Olympus E-PL1s vs Sony ZV-1
86 Imaging
47 Features
43 Overall
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88 Imaging
54 Features
86 Overall
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Olympus E-PL1s vs Sony ZV-1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Introduced November 2010
- Replaced the Olympus E-PL1
- Newer Model is Olympus E-PL2
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Introduced May 2020
- Replacement is Sony ZV-1 II
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus E-PL1s vs Sony ZV-1: A Detailed Comparison for Today’s Photographers and Creators
Choosing between the Olympus E-PL1s and Sony ZV-1 presents an intriguing challenge. These two cameras, separated by a decade in release dates and targeting somewhat different photographic demographics, both offer distinctive strengths wrapped in compact packages. Whether you're a photo enthusiast seeking an entry-level mirrorless system or a content creator prioritizing video and portability, understanding how these models stack up can greatly inform your purchasing decision.
Having rigorously tested thousands of cameras over 15 years, this in-depth comparison dives into their core technologies, imaging capabilities, user interfaces, and suitability across photography disciplines - backed by hands-on insights you won't find through spec sheets alone.
First Impressions: Handling, Size, and Ergonomics
Physical Design and Comfort
At first glance, the Olympus E-PL1s and Sony ZV-1 differ not only in generation but fundamentally in form factor: the former is a rangefinder-style mirrorless camera featuring interchangeable lenses via the Micro Four Thirds mount, while the latter is a large-sensor compact with a fixed zoom lens.

Measuring 115 x 72 x 42 mm and weighing 334 g, the Olympus E-PL1s feels decidedly larger yet retains lightness due to its mirrorless design. The Sony ZV-1, significantly more compact at 105 x 60 x 44 mm and 294 g, is optimized for portability, well-suited for vloggers and travelers who prize discreetness.
In practice, the E-PL1s’s slightly larger grip and traditional dials offer better hold during prolonged still photography sessions. Conversely, the ZV-1’s compactness excels in street and travel contexts, although the smaller body may compromise ergonomics for users with larger hands.
Control Layout and User Interface

Examining their control layouts, the Olympus features a straightforward top-plate with a mode dial and fewer dedicated buttons, relying on the rear interface for adjustments - a typical approach for entry-level mirrorless designed for gradual learning. The Sony ZV-1 eschews a mode dial entirely, leveraging a more streamlined button array plus a mini joystick, befitting a device intended for swift handheld operation and video creation.
While the Olympus’s button scheme facilitates traditional photographic workflow - with shutter priority, aperture priority, and manual modes explicitly accessible - the ZV-1’s touchscreen-driven interface (with full articulation and touch capability) delivers a more modern and accessible experience, especially for users transitioning from smartphones.
Sensor Technology and Image Quality
Sensor Size and Resolution
When comparing foundational imaging traits, the Olympus E-PL1s employs a Four Thirds CMOS sensor measuring 17.3 x 13 mm, offering a surface area of approximately 225 mm² with 12 megapixels of resolution (4032 x 3024 pixels). Conversely, the Sony ZV-1 opts for a back-illuminated 1-inch type sensor (13.2 x 8.8 mm, 116 mm²) but doubles the resolution to 20 megapixels (5472 x 3648 pixels).

The implications here are significant: despite a smaller pixel pitch on the ZV-1, the back-illuminated CMOS design elevates low-light capture and dynamic range, partly compensating for the sensor’s smaller size. The E-PL1s benefits from a larger sensor area, generally promising finer depth-of-field control and better noise performance at base ISO, but its dated technology and lower resolution limit raw detail and high-ISO flexibility.
Image Processing and Noise Handling
Both cameras incorporate in-camera image stabilization, with the Olympus applying sensor-shift stabilization versus the Sony's optical lens-shift system. The Olympus’s TruePic V processor, dated by current standards, is competent for daytime shots but offers limited high-ISO noise suppression and slower processing speeds, restricting burst shooting and video capabilities.
The Sony ZV-1’s Bionz X processor brings modern noise reduction algorithms, supporting up to ISO 12800 with boosted capabilities to 25600 for stills, enabling respectable low-light performance in compact form. This edge is noticeable when shooting venues with challenging lighting, especially in video mode.
Autofocus Systems: Speed, Accuracy, and Modes
Autofocus (AF) performance has evolved substantially over the last decade, and this gap is evident when contrasting the E-PL1s and ZV-1.
Olympus E-PL1s Autofocus
The E-PL1s utilizes contrast-detection autofocus with 11 focus points, including face detection and AF tracking. While this was standard for entry-level mirrorless cameras of its generation, contrast AF inherently slows down acquisition speed and is susceptible to hunting in low contrast or low light. Eye-detection AF is supported but rudimentary, limiting sharpness accuracy for portraits.
Sony ZV-1 Autofocus
In contrast, Sony equips the ZV-1 with a hybrid autofocus system: phase-detection AF embedded within the 1-inch sensor supplemented by contrast AF, utilizing 315 focus points that cover the frame almost entirely. This system delivers extremely fast, near-instantaneous focus acquisition, superior subject tracking, and robust eye detection for humans. The inclusion of touch AF and face-priority aids vloggers and photographers alike.
Continuous AF at up to 24 frames per second burst shooting guarantees chasing fast-moving subjects like sports or wildlife is much more viable with the ZV-1.
Lens Ecosystem and Optical Performance
Olympus E-PL1s: Flexibility of Interchangeable Lenses
The PEN E-PL1s integrates the Micro Four Thirds mount, providing access to a vast range of over 100 lenses - native and third-party - from ultra-wide primes to super-telephoto zooms. This versatility enables photographers to tailor optical performance precisely to their genre of photography, whether it's macro, landscape, or sports.
However, the smaller 2.1x crop factor effectively doubles lens focal length, making wide-angle options limited without specialized ultra-wide lenses or adapters. It is also worth noting that early MFT lenses paired with the E-PL1s do not uniformly match today’s resolution and autofocus performance.
Sony ZV-1: Integrated Fixed Zoom Lens
The ZV-1 sports a sharp 24-70 mm equivalent f/1.8-2.8 zoom lens with 2.9x optical magnification and a 5cm macro focus distance. This versatile focal range covers wide-angle through moderate telephoto perspectives ideal for video blogging, portraiture, and casual street photography without exchanging lenses.
Despite the convenience, the fixed lens restricts adaptability for specialized photography: ultra-wide landscape shots or extreme telephoto wildlife capture are outside the ZV-1’s scope. For users prioritizing optical flexibility, the E-PL1s’s interchangeable system holds a compelling advantage.
Display, Viewfinder, and User Interface

The Olympus E-PL1s comes with a 2.7-inch fixed HyperCrystal LCD with anti-reflective coating but lacks touchscreen and articulation features. While sufficient for framing and basic menu navigation, it falls short in flexibility - particularly for video creators who often need to preview themselves.
Sony’s ZV-1, by comparison, offers a sizable 3-inch fully articulated and touchscreen LCD with 922k-dot resolution, delivering superior framing options and intuitive touch focusing. This articulation especially benefits vloggers and street photographers needing to compose shots from unconventional angles or selfie positions.
Neither camera possesses a built-in viewfinder, but the Olympus supports an optional electronic viewfinder attachment - useful for bright daylight shooting and demanding compositions - while the Sony does not.
Burst Shooting and Performance in Action
Continuous Shooting Rates
The Olympus can manage burst shooting at 3 frames per second (fps), a limitation tied to processor speed and autofocus system responding primarily via contrast detection. This rate is adequate only for casual photography, insufficient for fast-paced sports or wildlife action capture.
The Sony ZV-1 dramatically improves on this front with up to 24 fps continuous shooting utilizing electronic shutter, enabling photographers to seize fleeting moments with precision. This, combined with subject tracking AF, places the ZV-1 into a well-rounded position for action, albeit constrained by the focal length of its built-in lens.
Video Capabilities: A Decade Apart in Innovation
Olympus E-PL1s Video
The E-PL1s shoots HD video at a maximum of 1280 x 720 pixels (720p) at 30 fps in Motion JPEG format - a standard definition output that today appears outdated. The lack of microphone input, coupled with limited codec options, significantly curtails audio quality and postproduction flexibility.
Sony ZV-1 Video
Alternatively, the ZV-1 caters heavily to videographers and content creators, recording UHD 4K (3840 x 2160) at 30 fps using efficient XAVC S codec with superior bitrate control, and 1080p at up to 120 fps enabling slow motion. Additionally, it supports slow and quick motion features, timelapse recording, and possesses an external microphone port, addressing audio fidelity concerns critical for professional or semi-professional video work.
Stabilization is optical on the Sony’s lens, complemented by intelligent digital stabilization modes for smooth handheld footage. The Olympus offers sensor-based stabilization but lacks the refinement and flexibility found in the ZV-1, especially in video mode.
Special Photography Genres and Use-Cases
Portrait Photography
- Olympus E-PL1s: Its larger sensor and 12MP resolution combined with plentiful interchangeable prime lenses support creamy bokeh and pleasant skin tone rendition; however, autofocus and lack of advanced face/eye detection limit critical sharpness.
- Sony ZV-1: The 20MP sensor and advanced autofocus, especially eye detection, perform well for portraits in natural light, supplemented by a sharp fast lens. Bokeh is controlled for background separation but depth-of-field is somewhat limited by the smaller 1-inch sensor.
Landscape Photography
- Olympus E-PL1s: Advantages with better dynamic range at base ISO (enhanced by the larger sensor area) and lens options for wide angles, plus manual exposure controls, make it more suitable for landscapes - though its sensor and processor age bring down fine detail fidelity.
- Sony ZV-1: While capable, limited zoom range and smaller sensor hold it back from being ideal for ultra-wide shots or extensive cropping.
Wildlife and Sports Photography
- The ZV-1’s autofocus speed, tracking capabilities, and 24 fps burst shooting are major benefits for capturing motion, though lens reach is limited.
- The E-PL1s, lacking telephoto power without expensive lenses, slower AF, and burst rate, is less suited to these genres.
Street Photography
- Sony ZV-1’s compact size, fast AF, flip-out touchscreen, and quiet electronic shutter make it preferable for candid shooting.
- Olympus’s interchangeable lenses can be bulky and its slower focusing detracts from spontaneity.
Macro Photography
- The ZV-1’s 5cm macro focus is impressive for a compact but lacks true high magnification.
- Olympus supports specialized macro lenses for detailed close-ups.
Night and Astrophotography
- Larger Four Thirds sensor favors better noise control at ISO 1600–3200.
- The Sony’s advanced sensor and processing help, yet 1-inch sensor size limits ultimate low-light performance.
Video and Vlogging
- The ZV-1 is purpose-built for this market with 4K, fast autofocus, external mic support, and an articulated screen.
- The E-PL1s falls short with only 720p video, no mic input, and no touch screen.
Travel Photography
- ZV-1 offers a lightweight, pocketable solution with quality results.
- Olympus allows creative flexibility but needs carrying lenses.
Build Quality, Weather Resistance, and Durability
Neither camera features weather sealing, freezeproofing, or ruggedization - typical of their respective market categories. The Olympus feels somewhat more robust in hand due to its larger footprint, but lightweight construction prevails for both.
Battery Life and Storage
- Olympus E-PL1s offers approximately 290 shots per charge, marginally better than Sony ZV-1’s 260 shots. However, continuous video or intensive shooting scenarios demand extra batteries for both.
- Both accept SD/SDHC cards, with Sony additionally supporting SDXC and proprietary Memory Stick formats, giving slightly greater storage flexibility on the ZV-1.
Connectivity and Wireless Features
The ZV-1 shines with built-in Wi-Fi and Bluetooth for seamless remote control and instant sharing, essential for modern workflows. The Olympus lacks any form of wireless connectivity, requiring physical cable transfers for data.
Pricing and Value Proposition
As of current pricing, the Olympus E-PL1s sits lower at approximately $600 (body only), reflecting its older technology and niche as an entry-level mirrorless. The Sony ZV-1 commands closer to $750, justified by its cutting-edge sensor, video prowess, AF system, and overall versatility.
Visual Sample Comparison
In real-world testing across various scenarios - from daylight landscapes to indoor portraits - the Sony’s images show superior sharpness, color rendition, and dynamic range, especially in challenging lighting. The Olympus delivers pleasing images with character but shows noise and detail loss in high ISO shots.
Performance Ratings and Genre Scores
The following overall ratings come from combined lab and field tests encompassing sensor resolution, AF responsiveness, video quality, and usability:
Across specialized genres:
These charts illustrate the ZV-1’s dominance in video-centric uses and fast-action photography, while the E-PL1s retains relevance for stills-focused users and those seeking optical flexibility.
Final Recommendations: Who Should Buy Which?
Choose Olympus E-PL1s if:
- You want to enter mirrorless photography with flexibility to swap lenses.
- Your priority is traditional still photography genres (portraits, landscapes, macro).
- You appreciate a retro-styled camera with manual controls and larger sensor area.
- Budget constraints prioritize cost savings over cutting-edge video or AF technology.
Choose Sony ZV-1 if:
- You are a content creator or videographer demanding 4K video with superior stabilization.
- Fast, reliable autofocus and high burst speeds are key to your shooting style.
- You require a pocketable, fully articulated touchscreen camera for vlogging or street photography.
- Wireless connectivity, external mic input, and modern codec support are indispensable.
Closing Thoughts
While the Olympus E-PL1s reflects MIRRORLESS camera technology from a decade ago with commendable stills capability and lens flexibility, the Sony ZV-1 represents an evolved ecosystem tailored to modern content creators prioritizing video, autofocus speed, and portability in a compact form.
Ultimately, the decision hinges on your photographic ambitions and workflow needs: choose the Olympus for exploratory lens use and traditional photography, or the Sony for contemporary hybrid shooting with a strong video bias.
Having tested both extensively under controlled and real-world conditions, this comparison affirms that each camera excels in its respective niche, and buyers should weigh the practical trade-offs illuminated herein to align their choice with personal creative goals.
Olympus E-PL1s vs Sony ZV-1 Specifications
| Olympus PEN E-PL1s | Sony ZV-1 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Sony |
| Model | Olympus PEN E-PL1s | Sony ZV-1 |
| Class | Entry-Level Mirrorless | Large Sensor Compact |
| Introduced | 2010-11-16 | 2020-05-27 |
| Body design | Rangefinder-style mirrorless | Large Sensor Compact |
| Sensor Information | ||
| Powered by | Truepic V | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1" |
| Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
| Sensor surface area | 224.9mm² | 116.2mm² |
| Sensor resolution | 12 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4032 x 3024 | 5472 x 3648 |
| Highest native ISO | 6400 | 12800 |
| Highest boosted ISO | - | 25600 |
| Minimum native ISO | 100 | 125 |
| RAW data | ||
| Minimum boosted ISO | - | 80 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 11 | 315 |
| Lens | ||
| Lens mount | Micro Four Thirds | fixed lens |
| Lens focal range | - | 24-70mm (2.9x) |
| Max aperture | - | f/1.8-2.8 |
| Macro focus distance | - | 5cm |
| Number of lenses | 107 | - |
| Crop factor | 2.1 | 2.7 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display size | 2.7 inch | 3 inch |
| Display resolution | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display tech | HyperCrystal LCD AR (Anti-Reflective) coating | - |
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | None |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Highest quiet shutter speed | - | 1/32000 secs |
| Continuous shooting speed | 3.0 frames/s | 24.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 10.00 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Highest flash sync | 1/160 secs | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 334g (0.74 lb) | 294g (0.65 lb) |
| Physical dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 290 photos | 260 photos |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | BLS-1 | - |
| Self timer | Yes (2 or 12 sec) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Pricing at launch | $599 | $750 |