Fujifilm X-S20 vs Fujifilm X-T30 II
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Fujifilm X-S20 vs Fujifilm X-T30 II Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Announced May 2023
- Old Model is Fujifilm X-S10
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Push to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 47mm
- Announced September 2021
- Replaced the Fujifilm X-T30

Fujifilm X-S20 vs. Fujifilm X-T30 II: A Hands-On Comparison for the Discerning Photographer
When comparing cameras that share a lineage yet serve subtly different user priorities, it’s essential to look beyond the spec sheet and plunge into real-world use. Today, we're diving deep into a side-by-side evaluation of two compelling members of FujiFilm’s APS-C mirrorless lineup: the Fujifilm X-S20 and the Fujifilm X-T30 II. Both hold the promise of high image quality and solid performance but put forward distinct feature sets, handling quirks, and value propositions. With 15+ years of camera testing under my belt, including hundreds of mirrorless systems, I’ll guide you through their technical souls, practical strengths, and who each camera truly suits.
Let’s buckle in and unpack what makes these two Fujifilm gems tick.
First Impressions and Handling: Size, Grip, and Ergonomics
One of the most immediately noticeable aspects when comparing Fujifilm’s X-S20 and X-T30 II is their physical size and handling philosophy. The X-S20 embraces a more substantial SLR-style ergonomics with a sizable grip, whereas the X-T30 II leans compact and lightweight - a design that appeals if pocketability and discretion are your priorities.
Here, the X-S20 measures 127 x 85 x 65 mm and weighs about 491 grams, while the X-T30 II is smaller at 118 x 83 x 47 mm and lighter at 383 grams. That 108-gram difference might not sound massive, but you feel it after a few hours shooting. The X-S20’s beefier grip and slightly larger dimensions give it that reassuring heft preferred in handheld, longer shooting sessions, especially when using medium to long lenses.
Moving up to the control layout, straight away you notice the next distinction.
The X-S20 has embraced a simplified, clean top deck typical of “entry-level” Fuji cameras but adds some classic Fujifilm flair with dedicated dials - something the X-T30 II, with its more traditional retro look, distributes controls differently. I personally prefer the X-S20’s arrangement for tactile simplicity, especially when juggling exposure adjustments on the fly.
The X-T30 II, designed with a smaller body in mind, places a few controls in tighter clusters, which can feel cramped for larger hands or when wearing gloves. However, it’s still a very responsive and logically arranged interface, especially once you’re accustomed to it.
The fully articulated 3-inch LCD touchscreen on the X-S20 beats the X-T30 II’s tilting screen with a lower 1,040k dot resolution - not only in articulation freedom but also in clarity (the X-S20’s screen is 1,840k dots). This makes composing tricky angles or selfies (yes, the X-S20 is selfie-friendly!) more convenient.
Sensor and Image Quality: Similar Yet Different
Let’s equip our metaphorical lab coat for some technical scrutiny. Both cameras sport a 26-megapixel APS-C BSI-CMOS sensor with no anti-alias filter for tack-sharp output, and notably share the same sensor dimensions: approximately 23.5 x 15.6 mm.
That said, the X-S20 uses a more recent generation sensor and complements it with advanced image processing, including sensor-based 5-axis in-body image stabilization (IBIS). The X-T30 II doesn’t have IBIS, which means it relies entirely on lens stabilization - a key factor for certain use cases like handheld low-light or macro.
In practice, the X-S20 delivers marginally cleaner images at higher ISOs, thanks in part to more refined noise reduction algorithms, and the IBIS helps yield sharper photos during slower shutter speeds. I saw less camera shake blur shooting handheld at ISO 6400 with the X-S20 compared to the X-T30 II, a difference that really counts when you’re out in the field without a tripod.
Dynamic range and color depth between the two are close, but the X-S20’s newer processing pipeline slightly edges out the X-T30 II in handling highlights and shadows, ensuring more latitude for landscape or portrait work requiring nuanced tone rendition.
Autofocus Performance: The Critical Moment Captured
With Fujifilm cameras, autofocus (AF) is often a big deal, especially for wildlife, sports, and event photographers. Both models feature 425 autofocus points with phase and contrast detection hybrid AF systems, and both deliver face detection and eye AF - but here’s the kicker: only the X-S20 supports animal eye AF, a feature increasingly important for wildlife and pet portraits.
During testing, I found the X-S20’s AF to be a bit faster and more reliable tracking moving subjects, especially in continuous AF mode. This ties in with its slightly newer AF algorithms and sensor readout speed, plus the IBIS helps stabilize framing, improving AF consistency.
The X-T30 II, while punchy with AF speed (notably its 30 fps burst rate is impressive), occasionally struggled to lock reliably on fast erratic subjects compared to the X-S20, especially in low contrast or low-light conditions.
Speaking of burst rates, that brings us to one major difference:
Camera Model | Max Continuous Shooting (RAW) |
---|---|
X-S20 | 8 fps (mechanical), 20 fps (electronic) |
X-T30 II | 30 fps (electronic) |
So, if your photography revolves around high-speed action - think sports or wildlife - the X-T30 II’s 30 fps rank is quite alluring. However, note that this highest frame rate often comes with compromises: smaller buffer size, locked focus or exposure in many cases, and electronic shutter artifacts in some scenarios. The X-S20’s more modest 20 fps electronic shooting strikes a more practical balance, combined with its upgraded AF and image stabilization.
Video Capabilities: A Head-to-Head Look
Video shooters will find the X-S20 significantly more versatile with video specs. It records up to 6.2K (6240 x 4160) at 30p and supports multiple codecs, including H.265 and H.264. Frame rate options cover 24p, 25p, 30p, 50p, and 60p for 4K UHD, alongside a broad range of bitrates, topping out at 720 Mbps for 6.2K RAW-like footage.
The X-T30 II, by contrast, maxes out at 4K DCI (4096x2160) at 30p with H.264 codec only, capping around 200 Mbps bitrate - solid for many creators but far less flexible or high-res.
Both cameras support microphone and headphone jacks, essential for professional audio monitoring and recording.
Also, IBIS on the X-S20 makes handheld video more stable, while the X-T30 II relies solely on optical stabilization from lenses, which limits your options for smooth clips, especially at longer focal lengths or slower shutter speeds.
If video is a priority, the X-S20 is the clear leader.
Weather Resistance and Durability: How Tough Are These Cameras?
Neither the X-T30 II nor the X-S20 features official environmental sealing or weatherproofing. That said, FujiFilm builds its X-series cameras solidly - enough to withstand casual rain or dusty conditions with caution.
Given the X-S20’s larger body, it feels more rugged, but the absence of sealing means you’d want to be careful shooting in adverse conditions. The same advice applies to the X-T30 II.
Lens Ecosystem and Compatibility
Both cameras use the same Fujifilm X-mount, giving access to an expansive lens lineup - the X-S20 currently supports 86 lenses, while the X-T30 II officially supports 62 lenses (though this number is evolving as new lenses are released).
FujiFilm’s lens ecosystem is renowned for high-quality primes and zooms with exceptional image quality and unique film-simulation customizations, which both cameras support fully.
The lack of IBIS in the X-T30 II makes you more dependent on optical stabilization lenses for low-light handholding, so if you rely on non-stabilized primes, the X-S20’s internal stabilization offers a distinct advantage.
Battery Life and Storage: Staying Power for the Day
Battery life shows a notable divergence:
Camera Model | CIPA Rated Shots Per Charge |
---|---|
X-S20 | 750 |
X-T30 II | 380 |
The X-S20 uses the larger NP-W235 battery, doubling the endurance of the X-T30 II’s NP-W126S pack. Practically, this means less frequent battery swaps during travel or event sessions.
Both cameras utilize a single SD card slot; however, the X-S20 supports UHS-II cards, faster for burst shooting and video recording, whereas the X-T30 II is limited to UHS-I speeds.
Connectivity and Wireless Features: Staying Connected
Both cameras come equipped with built-in Wi-Fi and Bluetooth for seamless image transfer and remote camera control. USB ports on either camera support USB 3.2 Gen 1 for faster tethering and charging (when the camera is off or in low power mode), a thoughtful inclusion for studio and field work.
Neither features NFC or GPS, common absences in this class, though Fuji’s mobile apps generally deliver reliable and intuitive wireless functionality.
Price-to-Performance Ratio: What Are You Getting for Your Money?
As of today, the X-S20 retails for approximately $1299, whereas the X-T30 II is priced around $900, making the latter roughly $400 cheaper.
Here’s the trade-off:
- For about 44% higher cost, the X-S20 offers IBIS, superior video specs and codecs, articulated touchscreen, longer battery life, and enhanced AF features, including animal eye AF.
- The X-T30 II shines with a smaller, lighter body, higher burst rate at 30 fps (albeit with some compromises), and excellent image quality for stills at a more accessible price point.
This pricing dynamic means your choice hinges heavily on which benefits align with your shooting needs.
A Closer Look at Photography Genres and Use Cases
To help you envision which camera best serves your style, I've broken down strengths in key photographic genres.
Portrait Photography
Both cameras excel in skin tone rendering thanks to Fujifilm's renowned color science. The X-S20 enhances eye autofocus, including animal eyes, important for pet portraits. IBIS helps sharper handheld shots with longer lenses, and the articulated screen is a bonus for creative angles. X-T30 II remains highly capable with clean images and fast AF but lacks animal AF and IBIS, which might challenge slower shutter scenarios.
Landscape Photography
Dynamic range and resolution are near identical - both capture stunning detail in shadows and highlights. The X-S20’s IBIS and better battery life favor long hikes or handheld shooting in low light. However, for pure resolution the outcome is essentially a tie.
Wildlife Photography
AF tracking improvements and animal eye AF make the X-S20 the better choice here. The X-T30 II’s 30 fps burst is tempting but its lack of stabilization and slower AF in tricky conditions leave it at a disadvantage.
Sports Photography
Speed favors the X-T30 II, with its faster burst rate allowing you to capture a flurry of action in rapid-fire succession. However, the X-S20’s AF reliability and stabilization bring a different kind of advantage for improving hit rates on fast movers.
Street Photography
Compactness counts, and the X-T30 II’s smaller footprint makes it less intrusive for candid moments. The tilt screen suits casual shooting but lacks the full articulation of the X-S20 for self-portraits or creative low shots.
Macro Photography
The X-S20’s IBIS gives you stabilization flexibility with macro lenses, enabling handheld close-up shots with less blur. X-T30 II requires more careful steadiness or a tripod for maximum sharpness. Both support focus bracketing, but neither has true focus stacking.
Night and Astro Photography
Slightly better noise handling with the X-S20 and the IBIS also helps with longer exposures handheld or for light painting creatives. Both cameras reach ISO 12800 natively, but practicality favors X-S20 if you prefer to shoot without a tripod.
Video
No contest here - X-S20’s 6.2K capabilities, advanced codecs, and IBIS make it a solid hybrid for video creators. X-T30 II is serviceable for casual 4K, but falls behind prosumer expectations.
Travel Photography
It depends on priorities. X-T30 II’s smaller size and lighter weight are travel-friendly for carrying all day. But X-S20’s battery life, stabilization, and touch-articulated screen offer more shooting versatility, especially if you send videos or shoot in varied conditions.
Professional Use
Both cameras produce impressive RAW files and integrate well into typical workflows. X-S20’s enhanced features (IBIS, video codec range, and longer battery life) provide extra confidence for demanding professional assignments, though neither is fully weather-sealed or ruggedized, limiting “pro body” credentials.
Real-World Gallery: Sample Images Comparing Both Cameras
Here’s a side-by-side look at photos captured in identical conditions with both cameras to showcase image quality nuances.
Look closely: skin tones are rich and natural on both, but the X-S20’s images show slightly more micro-contrast and less highlight clipping in bright areas. The X-T30 II is no slouch, holding impressive detail, but the processing appears a touch softer in shadows.
Summing It Up: Scores and Final Thoughts
Feature Category | Fujifilm X-S20 | Fujifilm X-T30 II |
---|---|---|
Image Quality | 9.0 | 8.8 |
Autofocus & Speed | 8.8 | 9.2 |
Build & Handling | 8.7 | 8.1 |
Video Capability | 9.3 | 7.5 |
Battery Life | 9.5 | 7.0 |
Value for Price | 7.8 | 9.0 |
The X-S20 scores higher in image stabilization, video versatility, battery life, and newer AF features, while the X-T30 II excels slightly in burst speed and affordability. Both are excellent cameras in their own right, but the choice comes down to your shooting priorities and budget.
Who Should Get the Fujifilm X-S20?
- Hybrid shooters who value advanced video specs and stabilization
- Wildlife and pet photographers who need animal eye AF and reliable tracking
- Portrait artists wanting selfie-friendly articulating LCD
- Those shooting handheld landscapes or macros needing IBIS and longer battery life
- Enthusiasts ready to invest a bit more for modern features and future-proofing
Who Is the Fujifilm X-T30 II For?
- Enthusiasts or pros on a budget seeking exceptional image quality in a small, low-weight package
- Sports and action photographers who prioritize high-speed continuous shooting
- Street photographers craving discretion and portability
- Beginners or enthusiasts prioritizing solid stills over video capabilities
- Those who already have stabilized lenses and don’t mind shorter battery life
Closing Remarks
Both the Fujifilm X-S20 and the X-T30 II shine as competent APS-C mirrorless cameras delivering Fujifilm’s signature image quality and style. My personal pick if you favor versatility and video is the X-S20 - its IBIS is a game changer, and I appreciate the articulating screen when experimenting with angles or vlogging. Meanwhile, the X-T30 II remains a fantastic compact companion for stills-first shooters, especially when budget and weight are paramount.
Ultimately, test them out if you can, pay close attention to real-life handling, and decide which feature set fuels your creativity best. Fuji’s X-mount lenses are phenomenal across the board, so rest assured that either camera opens the door to a rewarding photographic journey.
Thank you for reading this deep-dive comparison. I hope it clarifies what you can expect from these two excellent cameras. For extended video reviews and sample shooting tests, check out my dedicated channels linked in the intro.
Happy shooting!
Fujifilm X-S20 vs Fujifilm X-T30 II Specifications
Fujifilm X-S20 | Fujifilm X-T30 II | |
---|---|---|
General Information | ||
Brand | FujiFilm | FujiFilm |
Model | Fujifilm X-S20 | Fujifilm X-T30 II |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2023-05-24 | 2021-09-02 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 366.6mm² | 366.6mm² |
Sensor resolution | 26 megapixels | 26 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 6240 x 4160 | 6240 x 4160 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | 51200 | 51200 |
Lowest native ISO | 160 | 160 |
RAW photos | ||
Lowest boosted ISO | 80 | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 425 |
Lens | ||
Lens mounting type | Fujifilm X | Fujifilm X |
Number of lenses | 86 | 62 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Range of display | Fully articulated | Tilting |
Display diagonal | 3.00 inches | 3 inches |
Resolution of display | 1,840 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.62x |
Features | ||
Slowest shutter speed | 900 seconds | 900 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Maximum quiet shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shooting speed | 8.0 frames/s | 30.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (at ISO 200) | 5.00 m (at ISO 100) |
Flash options | Auto, on, slow sync, manual, commander | Auto, on, slow sync, manual, commander |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 6240x4160 | 4096x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 491 grams (1.08 pounds) | 383 grams (0.84 pounds) |
Physical dimensions | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") | 118 x 83 x 47mm (4.6" x 3.3" x 1.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 750 pictures | 380 pictures |
Battery format | Battery Pack | Battery Pack |
Battery model | NP-W235 | NP-W126S |
Self timer | Yes | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC slot (UHS-II supported) | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | 1 | 1 |
Retail cost | $1,299 | $900 |