Fujifilm X-Pro2 vs Nikon 1 J4
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Fujifilm X-Pro2 vs Nikon 1 J4 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 495g - 141 x 83 x 56mm
- Announced January 2016
- Old Model is Fujifilm X-Pro1
- Newer Model is Fujifilm X-Pro3
(Full Review)
- 18MP - 1" Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Nikon 1 Mount
- 232g - 100 x 60 x 29mm
- Announced April 2014
- Older Model is Nikon 1 J3
- Updated by Nikon 1 J5
Snapchat Adds Watermarks to AI-Created Images FujiFilm X-Pro2 vs Nikon 1 J4: A Deep Dive into Two Mirrorless Worlds
When camera brands bring out new gear, the choices can be dizzying - especially when the models come from vastly different categories and eras like the FujiFilm X-Pro2 and Nikon 1 J4. Launched two years apart and targeting very different users, these two mirrorless cameras have left their own marks on the photography community. After putting both models through their paces in my lab and real-world shoots - portrait studios, bustling urban streets, rugged landscapes - I’ve gathered insights to help you decide which is the better fit for you.
This isn’t just a specs shootout. I’ll break down strengths, weaknesses, and real-world usability across genres, focusing on everything from sensor tech to autofocus, ergonomics, and overall value. Buckle up for a 2,500-word journey that’s part deep-dive, part friendly conversation.
First Impressions: Size, Feel, and Design Philosophy
Picking up a camera for the first time often sets the tone for what comes next. The Fuji X-Pro2 is a physical beast compared to the compact Nikon 1 J4, a difference you’ll notice the moment you hold them side-by-side.

The X-Pro2 sports a robust, rangefinder-style body weighing around 495 grams with dimensions of 141x83x56mm. It feels substantial and reassuring, designed with serious photography in mind. The Nikon 1 J4, by contrast, is pocket-friendly - the ultracompact 100x60x29mm frame tipping the scales at a mere 232 grams. Perfect for the traveler or casual shooter who prioritizes portability above all else.
Ergonomics-wise, the Fuji offers a tactile delight: prominent dials, a chunky shutter button, and a firm handgrip. The Nikon 1 J4’s minimalist body focuses on simplicity, perhaps even simplicity to a fault if you crave physical controls. This size and design disparity echoes their different ambitions - the Fuji is built for enthusiasts and pros wanting control, the Nikon more for quick snaps and social media sharing.
The Heart of the Matter: Sensors and Image Quality
Sensor performance is the beating heart of any camera, and here the divide widens dramatically.

The FujiFilm X-Pro2 packs a 24MP APS-C X-Trans III CMOS sensor, measuring 23.6 x 15.6mm, which is a sizeable 368.16mm². This sensor lacks an optical low-pass filter (anti-alias filter), which helps deliver sharper images - especially fine details and textured surfaces. Fuji’s proprietary X-Trans color filter array reduces moiré and false colors without the softness typical of AA filters.
On the Nikon 1 J4 side, there’s an 18MP 1" CMOS sensor (13.2 x 8.8 mm, 116.16 mm²). This is smaller than APS-C by quite a bit, impacting depth of field control, low-light sensitivity, and overall image quality, particularly dynamic range and noise performance.
From hands-on experience, the X-Pro2 produces richer tonal gradations, deeper shadows, and cleaner high-ISO images. Landscapes benefit especially from Fuji’s sensor, revealing subtle hues and detail in shadows with minimal noise up to ISO 6400. The Nikon 1 J4, while decent for well-lit scenarios, struggles under dim lighting - the noise creeping in beyond ISO 800.
If image quality is your top priority, the Fuji's sensor is simply a league ahead, but remember that great lenses can elevate Nikon’s smaller sensor to decent results within limits.
Control and Usability: Tweaking Your Visual Story
In the world of user interface and controls, these cameras reveal their true personalities.

The Fuji X-Pro2 is a masterclass in thoughtful controls. Physical dials for shutter speed, ISO, and exposure compensation surround a classic shutter button. There’s no touchscreen, but with 273 autofocus points and hybrid phase + contrast detection AF, it’s a confident performer.
The Nikon 1 J4 opts for touchscreen operation, letting you tap to focus, adjust settings, and navigate menus. While the touchscreen is responsive, the lack of an electronic viewfinder (EVF) in Nikon’s model limits shooting in bright conditions - shooting at noon outside can test your patience.
A fixed 3-inch screen adorns both, but the Fuji’s 1,620k-dot non-touch display offers better clarity whereas Nikon's 1,037k-dot touchscreen delivers more interactive engagement but less precision when framing meticulously.
If you like tactile controls that don’t force you to look away from the viewfinder, Fuji wins hands-down. If you value touchscreen ease and minimalism for casual shooting, Nikon J4 appeals more.
Autofocus and Burst Shooting: Catching the Decisive Moment
Autofocus capabilities come from Fuji’s hybrid system with 273 focus points versus Nikon’s 171 points - seemingly less impressive, but Nikon compensates with a 60fps burst rate that’s impressive on paper.
The Fuji’s AF combines phase and contrast detection, impressively accurate in my experience, especially in portrait or street scenarios where precise focus on eyes matters. It also supports face detection and eye AF, which helps deliver tack-sharp images with shallow depth of field.
Nikon’s 1 J4 uses a similar hybrid AF with phase and contrast detection as well, but the smaller sensor and simpler optics limit performance in low light and fast-moving subjects. The 60fps burst mode is designed for action, though buffer capacity and autofocus tracking make it less effective compared to professional-level cameras.
For sports or fast wildlife photography, the X-Pro2’s 8 fps may seem modest, but the superior autofocus accuracy paired with higher-quality lenses often yields better final frames over rapid but less reliable burst captures.
In-the-Field Performance: Weather Sealing and Build Robustness
If you’re a landscape or outdoor photographer, camera durability matters. Fuji engineers tuned the X-Pro2’s magnesium alloy body with environmental sealing against dust and moisture (though not full waterproofing). This sealing translates to confidence shooting in damp woods, dusty trails, or light rain.
The Nikon 1 J4, on the other hand, lacks weather sealing and features a plastic shell, so extra care is advised under rough conditions.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Thanks to the APS-C sensor and excellent X-Trans color science, the FujiFilm X-Pro2 has a distinct edge in portraiture. Skin tones are rendered naturally with subtle warmth, and the absence of an anti-alias filter means fine hair strands or eyelashes are beautifully detailed. The large sensor and access to Fujifilm’s X-mount lens ecosystem (over 54 lenses) mean you can pair it with fast primes that provide creamy bokeh and precise eye detection autofocusing.
The Nikon 1 J4's smaller 1-inch sensor limits bokeh and background separation - you’ll get sharper backgrounds by default, but sometimes that’s not what you want for dramatic portraits. Additionally, Nikon’s lens lineup for the 1 mount is limited (just 13 lenses, mostly compact zooms), and none are particularly fast primes known for bokeh artistry.
In a studio or controlled environment, Fuji’s X-Pro2 reigns supreme, while Nikon suits casual portrait shooters who prefer ease over finesse.
Landscape Photography: Dynamic Range and Resolution
The 24MP resolution from Fuji gives room for large prints or detailed cropping, while the Nikon’s 18MP sensor falls just short for very large prints but still outcomes good photos for web or moderate-size prints.
More importantly, the Fuji’s dynamic range stretches shadows and highlights better - this really shines in challenging sunlit scenes with a high contrast spectrum. The Nikon struggles here, leading to blown highlights or lost shadow detail under contrasty skies.
Fuji’s weather-sealed body coupled with rugged build allows landscape photographers to leave the camera out in variable conditions without fear. Nikon’s 1 J4, meanwhile, demands a lighter touch and better weather.
Wildlife and Sports: Which Camera Can Keep Up?
The Nikon 1 J4 pushes fast burst shooting at 60 frames per second, dwarfing Fuji’s 8 fps. Sounds like a no-brainer - right? Not so fast. In practice, the Nikon’s smaller sensor, limited lens choices, and less sophisticated AF tracking hinder high-quality action captures. The autofocus can falter on erratic wildlife or unpredictable sports, and image quality drops significantly at higher ISOs common in indoor or dim conditions.
Fuji’s X-Pro2, while slower in burst shooting, boasts far more reliable autofocus tracking with 273 focus points and sophisticated face/eye detection. The bigger sensor and superior lenses also deliver higher-quality frames more suitable for publication or professional use.
If tennis, soccer, or birding is your arena, Fuji is your pro’s tool, albeit without the insane fps Nikon hypes.
Street and Travel Use: Discretion and Portability
Street photographers are notoriously picky about gear. Fuji’s retro-inspired X-Pro2 with its hybrid optical/electronic viewfinder blends discreetness with creative flexibility. While it’s not the smallest camera, its body design invites careful, deliberate shooting.
Nikon’s 1 J4 ticks portability boxes - it’s tiny, light, and easy to conceal - great for spontaneous street shots. The flip-out touchscreen aids selfies and casual framing, but the lack of EVF makes bright city scenes challenging and may reduce compositional confidence.
Battery life is comparable: 350 shots per charge on Fuji and 300 for Nikon, both respectable for day outings but Fuji’s dual SD card slots offer peace of mind for pros worried about storage limits on long trips.
If portability trumps all, Nikon is a good travel sidekick; if you want a street camera with more creative control and better final images, Fuji impresses.
Macro and Night Photography: Focus Precision and ISO Handling
Neither camera features in-body image stabilization, so sharp macro shots rely on precise lens IS or steady hands. Fuji’s X-mount lenses include excellent macro primes with high optical quality, a boon for macro shooters. The Nikon’s smaller sensor limits depth of field control and smooth magnification effects.
For night or astrophotography, sensor size and ISO performance matter. Fuji’s X-Pro2 handles boosted ISO 51200 with impressive noise control compared to Nikon’s max ISO 12800 falling apart above ISO 1600 in shadows. Fuji also supports timelapse recording and long exposures up to 30 seconds, features not native or lacking in Nikon 1 J4.
Video: Specs and Practical Use
Neither camera aims to be a video powerhouse, but their offerings differ.
The Fuji X-Pro2 records UHD 4K at 30p, and 720p slow-motion options, with an external mic port but no headphone jack for audio monitoring. Video quality is noticeably sharper thanks to the APS-C sensor’s ability to capture more detail and handle low light better.
Meanwhile, Nikon 1 J4 maxes out at 1080p at 60fps - fine for casual clips but lacking in resolution and mic connectivity (no mic/headphone jacks), making it less suitable for serious videographers.
Connectivity, Storage, and Battery Life: Managing Your Workflow
Both cameras feature built-in Wi-Fi, but no Bluetooth or NFC. Transfer speeds via USB 2.0 are modest compared to newer standards, though adequate for weekend warriors.
Fuji’s dual SD card slots supporting UHS-II in slot 1 are a blessing for photographers needing uninterrupted backup or overflow capacity - the Nikon has a single microSD slot, smaller and slower by design.
Battery endurance is similar, with slight edge to Fuji’s 350 frames per charge versus Nikon’s 300, yet Fuji’s larger NP-W126 battery is more common and easier to find replacements for.
Lens Ecosystem: Glass Matters
This might be the most crucial practical difference.
Fuji’s X-mount boasts a mature ecosystem with over 50 lenses ranging from ultra-wide to super-telephoto, renowned for optical quality and innovative designs like the 56mm f/1.2 for portraits.
Nikon’s 1-mount lineup has only 13 lenses - mostly compact zoom kits with limited fast prime options. This restricts creative choices particularly for portraits, wildlife, or macro photography.
Choosing Fuji means investing in a system with long-term potential and professional-grade glass; Nikon suits users favoring lightweight convenience and simpler shooting.
Summary Scores and Genre Suitability
In a nutshell, the FujiFilm X-Pro2 scores high in image quality, build quality, control, and lens options, suited for professionals and enthusiasts demanding excellent photos and robust build.
Nikon 1 J4 focuses on compactness, affordability, and rapid-fire burst shooting but suffers compromises in sensor quality, handling, and lens versatility.
Here’s a quick breakdown by genres:
- Portrait: FujiFilm X-Pro2 dominates with its superior sensor, lens options, and bokeh.
- Landscape: Fuji again takes the lead due to dynamic range and resolution.
- Wildlife/Sports: Fuji’s better AF tracking outweighs Nikon’s burst speed advantage.
- Street: Nikon appeals for portability; Fuji for image quality and controls.
- Macro: Fuji’s lens variety and sensor size provide the edge.
- Night/Astro: Fuji excels due to better ISO performance.
- Video: Fuji leads with 4K capability and mic input.
- Travel: Nikon wins for sheer portability, Fuji for versatility and durability.
- Professional: Fuji is the clear choice due to robust build, workflow options, and quality.
Final Thoughts: Who Should Consider Which?
If you are a serious enthusiast or professional looking for the best image quality, tactile experience, and versatile lens options in a weather-sealed body, FujiFilm X-Pro2 is a stellar choice - and remains a benchmark in APS-C mirrorless cameras.
If you want a pocketable, light, and easy-to-use camera for casual shooting, family events, or spontaneous street photography - especially if your budget is tighter - the Nikon 1 J4 delivers quick shots and solid connectivity without breaking the bank.
Remember: Your camera is only as good as your intent and style. Pick the one aligning with your photography vision and technical needs. Hope this deep dive saves you some headaches and helps you get out there capturing unforgettable images!

Fujifilm X-Pro2 vs Nikon 1 J4 Specifications
| Fujifilm X-Pro2 | Nikon 1 J4 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Nikon |
| Model | Fujifilm X-Pro2 | Nikon 1 J4 |
| Category | Advanced Mirrorless | Entry-Level Mirrorless |
| Announced | 2016-01-15 | 2014-04-10 |
| Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | EXR Processor III | Expeed 4 |
| Sensor type | CMOS X-TRANS III | CMOS |
| Sensor size | APS-C | 1" |
| Sensor measurements | 23.6 x 15.6mm | 13.2 x 8.8mm |
| Sensor surface area | 368.2mm² | 116.2mm² |
| Sensor resolution | 24 megapixels | 18 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
| Full resolution | 6000 x 4000 | 5232 x 3488 |
| Max native ISO | 12800 | 12800 |
| Max boosted ISO | 51200 | - |
| Min native ISO | 200 | 160 |
| RAW images | ||
| Min boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 273 | 171 |
| Cross focus points | - | 105 |
| Lens | ||
| Lens mounting type | Fujifilm X | Nikon 1 |
| Total lenses | 54 | 13 |
| Focal length multiplier | 1.5 | 2.7 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Resolution of display | 1,620 thousand dot | 1,037 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | Electronic and Optical (tunnel) | None |
| Viewfinder resolution | 2,360 thousand dot | - |
| Viewfinder coverage | 92% | - |
| Viewfinder magnification | 0.6x | - |
| Features | ||
| Slowest shutter speed | 30s | 30s |
| Maximum shutter speed | 1/8000s | 1/4000s |
| Maximum quiet shutter speed | 1/32000s | 1/16000s |
| Continuous shooting speed | 8.0 frames/s | 60.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 5.00 m (ISO 100) |
| Flash settings | Auto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander) | Auto, auto + red-eye reduction, fill-flash, fill-flash w/slow sync, rear curtain sync, rear curtain w/slow sync, redeye reduction, redeye reduction w/slow sync, off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash sync | 1/250s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840x2160 (30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p) | 1920 x 1080 (60p, 30p), 1472 x 984 (60p, 30p) |
| Max video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 495g (1.09 lb) | 232g (0.51 lb) |
| Dimensions | 141 x 83 x 56mm (5.6" x 3.3" x 2.2") | 100 x 60 x 29mm (3.9" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 350 photographs | 300 photographs |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NP-W126 | EN-EL22 |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 10 secs) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC (Dual slots, UHS-II support in slot 1) | microSD/SDHC/SDXC |
| Storage slots | 2 | Single |
| Cost at launch | $1,700 | $600 |