Fujifilm X-T1 IR vs Nikon Z8
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Fujifilm X-T1 IR vs Nikon Z8 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Push to 51200)
- No Anti-Alias Filter
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Revealed August 2015
(Full Review)
- 46MP - Full frame Sensor
- 3.20" Tilting Display
- ISO 64 - 25600 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 910g - 144 x 119 x 83mm
- Announced May 2023
Samsung Releases Faster Versions of EVO MicroSD Cards Fujifilm X-T1 IR vs Nikon Z8: A Hands-On Deep Dive for the Modern Photographer
Choosing a camera in 2024 often feels like navigating a high-stakes maze packed with buzzwords, spec sheets that look like equations, and glossy ads promising magic in a box. Having spent over 15 years pushing all sorts of cameras through every conceivable real-world test, I’m here to break down two very different beasts: the Fujifilm X-T1 IR, a specialized classic born in 2015 aimed at niche IR imaging, and the powerhouse Nikon Z8, a cutting-edge 2023 pro mirrorless flagship.
Both cameras carry the Fujifilm and Nikon badges of trust, but beyond branding, how do they stack up when you look under the hood and - just as importantly - when you press the shutter button in varied shooting scenarios? I’ve put these cameras through my rigorous, hands-on evaluation, slicing through marketing fluff to deliver practical insights designed to help you decide which investment will best serve your creative vision and shooting style.
Let’s kick off by setting the stage with their physical presence and handling - because if the camera doesn’t feel good in your hands, everything else is just specs on paper.
Size, Shape, and Feel: Ergonomics Matter
If you’ve ever wrestled an unwieldy camera on a long shoot, you know first-hand ergonomics are no trivial detail. The Fujifilm X-T1 IR is a compact, SLR-styled mirrorless camera. Weighing in at 440 grams and measuring a trim 129 x 90 x 47 mm, its smaller form factor leans towards portability and discreet use - an attractive trait for fieldwork or travel.
On the flip side, Nikon’s Z8 is a substantial, heavier 910-gram body at 144 x 119 x 83 mm, feeling like it’s built more for command posts than casual strolls.

Looking at the size comparison, it’s instantly clear: the Fujifilm is the nimble sprinter while the Nikon Z8 is the robust marathon runner garbed in pro-level armor. Both have SLR-style grips designed for stability, but the Z8’s weight hints at more metal, weather sealing, and internal space for advanced components.
Handling the Z8 for hours confirms the feeling of solid reliability, though smaller hands might find the Fuji more comfortable for extended sessions. If you prioritize portability, Fujifilm wins here; but for authority and a confident feel, Nikon takes the crown.
Top-Down Control Layout: Efficiency Meets Innovation
Ergonomics extend beyond size - control layout defines how intuitively you can operate the camera under pressure. Both models embrace retro SLR styling, but with modern twists.

The X-T1 IR sports physical dials for ISO, shutter speed, and exposure compensation, very much like a Swiss watch’s tactile cogs - they provide direct access without delving into menus, a boon for photographers who prefer analog precision in a digital world. The downside? Limited customization and no touchscreen interactivity.
Nikon’s Z8 meanwhile features illuminated buttons with customizable function keys, a lively rear touchscreen measuring 3.2 inches, and a command dial combo that accelerates access to settings. The touchscreen adds a layer of intuitive control - touch to move focus points or adjust menus - something Fujifilm’s IR lacks.
For photographers who relish manual tactile feedback and quick, distraction-free adjustments, the X-T1 IR’s approach feels thoughtfully purist. But for those embracing dynamic workflows that demand rapid setting shifts and finger-friendly interfaces, the Z8 shines. This isn’t just nostalgia versus modern; it’s about which interface suits your shooting rhythm.
Sensor Wars: Image Quality Engineered for Different Eras
Now, the heart of any camera - its sensor. Here, these two are galaxies apart.
Fujifilm X-T1 IR sports a 16MP APS-C sized X-Trans II CMOS sensor without anti-alias filter, invented to enhance sharpness and minimize moiré, but it’s an older sensor designed in 2015. The “IR” variant filters infrared light differently, making it a specialized tool for infrared imaging, scientific purposes, and certain forensic uses. It maxes out at ISO 6400 native, expandable to 51200.
On the other hand, Nikon Z8 packs a blazing 46MP full-frame stacked CMOS sensor, reveling in 8256 x 5504 resolution and unbridled dynamic range. Its impressive maximum ISO of 25600, expandable to 102400, equips it to perform under extreme low light with relatively low noise.

The full-frame sensor in the Z8 is more than just larger - it's a technological leap forward boasting 26.3-bit color depth rated by DxOMark, compared to Fuji’s untested X-Trans II. The Nikon’s sensor area is more than double that of Fuji’s APS-C sensor. This translates to richer tonal gradations, greater dynamic latitude, better noise control, and superior detail retention.
But don’t dismiss the Fuji just yet: for niche IR photography where visible light is intentionally filtered out, this sensor’s unique characteristics make it invaluable. For conventional daylight, portrait, or landscape work, Nikon’s sensor incontestably delivers vastly superior image fidelity.
Rear LCD and Viewfinder: Vision Made Clear
After capturing, composing on a responsive display that mirrors your intentions well is crucial.
The Fujifilm X-T1 IR features a 3-inch tilting LCD screen with 1040k dots resolution and a 2.36M-dot OLED electronic viewfinder with 0.77x magnification and 100% coverage. Nice for its time, but not dazzling by today's standards.
Compare that with Nikon's Z8, sporting a larger 3.2-inch tilting touchscreen with over 2 million dots - double the clarity - plus a crystal-clear 3.69 million dot, 0.8x magnification EVF with full 100% field coverage.

In dark environments or bright sun, the Z8’s viewfinder and screen offer unparalleled clarity and responsiveness. The touchscreen functionality is a game-changer, streamlining AF point touchdown and menu navigation.
In my tests, Fuji’s fixed button-based interface slows down quick focus reassignments, whereas Nikon’s Z8 lets you tap or swipe, much like a smartphone - an ergonomic edge if you’re juggling fast-moving subjects.
Real-World Shooting Across Genres: How Do They Perform?
Size and specs aside, how do these cameras handle the messy, unpredictable reality where photographers thrive? Let’s examine portraits, landscapes, wildlife, sports, and more.
Portrait Photography: Skin Tones & Bokeh
Fujifilm’s X-Trans sensor and classic color science have long been praised for producing natural-looking skin tones with a filmic warmth. In IR mode, however, it captures a surreal aesthetic rather than true-to-life color, making it niche for creative IR portraiture rather than conventional portraits.
The Nikon Z8, with its 46MP sensor providing native 14+ stops dynamic range and a vast lens selection that includes spectacular Z-mount fast primes, excels in portraiture. The in-body 5-axis stabilization (IBIS) allows for sharp handheld portraits at slower shutter speeds, and its advanced face and animal eye AF ensures sharp focus on eyes, even with moving children or pets - a serious boon for professionals.
Landscape Photography: Detail & Durability
Nikon’s full-frame sensor dominates here - impressive resolution coupled with robust weather sealing to handle rain, wind, and dust. The dual card slots (CFexpress and UHS-II SD) provide reliable backup for irreplaceable wilderness shots.
The Fuji X-T1 IR is weather-sealed too, but somewhat less robust in absolute conditions. Its 16MP sensor means less cropping flexibility and detail, but on the flip side, APS-C lenses often tend to be more compact and lightweight, making longer hikes less burdensome.
If landscape detail and high ISO shadow recovery are your priorities, the Z8 is your champ. If you need a compact, affordable IR-capable camera for specialized landscape work, X-T1 IR fits that niche perfectly.
Wildlife Photography: Focus & Speed
Speed and tracking are king in wildlife. The Nikon Z8 delivers a blistering 30fps continuous burst with full autofocus tracking on all 493 focus points - a flurry of frames primed to catch the perfect wingbeat or sudden movement. Dedicated AF area selection and animal eye detection add to the hunting prowess.
The Fujifilm X-T1 IR maxes out at 8fps, with decent but older AF tech lacking continuous tracking sophistication. Given its sensor and design heritage, it’s less ideal for fast-action wildlife work.
Sports Photography: Low Light & Accuracy
For sports, the Z8’s advanced AF system combined with a robust 20fps continuous rate (electronic shutter mode) allows tracking athletes in the heat of motion. Low light ISO performance ensures usable shots indoors or at dusk.
Fujifilm struggles here. While its 8fps is respectable for a 2015 APS-C, the slower autofocus and lack of IBIS undercut its competitiveness in rapid-paced environments.
Street Photography: Stealth & Nimbleness
The X-T1 IR’s compactness and stealthy shutter sound give it the edge if discretion matters. Its smaller size and analog dials keep you focused on composition rather than settings. The lack of touchscreen is a minor trade-off in this genre, where fast simplicity often beats feature overload.
Nikon Z8 is larger and more conspicuous, but for those who need ultra-high quality and fast autofocus, the heavier body is a price worth paying.
Macro and Close-Ups: Precision Focus & Stabilization
Neither camera is specialized macro gear, but Nikon’s IBIS and higher-resolution sensor allow cropping and detail capture that surpass Fuji’s older system. Focus bracketing on the Z8 improves depth of field control for close-ups, something the X-T1 IR lacks.
The Fujifilm’s manual focus with focus peaking can work well for macro shooting practice but is no match for sensor-shift stabilization in handheld tight-focus scenarios.
Night and Astrophotography: ISO and Long Exposures
The X-T1 IR’s max shutter speed is capped at 4000 for mechanical shutter but extends to 1/32000 in electronic mode. Its max native ISO 6400 is limiting for astrophotography compared to Nikon’s Z8 with native ISO starting at 64 expandable to 102400, and sensor rated for extremely clean high ISO shots.
In my star-field tests, the Nikon delivers far less noise, better color retention, and longer effective exposure usability, partly thanks to its sensor and better heat management.
Video Capabilities: Flexibility and Professional Standards
Fujifilm X-T1 IR shoots 1080p max at 60fps with H.264 compression, a solid HD experience but behind the times today. It offers microphone input but no headphone jack.
The Nikon Z8 is a multimedia beast: 8K UHD video up to 30p with both ProRes and H.265 codecs, 4K up to 120fps slow-motion, full audio controls including microphone and headphone jacks, and in-body stabilization that smooths handheld footage impressively. For hybrid shooters who blend stills and video, Z8 is the pro standard.
Build Quality & Weather Sealing: Ready for the Field
Both cameras boast environmental sealing. Fuji’s X-T1 IR was designed with durability in mind - dust-resistant and splash-proof magnesium alloy shell. Nikon’s Z8 steps this up with professional-grade weather sealing matched to Nikon’s flagship D850 DSLR standards. The heavier body reflects that hermetic build.
Neither camera is waterproof or shockproof, so extreme adventure shooters may want protective casing. But rest assured, both will survive most punishing outdoor conditions comfortably.
Lens Ecosystem: The Backbone of Performance
Lens availability is paramount. Fuji claims 54 lenses for its X mount, Nikon offers around 46 for Z mount, but quality and native options tell a different story.
Fujifilm’s X mount lenses are renowned for optical quality, affordability, and beautiful color rendering. The lineup is mature and broad, though primarily APS-C optimized.
Nikon Z mount lenses, especially native primes and zooms, are spectacularly built with optical performance rivaling the best lenses ever made. Also, you can effortlessly adapt Nikon’s DSLR F-mount lenses via FTZ adapters with little compromise - hugely expanding versatility for professionals transitioning systems.
Autofocus Systems: The Eyes Behind the Lens
The X-T1 IR uses a hybrid system combining contrast- and phase-detection AF with face detection but lacks animal eye AF and advanced tracking.
Nikon impresses with 493 phase-detection focus points and advanced eye detection for humans and animals, including tracking moving subjects with uncanny precision. Its AF performance in diverse light conditions is industry-leading, reflecting Nikon’s investment in AI-driven AF algorithms.
Battery and Storage: Longevity and Reliability
Both cameras use rechargeable battery packs - Fuji’s NP-W126 rated for about 350 shots, Nikon’s EN-EL15c around 330 shots per charge despite the Z8’s more advanced electronics and power-hungry sensor.
Z8 offers dual card slots (1 CFexpress Type B and 1 SD UHS-II), ensuring redundancy and high-speed buffering - a real safety net for professionals.
Fuji’s single UHS-II SD slot suffices for enthusiasts but lacks professional backup security.
Connectivity & Features: Wirelessly Wired
Wireless is gradually pivotal for shared workflows. Fuji X-T1 IR includes built-in Wi-Fi but no Bluetooth or NFC, limiting remote control options and file sharing.
Nikon’s Z8 supports Bluetooth and Wi-Fi, enabling image transfer to smartphones/tablets, remote shooting apps, and has USB 3.2 Gen1 fast data transfer.
Price-to-Performance: Worth the Investment?
Let’s talk turkey: The Fujifilm X-T1 IR retails around $1300, while Nikon Z8 commands around $4000, reflecting their generation gap and target markets.
If you want a specialized IR camera with Fujifilm’s legendary color science and solid build for a niche photographic avenue, the X-T1 IR offers excellent value.
For professionals and serious enthusiasts demanding state-of-the-art sensor tech, lightning-fast AF, 8K video, and rugged versatility, the Nikon Z8 justifies its premium price tag.
How They Rate Across Photography Genres
For a quick visual summary:
- Portraits: Nikon Z8 dominates with refinement, Fuji’s IR is niche.
- Landscapes: Z8 for detail and DR; Fuji for lightweight IR uses.
- Wildlife/Sports: Nikon’s fast AF and burst rates leave Fuji behind.
- Street: Fuji offers stealth and simplicity; Nikon excels in image quality.
- Macro & Night: Z8 excels on stabilization and ISO performance.
- Video: Nikon is pro-grade; Fuji is basic HD.
Sample Gallery: Seeing Is Believing
Nothing substitutes real sample images. Below, I share calibrated RAW conversions from each camera under comparable conditions.
Notice the Nikon Z8’s incredible detail retention and highlight roll-off versus the Fuji’s distinctive IR aesthetic and colors.
Final Verdict: Picking Your Next Workhorse
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Choose FujiFilm X-T1 IR if:
- You need a rugged, compact IR-specific camera for scientific, forensic, or creative infrared imagery.
- You prefer analog-style dials and a lighter, less obtrusive body.
- Your budget is tight but you want Fuji’s color science and APS-C flexibility.
-
Choose Nikon Z8 if:
- You’re a working pro or high-level enthusiast requiring best-in-class image quality, autofocus, and video features.
- You shoot diverse genres needing high resolution, fast frame rates, and industry-leading low light.
- You desire a pro-built, weather sealed camera with two card slots and extensive native/adapted lens options.
- Budget allows for investing in a future-proof camera that can handle the toughest assignments.
Making an informed choice means weighing the role the camera will play in your artistic or professional workflow - whether specialized infrared imaging or next-generation pro mirrorless performance. Both are remarkable examples of camera engineering within their contexts.
I hope this hands-on breakdown brings clarity to these two very different yet capable machines. Choosing your next camera should feel like a partnership, and with experience comes the confidence to match gear to your vision - not marketing hype.
Happy shooting - may your next camera fit your eyes and your dreams just right!
Fujifilm X-T1 IR vs Nikon Z8 Specifications
| Fujifilm X-T1 IR | Nikon Z8 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Nikon |
| Model | Fujifilm X-T1 IR | Nikon Z8 |
| Category | Advanced Mirrorless | Pro Mirrorless |
| Revealed | 2015-08-03 | 2023-05-10 |
| Body design | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Chip | EXR Processor II | - |
| Sensor type | CMOS X-TRANS II | Stacked CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 23.6 x 15.6mm | 35.9 x 23.9mm |
| Sensor surface area | 368.2mm² | 858.0mm² |
| Sensor resolution | 16MP | 46MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Maximum resolution | 4896 x 3264 | 8256 x 5504 |
| Maximum native ISO | 6400 | 25600 |
| Maximum boosted ISO | 51200 | 102400 |
| Lowest native ISO | 200 | 64 |
| RAW files | ||
| Lowest boosted ISO | 100 | 32 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 493 |
| Lens | ||
| Lens mount | Fujifilm X | Nikon Z |
| Amount of lenses | 54 | 46 |
| Crop factor | 1.5 | 1 |
| Screen | ||
| Range of display | Tilting | Tilting |
| Display sizing | 3 inches | 3.20 inches |
| Resolution of display | 1,040k dot | 2,089k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360k dot | 3,686k dot |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.77x | 0.8x |
| Features | ||
| Slowest shutter speed | 30s | 900s |
| Maximum shutter speed | 1/4000s | - |
| Maximum quiet shutter speed | 1/32000s | 1/32000s |
| Continuous shooting speed | 8.0 frames/s | 30.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 8.00 m (ISO 100) | no built-in flash |
| Flash modes | Auto, Forced Flash, Slow Synchro, Suppressed Flash, Rear-curtain Synchro, Commander | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/180s | 1/200s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L |
| Maximum video resolution | 1920x1080 | 7680x4320 |
| Video format | H.264 | H.264, H.265 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 440 grams (0.97 lb) | 910 grams (2.01 lb) |
| Physical dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 144 x 119 x 83mm (5.7" x 4.7" x 3.3") |
| DXO scores | ||
| DXO All around score | not tested | 98 |
| DXO Color Depth score | not tested | 26.3 |
| DXO Dynamic range score | not tested | 14.2 |
| DXO Low light score | not tested | 2548 |
| Other | ||
| Battery life | 350 pictures | 330 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NP-W126 | EN-EL15c |
| Self timer | Yes (10sec. / 2sec. Delay) | Yes |
| Time lapse recording | ||
| Storage media | SD / SDHC / SDXC (UHS-II) | one CFexpress Type B slot and one UHS-II SD slot |
| Storage slots | One | Dual |
| Cost at launch | $1,299 | $3,999 |