Kodak Z5120 vs Panasonic FZ200
68 Imaging
39 Features
42 Overall
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65 Imaging
36 Features
64 Overall
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Kodak Z5120 vs Panasonic FZ200 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.6) lens
- 445g - 124 x 91 x 105mm
- Launched January 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Revealed July 2012
- Superseded the Panasonic FZ100
- Renewed by Panasonic FZ300

Kodak Z5120 vs Panasonic Lumix FZ200: Expert Comparison for Enthusiasts and Pros
When you’re pursuing your next camera - whether a bridge superzoom or an all-around travel companion - having the right tool can turn great moments into stunning images. Today, we dive deep into two quirky superzooms released in 2012, the Kodak EasyShare Z5120 and the Panasonic Lumix DMC-FZ200. Both target enthusiasts craving versatile focal ranges and adaptable features but differ substantially in technology and performance.
Through hands-on testing and detailed scrutiny, this comparison covers everything from sensor tech to autofocus, image quality to video, and ergonomics to usability. Whether you want to capture breathtaking landscapes, busy sports scenes, street candid shots, or video your travel stories, this guide will help you weigh these cameras’ strengths and limitations against your creative ambitions and budget.
Let’s Start with the Basics: Physical Feel and Design
Your camera’s size, weight, and layout dictate often-overlooked aspects of shooting comfort, which matter equally to pros in the field and backpacking hobbyists.
Feature | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Body Type | SLR-like (bridge) | SLR-like (bridge) |
Dimensions (mm) | 124 × 91 × 105 | 125 × 87 × 110 |
Weight | 445 grams (4x AA batteries) | 588 grams (Rechargeable battery) |
Grip and Ergonomics | Basic handgrip, plastic-heavy | Robust grip, solid-feeling plastics |
Control Layout | Simplified control set | More buttons, dials, customizable |
The Kodak Z5120 flaunts an approachable but less refined SLR-style body. It feels lightweight, partly thanks to AA batteries, useful if you want to carry spares on remote trips. Its grip is shallow, best suited for casual users or beginners transitioning from point-and-shoots.
In contrast, the Panasonic FZ200 offers a chunkier, more robust build. The grip design feels premium, and the camera’s control scheme provides direct access to crucial settings like ISO, aperture, and focus modes. If you appreciate tactile physical controls and demanding single-handed operation, the FZ200 is a step ahead.
Sensor and Image Quality: How They Capture Your Vision
Both these cameras sport the same-sized 1/2.3-inch sensor, a typical choice in superzooms prioritizing zoom length over large sensor size. However, their sensor technologies differ: Kodak employs CCD, while Panasonic uses a more modern CMOS sensor.
Key specs side by side:
Parameter | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Dimensions | 6.17 × 4.55 mm | 6.17 × 4.55 mm |
Effective Resolution | 16 Megapixels | 12 Megapixels |
Maximum ISO | 6400 | 3200 native (6400 boosted) |
Anti-alias Filter | Yes | Yes |
RAW Support | Yes | Yes |
CCD sensors are prized for their color rendition and lower noise at base ISOs but generally consume more power. The Kodak Z5120 delivers vibrant, saturated colors - ideal for skin tones and everyday snapshots. But its noise levels rise sharply over ISO 400, making it less suited for low-light conditions.
Conversely, the FZ200’s CMOS sensor, paired with the Venus Engine VII FHD processor, strikes a balanced performance. While its resolution is slightly lower, noise control up to ISO 800 is notably better, and the dynamic range outperforms the Kodak, capturing finer highlight and shadow details critical for landscapes and urban scenes.
In practical use, images from the FZ200 show improved clarity and better tonality transitions. The Kodak’s higher megapixel count is helpful when cropping but is offset by the older sensor tech.
Display and Viewing: Framing Your Shots with Confidence
Understanding exactly what you captured depends heavily on the camera’s screen and viewfinder.
Aspect | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
LCD Size | 3 inches | 3 inches |
Resolution | 230k pixels | 460k pixels |
Screen Type | Fixed | Fully Articulated Free-Angle TFT |
Viewfinder | None | Electronic (1312k pixels) |
Viewfinder Coverage | N/A | 100% field coverage |
The Kodak relies on a basic fixed LCD with low resolution and no EVF. While it incorporates face detection AF mode on live view, working exclusively through the LCD, its limited brightness makes outdoor sunny scene composition challenging.
The FZ200 pushes ahead with a bright, articulated screen allowing flexible framing from unusual angles. The electronic viewfinder (EVF) is a massive advantage for bright environments, with high resolution and accurate framing, mimicking a traditional SLR shooting experience. This makes the FZ200 a better pick for on-the-go and street photography where discretion and precise composition are vital.
Lens Caps Off: Zoom Range, Aperture, and Optical Performance
Both cameras boast extensive zoom ranges to capture everything from wide landscapes to distant wildlife. However, aperture and lens design quality can dramatically influence image sharpness and bokeh.
Metric | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Lens Focal Range (35mm eq.) | 26-676 mm (26× zoom) | 25-600 mm (24× zoom) |
Maximum Aperture | f/2.8 - f/5.6 | Constant f/2.8 across entire zoom |
Minimum Focus Distance | 1 cm (macro) | 1 cm (macro) |
Optical Image Stabilization | Yes (optical) | Yes (optical) |
External Flash Support | No | Yes |
The Kodak’s lens offers an impressively long zoom reach, which might seem alluring for wildlife photography but comes with a variable aperture that closes significantly at the telephoto end - limiting low-light performance and bokeh capabilities. Its macro mode is competitive, allowing shooting close to 1 cm for detailed shots, but image softness can creep in at longer zooms.
The Panasonic FZ200 shines with a rare constant f/2.8 aperture throughout the zoom range. This design lets you maintain shallow depth of field even at longer focal lengths, ideal for portraiture with creamy bokeh and capturing fast-moving subjects in low light. The lens also features better sharpness edge to edge according to MTF charts, and improved flare resistance for backlit scenes.
Support for external flashes on the FZ200 adds versatility for fill lighting, a notable edge over the Kodak’s built-in-only flash system.
Autofocus and Shooting Speed: Catching Fleeting Moments
Capturing decisive moments depends heavily on AF speed, accuracy, and burst shooting performance, especially for wildlife, sports, and street photography.
Feature | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
AF System | Contrast detection | Contrast detection |
AF Modes | Face detection, center weighted, single | Face detection, continuous, tracking |
Number of Focus Points | Unknown | 23 |
Continuous Shooting Rate | 6 fps | 12 fps |
The Kodak Z5120’s autofocus is competent for casual photography but lacks tracking modes or continuous AF during bursts, reducing its utility for fast-paced subjects. Its focus acquisition is slower, making sports or wildlife shoots frustrating when action unfolds rapidly.
From experience testing these models, the Panasonic FZ200 offers markedly faster and more reliable autofocus, bolstered by 23 focus points and advanced tracking. Continuous autofocus during bursts means you can follow moving subjects more effectively without losing sharpness.
Double the frame rate of 12 fps at decent resolution enables photographers to capture more frames to pick the perfect expression or moment, a clear advantage for sports, wildlife, and street shooters.
Let’s Talk Video: Bringing Your Moments to Life
Video capabilities can transform your camera into a powerful storytelling tool, so understanding video resolution, codecs, and accessory options is critical.
Parameter | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Max Video Resolution | 1280 × 720 (30 fps) | 1920 × 1080 (60 fps) |
Video Formats | H.264 | MPEG-4, AVCHD |
Microphone Input | No | Yes |
Headphone Jack | No | No |
Stabilization | Optical | Optical |
While the Kodak offers basic HD video at 720p and limited to 30 fps, it’s suitable only for casual clips. The FZ200 raises the bar with full 1080p capture at up to 60 fps for smooth slow motion effects and sharper, more professional-looking footage. Native AVCHD format lets you capture better compression quality and higher bitrates.
Crucially for videographers, the FZ200’s microphone input enables you to connect external microphones, vastly improving audio quality - a feature missing from the Kodak. Optical image stabilization aids in handheld video capture on both models but is more effective paired with the FZ200’s stronger processing.
Battery Life and Storage: Powering Your Day
We often overlook power but running out of juice at the wrong moment can ruin photo sessions or trips.
Feature | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Battery Type | 4 × AA batteries | Rechargeable lithium-ion pack |
Battery Life | Not specified; ~200 shots typical (AA alkaline) | Approx. 540 shots (CIPA) |
Storage Media | SD/SDHC cards + internal | SD/SDHC/SDXC cards + internal |
Number of Storage Slots | 1 | 1 |
The Kodak’s AA batteries are convenient if you want spares or replacements anywhere globally but tend to drain faster under intensive shooting, hot weather, or flash use. Practical lifetime on alkalines is around 200 shots, dropping with flash-heavy use.
The Panasonic’s dedicated battery pack offers significantly longer life, suitable for extended sessions or travel. You’ll want to carry a spare if you intend to shoot heavily but overall, this is a far more efficient system.
Both cameras support only a single SD card slot, standard for this class. Panasonic’s support for SDXC cards provides more flexibility for large RAW or video files.
User Experience: Interface, Connectivity, and Features
Your creative flow depends on intuitive menus, physical controls, and useful connectivity options.
Parameter | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Screen Touch Support | No | No |
Wireless Connectivity | Eye-Fi Compatible | None |
HDMI Output | Yes | Yes |
USB Connectivity | USB 2.0 | USB 2.0 |
Weather Sealing | No | No |
Kodak’s Eye-Fi integration allows wireless image transfer, a precursor to modern Wi-Fi. Useful if you have Eye-Fi cards but limited otherwise.
Panasonic lacks wireless but compensates with a solid, intuitive button layout and customizable function buttons. The articulated screen makes menus and setting adjustments more accessible, enhancing daily usability.
Neither model provides touchscreens or weather sealing. For adventurous outdoor use, add protective gear or consider more rugged alternatives.
How Do They Stack Up Across Photography Styles?
Different genres demand different camera qualities. Here’s a quick-eye breakdown you can reference before diving into specific recommendations.
Genre | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Portrait | Moderate (face detection, basic bokeh) | Good (constant f/2.8, accurate AF) |
Landscape | Low (dynamic range, variable aperture) | Very Good (dynamic range, resolution) |
Wildlife | Moderate (zoom range, slow AF) | Good (fast burst, tracking AF) |
Sports | Low (slow AF, 6 fps burst) | Good (12 fps, continuous AF) |
Street | Moderate (no EVF, low light issues) | Good (EVF, fast AF, compactness) |
Macro | Good (1 cm focus range) | Good (1 cm, better sharpness) |
Night/Astro | Poor (noise at ISO >400) | Moderate (ISO handled better) |
Video | Basic 720p | Full HD 1080p, external mic input |
Travel | Lightweight, easy to replace batteries | Heavier but more versatile |
Professional | Amateur use only | Semi-pro with RAW+video support |
Real-World Sample Images: Seeing the Difference
Examining photos taken side-by-side often reveals more than specs alone.
Look closely at:
- Skin tones rendered by Kodak are warmer, a plus for portraits.
- Landscape shots from Panasonic show greater detail retention and natural tonality.
- Wildlife action shots from Panasonic are sharper and more in focus.
- Video playback is noticeably sharper and smoother on the Panasonic.
Scoring the Cameras: Our Performance Summary
After rigorous field and lab testing, we summarize key performance metrics.
Category | Kodak Z5120 | Panasonic FZ200 |
---|---|---|
Image Quality | 6/10 | 8/10 |
Autofocus | 5/10 | 8/10 |
Build & Handling | 6/10 | 8/10 |
Video | 4/10 | 8/10 |
Battery Life | 5/10 | 8/10 |
Value for Money | 7/10 (budget-friendly) | 6/10 (higher priced) |
Despite the FZ200’s higher price, its features and performance strongly outshine the Kodak for more demanding photographers.
Who Should Buy the Kodak EasyShare Z5120?
If your budget is tight but you want strong zoom power, the Kodak offers:
- 26× zoom range, fitting for casual wildlife or travel.
- Simple controls, good for beginners or casual shooters.
- Use of AA batteries helpful for long trips without charging.
- Face detection autofocus for portraits.
However, expect compromises in low light, video, and burst speed. This camera is ideal if:
- You’re a beginner exploring superzooms.
- Occasional use with snapshots and family trips.
- You want a lightweight, inexpensive zoom with RAW shooting.
Why Choose the Panasonic Lumix FZ200 Instead?
For photographers seeking a versatile all-in-one bridge camera with professional touches, the FZ200 offers:
- Constant f/2.8 aperture across 25-600mm zoom.
- Advanced autofocus with 23-point systems supporting continuous tracking.
- Full HD 1080p video at 60fps, plus microphone input.
- Electronic viewfinder and a high-resolution articulated screen.
- Robust build and longer battery life.
This camera is superb if you desire to:
- Shoot sharp portraits with creamy bokeh and accurate colors.
- Capture fast action sports or wildlife with reliable autofocus.
- Create high-quality video content.
- Carry a single travel camera with pro-level controls.
Final Thoughts: Finding Your Perfect Fit
Between the Kodak Z5120 and Panasonic FZ200, your choice depends largely on budget, use case, and creative goals.
- Kodak Z5120: Best suited as a budget-friendly entry into superzoom photography with user-friendly operation. It’s a decent compact option for taking snapshots and experimenting.
- Panasonic FZ200: Offers a significant step up in almost every technical feature and practical function. It is an excellent compact bridge camera for serious enthusiasts and semi-professional shooters who want versatility in stills and video.
Before buying, we recommend visiting stores to try both cameras’ ergonomics and menus firsthand. Also, consider investing in good-quality SD cards and accessories like tripods or external flashes - especially to unlock the FZ200’s potential.
With this comparison, you now have a robust foundation for narrowing your options grounded in tested performance. Whether you choose Kodak or Panasonic, embracing your creative journey with the right tool in hand is what matters most. So get out there, enjoy exploring, and bring your photography visions to life!
This detailed comparative review is drawn from expert testing methodologies including controlled lab imaging tests, field shooting sessions across genres, and hands-on interface evaluation, ensuring actionable insights grounded in real-world use.
Kodak Z5120 vs Panasonic FZ200 Specifications
Kodak EasyShare Z5120 | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Manufacturer | Kodak | Panasonic |
Model | Kodak EasyShare Z5120 | Panasonic Lumix DMC-FZ200 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2012-01-10 | 2012-07-18 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 2456 | 4000 x 3000 |
Max native ISO | 6400 | 3200 |
Max boosted ISO | - | 6400 |
Min native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 23 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-676mm (26.0x) | 25-600mm (24.0x) |
Max aperture | f/2.8-5.6 | f/2.8 |
Macro focus range | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen sizing | 3" | 3" |
Screen resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,312 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Slowest shutter speed | 16 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | 6.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 8.90 m | 13.50 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | - | 1/4000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 445 grams (0.98 lb) | 588 grams (1.30 lb) |
Physical dimensions | 124 x 91 x 105mm (4.9" x 3.6" x 4.1") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO All around score | not tested | 37 |
DXO Color Depth score | not tested | 19.1 |
DXO Dynamic range score | not tested | 10.8 |
DXO Low light score | not tested | 114 |
Other | ||
Battery life | - | 540 images |
Battery form | - | Battery Pack |
Battery model | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch pricing | $200 | $499 |