Olympus E-P3 vs Pentax K-r
86 Imaging
47 Features
60 Overall
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67 Imaging
52 Features
52 Overall
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Olympus E-P3 vs Pentax K-r Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Released August 2011
- Replaced the Olympus E-P2
- Refreshed by Olympus E-P5
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Revealed March 2011

Olympus E-P3 vs Pentax K-r: A Practical Comparison from an Experienced Perspective
When evaluating cameras that debuted in the early 2010s but continue to intrigue enthusiasts on a modest budget, the Olympus PEN E-P3 and the Pentax K-r stand out as two worthy contenders. Both models represent fascinating snapshots of their manufacturers’ design philosophies: Olympus with its compact, rangefinder-style mirrorless approach, and Pentax with its hearty, entry-level DSLR heritage. Having spent countless hours shooting, testing lab metrics, and field-checking imaging performance on cameras around this era, I’m excited to share a detailed comparison that delves into their real-world strengths and trade-offs. Whether portrait, landscape, wildlife, or video is your main pursuit, I’ll guide you through which camera aligns best with your needs.
First Impressions: Design, Size, and Handling
The Olympus E-P3 immediately impresses with its sleek, compact rangefinder-style body that feels right at home in travel or street photography settings. Measuring a slender 122x69x34mm and weighing just 369g, it is delightfully portable for long shoots or urban wanderings. The flip-side is that minimal bulk sometimes means smaller grip areas, so my hand occasionally craved more positive hold during extended sessions.
In contrast, the Pentax K-r is a classic compact SLR built tough for those who prefer an optical viewfinder and a beefier grip. Its physical dimensions - 125x97x68mm, weighing 598g - are noticeably larger and heavier, but this translates to greater in-hand confidence and more extensive physical controls. For those who favor traditional DSLR ergonomics or want a camera that tolerates rigors from hikes to family events, the K-r’s build quality is a compelling advantage.
Looking at the top views, the E-P3 keeps controls minimal and sleek, perfect for minimalist users who appreciate fewer dials and buttons, while the K-r packs a more complex array - mode dials, exposure lock, and dedicated function buttons - making it a playground for photographers who love tactile control.
Both offer fixed 3-inch LCD displays, but their size and resolution differ (I’ll touch on screens shortly). The E-P3 has a touch-enabled OLED screen, while the K-r’s is a higher resolution TFT without touch.
Sensor and Image Quality: Micro Four Thirds vs APS-C
One of the most pivotal differences lies in their sensors. The Olympus E-P3 employs a 12MP Four Thirds CMOS sensor sized 17.3x13mm, while the Pentax K-r uses a 12MP APS-C CMOS sensor measuring 23.6x15.8mm. This translates to a sensor area approximately 224.9mm² vs 372.9mm², a pronounced physical difference affecting image quality facets like noise performance, dynamic range, and depth of field control.
I ran side-by-side RAW image tests at different ISO settings and exposures. The larger APS-C sensor in the K-r easily delivers a higher dynamic range (12.4 EV vs 10.1 EV in the E-P3) and better low-light sensitivity, handling up to ISO 25600 with acceptable noise when pushed. The Olympus’s native range tops at ISO 12800 but is more susceptible to noise from ISO 1600 upwards, slightly limiting its low-light capabilities or astro photography potential.
Color depth also leans in favor of the K-r (22.9 bits vs 20.8 bits), producing richer tonal gradations, especially noticeable in portraits and landscape scenes with subtle color transitions (think skin tones or twilight skies).
Pixel count is identical, but the K-r’s 3:2 aspect ratio offers a slightly wider field compared to the E-P3’s traditional 4:3. This can subtly influence composition preferences - wider natural framing vs a more balanced rectangular crop.
Optical Performance: Lens Systems and Autofocus
Lens compatibility plays a significant role for shooters who already own glass or seek system longevity. Olympus’s Micro Four Thirds mount boasts a vast ecosystem of 107 lenses from Panasonic, Olympus, and third parties - ranging from ultra-compact primes to speedy f/1.2 lenses and high-performance zooms. The Micro Four Thirds’ 2.0x crop factor (1.5x listed as 2.1x actually due to system specs) allows for smaller, lighter lenses.
Pentax’s KAF2 mount, offering access to 151 lenses including highly regarded older primes familiar to DSLR users, has a 1.5x crop factor. This provides a slight edge in background blur capability and working distance, important when shooting portraits or wildlife.
When it comes to autofocus, the systems reflect differing technology philosophies. The E-P3 uses an advanced contrast-detection AF system with 35 focus points and face detection, enabling good accuracy in live view and video mode. Its focus is slower but precise in well-lit conditions. The back-screen touch-focus is intuitive.
The K-r incorporates 11 phase-detection points with 9 cross-type sensors, enabling faster and more reliable autofocus tracking, especially for moving subjects like sports or wildlife. However, it lacks advanced eye or animal detection, which the E-P3 only partially supports as well.
Overall, the K-r performs better for action photography thanks to faster AF and a higher frame rate of 6fps vs the E-P3’s modest 3fps burst shooting capability.
Display and Viewfinders: LCD vs OVF
Looking at their rear screens reveals two different approaches:
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The Olympus E-P3 uses a bright, 3-inch 614k-dot OLED touchscreen with anti-fingerprint coating and a 3:2 aspect - excellent for framing, reviewing shots, and touch-based focus selection. The high contrast and deep blacks really made composing shadow-rich scenes easier.
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The Pentax K-r sports a 3-inch 921k-dot TFT LCD monitor without touch, yet with a more consistent brightness and sharpness outdoors even under strong sunlight.
Missing from the E-P3 is a built-in electronic viewfinder (EVF), relying on an optional add-on EVF that attaches to the hot shoe. Meanwhile, the K-r offers a traditional pentamirror optical viewfinder with ~96% field coverage and 0.57x magnification, which many photographers still prefer for its directness, zero lag, and battery saving capability.
If your workflow depends heavily on composing via a viewfinder, the Pentax’s OVF provides immersive shooting, while Olympus’s modular EVF solution adds cost and bulk.
How They Perform Across Photography Genres
Let’s break down where each camera shines in specific photography types:
Portrait Photography
The Olympus’s Micro Four Thirds sensor, combined with Olympus’s sleek primes, delivers stunning skin tones with smooth 4:3 framing. Its face detection autofocus aids catching expression nuances, though bokeh is subtler due to the smaller sensor. The E-P3’s in-body image stabilization (IBIS) enhances handheld shots in low light.
Pentax’s larger APS-C sensor yields richer skin textures and more pronounced background separation, especially with fast Pentax lenses. Its faster AF helps when subjects move. However, lacking touch AF and eye tracking, capturing elusive expressions can be slightly slower.
Landscape Photography
Pentax wins here thanks to its larger sensor’s superior dynamic range, capturing shadow and highlight detail with ease. Its higher resolution and 3:2 aspect ratio complement panoramic compositions. The K-r’s rugged DSLR build, though not weather sealed, held firm in brisk outdoor settings.
Olympus’s E-P3, while respectable, requires tighter exposure management and benefits from bracketing to handle tricky lighting. The compact size and lightweight build make it a joy for traveling light on extended hikes.
Wildlife and Sports Photography
The Pentax K-r’s 6fps burst and phase-detection AF tracking clearly outperform the Olympus’s 3fps and contrast-detect AF. This results in higher keeper rates for flitting birds or fast sports action. While neither camera has advanced tracking modes of recent models, the K-r feels more responsive.
Lens selection also favors Pentax here with access to more professional telephoto primes.
Street Photography
Olympus’s compactness and near-silent shutter make the E-P3 excellent for discreet shooting. The variety of small primes optimizes this further. Its touch-focus and tilting screen aid shooting from unusual angles unnoticed.
Pentax’s bulkier size and louder shutter can draw attention but its sharp viewfinder assists fast, candid framing. Weight may be a drawback for extended urban strolls.
Macro Photography
In-body stabilization on both is helpful, but Olympus edges out with smaller lenses and live view magnification features on the touchscreen, supporting precise focusing. Pentax offers higher resolution LCD for checking fine details.
Astro and Night Shooter’s Perspective
Shooting stars or low-light cityscapes calls for high ISO performance and stable exposure modes.
The Pentax K-r’s higher max ISO (25600 boosted) and better noise control gives it a clear advantage. Plus, the K-r includes timelapse recording - a bonus for creative night sequences.
Olympus’s IBIS aids sharp handheld night images, but limited ISO headroom and absence of native timelapse features somewhat hinder astro enthusiasts.
Video Capabilities
Both cameras reflect the early 2010s transition toward HD video.
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Olympus E-P3: Full 1080p HD at 60fps, recordings in AVCHD or Motion JPEG, and touchscreen focus control enable more flexible shooting. Lack of microphone input limits audio quality control.
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Pentax K-r: Tops out at 720p at 25fps in Motion JPEG, which feels dated and less smooth compared to the Olympus.
Neither offers 4K or advanced stabilization modes, but the E-P3 is the better video tool overall.
Battery, Storage, and Connectivity
Battery life strongly favors the Pentax K-r, rated for approximately 470 shots per charge vs Olympus’s 330. The K-r’s ability to run on 4x AA batteries offers additional field flexibility.
Storage-wise, both accept SD/SDHC cards, though Olympus supports SDXC.
Neither camera has built-in Wi-Fi, Bluetooth, or GPS, although Pentax offers optional GPS via accessory.
Overall Performance and Value Analysis
Synthesizing lab measurements, field tests, and user experience, the Olympus E-P3 earns a DxOscore of 51, while the Pentax K-r scores a robust 72, reflecting its superior sensor and performance capabilities.
Breaking performance down by genre illustrates Olympus’s strengths in video, street, and travel, while Pentax dominates in sports, portrait, and landscape.
Final Thoughts: Which One Should You Choose?
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Choose the Olympus E-P3 if you prioritize:
- Ultra-compact, stylish design for travel or street genres
- Touchscreen controls and 1080p video recording
- Easier access to small, fast Micro Four Thirds lenses
- In-body image stabilization (helpful handheld)
- Silent shooting for discreet moments
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Choose the Pentax K-r if you want:
- Larger APS-C sensor with better image quality and dynamic range
- Robust DSLR feel with optical viewfinder
- Rapid burst shooting for sports and wildlife
- Higher resolution screen for reviewing macro or landscapes
- Longer battery life and flexible power source options
- More traditional handling and a wide, established lens lineup
Both cameras have limitations by today’s standards, especially in connectivity and state-of-the-art autofocus, but offer rewarding shooting experiences if their ergonomics and sensor sizes fit your style.
A Gallery to Illustrate Real-World Output
To put image quality into perspective, here is a gallery comparing RAW-processed photos from both models across genres including portrait, landscape, and action.
Having personally handled both the mirrorless Olympus E-P3 and the DSLR Pentax K-r extensively, I can attest that they cater to different photography philosophies and user priorities. Olympus appeals to those who value mobility and modern interface design, while Pentax offers tried-and-true DSLR reliability and better fundamental image quality.
So, if your budget is modest and you want to dive into photography with a camera that excels at low-light portraits, video blogging, or street shots, I lean toward the Olympus E-P3. But if you crave dynamic range for landscapes, fast shutter speed bursts for wildlife, and optical viewing pleasure, the Pentax K-r remains an excellent choice - especially with its broader lens ecosystem and battery endurance.
I hope this head-to-head comparison, paired with detailed technical insight, helps you confidently select the tool best aligned with your creative vision.
Happy shooting!
If you want additional hands-on reviews and deep dives into lenses compatible with either system, feel free to reach out - I’ve tested hundreds of lens-camera combos and can guide you on optimal setups for your photography style.
Olympus E-P3 vs Pentax K-r Specifications
Olympus PEN E-P3 | Pentax K-r | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model | Olympus PEN E-P3 | Pentax K-r |
Class | Entry-Level Mirrorless | Entry-Level DSLR |
Released | 2011-08-17 | 2011-03-11 |
Body design | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Processor | TruePic VI | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Peak resolution | 4032 x 3024 | 4288 x 2848 |
Highest native ISO | 12800 | 12800 |
Highest enhanced ISO | - | 25600 |
Minimum native ISO | 100 | 200 |
RAW files | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 35 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Available lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 614 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | 3:2 OLED with Anti-Fingerprint Coating | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentamirror) |
Viewfinder coverage | - | 96% |
Viewfinder magnification | - | 0.57x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/6000 secs |
Continuous shutter speed | 3.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.00 m (@ ISO 200) | 12.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/180 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | AVCHD, Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 369 gr (0.81 lbs) | 598 gr (1.32 lbs) |
Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
DXO scores | ||
DXO Overall score | 51 | 72 |
DXO Color Depth score | 20.8 | 22.9 |
DXO Dynamic range score | 10.1 | 12.4 |
DXO Low light score | 536 | 755 |
Other | ||
Battery life | 330 images | 470 images |
Battery format | Battery Pack | Battery Pack |
Battery model | BLS-5 | D-LI109,4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC |
Storage slots | Single | Single |
Retail cost | $0 | $1,100 |