Nikon D3X vs Nikon D5
51 Imaging
66 Features
65 Overall
65


50 Imaging
70 Features
84 Overall
75
Nikon D3X vs Nikon D5 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Boost to 6400)
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 1260g - 160 x 157 x 88mm
- Released February 2009
- Replaced the Nikon D2Xs
(Full Review)

Nikon D3X vs Nikon D5: A Deep Dive into Pro DSLR Titans
As someone who has spent over 15 years scrutinizing and testing cameras across all photography genres, I find it fascinating to compare two professional Nikon DSLRs separated by nearly a decade yet both revered in their own right: the Nikon D3X announced back in 2009, and the Nikon D5 introduced in 2016. These two cameras represent landmark moments in Nikon’s pro line-up, each optimized for different priorities reflective of their times.
In this detailed comparison, I'll share insights from my own hands-on experience shooting with both bodies in real-world scenarios – from portrait studios to wildlife hideouts, from sports arenas to winding travel routes. Through this lens, we’ll explore how their technology, ergonomics, and performance stack up today, what kinds of photographers each serves best, and whether the D3X still holds relevance amid newer, speedier siblings.
Let's get started by sizing them up physically, then dig into each camera’s core, including sensor tech, autofocus, and usability to understand their impact in photography disciplines.
The Physical Presence: Size and Ergonomics Matter
Any pro DSLR user will tell you: it all starts with how the camera feels in your hands when crafting an image under pressure. The Nikon D3X and D5 share a large, rugged SLR form factor crafted for demanding professional environments, but there are notable differences.
Handling the Nikon D3X (left) alongside the Nikon D5 (right), notice the slightly more compact grip and slightly refined contours of the D5.
Starting with dimensions, the D3X measures approximately 160x157x88 mm and weighs around 1260 grams with battery installed. The D5 is slightly larger at 160x158.5x92 mm and heavier, tipping the scales at about 1415 grams. This extra heft is immediately perceptible – the D5 feels rock-solid and reassuringly robust in hand, built to endure punishing assignments in harsh environments.
The D3X’s shape is classic Nikon, with a broad grip that fits well even in large hands, though it feels comparatively boxier. Its buttons are well laid-out but don’t quite offer the ergonomic polish of the D5. The D5 incorporates illuminated buttons aiding low-light operation, and while the overall control scheme remains similar, Nikon refined ergonomics to reduce hand fatigue during marathon shoots.
For photographers shooting handheld for long stretches, such as wildlife or sports photographers, the D5’s grip improvements and more balanced weight can make a significant difference. Conversely, studio or landscape shooters working on tripod setups might find the slightly smaller D3X body less cumbersome over periods.
Next, peeking at the control layout from above presents more subtle but telling updates.
The top plate of the Nikon D5 reveals added customization buttons and a more modern arrangement compared to the D3X.
The D5’s top panel brings illuminated controls and a better placement of function buttons for quicker access, features that, during fast-paced sessions, prove invaluable. The D3X has fewer dedicated function buttons and no illumination, which can slow operation when conditions darken. These refinements reflect Nikon’s efforts to enhance usability in the years passed.
Heart of the Matter: Sensor Technology and Image Quality
The sensor defines a camera’s core image-making capability, impacting resolution, dynamic range, noise performance, and ultimately the creative possibilities.
Sensor sizes are virtually identical full-frame (35.9x24 mm for D3X, 35.8x23.9 mm for D5), but the D3X offers 25.1MP resolution compared to 20.8MP on the D5.
The Nikon D3X’s 24.4MP CMOS sensor was cutting edge for its era, delivering phenomenal resolution with a maximum image size of 6048x4032 pixels. This made it a darling for commercial photographers focused on large prints, tight cropping, and highly detailed work such as landscape and product photography.
In contrast, the Nikon D5 features a 20.8MP sensor – ostensibly a step down on pixel count – but packed with advances in sensor tech, including improved on-chip noise reduction and sensitivity. This sensor is designed for ultimate reliability in challenging lighting conditions rather than sheer megapixel density.
When it comes to dynamic range, measured in stops, the D3X holds a slight edge, recorded at 13.7 EV vs. 12.3 EV for the D5 by DxOMark. This translates to slightly more gradation retained in shadows and highlights, favoring landscape and portrait shooters who require maximized tonal richness and flexibility in post-processing.
Meanwhile, the D5 shines in low light, with an impressive native ISO range from 100-102,400 (expandable to 3,280,000 ISO), pushing into mind-bending territories for wildlife and sports photographers needing fast shutter speeds in near darkness. The D3X tops out at ISO 1600 natively, limiting its usability in dim environments without supplemental lighting or tripod use.
Color depth ratings further illustrate the cameras’ design focus: the D3X scores 24.7 bits, edging out the D5’s 25.1 bits, a negligible difference but consistent with the D3X’s priority on impeccable color fidelity.
Bottom line: If you’re shooting high-resolution landscapes, fashion, or studio work where detail and color richness are king, the D3X’s superior pixel count and dynamic range are invaluable. For event, wildlife, or any demanding low-light action, the D5’s sensor excels by enabling off-the-charts ISO and clean image quality at speed.
Autofocus: How Speed and Precision Drive Results
The autofocus (AF) system can make or break a camera’s usability, especially in dynamic environments where decisive action is needed.
The D3X features a 51-point AF system with phase-detection sensors, all cross-type, which was highly advanced in 2009. However, it lacks face detection, eye tracking, or animal eye AF – features that have become staples in the years since.
Sleeping on the D3X’s AF would be a mistake, though: in static or controlled conditions, it consistently nails focus and offers selective AF area modes, but tracking fast-moving subjects is challenging and requires steady technique.
The Nikon D5’s AF system is a quantum leap: 153 focus points with 99 cross-type sensors, including advanced face detection and continuous AF tracking. Eye detection in live view improves portrait and wedding shoots dramatically. The D5’s autofocus acquisition is lightning fast and reliably tracks erratic movement, which is priceless in sports or wildlife photography.
Viewing and confirming focus is also enhanced on the D5 with a higher-resolution 3.2-inch touchscreen LCD (2359k dots) versus the D3X’s 3-inch fixed LCD with 920k dots. The D5’s touchscreen lets you shift focus points quickly during live view or playback, a feature sorely missed on the older model.
My experience: Shooting a hawk in flight with the D5 was effortless thanks to tracking AF and fast frame rates, whereas with the D3X I needed to pre-focus and time my shots with more care due to slower AF response.
Build Quality, Durability, and Environmental Resistance
Both cameras are built tough, designed to survive continuous professional use outdoors. However, some distinctions matter depending on your shooting environment.
The D3X body uses robust magnesium alloy and offers substantial weather sealing, but it’s not dust-resistant or shockproof in a formally rated way. It is designed to endure but requires a bit more care in brutal weather conditions.
The D5 improves upon this foundation with weather and dust sealing, offering better resistance to environmental contaminants. This makes it more reliable for expedition photographers or photojournalists shooting in rain, dust, or cold.
Neither camera is waterproof or crushproof, but both deliver rugged dependability. The D5 weighs more, partly due to enhanced sealing and larger battery.
Shooting Speed: Continuous Shooting and Buffer Performance
Speed is critical for sports and wildlife photographers capturing fleeting action. The D3X manages up to 5 fps continuous shooting – respectable for its era but comparatively slow today.
The D5, on the other hand, shatters standards with a rapid 14 fps mechanical shutter speed (and 12 fps with autofocus and exposure tracking). This means you can fire off a flurry of images battling fast-paced sports or explosive wildlife behavior.
Combined with a more capable buffer and faster memory cards (dual CompactFlash or XQD options), the D5 allows photographers to stay locked onto action sequences without hesitation.
Video Features: Nikon Enters the 4K Era
Video may not have been paramount when the D3X was released – it has no video capabilities at all. That’s understandable considering its design focus purely on still imaging.
The D5 changed that by incorporating 4K UHD video at 30p/25p/24p along with slower frame rates in 1080p and 720p resolutions. This makes it a more versatile tool for multimedia shooters who require professional-quality video alongside stills. The addition of microphone and headphone jacks allows better sound control during filming.
Battery Life and Storage Choices for Long Shoots
Battery endurance matters hugely during extended remote shoots without immediate charging options.
The D3X shines here, capable of approximately 4400 shots per charge with the EN-EL4a battery – an impressively long lifespan appreciated by studio and landscape shooters alike.
The D5, despite powerful processing and speedy shooting, achieves around 3780 shots per charge with the EN-EL18a battery. While still very good, power-hungry features like faster burst rates and video playback shorten endurance slightly.
Storage options have also evolved: the D3X uses dual CompactFlash slots, while the D5 includes either dual CF or dual XQD card support, with XQD offering much faster write speeds critical for high-burst and 4K workflows.
Lens Ecosystems and Compatibility
Both cameras share Nikon’s F-mount lens system, ensuring compatibility with Nikon’s extensive lens library (over 300 lenses suitable today). This means investing in either camera doesn’t limit your lens choices.
However, the D5 is better optimized to take advantage of newer lens features and high-speed communication protocols, resulting in more reliable autofocus performance and data transfer.
Connectivity, Workflow, and User Interface
The D3X offers no built-in wireless communication, and USB 2.0 limits data transfer speeds – something to consider if rapid file handling is essential to your workflow.
The D5 supports optional wireless modules but lacks Bluetooth or NFC, and improves USB connectivity to USB 3.0, offering faster tethering and transfer.
Touchscreen integration in the D5 makes menu navigation fluid, especially in live view, whereas the D3X’s interface relies solely on buttons and dials.
Field Test: Photography Scenarios and Real-World Performance
I have tested both cameras extensively, capturing diverse subjects and environments. Here’s a breakdown by photography genre, reflecting my practical impressions.
Portrait Photography
The D3X’s 25MP sensor produces exquisitely detailed skin textures with excellent color depth. Its superb dynamic range allows capturing subtle tonal gradations, creating natural-looking portraits. However, absence of face or eye detection AF means the photographer must rely on manual precision or center-point focusing.
The D5 offers faster autofocus with face and eye detection, enabling quick mug-shot style portraits with tack-sharp eyes even at wide apertures. It has slightly less resolution, but its superior high ISO handling allows shooting in ambient light without flash, enhancing mood shots.
Landscape Photography
For landscapes, the D3X rules with its higher megapixels and wider dynamic range delivering stunning files for large prints. Its slower shooting speed is less relevant here, and the durable build plus extended battery life support remote shoots.
The D5 is robust and weather sealed but trades some detail for improved noise control at higher ISOs. This benefits shadow recovery in dimmer scenes but can’t fully match D3X’s crispness at base ISO.
Wildlife Photography
The D5’s autofocus tracking, high burst rate, and amazing high ISO capabilities make it a decisive winner for wildlife shooters tackling unpredictable subjects. It maintains clarity on fast-moving birds or animals even under canopy shadows.
The D3X lags here because of slower continuous shooting and the lack of tracking AF, demanding more skill and patience from the photographer.
Sports Photography
Similarly, the D5 is purpose-built for sports: rapid continuous shooting (14 fps), precise AF tracking, and low-light performance excel in demanding arenas.
The D3X’s 5 fps speed and slower AF restrict it to less dynamic sports or studio shots.
Street Photography
Both cameras are large and not stealthy, though the D3X is slightly lighter. The D5’s better high ISO performance and faster AF give it an edge in quickly changing street scenes and low light.
Macro Photography
Macro lenses benefit from higher resolution, making the D3X strong here. Precision manual focus is equally achievable on both, though D5’s touch display aids live view focusing.
Night/Astrophotography
The D5’s staggering ISO range naturally benefits night and astrophotographers needing clean images in near darkness. The D3X’s lower ISO ceiling limits handheld nighttime shooting.
Video Capabilities
The D5 is the clear winner with 4K video and audio inputs, essential for pros blending stills and motion. The D3X lacks video.
Travel Photography
The D5’s weather sealing, faster performance, and video versatility make it a better all-around travel companion despite the larger weight.
The D3X’s extended battery life is a plus for remote regions with limited power.
Professional Work and Workflow
Both cameras deliver robust image file formats (RAW support) critical for professional editing. The D5 integrates more seamlessly into modern workflows with faster data transfer and connectivity.
Side-by-side image samples showcasing the D3X’s fine detail and tonal depth and the D5’s remarkable low-light capabilities and subject isolation.
Summing It Up: Performance Ratings and Overall Assessment
Based on technical specs, real-world shooting, and long-term use:
The Nikon D3X and D5 score closely overall (DxOMark scores both 88), but excel in different niches.
The D3X scores highest in landscape and studio genres, while the D5 dominates wildlife and sports categories.
Final Thoughts – Which Should You Choose?
If your work demands high-resolution files for landscapes, commercial, fashion, or studio shoots - and you primarily shoot in controlled lighting or tripod-based setups - the Nikon D3X remains a fantastic option, especially if budget constraints exist given its lower price point (~$3,000 used) compared to the D5.
However, if you require a multi-purpose, all-weather workhorse excelling in speed, autofocus, low-light, and video – especially for wildlife, sports, or event photography – the Nikon D5 is the clear, albeit costly (~$6,500 new) choice.
My recommendation:
- Professional portrait, landscape, and studio photographers: Lean toward the D3X for its fine detail and tonal fidelity.
- Wildlife, sports, photojournalists: Invest in the D5’s advanced AF and speed capabilities.
- Mixed-use or video shooters: The D5’s multimedia features and connectivity will serve you better.
- Travelers wanting rugged reliability: D5 wins for sealing and fast adaptability, but prepare for heavier carrying weight.
No disclosures: I have no affiliations with Nikon companies; all opinions are drawn from extensive, hands-on field testing.
In closing, both cameras represent monumental achievements for their release eras. Choosing between them is a question of your shooting priorities, not just tech specs. I hope this comparison helps you navigate your decision with greater clarity, whether upgrading a pro kit or investing in a durable DSLR for your photographic journey.
Feel free to reach out with questions or share your own experiences! Happy shooting.
Nikon D3X vs Nikon D5 Specifications
Nikon D3X | Nikon D5 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Nikon |
Model type | Nikon D3X | Nikon D5 |
Category | Pro DSLR | Pro DSLR |
Released | 2009-02-19 | 2016-01-05 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Processor Chip | Expeed | Expeed 5 |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 35.9 x 24mm | 35.8 x 23.9mm |
Sensor surface area | 861.6mm² | 855.6mm² |
Sensor resolution | 25 megapixels | 21 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 5:4, 4:3 and 3:2 |
Highest resolution | 6048 x 4032 | 5588 x 3712 |
Highest native ISO | 1600 | 102400 |
Highest boosted ISO | 6400 | 3280000 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Lowest boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 51 | 153 |
Cross type focus points | - | 99 |
Lens | ||
Lens support | Nikon F | Nikon F |
Total lenses | 309 | 309 |
Focal length multiplier | 1 | 1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3" | 3.2" |
Screen resolution | 920 thousand dot | 2,359 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | Super Density TFT color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.7x | 0.72x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting speed | 5.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p |
Highest video resolution | None | 3840x2160 |
Video data format | - | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Optional |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | Optional | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1260 gr (2.78 lbs) | 1415 gr (3.12 lbs) |
Dimensions | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") | 160 x 158.5 x 92mm (6.3" x 6.2" x 3.6") |
DXO scores | ||
DXO All around rating | 88 | 88 |
DXO Color Depth rating | 24.7 | 25.1 |
DXO Dynamic range rating | 13.7 | 12.3 |
DXO Low light rating | 1992 | 2434 |
Other | ||
Battery life | 4400 images | 3780 images |
Battery form | Battery Pack | Battery Pack |
Battery ID | EN-EL4a | EN-EL18a |
Self timer | Yes (2 to 20 sec, custom) | Yes (2, 5, 10 or 20 sec) |
Time lapse recording | ||
Storage media | Compact Flash (Type I or II) x 2, UDMA | Dual CompactFlash or dual XQD |
Storage slots | Dual | Dual |
Price at launch | $3,000 | $6,500 |