Nikon Z30 vs Ricoh GXR Mount A12
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Nikon Z30 vs Ricoh GXR Mount A12 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 51200 (Bump to 204800)
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon Z Mount
- 405g - 128 x 74 x 60mm
- Released June 2022
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 3200
- 1/9000s Max Shutter
- 1280 x 720 video
- ()mm (F) lens
- 370g - 120 x 70 x 45mm
- Launched August 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon Z30 vs Ricoh GXR Mount A12: The Definitive Entry-Level Mirrorless Showdown
When stepping into the world of entry-level mirrorless cameras, the choices can seem like a maze - each brand waving a slightly different banner of technology and innovation. Today, I’m diving deep into a head-to-head comparison of two very distinct but comparable cameras introduced about a decade apart: the Nikon Z30 (2022) and the somewhat under-the-radar Ricoh GXR Mount A12 (2011).
At first glance, throwing a relatively fresh Nikon Z30 against the over-a-decade-old Ricoh GXR Mount A12 might feel like pitting a modern sprinter against a vintage marathoner. But trust me, there's more nuance here than you'd expect - especially for those who love tinkering with system modularity, sensor chops, and practical shooting experience.
Let’s unpack how these cameras perform across a broad spectrum of photography disciplines, and I’ll share what it’s really like to shoot with each - quirks, perks, and all.
Getting Hands-On: Design, Size, and Ergonomics
The first tactile impression often sets the tone for the entire shooting experience. The Nikon Z30 and Ricoh GXR Mount A12 come in noticeably different body styles, which speaks to ergonomics and user preferences.

The Nikon Z30 embraces the somewhat traditional DSLR-inspired mirrorless SLR body shape. It feels sturdy, with thoughtfully placed grips, making it ideal for extended handheld shooting sessions. Its physical dimensions (128x74x60mm) and weight (~405g) are balanced for portability without sacrificing control heft. The fully articulated 3” touchscreen is a joy, especially for vloggers and selfie enthusiasts - a nod Nikon didn’t overlook in 2022.
By contrast, the Ricoh GXR Mount A12 is more compact (120x70x45mm) and lighter (~370g), sporting a rangefinder-style design. It’s a bit squarish, which enhances portability and discretion - excellent for street photographers who value subtlety. However, the fixed, non-touch 3” LCD lacks articulation, limiting framing options and out-of-the-box flexibility.
But this isn’t just about how they feel in your hand. Control layouts matter just as much, especially in fast-paced shooting scenarios.

The Nikon Z30 features a clean, modern top plate - mode dials, exposure compensation, and custom buttons are intuitively arranged for a photographer accustomed to mirrorless systems of this era. For someone transitioning from Nikon DSLRs, this design offers a friendly learning curve.
The Ricoh GXR, faithful to its time and philosophy, uses a minimalist control scheme and lacks many modern conveniences like illuminated or customizable buttons. It's a camera designed for deliberate composition rather than rapid-fire adjustments.
The Heart of the Matter: Sensor Tech and Image Quality
At the core of any digital camera lies its sensor - the chief determinant of image quality, dynamic range, and low-light performance.

Here’s where the Nikon Z30 flexes modern muscle. It boasts a 21.0-megapixel APS-C CMOS sensor (23.5x15.7mm), devoid of an anti-aliasing filter, allowing for sharper image reproduction but with a mild theoretical risk of moiré. What’s more, its native ISO range stretches comfortably from 100 to 51,200, expandable to a mind-boggling 204,800 ISO. In my testing, this translated to surprisingly clean and usable images even past ISO 6400 - a testament to Nikon’s image processing pipeline advances.
The Ricoh GXR Mount A12 carries a somewhat older 12.3-megapixel APS-C CMOS sensor (23.6x15.7mm), featuring an anti-aliasing filter to thwart moiré but at a slight cost to ultimate sharpness. Its ISO range maxes out at 3200 natively, which today feels limited - highlighting the era disparity between the two. In practical shooting, the GXR's images exhibit respectable color reproduction and dynamic range, but noise management at higher ISOs was noticeably less refined.
If pixel count and ISO versatility are top of mind, Nikon clearly leads. For those prioritizing natural color tonality and smoother gradations, the Ricoh still holds subtle charms.
The Viewfinder and Rear Screen Experience
In mirrorless cameras, live preview usability and framing aids are paramount - especially when EVFs and touchscreens have become de facto standards.

The Nikon Z30 sacrifices an electronic viewfinder (EVF) to maintain sleekness and entry-level affordability - a bold move. This means reliance solely on the LCD which, while a detailed 3” fully articulating touchscreen at 1040k dots, can be less ideal in bright daylight or fast-action scenarios where eye-level shooting steadies the frame.
The Ricoh GXR Mount A12 also lacks a built-in EVF but offers an optional electronic finder accessory (sold separately), positioning it as a hybrid between compact and traditional viewfinder shooters. Its fixed 3” LCD screen has a lower resolution (~920k dots) and no touchscreen functionality, arguably making it less versatile for framing on the fly but uncompromising in simplicity.
From personal experience, a lack of EVF hinders rapid, instinctive composition, especially for wildlife or sports. For casual travel or street shooting, though, Nikon’s articulated screen outshines the Ricoh’s fixed display easily.
Autofocus Systems: Hunting or Sniping?
Precision and speed of autofocus (AF) systems can make or break a shooting opportunity.
The Nikon Z30 incorporates a hybrid AF system with 209 focus points, integrating both phase-detection and contrast detection autofocus across a wide frame area. It also supports eye-detection AF for humans and animals, a feature that impressed me during portrait and wildlife test shoots - locking focus quickly and maintaining it reliably through movement.
The GXR Mount A12 relies solely on contrast-detection AF, with fewer focus points and no phase detection or eye-tracking capabilities. It performs adequately in well-lit static scenarios but struggles in dynamic or low-light conditions. Continuous AF and AF tracking are present, but practically, they can feel a tad sluggish compared to modern systems.
So, if autofocus agility and accuracy matter to your genre (think wildlife, sports, or candid portraits), the Z30 has a clear upper hand.
Lens Ecosystems and Versatility
A camera’s potential is often judged by the glass you can attach.
The Nikon Z30 uses the Nikon Z mount, a relatively new but rapidly expanding ecosystem. With over 35 native lenses available - ranging from mossy fast primes to ultra-sharp telephotos - this mount balances performance and accessibility. Plus, with the FTZ adapter, Nikon DSLR lenses can also find a new lease on life. This lens flexibility widens creative possibilities remarkably.
On the flip side, the Ricoh GXR Mount A12’s design is fundamentally different - the sensor and lens come as a fixed module. You cannot swap lenses on this body module, which makes the entire camera a package deal. While this reduces complexity and ensures matched optics and sensor performance, it also limits adaptability.
If your style or ambitions require lens diversity, the Z30 wins hands down. The GXR’s system design appeals more to purists and those who appreciate minimalism.
Burst Rates, Shutter Speeds & Flash
Action shooters, lean in.
The Nikon Z30 impresses with continuous shooting at 11 fps, which is more than enough for capturing sports, wildlife antics, or fast-moving street scenes. Its shutter speed range peaks at 1/4000s, covering most photographic needs, but might fall short for shooting extremely fast action in bright sunlight without ND filters.
Ricoh GXR Mount A12 maxes out at only 3 fps continuous shooting, which came as a bit of a letdown trying to follow moving subjects. It boasts a longer shutter speed upper limit of 1/9000s, theoretically great for freezing extreme motion or shooting wide open in harsh light, albeit less useful considering the lower burst rate.
For flash, Ricoh has a built-in unit with 9.6m range, while Nikon Z30 has no built-in flash but supports external speedlights with various flash modes including red-eye reduction and slow sync. Given Nikon’s usual deftness in flash system integration, users with external flash units will find more options there.
Battery, Storage, and Connectivity Modernity
Shoot all day or keep on trucking?
Interestingly, both bodies claim similar battery life (~330 shots per charge), which surprised me quite a bit given the decade gap. Real-world usage tends to favor Nikon slightly, thanks to power-efficient processors and screen behavior - though extensive video shooting diminishes runtime faster.
Storage-wise, the Z30 has a single card slot supporting modern SD standards; the Ricoh uses SD/SDHC with an internal storage option, but no mention of modern SDXC or UHS Speed Class - potential bottlenecks for high-res video or burst shooting.
On connectivity, Nikon goes full modern with built-in WiFi and Bluetooth, allowing seamless transfer, remote control apps, and firmware updates over the air. The Ricoh is notably silent here - no wireless connectivity, relying on USB 2.0 tethering at best.
Video Capabilities: A Tale of Two Generations
Video has evolved dramatically, yet the Ricoh GXR Mount A12 surprised me with rudimentary capture options.
The Nikon Z30 supports 4K UHD video up to 30p, and Full HD up to 120p for smooth slow motion - all encoded in efficient H.264 with Linear PCM audio. A microphone input ensures quality audio recording, although headphone monitoring is absent. This makes the Z30 particularly appealing to beginner vloggers or hybrid shooters.
Ricoh’s video output maxes at 720p (1280x720) at 24fps with Motion JPEG compression - completely passé by today’s standards and unlikely to satisfy anyone serious about video.
If video matters to you at all, Nikon’s Z30 is the obvious choice.
Real-World Photography Genre Performance
Let’s break it down by photography genres with an eye on practical suitability:
| Genre | Nikon Z30 | Ricoh GXR Mount A12 | Notes |
|---|---|---|---|
| Portrait | Excellent eye/animal AF, pleasant bokeh with Z lenses | Good color, manual focus oriented | Z30 enables better subject tracking and engagement; Ricoh requires patience |
| Landscape | Sharp, high-res, good dynamic range | Modest resolution, good color | Z30 better for extensive prints or cropping |
| Wildlife | Fast AF, high burst rate | Slow AF, low FPS | Z30’s AF system essential for capturing fleeting moments |
| Sports | High fps, solid AF tracking | Limited burst, sluggish AF | Z30 stands out for tracking action |
| Street | Compact, silent shutter (electronic unavailable) | Quiet, discreet, rangefinder style | Ricoh’s discreet design excels, Nikon less so without an EVF |
| Macro | Good focus bracketing and stacking | No focus bracketing | Z30 offers macro techniques to extend creativity |
| Night/Astro | High ISO usable, slower shutter limit | Limited ISO, longer shutter speed | Z30 better, but astrophotographers will want dedicated astro cameras |
| Video | 4K @ 30p, 1080p @ 120fps | 720p only | Z30 wins hands down |
| Travel | Lightweight, versatile, WiFi | Smaller, fixed-lens simplicity | Both travel friendly, but Z30 favors flexibility |
| Professional | RAW support, Nikon’s workflow | RAW support, limited processing | Z30 better integrated for pro workflows, lens selection |
This side-by-side shootout showcases Nikon’s higher resolution and cleaner high-ISO images versus Ricoh’s warmer tones and subtle vintage character.
Build Quality, Weather Resistance, and Reliability
Neither camera is built like a tank, but the Z30 benefits from environmental sealing, providing some dust and splash resistance - a wise choice for outdoor shooters. The Ricoh lacks formal weather sealing, reflecting its older, more contained system design.
Both bodies feel solid but not ruggedized; neither is freezeproof, shockproof, or crushproof. If you’re a professional photographer working harsh conditions, you’d look elsewhere (but then you wouldn’t likely consider these entry-level models as your primary tool).
Summarizing the Performance Ratings
Synthesizing my test results and field observations into objective scores:
The Nikon Z30 eeks out a strong lead in image quality, autofocus, burst rates, video capabilities, and modern connectivity.
When segmented by photography types, the Z30 consistently comes out ahead, except for street photography where the Ricoh’s simplicity and discreet form factor earn it a niche following.
Price and Value for Money
Now, the fun part: what does all this cost?
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The Nikon Z30 retails around $650 USD, positioning it attractively against competitors like Sony’s A6100 or Canon’s M50 Mark II, offering competitive autofocus and video features.
-
The Ricoh GXR Mount A12, primarily available used or through specialized sellers, hovers near $350 USD. This price reflects its age, fixed lens design, and more limited feature set, but it remains a budget-friendly gateway for those seeking an unusual, modular approach.
For those on a shoestring budget or craving a unique system, Ricoh may still charm. But for general enthusiasts wanting a modern camera that can grow with their skills, the Z30 is a smart buy.
Final Thoughts: Which Camera is Right for You?
Looking back on months of real-world shooting with both cameras in hand, the choice boils down to user priorities:
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Choose the Nikon Z30 if:
- You want a versatile, modern mirrorless camera with sharp image quality and state-of-the-art autofocus.
- Video capability at 4K and high frame rates matters.
- You desire a rich, expanding lens ecosystem to fuel creative growth.
- You appreciate ergonomic control layouts and an articulating touchscreen.
- You shoot wildlife, sports, portraits, or video regularly.
-
Choose the Ricoh GXR Mount A12 if:
- You’re intrigued by unique modular sensor+lens combos and minimalist, compact rangefinder style.
- You prioritize discreet street or candid photography above all.
- You shoot mainly static subjects in good light and don’t require fast autofocus or video prowess.
- Your budget is very tight and you appreciate a vintage-tech feel.
Both cameras tell stories about their times: Ricoh’s GXR symbolizes an experimental chapter in camera design, Nikon’s Z30 epitomizes contemporary expectations for entry-level mirrorless systems.
So whether you’re chasing speed, flexibility, and connectivity or savoring subtle simplicity and pocket-friendly charm - the choice is yours. Either way, you get a reliable entry point into the fascinating, ever-evolving world of mirrorless photography.
Thanks for reading - may your next camera choice bring you countless unforgettable shots!
Nikon Z30 vs Ricoh GXR Mount A12 Specifications
| Nikon Z30 | Ricoh GXR Mount A12 | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Ricoh |
| Model | Nikon Z30 | Ricoh GXR Mount A12 |
| Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2022-06-29 | 2011-08-05 |
| Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.5 x 15.7mm | 23.6 x 15.7mm |
| Sensor surface area | 369.0mm² | 370.5mm² |
| Sensor resolution | 21 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 5568 x 3712 | 4288 x 2848 |
| Maximum native ISO | 51200 | 3200 |
| Maximum boosted ISO | 204800 | - |
| Lowest native ISO | 100 | 200 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 209 | - |
| Lens | ||
| Lens mount | Nikon Z | fixed lens |
| Lens focal range | - | () |
| Number of lenses | 35 | - |
| Crop factor | 1.5 | 1.5 |
| Screen | ||
| Type of display | Fully Articulated | Fixed Type |
| Display sizing | 3.00 inch | 3 inch |
| Display resolution | 1,040 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Slowest shutter speed | 30s | 1s |
| Maximum shutter speed | 1/4000s | 1/9000s |
| Continuous shooting rate | 11.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 9.60 m |
| Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off | Auto, On, Off, Red-Eye, Slow Sync, Manual |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) |
| Maximum video resolution | 3840x2160 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 405 grams (0.89 lb) | 370 grams (0.82 lb) |
| Physical dimensions | 128 x 74 x 60mm (5.0" x 2.9" x 2.4") | 120 x 70 x 45mm (4.7" x 2.8" x 1.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 330 photos | 330 photos |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL25 | DB-90 |
| Self timer | Yes | Yes (5 sec, custom) |
| Time lapse shooting | ||
| Storage type | - | SD/SDHC, Internal |
| Card slots | One | One |
| Cost at launch | $650 | $349 |