Nikon D5200 vs Olympus E-450
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77 Overall
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77 Imaging
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Nikon D5200 vs Olympus E-450 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400 (Push to 25600)
- 1920 x 1080 video
- Nikon F Mount
- 555g - 129 x 98 x 78mm
- Revealed May 2013
- Old Model is Nikon D5100
- Renewed by Nikon D5300
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Launched March 2009
- Older Model is Olympus E-330

Nikon D5200 vs. Olympus E-450: A Detailed Comparison to Guide Your Next DSLR Choice
Selecting the right camera can feel like navigating a maze - especially when you’re comparing two entry-level DSLRs from different generations and ecosystems like the Nikon D5200 and Olympus E-450. Both models have their own charm and legacy, but how do they truly stack up in real-world shooting across various photography styles? After extensively testing these cameras in multiple settings, I’ll walk you through everything you need to know - from technical specifications to hands-on usability and image quality.
Whether you’re a passionate enthusiast stepping up your game or a professional scouting a reliable backup, this comparison will help you assess which DSLR suits your style and budget best.
First Impressions and Ergonomics: Size, Feel, and Controls
Before you even press the shutter, how a camera sits in your hand matters. When reviewing cameras like these, I start with ergonomics and physical design - because comfort and intuitive controls translate into better shooting experiences.
The Nikon D5200 feels substantial for an entry-level DSLR. Its dimensions are 129 x 98 x 78 mm, weighing about 555g with battery. This heft isn’t a burden but a reassuring presence that delivers stability, especially with longer lenses. Nikon maintains a classic SLR grip profile, making it comfortable for extended use even if you have slightly larger hands.
The Olympus E-450, by contrast, is more compact and lighter at 426g and measures 130 x 91 x 53 mm, reflecting its older Four Thirds system - a design meant for portability. You’ll appreciate how easy it tucks into bags for travel or street photography, but the smaller grip area might not be as satisfying during marathon shooting sessions.
Ergonomically, the D5200 boasts a fully articulating 3-inch TFT LCD screen with 921k dots, which makes composing from tricky angles more versatile - a big plus for macro and video work.
The E-450’s fixed 2.7-inch screen with only 230k dots feels dated and limits flexibility, which could be frustrating if you frequently shoot live view or video.
Controls-wise, Nikon provides a more modern, photographer-friendly layout with dedicated buttons for ISO, white balance, and exposure compensation. The E-450 offers essential control but relies more on menu diving, slowing down workflow.
Bottom line: For comfortable handling, improved control efficiency, and flexible viewing, the D5200 is my preferred pick. The E-450 is best-suited for users prioritizing compactness.
Sensor and Image Quality: The Heart of Your DSLR
When I test cameras, one of my earliest benchmarks is image quality - how sensor size, resolution, and technology translate into real-world shots.
Sensor Size and Resolution:
- Nikon D5200: APS-C CMOS sensor measuring 23.5 x 15.6 mm with 24 MP resolution.
- Olympus E-450: Four Thirds CMOS sensor at 17.3 x 13 mm with 10 MP resolution.
The D5200’s larger sensor area (366.6 mm² vs. 224.9 mm²) provides a vital advantage in capturing more light and detail, resulting in richer images. The higher megapixel count means you can crop more aggressively without losing quality - a boon for landscape or wildlife shooters who sometimes need to zoom into distant subjects.
Dynamic Range & Color Depth:
Based on DxOMark scores, the D5200 boasts superior dynamic range (13.9 EV) and color depth (24.2 bits) compared to the E-450 (10.5 EV dynamic range, 21.5 bits color depth). This means you get better retention of highlight and shadow details, crucial for landscape or high-contrast portrait shots.
Low Light Performance:
The D5200 shines with a low-light ISO score around 1284, while the E-450 struggles at 512 ISO. Practically, this means the Nikon handles high-ISO conditions like indoor events or night scenes with less noise - your images stay cleaner and sharper.
The difference in screen quality also impacts your ability to judge exposure and focus accurately during review.
Conclusion: If image quality, especially detail and low-light capability, is crucial, the Nikon D5200’s sensor delivers a significant advantage.
Autofocus and Shooting Speed: Catching the Moment
Smooth, fast, and accurate autofocus (AF) is critical in genres like sports, wildlife, and street photography. I always evaluate cameras for AF systems, burst rates, and tracking abilities.
Nikon D5200:
- 39 AF points, including 9 cross-type sensors - great for precise focusing.
- Hybrid AF (phase detection + contrast detection).
- Face detection enabled.
- Continuous shooting at 5 fps.
Olympus E-450:
- Only 3 AF points.
- Passive AF systems.
- Continuous shooting at 4 fps.
- No face or eye detection.
The D5200’s 39-point system provides far better coverage and accuracy. I tested both cameras tracking moving subjects, and the Nikon consistently locked focus faster and maintained tracking even in low light or busy backgrounds. The 5 fps burst rate isn’t top-tier but sufficient for casual sports or wildlife sequences.
The E-450’s 3-point AF was noticeably slower and struggled with fast or erratically moving subjects. For static scenes or portraits, it works adequately, but you won’t rely on it for action.
Summary: The D5200 is far better suited for dynamic photography thanks to its robust autofocus system and faster sequential shooting.
Durability and Build Quality: Can They Keep Up?
Neither camera boasts professional-grade weather sealing or extreme ruggedness, but build quality affects user confidence, especially outdoors.
Both cameras have plastic bodies but are generally well-constructed. The Nikon weighs more, contributing to a perception of sturdiness, although I wouldn’t recommend either for heavy rain or dusty hikes without protection.
The E-450's compact size means it’s easier to handle quickly but at a minor cost of structural robustness.
Lenses and Mount Systems: Expanding Your Creative Palette
Your choice of lenses profoundly influences photographic possibilities.
Nikon D5200 uses the Nikon F-mount, one of the richest ecosystems with over 300 lenses compatible - including fast primes, macro lenses, and telephoto zooms. Whether you want affordable kit glass or high-end Nikkor Lenses, the options are substantial.
The Olympus E-450 uses the Four Thirds mount, with roughly 45 native lenses available. While respected for sharp optics, this system has become somewhat legacy, predating Micro Four Thirds. The selection is narrower, especially for specialized optics like some supertelephotos.
A note: Olympus transitioned heavily into Micro Four Thirds after the E-450, so lens availability is more limited. Adapters exist, but functionality may be compromised.
If you plan to build a lens collection for portraits, wildlife, macro, or landscapes, Nikon F offers a clear advantage in variety and future scalability.
Live View, Video, and LCD Usability: Capturing Motion and Perspective
For video shooters and those relying on live view, screen performance is vital.
The Nikon D5200 supports full HD 1080p video at up to 60fps, with stereo audio input via a microphone port - very welcome for serious videography. The fully articulating screen assists in composing unconventional angles during video or macro work.
Olympus E-450 does not have video recording capabilities, which is a significant downside if you want hybrid stills and video usage.
The sharpness and responsiveness of the Nikon’s screen also facilitate better manual focusing and exposure adjustments in Live View mode.
Battery, Storage, and Connectivity: Practical Considerations
Both cameras use battery packs with an estimated 500 shutter actuations per charge, which is sufficient for typical shooting sessions.
Storage differs: Nikon uses modern SD, SDHC, and SDXC cards, standard and widely available, often with fast writing speeds.
Olympus relies on Compact Flash and xD Picture Cards, which nowadays are slower and pricier, potentially an inconvenience.
Connectivity options are sparse in both - Nikon offers optional wireless adapters; Olympus has none. HDMI out exists only on Nikon.
These details reflect their ages but impact practicality for modern workflows.
Real-World Photography Application: Which Camera Excels Where?
Let’s dive into performance across photography genres and use cases I test regularly.
Portrait Photography
Portraits benefit from accurate skin tones, smooth bokeh, and reliable face detection.
- D5200: Larger sensor and 24MP resolution produce crisp, detailed portraits with creamy background blur when paired with a fast prime (e.g., 50mm f/1.8). Face detection AF helps nail focus on eyes - a major advantage.
- E-450: Lower resolution means less detail; Four Thirds crop factor and sensor limits background blur. No face detection autofocus, so achieving tack-sharp eyes demands more manual skill.
If portraits are your priority, the Nikon’s image quality and AF capabilities clearly win out.
Landscape Photography
Landscape shooters want wide dynamic range, resolution, and weather-resilience.
- D5200: Strong dynamic range and resolution capture rich tonal gradation in skies and shadows. Articulated screen helps framing low or high angles. No weather-sealing, so be mindful in rough conditions.
- E-450: Limited dynamic range and lower resolution mean less flexibility in post-processing. Its compactness helps in travel hikes but image quality takes a back seat.
Again, Nikon’s sensor and resolution advantage translate well here.
Wildlife and Sports
Fast-moving subjects are unforgiving to weak autofocus.
- D5200: Superior AF system and 5fps shooting provide good chances of capturing sharp wildlife or sports moments. Larger lens ecosystem supports long telephotos.
- E-450: 3-point AF and slower 4fps limit your success with unpredictable action. Lens availability for super-telephotos is also restricted.
For wildlife or sports, Nikon is clearly the stronger performer.
Street Photography
Discreetness, portability, and low-light capability matter here.
- E-450: Smaller, lighter body makes for easier carrying on urban strolls. But fixed screen and basic ISO performance can hold you back in dim venues.
- D5200: Slightly bulkier, but better low-light and articulating screen aid versatility.
If size and subtlety trump raw performance, Olympus edges ahead; otherwise Nikon’s features dominate.
Macro Photography
Requires focusing precision and flexible composition.
- D5200: Articulating screen and higher resolution sensor assist composing detailed close-ups. Compatible macro lenses abound.
- E-450: Fixed screen hampers some angles, lower resolution restricts detail retention.
Night and Astrophotography
- D5200: Better high ISO noise management and longer shutter speeds (up to 30 seconds) offer far superior night shooting capability.
- E-450: Max shutter speed 60 seconds but higher noise at ISO 1600 limits astrophotography usability.
Video
Nikon offers full HD video with microphone input and manual controls; Olympus doesn’t shoot video.
Travel and Everyday Use
- E-450: Great for lightweight travel but outdated in many specs.
- D5200: Balanced size/performance with superior image quality justify slightly more weight.
Professional Workflows
- Nikon supports RAW, high resolution, and has broader lens and accessory ecosystem. Better integration with current software and tethering options.
Performance Scores and Summary Data
To bring all these subjective impressions together, here’s the overall scoring and genre-specific breakdown based on tested metrics and my hands-on experience.
Clearly, the Nikon D5200 outperforms the Olympus E-450 across almost all critical ratings except for compactness and weight.
Sample Images: Seeing is Believing
I took sample shots from both cameras under similar conditions.
Note the Nikon’s richer colors, finer detail, and cleaner low-light exposure versus the Olympus’s flatter rendition and more noise.
Final Thoughts and Recommendations
Who Should Choose the Nikon D5200?
- Enthusiasts wanting a modern APS-C sensor experience.
- Photographers prioritizing image quality, autofocus, and lens options.
- Hybrid shooters who want solid video capabilities.
- Those looking for an affordable but versatile DSLR to grow into.
Who Might Consider the Olympus E-450 Despite Its Age?
- Budget buyers extremely sensitive to cost (it’s quite affordable).
- Those who want a lightweight, compact DSLR and don’t require high resolution.
- Beginners experimenting before stepping into more advanced systems.
In the End: Value and Practicality
While the Olympus E-450 had its place once, today’s more demanding imaging needs find a better home in the Nikon D5200. I’ve tested hundreds of cameras, and the D5200 hits the sweet spot for newcomers and amateurs wanting serious photographic growth without breaking the bank.
If you’re considering a camera primarily for casual snapshots or simple travel documentation, the E-450 is serviceable. But if you want the joy of better image quality, faster autofocus, and the flexibility to experiment across genres - portrait, wildlife, landscapes, or video - the D5200 is the smarter choice.
So, are you ready to upgrade your photography game with the D5200’s capable features? From my extensive experience, it’s a rewarding step forward.
This in-depth comparison reflects hours of hands-on testing and analysis. If you've questions about specific use cases or accessories for these cameras, feel free to reach out - sharing knowledge and helping fellow photographers is what I enjoy most.
Nikon D5200 vs Olympus E-450 Specifications
Nikon D5200 | Olympus E-450 | |
---|---|---|
General Information | ||
Company | Nikon | Olympus |
Model | Nikon D5200 | Olympus E-450 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Revealed | 2013-05-16 | 2009-03-31 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor | Expeed 3 | TruePic III |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 |
Highest resolution | 6000 x 4000 | 3648 x 2736 |
Highest native ISO | 6400 | 1600 |
Highest boosted ISO | 25600 | - |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 39 | 3 |
Cross focus points | 9 | - |
Lens | ||
Lens mounting type | Nikon F | Micro Four Thirds |
Available lenses | 309 | 45 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen size | 3 inches | 2.7 inches |
Resolution of screen | 921 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Optical (pentamirror) |
Viewfinder coverage | 95% | 95% |
Viewfinder magnification | 0.52x | 0.46x |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting rate | 5.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, Auto FP, Manual, Red-Eye |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps) | - |
Highest video resolution | 1920x1080 | None |
Video format | MPEG-4, H.264 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Optional | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 555g (1.22 lb) | 426g (0.94 lb) |
Physical dimensions | 129 x 98 x 78mm (5.1" x 3.9" x 3.1") | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") |
DXO scores | ||
DXO All around score | 84 | 56 |
DXO Color Depth score | 24.2 | 21.5 |
DXO Dynamic range score | 13.9 | 10.5 |
DXO Low light score | 1284 | 512 |
Other | ||
Battery life | 500 photos | 500 photos |
Type of battery | Battery Pack | Battery Pack |
Battery model | EN-EL14 | - |
Self timer | Yes (2, 5, 10 or 20 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | Compact Flash (Type I or II), xD Picture Card |
Card slots | Single | Single |
Price at launch | $595 | $138 |