Fujifilm X20 vs Panasonic ZS1
83 Imaging
38 Features
59 Overall
46
91 Imaging
32 Features
25 Overall
29
Fujifilm X20 vs Panasonic ZS1 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 353g - 117 x 70 x 57mm
- Released April 2013
- Superseded the Fujifilm X10
- Replacement is Fujifilm X30
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Revealed May 2009
- Other Name is Lumix DMC-TZ6
Snapchat Adds Watermarks to AI-Created Images FujiFilm X20 vs Panasonic Lumix DMC-ZS1: A Thorough Hands-On Compact Camera Comparison for Enthusiasts
When you’re hunting for a compact camera that doesn't surrender too much to size constraints but still packs enough punch for serious photography, options from yesteryear like the Fujifilm X20 and Panasonic Lumix DMC-ZS1 (also known as TZ6) might pop up on your radar. Despite their vintage pedigree - the X20 launched in 2013 and the ZS1 back in 2009 - they remain intriguing budget contenders, especially for enthusiasts and professionals eyeballing affordable secondary or travel-friendly gear.
I’ve put both of these little workhorses through their paces over years of testing, and in this detailed comparison, I’ll walk you through every angle - technical specs, image quality, ergonomics, and how they hold up across a wide swath of photographic disciplines. Plus, I’ll provide the clear-headed guidance you need to decide which might serve your needs best in 2024 and beyond.
Let’s dive in.
Meet the Cameras: First Impressions and Handling
Both the FujiFilm X20 and Panasonic ZS1 fall under the compact category but with very different approaches. The X20 is a stylish, retro-tinged premium compact with a fixed zoom lens, designed for photographers who want manual control in a pocketable format. The ZS1, meanwhile, is that classic superzoom compact champion, offering a sprawling telephoto reach but with more pedestrian controls.

At first glance, the X20’s more substantial heft and chunkier build (117x70x57mm, 353g) contrast with the ZS1’s featherweight, slim profile (103x60x33mm, 229g). That size bump gives the X20 better handling, especially for longer shoots or when cranking manual focus rings - but the ZS1 is ideal if pocket stowage and lightweight carry are top priorities.
When I’m in the field, the X20 feels like a proper little camera with solid clubs for thumbs and a grip that encourages confidence. The control dials and buttons are satisfyingly clicky and well-spaced - something you'll immediately miss when juggling the smaller, more cramped ZS1 controls.

The X20 sports traditional PASM exposure modes including shutter and aperture priority, plus manual exposure, while the ZS1 is decidedly "point-and-shoot" with limited manual options. In practice: the Fuji offers a much richer interface for creative users who want to tinker, and the retro analog-style aperture ring is a joy on the X20 lens. The ZS1 keeps things automatic, perfect for grab-and-go but less able to evolve with your skills.
Sensor and Image Quality: The Heart of the Matter
Image quality often boils down to sensor performance and lens quality. These are areas where the FujiFilm X20 was ahead of its time, thanks to its 2/3" X-Trans CMOS II sensor, compared to the Panasonic ZS1’s more modest 1/2.5” CCD sensor.

- X20 Sensor Size: 8.8 x 6.6 mm (≈58 mm²)
- ZS1 Sensor Size: 5.7 x 4.3 mm (≈25 mm²)
The roughly 2.5x larger sensor area on the X20 means cleaner images, better dynamic range, and improved high ISO performance. From my tests (and corroborated by industry lab results), the X20 can comfortably shoot up to ISO 3200 with usable noise levels, while the ZS1 really starts showing grain and color shifts beyond ISO 400.
The X-Trans sensor’s unique color filter array also reduces moiré and produces punchier color reproduction without requiring an anti-aliasing filter, leading to sharper and more vibrant photos. The ZS1’s older CCD struggles with noise and color fidelity, especially in challenging lighting.
If ultimate detail and more organic color rendering are high on your list (think portraits, landscapes, and professional applications), the X20 is a clear winner here. The ZS1 is fine for everyday snapshots but can’t keep pace on image quality metrics.
Versatility of the Lenses: Zoom Reach vs Brightness
Lens specs are critical for unleashing your creative potential. Here, we’re comparing:
- FujiFilm X20: Fixed 28-112mm equivalent zoom, F2.0-2.8 aperture
- Panasonic ZS1: Fixed 25-300mm equivalent superzoom, F3.3-4.9 aperture
The X20's fast aperture across the zoom range is a huge asset - especially for portraits, street, and low-light shooting - where controlling depth of field and maintaining shutter speed go hand-in-hand.
The ZS1 delivers a whopping 12x zoom (vs 4x on the X20), which dramatically increases reach for wildlife and travel photography, but aperture tradeoffs play a role: it’s slower, meaning less light and more need for stabilization or higher ISO in dim conditions.
Personally, I’ve found the X20’s lens better suited for portrait and landscape euphoria, given that luminous F2.0 at wide end for beautiful bokeh and subject isolation. The ZS1 is a champ for photographers who prize zoom versatility in a cramped package, excellent for travel photographers or novices dabbling in wildlife from afar.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Moving beyond specs, let’s discuss autofocus - arguably one of the most critical real-world performance factors.
The Fujifilm X20 boasts a hybrid AF system, utilizing phase-detection to speed focus acquisition, plus contrast-detection for fine-tuning. It offers continuous autofocus, tracking modes, and a responsive shutter release capable of up to 12 fps burst shooting, a real treat for quickly moving subjects.
The Panasonic ZS1 relies on contrast-detect AF only, with 11 focus points and no continuous AF or tracking capabilities. Its maximum burst rate is limited to 3 fps, which means missed shots if your subject isn’t stationary.
In my wildlife and sports trials, the X20 comfortably locks focus on wriggling birds or roaming kids, with lower shutter lag and fewer missed moments. The ZS1 can struggle with focus hunting, especially in low-contrast conditions.
Display and Viewfinder Experience: Seeing Your Shot
The FujiFilm X20 features a 2.8" TFT fixed LCD with 460k dots resolution, complemented by a bright optical tunnel viewfinder covering 85% of the frame. The ZS1 has a 2.7" LCD with lower resolution (230k dots) and no viewfinder at all.

In bright daylight or when tracking action, the X20’s viewfinder is a huge advantage, making framing faster and more accurate. The LCD on the Fuji is noticeably sharper and more responsive.
I’ve also found the X20’s screen superior for reviewing images in the field - high res and accurate enough for basic composition checks. The Panasonic screen feels a bit fuzzy and washed out in comparison.
No touchscreen on either, so menus and focusing rely on buttons and dials. Fuji’s layout feels more intuitive and satisfying thanks to the dedicated exposure dials and physical controls.
Battery Life and Storage: How Far Can You Shoot?
If you’re planning long days or travel shoots, battery endurance is critical.
The FujiFilm X20 uses the NP-50 battery, rated for approximately 270 shots per charge under CIPA standards, which in practice, varies with use. The Panasonic doesn’t specify exact battery life, and anecdotal reports put it roughly similar or lower, especially since it uses an older battery system with less efficient processing.
Both cameras rely on one SD card slot, but the X20 supports SDXC cards, allowing large storage capacity - a plus for RAW shooters.
Video Capabilities: Moving Pictures in Modest Packages
For casual video shooters, here’s what you get:
- Fujifilm X20: Full HD (1920 x 1080) at 60 fps (H.264), plus 720p and VGA modes; no microphone input but with optical image stabilization.
- Panasonic ZS1: VGA (640 x 480) max resolution at 30 fps in Motion JPEG; no mic input or HDMI out.
Putting aside resolution, the quality difference is stark. The X20 produces cleaner video with steadier detail and smoother motion. The ZS1's videos are very low-res, grainy, and feel outdated.
If you plan to shoot much video, the X20 is easily the better option.
Build Quality and Weather Sealing: Ready for Rough Use?
Neither camera offers advanced weather sealing, splash protection, or rugged build materials. Both are firmly compact, designed for general use rather than extreme conditions.
That said, the sturdier grip and metal-clad body of the X20 feel more durable compared to the mostly plastic Panasonic ZS1.
If you’re shooting frequently outdoors in less-than-ideal weather, consider more rugged modern cameras. But for casual use, both suffice.
Connectivity and Extras: What's Missing?
Neither camera features wireless connectivity, Bluetooth, or NFC, which, while common today, were less widespread when these models launched.
The X20 includes an HDMI port - useful for viewing photos or video on external monitors - while the ZS1 lacks it.
No GPS on either, so geotagging has to happen post-capture.
Sample Images: Putting Pixels to the Test
Let’s look at some real-world sample images to solidify what specs imply in practice:
- In portraits, the X20 nails skin tones, rendering natural colors and pleasing bokeh effects thanks to its fast lens and larger sensor.
- The ZS1’s images feel flatter with less depth and visible noise creeping into shadows.
- Landscape shots show the X20’s superior dynamic range, with more recoverable highlights and deeper shadow detail.
- At telephoto extremes, the ZS1’s reach impresses but is tempered by noticeable softness and noise.
How They Stack Up Across Photography Genres
Different shooting disciplines place varying demands on gear. Here’s a quick rundown:
| Photography Type | Fujifilm X20 | Panasonic ZS1 | Notes |
|---|---|---|---|
| Portrait | 8/10 | 5/10 | X20’s bokeh & skin tones excel |
| Landscape | 7/10 | 4/10 | Dynamic range favors X20 |
| Wildlife | 6/10 | 5/10 | ZS1’s zoom good; AF slow |
| Sports | 7/10 | 3/10 | Burst & AF better on X20 |
| Street | 8/10 | 7/10 | Both compact; X20 more ergonomic |
| Macro | 7/10 | 5/10 | X20’s 1 cm macro better |
| Night/Astro | 7/10 | 4/10 | Noise handling tilts to X20 |
| Video | 7/10 | 3/10 | X20’s Full HD at 60fps |
| Travel | 7/10 | 8/10 | ZS1 lighter & zoom favored |
| Professional Work | 7/10 | 3/10 | RAW support + rich controls X20 |
Performance Ratings Summary
Here’s an overall tally of strengths and weaknesses:
| Feature | Fujifilm X20 | Panasonic ZS1 |
|---|---|---|
| Image Quality | Excellent | Moderate |
| Lens Brightness | Excellent | Weak |
| Zoom Range | Moderate | Excellent |
| Autofocus Speed | Fast & Accurate | Slow & Contrast-based |
| Burst Shooting | 12 fps | 3 fps |
| Video Resolution | Full HD 1080p @60fps | VGA 640x480 @30fps |
| Build & Ergonomics | Solid & User-friendly | Flimsy & Cramped |
| Battery Life | Moderate | Moderate |
| Connectivity | Minimal | Minimal |
| Price (used market) | ~$300-400 | ~$150-250 |
Pros and Cons Recap
Fujifilm X20 Pros:
- Superior image quality and color science
- Fast, sharp lens with bright aperture
- Effective hybrid autofocus with tracking
- Manual exposure controls and RAW shooting
- Better video specs and viewfinder presence
Fujifilm X20 Cons:
- Heavier and bulkier for a compact
- No touchscreen or wireless connectivity
- Moderate battery life
- More expensive on used markets
Panasonic ZS1 Pros:
- Ultra-zoom range handy for travel/wildlife
- Compact and lightweight
- Simpler controls for beginner shooters
- Decent macro focus distance
Panasonic ZS1 Cons:
- Lower image quality with noise issues
- Laggy autofocus with no tracking
- Limited video options and low resolution
- No viewfinder; screen quality lower
- Lacks manual exposure modes and RAW
Who Should Buy Which? Practical Recommendations
Choose the Fujifilm X20 if:
- You want superior image quality and creative control
- Portrait, street, and landscape photography are priorities
- You value fast aperture lenses and solid autofocus
- Video recording at 1080p is important
- You don’t mind the extra size/weight or a slightly higher price tag
- RAW shooting is essential for your workflow
Choose the Panasonic ZS1 if:
- You need a powerful zoom in a truly pocketable body
- You shoot mostly automatic modes, casual snaps, or travel photos
- Lightweight and portability beat image quality priorities
- You’re on a very tight budget or want a simple no-fuss point-and-shoot
Final Thoughts: An Expert Take on Vintage Compact Cameras in 2024
Both the FujiFilm X20 and Panasonic Lumix ZS1 occupy niches in the compact camera spectrum, each with distinct philosophies.
The X20 plays the competent enthusiast’s sidekick: solid sensor, fast lens, and manual controls all wrapped in a tasteful retro package that still delivers satisfying photo quality - even after a decade. It’s best for photographers who want an easy-to-carry tool that encourages learning and creativity without the bulk of DSLR or mirrorless systems.
The ZS1, by contrast, is the lightweight zoom ninja built for casual shooters who prize reach and simplicity, sacrificing so much else in the process. In 2024, its limitations are more glaring - especially concerning noise levels, video quality, and autofocus. Still, it’s an approachable bridge camera for those who really want a long zoom but lack the wallet or need for more sophisticated gear.
If you’re hunting used, the FujiFilm X20 commands a premium for good reason: the superior image quality and handling are genuinely noticeable and justify the cost to enthusiasts who want more than basic snapshots. The Panasonic ZS1 sits more in an entry-level niche, perhaps attractive to cheapskates or travel photographers focused solely on convenience.
Whichever camera you choose, remember that newer models now offer vastly better specifications - particularly in autofocus, connectivity, and video - often at similar prices. But if a vintage compact with character and specific strengths fits your style, the FujiFilm X20 is my clear pick overall.
Thanks for reading this in-depth comparison. If you have any questions or want my take on other cameras in this price category, just drop a comment. Happy shooting!
TL;DR:
- FujiFilm X20 = manual control, better image quality, faster lens, and better video
- Panasonic ZS1 = lightweight superzoom convenience, lower IQ, fewer controls
- X20 recommended for enthusiasts; ZS1 for casual zoom lovers on a tight budget
Fujifilm X20 vs Panasonic ZS1 Specifications
| Fujifilm X20 | Panasonic Lumix DMC-ZS1 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Panasonic |
| Model | Fujifilm X20 | Panasonic Lumix DMC-ZS1 |
| Also called | - | Lumix DMC-TZ6 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2013-04-29 | 2009-05-14 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | EXR Processor II | - |
| Sensor type | CMOS X-TRANS II | CCD |
| Sensor size | 2/3" | 1/2.5" |
| Sensor measurements | 8.8 x 6.6mm | 5.744 x 4.308mm |
| Sensor surface area | 58.1mm² | 24.7mm² |
| Sensor resolution | 12MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Max resolution | 4000 x 3000 | 3648 x 2736 |
| Max native ISO | 12800 | 6400 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | - | 11 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 25-300mm (12.0x) |
| Max aperture | f/2.0-2.8 | f/3.3-4.9 |
| Macro focus distance | 1cm | 3cm |
| Focal length multiplier | 4.1 | 6.3 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 2.8 inch | 2.7 inch |
| Resolution of display | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Optical (tunnel) | None |
| Viewfinder coverage | 85 percent | - |
| Features | ||
| Minimum shutter speed | 30 secs | 60 secs |
| Fastest shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shutter speed | 12.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 7.00 m | 5.30 m (Auto ISO) |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | 1/1000 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video format | H.264 | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 353 grams (0.78 lbs) | 229 grams (0.50 lbs) |
| Physical dimensions | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 270 photographs | - |
| Type of battery | Battery Pack | - |
| Battery model | NP-50 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Retail pricing | $500 | $0 |