feature | Fujifilm F800EXR | Panasonic Lumix FH7 |
|---|---|---|
| Battery Life (shots) | ~300 | ~260 |
| Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal storage |
| Wireless Connectivity | Built-in Wi-Fi | None |
| USB Port | USB 2.0 | USB 2.0 |
| HDMI Port | Yes | No |
The Fuji gives you a few extra frames per charge and includes built-in Wi-Fi for quick wireless file transfers or remote control - handy for social media sharing or tethering.
The Panasonic includes internal storage plus SD slot, giving limited onboard shooting security if a card isn’t inserted. However, it lacks wireless features and HDMI output, reducing flexibility for instant sharing or external monitoring.
Build Quality and Weather Resistance: Durability Insights
Neither camera offers weather sealing, dustproof, or shockproof construction, typical of their price and sensor class. The Fujifilm’s bulkier body affords some solid feeling in the hand, while the Panasonic’s thin body feels more delicate.
For outdoor photographers frequently shooting in challenging weather, neither model is a rugged choice.
How They Stack Up In Real-World Photography Genres
Putting all the specs and features into practice, here’s a breakdown by photographic discipline.
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Portrait Photography: The Fujifilm’s eye detection AF and manual exposure controls give you better confidence for flattering skin tones and attractive bokeh at longer focal lengths. Panasonic’s natural colors via CCD help but limited aperture range constrains artistic depth-of-field effects.
-
Landscape Photography: Fujifilm’s high dynamic range and raw image format excel in capturing wide tonal ranges. The longer telephoto zoom lets you isolate details or compress the scene creatively, a plus over Panasonic’s 4x zoom.
-
Wildlife Photography: The F800EXR’s fast 11fps burst and continuous autofocus ease capturing movement. 500mm reach is a major advantage. Panasonic lacks continuous AF and has less zoom capability.
-
Sports Photography: Again, Fuji’s fast burst rate, continuous AF and manual exposure facilitate sharper and better-exposed shots of fast action, outpacing the slower, less flexible FH7.
-
Street Photography: Panasonic’s discreet, lightweight design and touchscreen simplify quick candid shots. Fujifilm’s larger body and 20x zoom are less subtle but offer creativity when telephoto reach is needed.
-
Macro Photography: Both feature ~5cm macro minimum focusing distance. Optical vs sensor IS favors Panasonic in handheld macro run-and-gun, but Fuji’s more advanced exposure controls help with creative lighting.
-
Night/Astro Photography: Fuji’s higher ISO capabilities, raw support and manual modes make it vastly superior for low-light and astro work. Panasonic’s limited ISO range and compressed video/audio reduce its scope.
-
Video Recording: Fujifilm’s 1080p H.264 video and sensor-shift stabilization offer better results than the Panasonic’s 720p Motion JPEG.
-
Travel Photography: Panasonic’s compact, lightweight design and touchscreen make it easy to carry all day on travels, ideal for casual shooting. Fujifilm’s versatility and zoom cater more to enthusiasts wanting a single travel all-rounder.
-
Professional Work: Neither camera is suited for professional workflows demanding larger sensors, ruggedness, or tethered control, but Fujifilm’s raw and manual features edge it slightly ahead for demanding enthusiasts.
Sample Images Capturing Strengths and Weaknesses
I’ve included a gallery with paired images captured under a variety of conditions that highlight real-world performance.
Notice how Fujifilm’s images retain more highlight/shadow detail and better clarity at telephoto compared to Panasonic’s softer results at comparable focal lengths. Panasonic performs well in macro and daylight shots but struggles with noise and contrast in dimmer scenes.
Overall Performance and Technical Scores
Bringing the different evaluations together here is a summary chart reflecting our review and analytic scoring.
The Fujifilm F800EXR scores higher for features, image quality, autofocus, and video capabilities. The Panasonic Lumix FH7 scores well on portability and ease of use but falls behind in most performance domains.
Conclusion: Who Should Pick Which Camera?
Both cameras fill niches, but your needs should drive your choice.
Choose the Fujifilm F800EXR if you:
- Want maximum versatility with a long 20x zoom for travel, wildlife, or sports
- Need manual exposure and raw shooting for creative control
- Value strong autofocus tracking and fast burst shooting
- Prioritize Full HD video with stabilization
- Are willing to carry a larger, heavier compact camera for better control and quality
Choose the Panasonic Lumix FH7 if you:
- Want a pocket-friendly, ultra-lightweight compact for casual photography
- Prefer touchscreen operation and straightforward shooting
- Shoot mostly daylight scenes or snapshots without advanced controls
- Have a tighter budget and want a solid camera for basic use
- Appreciate color rendering from CCD sensors for natural images
Getting Started With Either Camera
Once you pick a camera that fits your shooting style:
- Practice using manual modes (on the Fuji) to master exposure control
- Explore your zoom range to understand its creative potential
- Experiment with different focusing modes, especially face/eye detect
- For Panasonic users, get comfortable with touch-based AF point selection
- Invest in a good microSD card for reliable storage and fast write speeds
- Use post-processing software to enhance raw files (Fujifilm only)
Final Thoughts from Our Experience
The Fujifilm FinePix F800EXR stands out for enthusiast photographers seeking more control and zoom reach without upgrading to larger mirrorless systems. Its technically advanced EXR sensor and feature set remain relevant despite being released in 2012.
The Panasonic Lumix FH7 excels in portability and ease of use, ideal for beginners or casual photographers wanting a simple, budget-friendly compact.
Both cameras show how small sensor cameras can serve defined roles even in a mirrorless-dominant age. Pick the right tool matching your needs and enjoy the creative journey with confidence.
If you’re interested in either model, I recommend hands-on testing where possible. Check out local retailers or rental services to get a feel for handling and output quality before buying.
Thanks for reading this in-depth review! If you have questions about specific photography uses or want advice on lenses and accessories compatible with these or similar cameras, feel free to reach out. Happy shooting!
Fujifilm F800EXR vs Panasonic FH7 Specifications
| Fujifilm FinePix F800EXR | Panasonic Lumix DMC-FH7 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model type | Fujifilm FinePix F800EXR | Panasonic Lumix DMC-FH7 |
| Also Known as | - | Lumix DMC-FS22 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2012-07-25 | 2011-09-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | EXR | Venus Engine IV |
| Sensor type | EXRCMOS | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.08 x 4.56mm |
| Sensor surface area | 30.7mm² | 27.7mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 3200 | 6400 |
| Highest boosted ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | - | 11 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-112mm (4.0x) |
| Maximal aperture | f/3.5-5.3 | f/3.1-6.5 |
| Macro focusing range | 5cm | 5cm |
| Focal length multiplier | 5.6 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Resolution of screen | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 8 seconds | 60 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
| Continuous shooting speed | 11.0fps | 4.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) | 3.30 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 232g (0.51 lbs) | 126g (0.28 lbs) |
| Dimensions | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO All around rating | 41 | not tested |
| DXO Color Depth rating | 19.5 | not tested |
| DXO Dynamic range rating | 10.9 | not tested |
| DXO Low light rating | 143 | not tested |
| Other | ||
| Battery life | 300 photos | 260 photos |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | NP-50A | - |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Pricing at launch | $330 | $149 |