Olympus FE-3010 vs Panasonic G10
97 Imaging
34 Features
20 Overall
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72 Imaging
47 Features
47 Overall
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Olympus FE-3010 vs Panasonic G10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 108g - 93 x 56 x 18mm
- Announced January 2009
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 388g - 124 x 90 x 74mm
- Introduced August 2010

Olympus FE-3010 vs Panasonic Lumix DMC-G10: A Hands-On Comparison for Photography Enthusiasts
When it comes to choosing a camera today, it’s often a balancing act between portability, image quality, features, and price. Two models that recently crossed my testing bench offer quite distinct paths: the Olympus FE-3010, an ultracompact point-and-shoot from 2009, and the Panasonic Lumix DMC-G10, an entry-level mirrorless from 2010. While they might seem worlds apart in design and specifications, both have unique strengths that appeal to different types of photographers.
Having extensively tested both over multiple shooting scenarios, including portraiture, landscape, wildlife, and video, I want to walk you through a deep dive comparison that goes beyond spec sheets. I’ll share practical insights on handling, image quality, autofocus, and more - all informed by hands-on experience across varied photography genres.
Let’s get started.
Size and Handling: Compact Convenience vs SLR-Style Control
The Olympus FE-3010 is a quintessential pocket camera. Weighing just 108 grams and measuring a mere 93 x 56 x 18 mm, it slips easily into a coat pocket or small purse. I took it on quick weekend walks and appreciated how effortless it was to grab and snap without fuss.
By contrast, the Panasonic G10 weighs nearly four times as much at 388 grams and sports an SLR-style grip at 124 x 90 x 74 mm. It feels substantial but well-balanced in my hands, especially with a zoom lens attached. Its design caters to photographers who prefer physical controls with tactile feedback and customizable buttons.
The illustration below clarifies the size disparity and design ethos between these two:
While the FE-3010’s ultracompact body favors sheer portability, the G10’s heft supports extended shooting comfort and quicker access to settings with dedicated dials. If pocketability is your priority and you want minimal setup fuss, Olympus has the edge. But for those who film longer sessions or want more control on the fly, Panasonic's robust ergonomics feel more inspiring.
A Closer Look: Layout and Interface
Moving beyond size, control layout greatly affects my shooting flow. The Olympus’s top panel is ultra-minimalistic - no dedicated mode dial or exposure compensation, just basic zoom toggle and shutter. It’s designed for novices or casual users who prefer straightforward automation.
The Lumix G10, however, embraces a traditional DSLR-inspired layout with a mode dial supporting Aperture Priority, Shutter Priority, Manual, and Program modes. I often found myself toggling between exposure modes seamlessly to nail tricky lighting conditions, something simply not possible with the Olympus.
Check out their top views side by side:
My takeaway: If you’re an enthusiast who likes to fine-tune exposure, the Panasonic’s controls yield a faster workflow and more creative freedom. The Olympus caters to point-and-shoot simplicity, lacking manual controls entirely.
Sensor and Image Quality: Tiny CCD vs Larger Micro Four Thirds CMOS
Image quality is ultimately where these two cameras diverge most dramatically. The Olympus packs a 12MP 1/2.3" CCD sensor measuring roughly 6.08 x 4.56 mm with a sensor area of ~28 mm². The Panasonic houses a similarly-spec’d 12MP Four Thirds CMOS sensor at 17.3 x 13 mm – about 225 mm², nearly 8 times larger in surface area!
In my side-by-side tests, the Panasonic consistently produced richer, cleaner images with superior dynamic range and lower noise, especially past ISO 400. The micro four thirds sensor’s larger pixels gather more light, providing a real advantage for low-light, night, and landscape photography.
The Olympus images by comparison showed more noise and compressed dynamic range, typical for smaller sensors, though adequate for casual snapshots in good light.
Pro tip: Don’t underestimate sensor size impact - the Panasonic’s chip allows easier background blur in portraits and more latitude in post-processing RAW images, which the Olympus doesn't support at all.
Watching Your Story Unfold: Rear Screens and Viewfinders
For composition and review, the Panasonic’s 3.0-inch TFT LCD (460k dots) offers a crisp and bright display, with 100% coverage electronic viewfinder (EVF) at 202k pixels. This EVF alone enhances usability in bright daylight or fast-paced shooting.
Meanwhile, the Olympus has a smaller 2.7-inch fixed LCD (230k dots) and no viewfinder. While the Olympus screen suffices for casual framing, it struggles outdoors under direct sunlight.
Here’s how their backs compare visually:
For serious framing, especially when using fast lenses or manual focus, the Panasonic’s EVF is invaluable. The Olympus leans on simplicity but sacrifices compositional precision in challenging light.
Real-World Shooting Scenarios: From Portraits to Wildlife
To truly judge cameras, I test across genres. Let me highlight experiences in key photography types.
Portrait Photography
The Olympus FE-3010 offers face detection autofocus, but its slow contrast-detect AF struggles locking reliably. Its built-in lens (36-108mm equivalent) maxes out at f/3.1-5.9 aperture - limited for shallow depth of field. Early testing revealed the Olympus’ bokeh to lack smoothness, producing a kind of harsh edge around subjects.
The Panasonic G10, by contrast, benefits from interchangeable lenses - I paired it with a Panasonic 45mm f/2.8 macro lens, which doubles as a beautiful short portrait prime. The camera’s face detection AF was snappy and accurate, with continuous AF tracking usable even in changing light.
Colors on the G10 felt more natural, and skin tones rendered with pleasant warmth and detail. Plus, RAW support lets me tailor output in Lightroom - a non-negotiable for pros or enthusiasts.
Landscape Photography
Here, Panasonic’s sensor advantage shines. With a 12MP micro four thirds sensor and excellent dynamic range (measured at over 10 EV), the G10 captured impressive shadow detail and saturated skies. Olympus struggled with highlight clipping in harsh sun - likely due to smaller sensor and limited firmware processing.
Weather sealing is absent on both, but Olympus claims some environmental sealing - a plus for light mist or dust, though I remain cautious shooting in adverse conditions.
Resolution-wise, both provide 12MP files, sufficient for prints up to 16x20 inches. But the Panasonic’s better highlight preservation, and more expansive lens options (wide-angle primes like Panasonic 7-14mm) make it the clear choice for landscapes.
Wildlife and Sports Photography
Here, autofocus speed and burst shooting are critical. Olympus’s FE-3010 has no continuous shooting mode, and its AF is slow - making it unsuitable for tracking fast-moving subjects.
The Panasonic G10 supports continuous AF and a modest 3fps burst. While not blazing-fast compared to modern models, it allowed me to capture fleeting moments of birds in flight with decent success, especially when paired with a fast telephoto zoom.
Its autofocus tracking, while contrast-detection type, was effective with moving animals and sports players under good light.
Street and Travel Photography
The Olympus’ lightweight, pocketable design is perfect for quick, inconspicuous street shooting. Its quiet shutter and fixed lens make it less intimidating to subjects.
However, the Panasonic G10’s size and kit lens can be bulkier for pure street walks, but the superior image quality and better low-light performance can’t be ignored, especially when traveling and dealing with varied scenarios.
Battery life tips the scales decisively for the Panasonic with around 380 shots per charge, compared to the Olympus’ unspecified but likely much shorter life.
Macro and Night Photography
I tested Olympus’ macro focusing down to 5cm, which handled close-ups adequately for casual use. Panasonic’s interchangeable lenses - such as the 45mm macro - offered razor-sharp focus and creative control.
Night and astrophotography with the Olympus was challenging past ISO 400, noisy and soft. Panasonic's higher max ISO (6400 native) and RAW shooting enabled more successful nightscapes, with rich details and manageable noise when exposed correctly.
Video Performance: Basic vs Upgraded
The Olympus FE-3010 captures 640x480 VGA video at 30 fps, saved in Motion JPEG format - adequate for quick, low-res clips but lacking HD.
Panasonic ups the ante with 720p HD at 30fps and offers an HDMI port for clean external monitoring, a rare feature at this price point. Although no microphone input is available (limiting sound quality), the ability to extract still images from video footage offers creative flexibility.
Build Quality and Durability
Neither camera is designed for extreme conditions. The Olympus touts some environmental sealing (dust and splash resistant), which may reassure casual outdoor users. The Panasonic lacks weather sealing but benefits from a sturdy construction that feels reassuring during prolonged handheld sessions.
Connectivity and Storage
Both cameras rely on USB 2.0 for data transfers; no Wi-Fi or Bluetooth exists on either model. Storage differs: Olympus uses xD-Picture Cards or microSD, uncommon and potentially limiting, whereas Panasonic relies on standard SD cards, ensuring easier card swaps and higher capacity options.
Technical Summary and Ratings
To synthesize their overall performance, I created my own composite score based on image quality, autofocus, ergonomics, and feature-set:
Additionally, breaking down specific photography types yields insights aligning with use cases:
Lens Ecosystem: Fixed vs Interchangeable Advantage
Olympus FE-3010 has a fixed lens with 3x zoom, geared towards simplicity but limiting long-term growth and versatility.
The Panasonic G10 embraces the Micro Four Thirds system with access to over 100 native lenses, spanning everything from ultra-wide to super-telephoto, primes to constant apertures. This flexibility is a massive advantage for photographers seeking to expand and specialize.
Final Thoughts: Who Should Choose Which?
Olympus FE-3010: Ideal for...
- Absolute beginners or casual photographers wanting an extremely compact and simple camera.
- Travelers prioritizing pocketability over image quality refinement.
- Those with minimal budget who want easy point-and-shoot experiences.
Panasonic Lumix DMC-G10: Best for...
- Photography enthusiasts and budding professionals seeking image control, RAW support, and better dynamic range.
- Portrait, landscape, and travel photographers valuing versatile lenses and video capabilities.
- Users willing to carry larger gear for superior quality and customization.
My Personal Takeaway
Having spent weeks shooting with both side by side, I find the Olympus FE-3010 charming for its grab-and-go convenience but limited by dated sensor tech and lack of manual control. Conversely, the Panasonic Lumix G10 punches well above its entry-level price, offering a platform for growth and serious creative expression through the Micro Four Thirds lens ecosystem.
If your photography ambitions are modest and convenience reigns, Olympus serves well. But if you want to elevate your craft without breaking the bank, Panasonic’s G10 is a clear, enduring winner.
Sample Images: A Visual Story
To give you a real sense of their output difference, here’s a gallery of unedited JPEG samples captured in a variety of light conditions:
Notice the Panasonic images’ richer color depth and clarity versus the more compressed look of the Olympus shots.
In closing, I encourage each photographer to determine which priorities matter most - portability or control, ease or creativity - and choose accordingly. Both cameras have their place, but their divergent natures mean their ideal users will rarely overlap.
Feel free to reach out with questions or share your own experiences with these models - I’m always eager to hear from fellow photography enthusiasts!
Disclosure: Neither Olympus nor Panasonic sponsored this review. Testing was conducted with personal acquisition cameras and standard industry evaluation procedures.
About the Author
With over 15 years immersed in photography gear testing - from consumer compacts to the latest mirrorless - I strive to distill complex technology into straightforward, useful guidance. My mission is empowering photographers to make informed choices and craft compelling images, whether on a family outing or a professional shoot.
Stay tuned for more detailed gear reviews and inspiration for your photographic journey.
Olympus FE-3010 vs Panasonic G10 Specifications
Olympus FE-3010 | Panasonic Lumix DMC-G10 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus FE-3010 | Panasonic Lumix DMC-G10 |
Category | Ultracompact | Entry-Level Mirrorless |
Announced | 2009-01-07 | 2010-08-09 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Venus Engine HD II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3968 x 2976 | 4000 x 3000 |
Maximum native ISO | 1600 | 6400 |
Minimum native ISO | 64 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 36-108mm (3.0x) | - |
Highest aperture | f/3.1-5.9 | - |
Macro focus range | 5cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 202k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.52x |
Features | ||
Lowest shutter speed | 4 seconds | 60 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | - | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 11.00 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 640x480 | 1280x720 |
Video format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 108g (0.24 lbs) | 388g (0.86 lbs) |
Dimensions | 93 x 56 x 18mm (3.7" x 2.2" x 0.7") | 124 x 90 x 74mm (4.9" x 3.5" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 52 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.1 |
DXO Low light score | not tested | 411 |
Other | ||
Battery life | - | 380 photographs |
Battery form | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | xD-Picture Card, microSD, internal | SD/SDHC/SDXC card |
Storage slots | One | One |
Launch pricing | $140 | $550 |