Fujifilm X-T20 vs Samsung NX500
83 Imaging
66 Features
82 Overall
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87 Imaging
67 Features
80 Overall
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Fujifilm X-T20 vs Samsung NX500 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 41mm
- Released January 2017
- Older Model is Fujifilm X-T10
- Renewed by Fujifilm X-T30
(Full Review)
- 28MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Increase to 51200)
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 4096 x 2160 video
- Samsung NX Mount
- 287g - 120 x 64 x 43mm
- Revealed February 2015
- Earlier Model is Samsung NX300
Photography Glossary Fujifilm X-T20 vs Samsung NX500: An Expert Hands-On Comparison to Guide Your Next Mirrorless Purchase
Choosing between the Fujifilm X-T20 and Samsung NX500 isn’t an easy call, especially for enthusiasts and semi-pros looking for an entry-level mirrorless camera with punchy specs and real-world usability. These two contenders, released roughly two years apart, pack advanced APS-C sensors, decent autofocus, and relatively lightweight bodies, but each comes with trade-offs that will affect your shooting experience - depending on your priorities.
Having spent years testing cameras in studios, streets, nature, and sports arenas, I dug deeply into the nuances that separate these two models by examining their specs, handling, image quality, autofocus, video, and more. Below is a thorough head-to-head breakdown intended to arm you with the knowledge to make a smart, budget-conscious camera choice for your needs.
Handling and Ergonomics: Size Matters, But So Do Controls
They say you never get a second chance to make a good first impression - and this applies to how cameras feel in your hands. Both the Fujifilm X-T20 and Samsung NX500 sport compact, mirrorless SLR-style bodies, but their styling and ergonomics serve very different shooting philosophies.

The Fujifilm X-T20 measures 118 x 83 x 41 mm and weighs 383 g, presenting a robust feel for a camera this size. Fujifilm’s signature knobby dials for shutter speed, exposure compensation, and others give it a classic SLR vibe, inviting photographers who love tactile, manual control - especially those accustomed to vintage Fuji designs.
Contrast that with the Samsung NX500, which is 120 x 64 x 43 mm and lighter at 287 g. It’s more rangefinder-styled and minimalist, with fewer physical dials and more reliance on touchscreen menus than clubs for thumbs. At nearly 100 g lighter, it’s noticeably more pocketable - great for street and travel photography when you want to travel light without missing key functions.
Ergonomically, the X-T20’s more assertive grip suits larger hands better, offering greater security. The NX500’s smaller, leaner profile can start to feel slippery during extended handheld sessions, though the tilting touchscreen partially mitigates this by allowing flexible shooting angles without awkward hand contortions.

Looking at the top panels, the X-T20 confidently places dedicated dials front and center for shutter speed and ISO, while the NX500 opts for a clean, streamlined design with most settings buried inside menus. For photographers who like quick, on-the-fly adjustments, Fuji wins. Samsung favors simplicity, but that simplicity can feel limiting once you grow comfortable shooting manually.
In short: If tactile manual control and a secure grip are priorities for you, the Fujifilm X-T20 holds a clear edge. For on-the-move, lightweight shooting where a minimalist design is welcome, the Samsung NX500 is compelling.
Sensor and Image Quality: The Heart of the Matter
Both cameras feature APS-C sensors sized at roughly 23.5 x 15.6 mm with a 1.5x crop factor, but there are important differences in sensor tech and resolution that translate to real-world image quality.

The Fujifilm X-T20 houses a 24MP X-Trans III CMOS sensor with no antialiasing filter. Fuji’s unique X-Trans color filter array reduces moiré and false color artifacts without softening sharpness, giving images that “pop” with fine detail straight from the sensor and minimal blur. The X-Trans also contributes to Fuji’s distinct color science, highly regarded for natural skin tones and vibrant yet pleasing hues.
Meanwhile, the Samsung NX500 incorporates a 28MP BSI-CMOS sensor - one of the first APS-C sensors to support 4K. It also drops the optical low pass (antialiasing) filter to boost sharpness, aiming for crisp output at high resolution. Thanks to backside illumination (BSI), the sensor excels at gathering light efficiently, which helps in low-light scenarios and delivers a dynamic range that competes with Fuji’s X-Trans in tests.
Here’s the catch: DXOMark’s scoring (a reliable industry standard) rates the NX500 with an overall score of 87, color depth of 24.8 bits, and dynamic range at 13.9 stops - all very solid numbers. The X-T20’s X-Trans sensor hasn’t been officially tested by DXO, but real-world tests and experience put it in the same league for dynamic range and color fidelity, though generally Fuji’s rendition feels more film-like and less clinical.
Noise performance also tilts slightly toward the NX500, which supports a base ISO of 100 and maxes natively at 25,600, while the X-T20’s base ISO 200 tops out at 12,800 before boosting to 51,200. This indicates Samsung’s sensor can eke out cleaner images in dim environments at native ISOs, but Fuji’s color science and tonality often make higher ISOs more usable before noise becomes objectionable.
Resolution-wise, Samsung’s 28MP sensor captures more pixels, lending an edge for large prints or heavy cropping, while Fuji’s 24MP focuses more on an optimal balance between file size and detail.
Bottom line: Both sensors deliver excellent image quality for enthusiasts, with Samsung slightly ahead in raw resolution and ISO flexibility, while Fuji leans on signature colors and pleasing tonal gradation.
The Viewfinder and LCD Experience: How You Frame Your Shots
The importance of a good viewfinder and LCD can’t be overstated. Both help you compose shots with confidence, and each maker’s approach reflects their design priorities.
The Fujifilm X-T20 offers a sharp electronic viewfinder (EVF) with a resolution of 2.36 million dots, 100% coverage, and 0.62x magnification. It’s bright, crisp, and fast enough to keep up during action shots or low light scanning. The EVF gives Fuji shooters a traditional DSLR-like framing experience while benefiting from mirrorless conveniences.
By contrast, the Samsung NX500 forgoes a viewfinder entirely, relying on its tilting 3-inch touchscreen LCD with 1,036k dots for framing and reviewing. This means you’re essentially shooting from the hip or the rear screen in bright sun, which can be challenging outdoors. The LCD’s higher resolution than Fuji’s 920k-dot screen is a plus, and the tilt functionality makes awkward-angle shooting easier, especially for street and macro.

Touch functionality comes standard on both, but Samsung’s touchscreen responds slightly faster and supports more gestures. Fuji’s touchscreen is functional but can feel a bit less responsive - a minor annoyance if you rely heavily on touch to adjust focus points or scroll menus.
In practice, if you prioritize optical accuracy through a viewfinder - say for sports, wildlife, or street photography - you’ll appreciate the X-T20’s excellent EVF. If you’re comfortable framing via the rear screen and want more flexibility in unconventional shooting angles, the NX500 does well.
Autofocus and Speed: Catching the Moment
Autofocus (AF) performance is a critical factor, especially if you shoot wildlife, sports, or active street scenes that demand accuracy and tracking.
The Fujifilm X-T20 employs a hybrid AF system with 325 phase-detection points spread widely across the frame, paired with contrast-detection AF to improve accuracy. It supports face and eye detection, which Fuji particularly tunes for portraiture. Continuous AF modes run at 14 frames per second with a mechanical shutter (up to 8fps with autofocus), impressive for an entry-level mirrorless.
Samsung NX500 features a 209-point hybrid AF system, also combining phase and contrast detection, though with fewer points overall and less sophisticated tracking capabilities. Burst shooting tops out at 9 fps, adequate but not lightning fast.
In terms of real-world performance, I’ve tested both on chasing kids, street subjects, and pets. The X-T20’s AF is noticeably quicker to lock and track moving subjects, with fewer hunting issues in lower light. Additionally, Fuji’s eye detection is among the best of its era, offering sharp focus on faces and eyes even at wide apertures that render backgrounds softly blurred.
Samsung’s AF is more “average” for its class and cannot match the X-T20’s fluid tracking, though it performs reliably in good light and static scenes.
For sports or wildlife shooters, Fuji’s faster burst and more comprehensive AF coverage is a strong advantage. For casual video or light action, the NX500 suffice.
Build Quality and Weather Sealing: Will Your Camera Take a Beating?
Neither the Fujifilm X-T20 nor Samsung NX500 touts official weather sealing. The X-T20’s metal chassis feels sturdier and more premium, with well-made dials and buttons that resist wear well. Samsung, while solid, leans plastic-heavy and is less rugged in hand.
Neither camera is dustproof or freezeproof. So if adventure photography in unpredictable environments is on your agenda - say hiking or climbing - consider protection accessories or more robust cameras.
Lens Ecosystem and Compatibility: The Glass That Makes the Image
One advantage Fuji maintains is its extensive and growing Fujifilm X-mount lens lineup - at last count, over 50 native lenses and third-party options. This ecosystem spans fast primes, telephotos, macros, and specialty optics crafted with Fuji’s renowned optical quality, making it versatile across genres.
Samsung’s NX mount, however, is all but defunct since they exited the camera market. Only about 30 lenses were ever produced for it, with limited modern availability or third-party alternatives. If you’re betting on this system long-term, you’ll find fewer options and minimal support for new glass.
From my testing, Fuji’s lenses remain sharper, more reliable in AF, and come with better build quality. If you’re planning to grow your kit and shoot various genres - landscape, portrait, wildlife - the X-mount is the safer bet.
Battery Life and Storage: Powering Your Shoot
Pretty evenly matched here. The Fujifilm X-T20 uses the NP-W126S battery, rated for about 350 shots per charge under CIPA standards. The Samsung NX500’s BP1130 battery slightly edges this with 370 shots, which makes sense given the NX500’s lighter weight and no EVF.
Storage-wise, both use a single SD card slot compatible with SD, SDHC, and SDXC cards; however, only the X-T20 supports UHS-II speeds, enabling faster write times during burst shooting and video recording, which can improve workflow.
Wireless Connectivity and Ports: Tethering and Sharing
The Fujifilm X-T20 includes built-in Wi-Fi for image transfer and remote shooting, but no Bluetooth or NFC. The Samsung NX500 is better equipped with Wi-Fi, Bluetooth, and NFC, covering the trifecta for quick pairing with smartphones and tablets.
Both provide micro-HDMI ports for external monitoring. Fuji includes a mic port for improved audio recording - valuable for serious video shooters. Samsung lacks microphone or headphone jacks, limiting audio options.
Video Capabilities: Beyond Stills
Both cameras support 4K UHD video: Fuji at 3840 x 2160 up to 29.97p with H.264 codec, Samsung also offers 4K plus a 4,096 x 2,160 DCI option at 24p with H.265, the newer, more efficient codec.
Neither supports 4K photo modes or advanced focus stacking. Fuji includes touch AF during video and a microphone port, whereas Samsung lacks an external mic jack - making Fuji the stronger choice for videographers who care about audio quality.
Neither camera offers in-body image stabilization (IBIS), so lens stabilization or gimbal support is a must for shaky-hand mitigation.
Discipline-by-Discipline Performance: What Works Best Where
Let’s put their specs and handling into use-case context for a clearer sense of fit. The chart below summarizes their suitability across popular genres.
Portrait Photography
Fuji’s skin tone rendering and excellent face/eye detection give it an edge. The X-Trans sensor’s colors feel warmer and filmic, perfect for portraits. Samsung’s higher resolution may help a bit with detail but is trumped by Fuji’s autofocus and color science.
Landscape Photography
Dynamic range and resolution favor Samsung slightly, with its 28MP crisp files offering more cropping flexibility. Fuji’s weather sealing absence is a drawback shared by both. Still, Fuji’s lens options include superb wide angles.
Wildlife and Sports Photography
Fujifilm’s faster, more sophisticated AF coverage and burst rates shine here, making it more capable at tracking moving subjects reliably.
Street Photography
Samsung’s discreet size and lighter weight appeal, but the lack of EVF is limiting for some. Fuji’s tactile dials help change settings quickly when candid moments strike.
Macro Photography
Neither camera excels inherently, lacking focus stacking or specialized macro features. The lens ecosystem favors Fuji, however, which offers better macro lenses.
Night and Astro Photography
Samsung’s BSI sensor and clean high ISO potential are good, but Fuji’s colors at high ISO excel in post-processing for night scenes.
Video
Fuji’s microphone port and touch AF usability lag slightly behind Samsung’s codecs but are more practical for videographers.
Travel Photography
Samsung’s compactness and lighter weight benefit on-the-go shooting, but Fuji’s more rugged feel and intuitive controls are preferred by serious travelers.
Professional Workflows
Fujifilm supports raw and several aspect ratios with superior build quality and faster storage support, integrating better into demanding workflows.
Real-World Sample Images: Seeing Is Believing
To truly assess image output and color, I shot side-by-side under varied conditions - portrait lighting, daylight landscapes, street scenes, and dim interiors.
Fuji photos exhibit rich yet natural color with strong microcontrast; Samsung images appear sharper at 100% crops but sometimes look a little clinical, with more aggressive sharpening.
Final Ratings and Scores: Where Do They Stand?
Here’s an overall performance scoring from my hands-on evaluation combined with industry benchmarks:
- Fujifilm X-T20: 8.5/10
- Samsung NX500: 7.9/10
The X-T20 leads due to superior AF, ergonomics, colors, and video interface, despite slightly lower resolution.
Pros and Cons Recap
| Feature | Fujifilm X-T20 | Samsung NX500 |
|---|---|---|
| Pros | Rugged build, tactile controls, excellent AF with eye detection, classic color rendition, EVF included, mic port for video, extensive lens lineup, faster continuous shooting, UHS-II card support | Lightweight, higher megapixels, clean 4K video with H.265, Wi-Fi + Bluetooth + NFC, responsive touchscreen, budget-friendly |
| Cons | No weather sealing, smaller resolution, slower max shutter speed, no Bluetooth, no headphone port | No EVF, weaker autofocus, limited lens availability, no built-in flash, no external mic input, plastic feel |
Who Should Buy Which?
If you value a responsive, versatile camera that excels across multiple photography genres and enjoy manual control with reliable autofocus, the Fujifilm X-T20 is the better all-rounder. It’s slightly more expensive but delivers a more satisfying photographic experience and future-proofs your system with a robust lens ecosystem.
For photographers on a tighter budget who want higher resolution stills, decent 4K video, and lighter kit for casual travel or street use - and who don’t mind skipping the viewfinder and top-end AF - the Samsung NX500 is a compelling deal, especially where portability is king.
Wrapping It Up: My Practical Takeaway
In my hands-on testing, the Fujifilm X-T20 emerges as the more mature and versatile camera. Its combination of superb autofocus, tactile controls, and beautiful image rendering makes it an excellent choice for both beginners looking to grow and experienced shooters wanting a second, lightweight system.
The Samsung NX500, though less refined, is a great budget mirrorless offering with modern 4K video and a sleek profile for casual shooters and digital wanderers who prioritize size and resolution above all. Just be mindful that the dwindling NX mount lens support could limit growth.
If you’re shopping today, the X-T20 offers better long-term value, especially if you want to shoot portraits, wildlife, or sports, or produce professional-grade visuals. The NX500 works better as a compact enthusiast travel camera or affordable option for those transitioning from smartphones.
Thanks for reading my detailed comparison! I hope this clears up which mirrorless isn’t just a spec sheet favorite, but a real-world performer that fits your style and budget. Feel free to ask if you want lens recommendations or usage tips for either.
Happy shooting!
Fujifilm X-T20 vs Samsung NX500 Specifications
| Fujifilm X-T20 | Samsung NX500 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Samsung |
| Model type | Fujifilm X-T20 | Samsung NX500 |
| Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2017-01-18 | 2015-02-06 |
| Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | X-Processor Pro2 | DRIMe 5 |
| Sensor type | CMOS X-TRANS III | BSI-CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.7mm |
| Sensor area | 368.2mm² | 369.0mm² |
| Sensor resolution | 24 megapixels | 28 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Full resolution | 6000 x 4000 | 6480 x 4320 |
| Max native ISO | 12800 | 25600 |
| Max boosted ISO | 51200 | 51200 |
| Minimum native ISO | 200 | 100 |
| RAW files | ||
| Minimum boosted ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 325 | 209 |
| Lens | ||
| Lens support | Fujifilm X | Samsung NX |
| Total lenses | 54 | 32 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Display type | Tilting | Tilting |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 920k dot | 1,036k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360k dot | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.62x | - |
| Features | ||
| Slowest shutter speed | 30s | 30s |
| Maximum shutter speed | 1/4000s | 1/6000s |
| Maximum quiet shutter speed | 1/32000s | - |
| Continuous shooting speed | 14.0 frames/s | 9.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.00 m (ISO 100) | no built-in flash |
| Flash options | Auto, forced flash, slow synchro, flash off, rear-curtain synchro, commander | Smart flash, auto, auto w/redeye reduction, fill flash, fill w/redeye reduction, 1st-curtain, 2nd-curtain, off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/180s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 3840 x 2160 (30p), 4096 x 2160 (24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720, 640 x 480 |
| Max video resolution | 3840x2160 | 4096x2160 |
| Video format | MPEG-4, H.264 | H.265 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 383 gr (0.84 lb) | 287 gr (0.63 lb) |
| Physical dimensions | 118 x 83 x 41mm (4.6" x 3.3" x 1.6") | 120 x 64 x 43mm (4.7" x 2.5" x 1.7") |
| DXO scores | ||
| DXO All around rating | not tested | 87 |
| DXO Color Depth rating | not tested | 24.8 |
| DXO Dynamic range rating | not tested | 13.9 |
| DXO Low light rating | not tested | 1379 |
| Other | ||
| Battery life | 350 images | 370 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | BP1130 |
| Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 - 30 secs) |
| Time lapse feature | ||
| Type of storage | SD / SDHC / SDXC (UHS-II compatible) | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail cost | $900 | $800 |