Olympus E-M10 II vs Panasonic TS10
82 Imaging
53 Features
77 Overall
62


93 Imaging
36 Features
20 Overall
29
Olympus E-M10 II vs Panasonic TS10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Announced August 2015
- Succeeded the Olympus E-M10
- Renewed by Olympus E-M10 III
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.6) lens
- 188g - 99 x 63 x 24mm
- Released January 2010
- Also Known as Lumix DMC-FT10

Olympus E-M10 II vs Panasonic Lumix TS10: In-Depth Comparison for Enthusiasts and Pros
Choosing the right camera often means weighing very different models with distinct goals. On one side, we have the Olympus OM-D E-M10 II, a classic entry-level mirrorless with serious photographic aspirations. On the other, the rugged Panasonic Lumix TS10 (also known as DMC-FT10), a compact waterproof shooter designed for adventure-ready simplicity. These two cameras couldn’t be more different - yet each offers compelling reasons to consider it depending on your style, environment, and budget.
Having spent countless hours shooting and testing cameras across genres, I’m keen to break down how these two stack up not only on paper but in practical, real-world terms. This comparison will consider technical details, handling, image quality, performance, and use-case flexibility - helping you find the camera that fits your photographic ambitions best.
Form Factor and Ergonomics: Classic Mirrorless vs. Rugged Compact
The first impression you get from a camera is its size, weight, and how it handles in your hands. The Olympus E-M10 II is a mirrorless camera with a traditional SLR-style body, while the Panasonic TS10 is a pocketable waterproof compact.
At 120 × 83 × 47 mm and 390g, the Olympus is noticeably larger and heavier than the Panasonic’s 99 × 63 × 24 mm and 188g footprint. Its metal alloy shell and dials communicate build quality and enthusiast intent; it feels substantial yet manageable for extended shooting sessions. The TS10 is stripped back ergonomically - rounded edges, plastic shell optimized for a secure grip wet or dry, but with limited manual control.
Looking from the top, the Olympus delivers a clean, purposeful layout with a mode dial, dedicated exposure compensation dial, and readily accessible buttons - a photographer’s delight.
The Lumix TS10 dispenses with dedicated dials; it relies heavily on menu diving and point-and-shoot simplicity. Its buttons are waterproof-sealed but small and less tactile. That’s a compromise for the ruggedness - it’s designed for underwater shooting, freezing conditions, and knocks, rather than nuanced manual control.
If you prize manual operation and an ergonomic grip, the Olympus wins hands down. If you want a go-anywhere, no-fuss shooter that works straight out of your jacket pocket - even in adverse weather - the Lumix is a solid choice.
Sensor Technology and Image Quality: Micro Four Thirds vs. 1/2.3-inch CCD
Image quality starts with sensor technology and size. Olympus equips its E-M10 II with a 16MP Four Thirds CMOS sensor measuring 17.3 by 13mm, while the Lumix TS10 uses a much smaller 14MP 1/2.3-inch CCD sensor (6.08 × 4.56 mm).
The physical sensor area of the Olympus (224.9 mm²) dwarfs that of Panasonic (27.72 mm²) - significant considering larger sensors gather more light, possess better dynamic range, and generate less noise at high ISOs.
In testing, the E-M10 II delivers highly detailed images with excellent color depth (measured at 23.1 bits by DxOMark), 12.5 stops of dynamic range - meaning it can preserve shadow and highlight details superbly - and respectable low-light ISO performance up to 800+ usable ISO without heavy noise. It supports RAW capture, allowing precise post-processing adjustments aligned with professional workflows.
The TS10’s smaller sensor and obsolete CCD design limit low light performance and dynamic range. It tops out at ISO 6400 but is practically usable only at low ISOs due to noise and limited bit depth. It also lacks RAW support, restricting post-shoot flexibility. JPEG processing is competent but falls short against the Olympus’s cleaner, more natural renditions.
If pure image quality - the combination of dynamic range, color fidelity, and noise control - is your priority, the Olympus offers serious advantages.
Viewing Experience: Electronic Viewfinder and Screen Usability
Being able to compose your shot with confidence is imperative, and here the two cameras diverge considerably.
The Olympus E-M10 II features a 2.36 million-dot electronic viewfinder (EVF) with 100% frame coverage and about 0.62x magnification. The EVF provides sharp, detailed previews even in bright sunlight - a valuable tool for precise framing and exposure checks.
Its rear LCD is a 3-inch tilt-angle touchscreen with 1.04 million dots, allowing flexible framing, easy live view autofocus (touch-to-focus), and intuitive menu navigation.
The Lumix TS10 opts instead for a basic fixed 2.7-inch 230k-dot LCD and no EVF, which in direct sunlight can make composing shots challenging. Its LCD is non-touch, meaning navigation relies on button presses only - which, combined with an undersized screen, impacts usability.
The Olympus’s combination of EVF and articulated touchscreen makes it far more versatile and user friendly, especially in bright outdoor or fast moving situations.
Autofocus and Performance: Contrast Detection vs. Hybrid Systems
For photographers, autofocus capability can make or break an experience, particularly with moving subjects.
The Olympus E-M10 II employs a contrast-detection autofocus system with 81 focus points and face detection, delivering accurate, often snappy AF in most good lighting. It supports continuous AF tracking and eye-detection autofocus - a boon for portrait shooters wanting precise focus on eyes.
In real-world tests, the AF maintains consistency for still subjects and moderate action. Still, its contrast-based AF lags behind modern hybrid phase-detection systems in speed and reliability under challenging lighting or fast movement.
The Panasonic TS10 uses a simple contrast detect AF with just 9 points and no face or eye detection. Its AF is slower, less precise, and more prone to hunting, particularly in low light or macro situations.
Olympus also achieves notably higher continuous shooting rates - up to 8 fps versus Panasonic’s 2 fps - making E-M10 II a better candidate for sports, wildlife, and street photography.
Lens Ecosystem: Micro Four Thirds’ Flexibility vs. Fixed Lens Limitation
One crucial consideration for the Olympus is its use of the Micro Four Thirds (MFT) lens mount with over 100 available lenses from Olympus, Panasonic, and third parties.
That range spans ultra-wide primes, fast aperture portraits, specialized macro options, and super telephoto lenses for wildlife - allowing photographers to tailor an optical arsenal for every scenario.
The Panasonic TS10 freezes you with a fixed 35-140mm equivalent f/3.5–5.6 zoom lens and no option to swap for higher-quality optics. While convenient, this severely limits flexibility, especially where wider apertures and sharper optics matter.
If you envision evolving your photographic style and require specialized lenses, the Olympus is a gateway system. The TS10 is a simple point-and-shoot with convenience at its core, not system expandability.
Robustness and Environmental Sealing: Rugged Compact vs. Non-weathersealed Mirrorless
The Panasonic TS10 shines in durability - it is ruggedized with weatherproof, dustproof, shockproof, and freezeproof construction - essential for adventure photographers and underwater shooters.
The Olympus E-M10 II lacks official weather sealing or rugged body protections. While quality built, it is a delicate tool compared to the TS10’s tank-like resilience.
If your photography takes you diving, hiking in torrential rain, or skiing, the Panasonic is purpose-built to survive those conditions without accessories.
Video Capabilities: Full HD vs. Modest HD Resolution
For videographers, features diverge sharply.
Olympus E-M10 II records full HD 1080p video at 60/30/24 fps with H.264 codec and 5-axis in-body image stabilization improving handheld footage smoothness.
By contrast, Panasonic TS10 shoots only up to 720p HD (1280x720) at 30 fps in Motion JPEG format. Its optical image stabilization helps, but video quality is noticeably behind the E-M10 II both in resolution and codec sophistication.
Neither offers external microphone or headphone jacks, but the Olympus is a better all-rounder for hybrid photo/video shooters.
Battery Life and Storage Choices
The Olympus uses a rechargeable BLS-50 battery rated for around 320 shots per charge - not exceptional but typical for mirrorless in this class.
The Lumix TS10’s battery stats aren’t clearly defined, but compact cameras often offer more modest endurance. Both accept SD/SDHC/SDXC cards with a single slot.
Complete Picture: Scoring and Genre-Specific Performance
To pull all these technical facets into perspective, I refer to comprehensive performance scores gathered from both hands-on assessment and independent sources like DxOMark and in-house testing. The Olympus achieves an overall score around 73, in stark contrast to Panasonic TS10 - unrated in tests due to older sensor tech and less professional orientation.
Here’s an overview of how each camera performs across key photography genres:
Portrait: Olympus’ eye AF, wide aperture lenses, and better color depth put it leagues ahead. Panasonic’s fixed slower lens and lack of face detection limit portrait potential.
Landscape: The Olympus’ superior dynamic range and high resolution offer more versatility for landscapes; Panasonic’s limited sensor and resolution are less ideal here.
Wildlife and Sports: Fast burst rates and better AF of Olympus favor capturing motion. Panasonic’s lagging AF and slow continuous shooting make it inadequate.
Street Photography: Olympus is larger but offers discreet shooting modes and silent shutter. Panasonic’s compactness helps in stealth, though image quality compromises weigh heavily.
Macro: Olympus benefits from select macro lenses and accurate focusing. Panasonic can manage basic close-ups but without precision or magnification.
Night and Astro: Olympus’ high ISO performance and RAW unlock astro and night potential, impossible for Panasonic’s sensor.
Video: Olympus clearly outpaces it with full HD and stabilization.
Travel: Panasonic’s rugged, waterproof compactness is unrivaled; Olympus is more versatile but bulkier and less weatherproof.
Professional Use: Olympus supports reliable workflows with RAW, better build, and lens adaptability; Panasonic is strictly consumer casual.
Who Should Buy Which?
In my experience, these two cameras appeal to drastically different buyers.
-
Olympus OM-D E-M10 II:
Ideal for entry-level to enthusiast photographers wanting a compact but capable mirrorless system. If you care about image quality, flexible lenses, manual controls, photo/video hybrid versatility, and improving your skills, the Olympus rewards investment. It's especially powerful as a dedicated still camera for portraits, landscapes, and street photography. Professionals seeking a second body or travel camera will also appreciate its capabilities. -
Panasonic Lumix TS10:
Suited exclusively for casual users seeking a rugged, hassle-free waterproof camera to accompany adventures. It excels underwater or in harsh environments where conventional cameras cannot go. But if image quality, advanced controls, or versatility matter to you, it cannot compete. It’s a pure point-and-shoot aimed at those who need simplicity and durability above all.
Final Thoughts: Personal Verdict After Hands-On Testing
Having put both models through hours of lighting scenarios, subject matter, and creative shooting tests, I can confidently say:
The Olympus OM-D E-M10 II remains an outstanding entry-level mirrorless for photographers serious about quality and growth. Its sensor, optics, controls, and image processing deliver results dramatically superior to the Panasonic TS10’s fixed lens compact.
That said, the Panasonic TS10 fills a niche that no MFT mirrorless can: guaranteed image-making above water, snow, or dirt, without worrying about damage. It’s a niche, no-frills explorer’s camera, not intended to produce pro-grade imagery or creative finesse.
If you want to invest in your photographic journey with a tool that’s equal parts fun, capable, and expandable, Olympus is the clear recommendation - provided you can protect it from the elements.
If you need a worry-free, ultra-portable, rugged companion and are willing to sacrifice image sophistication, the Panasonic TS10 is a worthy budget choice.
Summary of Key Specs and Features
Feature | Olympus OM-D E-M10 II | Panasonic Lumix TS10 |
---|---|---|
Sensor Type | 16MP Four Thirds CMOS | 14MP 1/2.3" CCD |
Lens Type | Interchangeable MFT mount | Fixed 35-140mm f/3.5-5.6 |
Image Stabilization | 5-axis sensor stabilization | Optical lens stabilization |
Autofocus | 81-point contrast-detect, face/eye AF | 9-point contrast-detect, basic AF |
Video | Full HD 60p H.264 with stabilization | 720p MJPEG |
Viewfinder | 2.36M-dot EVF | None |
Screen | 3" tilting touchscreen (1.04M dots) | 2.7" fixed LCD (230k dots) |
Weather Sealing | No | Yes (waterproof, dustproof, shockproof) |
Battery Life | Approx. 320 shots | Unknown |
Weight | 390g | 188g |
Price | Approx. $499 USD | Approx. $249 USD |
Sample Images from Both Cameras
To really see the differences in action, these gallery shots showcase each camera’s output in typical usage:
You’ll note the Olympus images contain richer detail, better dynamic range in shadows and highlights, and more nuanced skin tones. The Panasonic’s photos have adequate color and sharpness for casual snapshots but lack the depth and clarity the Olympus routinely delivers.
Through this detailed comparison, I hope you’ve gained a clear understanding of what each camera offers in terms of technology, real-world use, and value. Whether your next camera adventure is about conquering rugged landscapes or crafting expressive portraits, your choice hinges on how much control, image quality, and durability you truly need.
Happy shooting!
Olympus E-M10 II vs Panasonic TS10 Specifications
Olympus OM-D E-M10 II | Panasonic Lumix DMC-TS10 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus OM-D E-M10 II | Panasonic Lumix DMC-TS10 |
Also called | - | Lumix DMC-FT10 |
Class | Entry-Level Mirrorless | Waterproof |
Announced | 2015-08-25 | 2010-01-21 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | TruePic VII | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4320 x 3240 |
Highest native ISO | 25600 | 6400 |
Min native ISO | 200 | 80 |
RAW support | ||
Min enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 81 | 9 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 35-140mm (4.0x) |
Maximal aperture | - | f/3.5-5.6 |
Macro focus range | - | 10cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display size | 3 inches | 2.7 inches |
Resolution of display | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter speed | 8.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.80 m (ISO 100) | 4.90 m |
Flash options | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | H.264, Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 390 gr (0.86 lbs) | 188 gr (0.41 lbs) |
Physical dimensions | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall score | 73 | not tested |
DXO Color Depth score | 23.1 | not tested |
DXO Dynamic range score | 12.5 | not tested |
DXO Low light score | 842 | not tested |
Other | ||
Battery life | 320 shots | - |
Battery format | Battery Pack | - |
Battery model | BLS-50 | - |
Self timer | Yes (12 sec., 2 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Price at release | $499 | $249 |