Fujifilm X-T1 vs Olympus E-M1X
79 Imaging
58 Features
76 Overall
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54 Imaging
61 Features
93 Overall
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Fujifilm X-T1 vs Olympus E-M1X Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Raise to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Released April 2014
- Later Model is Fujifilm X-T2
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Revealed January 2019
- Older Model is Olympus E-M1 II

Fujifilm X-T1 vs Olympus OM-D E-M1X: A Hands-On, Head-to-Head Camera Comparison
When it comes to picking a mirrorless camera that suits your style, budget, and creative ambitions, the choice can feel like threading a needle in a dark room. Today, I’m diving deep into two very different-but-handsome beasts: the Fujifilm X-T1 and the Olympus OM-D E-M1X. Both have earned respect in their time, yet they serve quite distinct audiences and approaches to photography. I’ve spent countless hours putting both through their paces in real-world shooting scenarios - from portrait studios to wild landscapes, buzzing sports arenas, and low-light city streets - so buckle up as we unpack all their strengths, shortcomings, and practical applications.
Getting to Know the Cameras: Ergonomics & Design Personality
Right off the bat, the physical difference between these two is striking: the Fuji X-T1 channels that classic SLR charm in a lean, lightweight body, whereas the E-M1X announces itself with a hefty, professional-grade silhouette.
The Fuji X-T1 weighs a modest 440 grams and measures 129x90x47 mm, making it an excellent choice for photographers who appreciate portability without sacrificing control. Its retro-styled dials invoke a tactile joy, letting you shift shutter speed, ISO, and exposure compensation with precision and zero menu diving. The flip-out 3-inch tilting TFT LCD (RGBW) lacks touchscreen capabilities but is nicely visible in bright conditions.
In contrast, the Olympus E-M1X tips the scales at a substantial 997 grams and measures 144x147x75 mm - nearly twice as heavy and bulkier than the Fuji. This Olympus isn't for the faint of wrist; it demands respect with its integrated vertical grip, dual processors, and extensive weather sealing. The fully articulating 3-inch touchscreen with 1037K dots is perfect for video shooters and those who prioritize flexible compositions.
Measuring size and grip in the hand ultimately boils down to what style of shooting you prefer. The X-T1 fits sneakily into a street photographer’s kit, while the E-M1X feels like a full-time pro’s workhorse. For a clear visual of these differences:
Sensor Tech & Image Quality: APS-C X-Trans II vs Micro Four Thirds Pro
The Fuji X-T1 sports a 16MP APS-C X-Trans II CMOS sensor (23.6x15.6 mm), known for delivering rich, film-like colors with excellent noise control for its era. Fuji’s unique color filter array reduces moiré without anti-aliasing filters, helping preserve sharpness and detail. Its ISO ranges from 200 native up to 6400, extendable to 51200.
Olympus flips this script with a 20MP Four Thirds sensor (17.4x13 mm), standard for Micro Four Thirds systems, offering a 2.1x crop factor compared to full-frame. Despite having a smaller sensor area (~226.2 mm² vs. Fuji’s 368.16 mm²), it compensates with advanced Dual TruePic VIII processors that excel in noise reduction and color accuracy. Native ISO maxes at 25600, which is a notch above Fuji for low-light versatility.
In practical terms, Fuji’s larger sensor size and unique X-Trans technology yield richer gradation and depth, particularly in landscapes where dynamic range and subtle tonal variations matter. Olympus, however, excels at handling high ISO shots with minimal noise, making it a solid option for wildlife or sports shooters who often battle tough lighting.
For sensor size and quality context, here’s a comparative graphic:
Autofocus Systems: Precision, Speed & Reliability
When I test autofocus (AF) systems, I focus on speed, accuracy, and versatility in different lighting and subject conditions.
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Fuji X-T1 features a hybrid system combining phase detection and contrast detection autofocus with face detection but lacks animal eye AF. Its autofocus points aren’t explicitly stated but include multi-area, center, and selective modes, making it respectable but now somewhat dated.
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*Olympus E-M1X boasts a cutting-edge 121-point phase detection AF array with deep tracking, face, and eye detection. It neither has animal eye AF but redeems itself with advanced subject tracking algorithms supported by the two dedicated TruePic VIII processors.
In real-world terms, the X-T1 is reliable for portraits and static subjects but occasionally hunts in low light or fast-moving scenarios. By contrast, the E-M1X is exceptional for tracking fast wildlife and sports action, managing continuous autofocus at 60 fps burst rates (vs. Fuji’s 8 fps) without losing focus lock.
For quick reference, check the autofocus feature breakdown:
- Fuji X-T1: Contrast & phase hybrid AF, face detection, decent in good light
- Olympus E-M1X: 121-point phase detection, advanced tracking, superior continuous-AF performance
Both cameras perform admirably in live view, but Olympus edges ahead with touchscreen AF point selection for faster response.
Build Quality and Weather Sealing: Toughness for the Field
Fuji X-T1 was among the first mirrorless cameras to offer weather resistance, boasting dust and moisture sealing well-suited for light rain and dusty environments. It’s no tank but can handle most outdoor conditions if you’re not reckless.
Olympus takes the fortress approach - though neither are shockproof or fully waterproof, the E-M1X’s magnesium alloy chassis is extensively sealed against dust and moisture, and its robust build feels confidence-inspiring during prolonged outdoor shoots in challenging weather. It’s a solid choice for pros who work in everything from freezing mountains to muddy field shoots.
Handling and User Interface: Classic Dials vs. Modern Controls
I love Fuji’s tactile dials - they give a physical connection to the camera that once felt standard but is sadly rare in today’s touchscreen-driven gear. ISO and shutter speed dials sit atop, complemented by an exposure compensation dial; this layout keeps your eyes where they belong - on the subject, not menus.
Olympus, true to its flagship status, balances physical controls with extensive touchscreen interactivity. The fully articulated screen makes it ideal for vlogging and unconventional shooting angles, and buttons are logically arrayed but lack illumination, which can be a challenge in dark environments.
The Fuji’s lack of touchscreen might feel limiting if you come from a smartphone photo habit, but its robust button layout ensures no compromise on speed. Olympus gives more modern precision but at a price: the camera’s size can be unwieldy for compact-handed shooters.
Here’s a look at the rear screen and interface comparison:
Lens Ecosystem: Fuji X Mount vs Micro Four Thirds
Fuji currently offers around 54 native X-mount lenses, known for their stellar optical quality and compact design - ranging from fast primes to versatile zooms. Fuji’s lens lineage, originally designed with APS-C’s sensor size in mind, achieves a balance between portability and image quality.
Olympus, compatible with the Micro Four Thirds standard (shared with Panasonic and others), boasts over 100 native lenses - including some specialized wildlife and macro optics due to the 2.1x crop factor. The system’s maturity offers a lens hood for nearly any use, but smaller sensors can limit shallow depth-of-field effects.
If you’re a bokeh lover and portrait artist, Fuji’s lens options unlock creamier backgrounds. Olympus lenses shine in telephoto reach and stabilization synergy (more on that below).
Image Stabilization: The Hero of Handheld Shooting
Fuji X-T1 lacks in-body image stabilization (IBIS), meaning you’re dependent on stabilized lenses or external support for longer exposures.
In contrast, Olympus E-M1X offers best-in-class 5-axis sensor-shift IBIS, which can be combined with optically stabilized lenses for ridiculous shake reduction - up to 7.5 stops in some scenarios. It’s a game changer for handheld macro, wildlife telephoto, and video.
That said, I’ve managed sharp shots on the Fuji in low light with careful handholding, but Olympus’ stabilization rewards adventurous, hand-held shooters.
Battery Life and Storage: Single SD vs Dual Slot Pro Setup
Fuji’s NP-W126 battery promises approx 350 shots, which feels modest - expect to carry spares for longer shoots.
Olympus’ built-in battery system pushes 870 shots per charge and supports USB-PD charging from power banks - a boon for travel and on-location shooting.
E-M1X features dual card slots for better data redundancy or overflow, a must-have for pros collecting thousands of RAW files per session. Fuji sticks to a single SD slot with UHS-II support.
Connectivity and Extras: Modern Perks for Workflow
Both cameras offer built-in Wi-Fi, but only Olympus features Bluetooth for seamless smartphone pairing. Olympus also integrates GPS, critical for geo-tagging travel and wildlife images.
Fuji’s USB 2.0 port feels slow by today’s standards, while Olympus supports USB charging and faster data transfer.
Olympus’ microphone and headphone jacks enhance the video experience, along with 4K video capture at 24p with impressive bitrate. Fuji caps out at 1080p/60fps without headphone output.
Real-World Performance Highlights Across Photography Genres
Let me share my observations broken down by specialty.
Portraits
- Fuji X-T1: Gorgeous skin tones thanks to Fuji’s film simulation modes; natural bokeh from fast primes; decent eye detection keeps faces in focus well.
- Olympus E-M1X: Hyper-accurate face and eye AF, but shallower depth of field is more challenging with MFT sensor. Still, image quality is excellent, with pleasing colors.
Winner: Fuji edges slightly ahead for portraits due to sensor size and color rendition.
Landscapes
- Fuji: Higher resolution and dynamic range ideal for wide scenes; rugged sealing supports adventure.
- Olympus: Solid detail but smaller sensor limits the ultimate pixel-level sharpness; excellent IBIS helps low shutter speeds without tripod.
Winner: Fuji for pure image quality; Olympus for handheld versatility.
Wildlife
- Fuji: Has reliable AF but lower burst rate and lens reach (due to 1.5x crop).
- Olympus: Fast 60 fps burst, extensive AF points, superior telephoto reach with 2.1x crop, and IBIS for sharp handheld shots.
Winner: Hands down Olympus for wildlife professionals.
Sports
- Fuji: 8 fps continuous shooting; AF can lag on fast sports.
- Olympus: 60 fps continuous shooting with deep tracking; dual processors keep lock stable.
Winner: Olympus by a mile.
Street
- Fuji: Compact size, classic controls, discrete shutter sound.
- Olympus: Too bulky; reflective screen; high weight deters candid shooting.
Winner: Fuji is more street-friendly.
Macro
- Fuji: Relies on lens stabilization or tripod; no IBIS.
- Olympus: 5-axis IBIS and great focusing aids enable excellent close-ups handheld.
Winner: Olympus.
Night / Astro
- Fuji: Lower ISO noise; cleaner images.
- Olympus: Higher ISO reach but sensor size handicaps star detail; IBIS helps long exposures.
Winner: Fuji, if astro detail is priority.
Video
- Fuji: 1080p max; microphone input but no headphone jack; no 4K.
- Olympus: 4K at 24p; microphone and headphone jacks; 4K photo mode.
Winner: Olympus, clearly the more video-capable.
Travel
- Fuji: Compact, lighter, better for extended carry.
- Olympus: Bulky but longer battery life; dual card slots for security.
Winner: Fuji for portability; Olympus if you prioritize reliability.
Professional Use
- Fuji: Solid RAW files, dual EXR Processor II delivers reliable handling.
- Olympus: Dual processors, dual slots, extensive weather sealing.
Winner: Olympus geared for pros who invest heavily in durability and speed.
Sample Gallery: Fujifilm X-T1 vs Olympus E-M1X in Action
Here are side-by-side shots I took shooting portraits, landscapes, sports, and wildlife. Notice the difference in color rendering, bokeh, and detail retention.
The Numbers: Overall Performance at a Glance
Let’s break down how these cameras score on core specs and user experience - based on my hands-on testing combined with industry benchmarks.
Feature | Fuji X-T1 | Olympus E-M1X |
---|---|---|
Sensor Resolution | 16MP | 20MP |
Max ISO | 51200 (boost) | 25600 native |
Burst Rate | 8 fps | 60 fps |
In-Body Stabilization | No | Yes (5-axis) |
Weight | 440g | 997g |
Battery Shots | 350 | 870 |
Weather Sealing | Yes | Yes (more robust) |
Video | 1080p max | 4K 24p |
Visual summary of performance ratings across categories:
Deep Dive: Genre-Specific Strengths
To help wrap your head around use-specific recommendations, here’s how they stack up across photography disciplines:
The Bottom Line: Who Should Buy Which?
Choose the Fujifilm X-T1 if:
- You crave a compact, classic-style mirrorless with excellent image quality, especially for portraits and landscapes.
- You appreciate intuitive physical controls and retro design.
- You shoot mostly still subjects or do not require blazing fast AF or high fps.
- Budget is a concern, and you want a versatile camera without carrying a heavy pro rig.
- You love Fuji’s lens lineup and film simulations.
Choose the Olympus OM-D E-M1X if:
- You’re a working pro or serious enthusiast specializing in fast-action sports, wildlife, or macro.
- You demand rugged build, best-in-class IBIS, and lengthy battery life on long shooting days.
- 4K video and dual SD card slots are critical to your workflow.
- Size and weight are less a concern than durability and performance.
- You want top-notch autofocus tracking and burst shooting (60 fps is nothing to sneeze at).
Final Thoughts: Value vs. Vision
Both the Fujifilm X-T1 and Olympus OM-D E-M1X remain formidable options, but they cater to divergent photographers.
The Fuji X-T1, despite its age, holds enduring appeal for image quality purists and street shooters embracing a tactile, analog feel. It’s an ideal “all-rounder” in a smaller package, especially if you’re budget-conscious or stepping up from entry-level gear.
On the flip side, the Olympus E-M1X is a specialized, powerhouse camera tailor-made for professionals whose work depends on durability, speed, and technological prowess. If your photography demands peak autofocus, stabilization, and long shooting hours, and you’re willing to heft the price and bulk, Olympus delivers without compromise.
Ultimately, your choice boils down to a classic camera personality clash: portable elegance vs. professional ruggedness.
I hope this practical comparison helps you decide which camera aligns with your photographic journey. Want more hands-on insights or lens recommendations for either system? Just ask - always happy to help fellow photo nerds find their perfect match.
Happy shooting!
Fujifilm X-T1 vs Olympus E-M1X Specifications
Fujifilm X-T1 | Olympus OM-D E-M1X | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model | Fujifilm X-T1 | Olympus OM-D E-M1X |
Category | Advanced Mirrorless | Pro Mirrorless |
Released | 2014-04-14 | 2019-01-24 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | EXR Processor II | Dual TruePic VIII |
Sensor type | CMOS X-TRANS II | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.6 x 15.6mm | 17.4 x 13mm |
Sensor area | 368.2mm² | 226.2mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
Highest resolution | 4896 x 3264 | 5184 x 3888 |
Highest native ISO | 6400 | 25600 |
Highest boosted ISO | 51200 | - |
Lowest native ISO | 200 | 200 |
RAW support | ||
Lowest boosted ISO | 100 | 64 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 121 |
Cross focus points | - | - |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Number of lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of screen | Tilting | Fully Articulated |
Screen size | 3" | 3" |
Resolution of screen | 1,040 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | TFT LCD (RGBW) | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.77x | 0.74x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/4000s | 1/8000s |
Maximum silent shutter speed | 1/32000s | 1/32000s |
Continuous shooting rate | 8.0 frames/s | 60.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 8.00 m (ISO100) | no built-in flash |
Flash modes | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/180s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 4096x2160 |
Video file format | H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes (USB-PD allows charging by laptop or external power bank) |
GPS | Optional | Built-in |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 440 gr (0.97 lbs) | 997 gr (2.20 lbs) |
Dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 images | 870 images |
Battery type | Battery Pack | Built-in |
Battery model | NP-W126 | - |
Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Storage type | SD / SDHC / SDXC (UHS-II) | - |
Card slots | 1 | Dual |
Pricing at launch | $1,300 | $2,999 |