Fujifilm X20 vs Ricoh WG-20
83 Imaging
38 Features
59 Overall
46
93 Imaging
38 Features
36 Overall
37
Fujifilm X20 vs Ricoh WG-20 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 353g - 117 x 70 x 57mm
- Launched April 2013
- Succeeded the Fujifilm X10
- Renewed by Fujifilm X30
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Digital Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 164g - 114 x 58 x 28mm
- Introduced February 2014
Pentax 17 Pre-Orders Outperform Expectations by a Landslide FujiFilm X20 vs Ricoh WG-20: An In-Depth Comparison for the Discerning Photographer
When it comes to compact cameras, the choices can be overwhelming, especially with options tailored for different lifestyles - whether that’s a high-quality walkaround camera or a rugged device built for extreme conditions. I have spent countless hours testing compact cameras across various genres, and today, I’m sharing my hands-on comparison between two distinct models: the Fujifilm X20 and the Ricoh WG-20.
Both were announced within a year of each other - 2013 for the FujiFilm X20 and 2014 for the Ricoh WG-20 - but they target very different user needs. My aim is to help you understand their advantages and limitations across multiple photographic disciplines, from portraiture to adventure travel, and to provide clear recommendations based on your shooting preferences and budget.
When Size and Handling Matter: How They Feel in Your Hands
One of the first things I always focus on during camera testing is physical ergonomics - because handling affects how long you’ll want to keep a camera on you and how intuitive it feels when capturing fast moments.
The FujiFilm X20 weighs in at 353 grams with dimensions of 117x70x57 mm, featuring a solid, retro-inspired design built around a fixed zoom lens. In contrast, the Ricoh WG-20 is significantly more compact and lighter, weighing just 164 grams with dimensions of 114x58x28 mm.

Right away, you grasp that the WG-20 is designed for portability and ruggedness - the slim silhouette and reduced weight make it comfortable for quick snaps and on-the-go shooting without fatigue. The FujiFilm X20, while a bit bulkier, offers a more substantial grip and superior build quality, which feels reassuring during a long shooting session.
The Fuji's textured grip and dials are precision-engineered, ideal for photographers used to manual control and deliberate framing. The Ricoh’s plastic body doesn’t offer the same tactile satisfaction but holds firmly, particularly valuable when layered with gloves on an icy trail.
Control Layout and Usability: Where Fuji’s Classic Design Shines
Topping my list when comparing these cameras is their control scheme and user interface because I fundamentally believe a camera’s interface can unlock or diminish your creativity.

The X20 sports traditional tactile dials for shutter speed and exposure compensation - features that any enthusiast will appreciate for quick access without delving deep into menus. Meanwhile, Ricoh WG-20’s control scheme is minimalist, with fewer buttons and no dedicated manual exposure modes.
For photographers who value direct control over aperture priority or shutter priority modes, the X20 speaks directly to your workflow needs. The WG-20, being geared toward simplicity and waterproof durability, limits you to mostly auto modes with very limited manual adjustability.
If bulk and complexity aren’t your concerns, the Fuji’s interface will reward you with immense creative freedom and speed once you familiarize yourself with its layout. For point-and-shoot ease on rugged adventures, however, the Ricoh’s intuitive interface is unbeatable.
Sensor Technology and Image Quality: The Heart of the Camera Debate
The sensor is the beating heart of image quality, performance in low light, and dynamic range possibilities. Here, the FujiFilm X20 boasts a 2/3” CMOS X-TRANS II sensor - measuring 8.8x6.6 mm with a 12-megapixel resolution. This sensor uses a unique color filter array that reduces moiré and false colors without an anti-aliasing filter.
The Ricoh WG-20, however, uses a smaller 1/2.3” CCD sensor (6.17x4.55 mm) at 14 megapixels. Due to the older CCD technology and the smaller physical sensor size, the Ricoh’s image quality will be more limited, especially in complex lighting conditions.

In my real-world testing with both cameras shooting RAW (supported only by the Fuji), I found the X20 delivers richer colors, smoother gradations in skin tones, and superior overall sharpness. The X-TRANS II sensor excels in dynamic range, preserving highlight and shadow details critical for landscape photography.
The Ricoh WG-20’s smaller sensor contributes more noise at higher ISOs, and its JPEG-only support hampers post-processing flexibility. However, the WG-20 performs acceptably for casual shooting in good light, especially wide-angle scenes and macro shots close to 1 cm.
LCD and Viewfinder: What You See Is What You Get
Viewing and composing your shots is fundamentally different on these two cameras. The FujiFilm X20 includes an optical tunnel viewfinder paired with a fixed 2.8-inch 460k-dot LCD screen. The Ricoh WG-20 skips the viewfinder entirely, relying on a slightly smaller 2.7-inch 230k-dot TFT LCD screen only.

The Fuji’s viewfinder delivers a more traditional filming experience, helpful in bright conditions when LCD screens struggle with glare. Its LCD is crisp and responsive, providing live histograms and clear menu navigation.
Contrastingly, the Ricoh’s LCD is comparatively small and lower resolution, which makes checking critical focus or fine details more difficult, especially in sunlight. I often found myself double-checking images post-shot due to this limitation.
Image Samples: Real-World Output Tells the Story
To showcase the qualitative difference, I shot a series of comparable scenes - portraits, landscapes, macros - under identical conditions.
The FujiFilm X20 images present excellent skin tone reproduction, beautifully smooth bokeh at f/2.0, and sharpness that highlights fine textural details.
Meanwhile, the Ricoh WG-20’s images are softer, with noticeably less dynamic range. Highlight clipping and shadow crushing are evident in challenging light, though sharpness remains reasonable in outdoor macro shots. The colors tend to skew a bit cooler and flatter, which is acceptable for snapshots but not ideal for print work or professional use.
Performance Overview: How These Cameras Stack Up in the Field
Based on my comprehensive testing across multiple scenarios, the following chart summarizes raw and practical performance factors for both cameras, considering speed, image quality, and handling.
The Fuji X20 scores highly for image quality, manual control, and versatility, with a continuous shooting speed of 12 fps being an added plus for action shots in compact camera terms.
The Ricoh WG-20 excels uniquely in ruggedness with waterproof and freezeproof construction, gaining points for durability and a respectable battery life optimized for outdoor adventures.
Specialized Photography: Who Excels Where?
Each camera’s strengths become more apparent when evaluating specific genres:
Portrait Photography
The FujiFilm X20 shines with its large-aperture lens (F2.0-2.8) creating beautiful background separation (bokeh) and natural rendering of skin tones. Eye detection is not available but the autofocus system is quick and precise thanks to phase detection.
The Ricoh WG-20 struggles here with a narrower aperture (F3.5-5.5) and softer focus, leading to less flattering portraits under low light. Face detection AF helps beginners but cannot match Fuji’s accuracy.
Landscape Photography
Fuji’s superior dynamic range and sharpness - thanks to its larger sensor and high-quality fixed lens - make it ideal for landscapes. The Ricoh’s rugged sealing is a bonus for harsh outdoor conditions but expect lower image fidelity.
Wildlife and Sports Photography
Neither model is truly optimized for professional-level wildlife or sports photography. However, the Fuji’s 12 fps burst mode and phase detection autofocus offer an edge for capturing relatively fast-moving subjects. The Ricoh’s single-shot limitation and slower autofocus hamper burst shooting capabilities.
Street Photography
Compact and less obtrusive, the Ricoh WG-20’s slim body and silent operation are advantages for candid street shooting. The Fuji’s bulkier form and tunnel viewfinder make it slightly more conspicuous but yield better image quality.
Macro Photography
Both cameras claim a close focusing distance of 1 cm. Fuji’s sharp lens and image stabilization deliver superior detail capture, while Ricoh’s digital stabilization helps reduce shake though with a slight compromise on image fidelity.
Night & Astro Photography
The Fuji’s better high ISO noise control (max ISO 12800) and manual exposure modes make it a viable option for nightscapes. The Ricoh’s ISO tops out at 6400 but with higher noise, and slower shutter range limits astrophotography use.
Video
The Fuji records Full HD (1920x1080) at 60 fps using efficient H.264 encoding with built-in optical image stabilization, facilitating smooth handheld filming.
Ricoh WG-20 offers only 720p HD video at 30 fps in Motion JPEG format, yielding larger files and poorer motion rendition. Neither camera includes microphone or headphone jacks.
Travel Photography
The Ricoh’s rugged, waterproof design and lighter weight favor active travelers who prioritize adventure over image perfection. The Fuji, though heavier, has a more versatile kit lens and superior all-around image capability.
Professional Work
Only the Fuji supports RAW capture, vital for professional workflows demanding color grading and dynamic exposure control. Its extensive manual controls and lens sharpness align with prosumer expectations.
Build Quality and Durability: Fuji’s Refinement vs Ricoh’s Ruggedness
The Ricoh WG-20’s standout feature is its environmental sealing: waterproof to approximately 33 feet, shockproof, and freezeproof to –10 °C. This camera is built literally to survive where others fear to tread.
Meanwhile, the FujiFilm X20 offers no formal weather sealing but compensates with a metal alloy chassis and precision engineering for durability under general use.
Choosing between them here depends on your shooting environment: Fuji for studio, street, and casual travel; Ricoh for outdoor sports, underwater selfies, and harsh weather.
Autofocus Systems: Precision vs Simplicity
Fuji’s hybrid phase-detection autofocus system facilitates faster and more accurate focusing with tracking on moving subjects, critical for dynamic shooting scenarios.
Ricoh relays on contrast-detection AF with nine focus points and face detection, adequate but slower and less reliable in low contrast or fast-moving subject conditions.
Battery Life and Storage Options
While both cameras use proprietary battery packs, the Fuji offers slightly longer battery life (270 shots vs Ricoh’s 260 shots per charge).
Each supports single SD/SDHC/SDXC slot but Ricoh additionally has internal storage - handy when memory cards pack up in remote areas.
Connectivity and Extras
Neither model features Wi-Fi, Bluetooth, or GPS - which is common in budget-oriented compacts of this era - but both have USB 2.0 and HDMI outputs.
The Fuji has no touchscreen or illuminated buttons, and no wireless features were introduced to either camera, reflecting their design vintage.
Lens Considerations and Magnification
The Fuji’s focal range of 28-112mm (4x zoom) with a bright aperture of F2.0-2.8 offers versatile framing options with shallow depth-of-field capability.
The Ricoh’s 28-140mm (5x zoom) is longer reaching but compromises on brightness (F3.5-5.5), better suited to general snapshot zoom ranges without creative depth control.
Final Thoughts - Which Camera Should You Choose?
Having tested both extensively, here’s how I would recommend these cameras based on different photographer profiles:
Choose the FujiFilm X20 if:
- You prioritize image quality, color fidelity, and creative control over ruggedness.
- You shoot portraits, landscapes, and low-light scenes requiring wide apertures and RAW files.
- You need faster continuous shooting and better autofocus for casual action photography.
- You value a classic, tactile control experience and a versatile zoom lens.
- Your budget accommodates the higher initial price for superior optics and sensor tech.
Choose the Ricoh WG-20 if:
- Your photography involves tough environments - water, cold, shocks - that demand a rugged camera.
- You want simple point-and-shoot operation without fiddling with manual modes.
- Portability and lightweight design are critical, for hiking, snorkeling, or extreme sports.
- You’re mindful of budget constraints but desire decent zoom and macro capabilities.
- Video is secondary, and you require basic recording capabilities.
Summary Table of Key Features
| Feature | FujiFilm X20 | Ricoh WG-20 |
|---|---|---|
| Sensor | 2/3" CMOS X-TRANS II, 12MP | 1/2.3" CCD, 14MP |
| Lens | 28-112 mm, F2.0-2.8 | 28-140 mm, F3.5-5.5 |
| Image Stabilization | Optical | Digital |
| Viewfinder | Optical Tunnel | None |
| LCD Screen | 2.8", 460k dots | 2.7", 230k dots |
| Continuous Shooting | 12 fps | 1 fps |
| Manual Modes | Yes (A, S, M) | No |
| ISO Range | 100-12800 | 80-6400 |
| Weather Sealing | No | Yes (waterproof, shockproof) |
| Video Resolution | 1080p60 | 720p30 |
| Battery Life | ~270 shots | ~260 shots |
| Weight | 353g | 164g |
| Price (Approximate) | $499.95 | $369.95 |
Concluding Remarks from My Experience
Through more than a decade of testing cameras, I've learned that the best camera depends heavily on your shooting style and conditions. The FujiFilm X20 impresses with rich image-building tools, a highly satisfying manual user experience, and excellent output quality for those who want more than snapshots.
The Ricoh WG-20, while a step below in image finesse and control, shines as a faithful companion in rugged and wet environments where most cameras fear to tread. It democratizes casual photography in contexts demanding toughness over refinement.
If possible, I recommend trying both cameras in a rental or store, to feel their weight and interface. Consider whether you lean towards creative manual involvement or carefree durability. Both have a niche, and I hope this detailed comparison equips you to pick the camera that will serve your photography journey best.
Thanks for reading my full comparison. Feel free to ask any questions or share your own experiences with these cameras - I’m always excited to hear how the gear fits your creative lifestyle!
- Your dedicated photography reviewer and enthusiast
Fujifilm X20 vs Ricoh WG-20 Specifications
| Fujifilm X20 | Ricoh WG-20 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Ricoh |
| Model | Fujifilm X20 | Ricoh WG-20 |
| Type | Small Sensor Compact | Waterproof |
| Launched | 2013-04-29 | 2014-02-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | EXR Processor II | - |
| Sensor type | CMOS X-TRANS II | CCD |
| Sensor size | 2/3" | 1/2.3" |
| Sensor measurements | 8.8 x 6.6mm | 6.17 x 4.55mm |
| Sensor surface area | 58.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 4288 x 3216 |
| Highest native ISO | 12800 | 6400 |
| Lowest native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 28-140mm (5.0x) |
| Largest aperture | f/2.0-2.8 | f/3.5-5.5 |
| Macro focus range | 1cm | 1cm |
| Focal length multiplier | 4.1 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 2.8 inches | 2.7 inches |
| Display resolution | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | TFT color LCD monitor | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Optical (tunnel) | None |
| Viewfinder coverage | 85% | - |
| Features | ||
| Min shutter speed | 30s | 4s |
| Max shutter speed | 1/4000s | 1/1500s |
| Continuous shutter rate | 12.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 7.00 m | 4.00 m (Auto ISO) |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, flash off, flash on, auto + redeye |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/1000s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 1280 x 720 (30p, 15p), 640 x 480 (30p, 15p), 320 x 240 (30p, 15p) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 353 gr (0.78 lb) | 164 gr (0.36 lb) |
| Dimensions | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 270 shots | 260 shots |
| Battery type | Battery Pack | Battery Pack |
| Battery model | NP-50 | D-LI92 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, internal |
| Card slots | 1 | 1 |
| Retail cost | $500 | $370 |