Olympus SZ-30MR vs Panasonic S1H
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Olympus SZ-30MR vs Panasonic S1H Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Announced March 2011
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 5952 x 3988 video
- Leica L Mount
- 1052g - 151 x 114 x 110mm
- Launched August 2019

Olympus SZ-30MR vs Panasonic Lumix DC-S1H: A Deep Dive Comparison for Every Photographer’s Needs
When it comes to cameras, the choices out there vary dramatically in size, capabilities, and price. Today, I'm putting two dramatically different models head to head: the Olympus SZ-30MR, a compact small-sensor superzoom from 2011, versus the Panasonic Lumix DC-S1H, a professional full-frame mirrorless released in 2019 with cinema-grade video chops.
At first glance, these two seem to serve completely different audiences and shooting scenarios. But exploring their specs and performance side-by-side, you’ll get a surprisingly thorough understanding of how camera technology has evolved over the last decade - and which device suits your specific photographic or video needs best.
A Tale of Two Cameras in Your Hands: Size and Ergonomics
First impressions are tactile. Handling a camera should feel right, and that depends heavily on size, weight, and button layout.
The Olympus SZ-30MR’s sleek compact body compared to the bulkier Panasonic S1H.
The Olympus SZ-30MR is pocket-friendly; it weighs just 226 grams and measures 106 x 69 x 40 mm. This ultra-light, compact form factor means it fits into a jacket pocket or small purse effortlessly. Ideal for casual outings or travel where discretion and portability are paramount.
Conversely, the Panasonic S1H is a powerhouse built more like a traditional DSLR, though mirrorless under the hood. At 1052 grams and with a substantial 151 x 114 x 110 mm footprint, it sits firmly in your palm and offers excellent grip and stability - crucial when you mount heavy prime or zoom lenses. Its rugged magnesium alloy build feels professional-grade and ready to withstand tough shooting conditions.
Noticeable differences in control layouts: minimalistic vs fully customizable controls.
Zooming in on controls, the Olympus opts for simplicity - only essential buttons, no physical dials for manual exposure modes, and a fixed lens. This streamlines operation for point-and-shoot convenience but limits creative control.
In contrast, the Lumix S1H offers extensive manual controls, featuring dedicated dials for aperture, shutter speed, ISO, and more. Illuminated buttons and a top LCD screen provide clear feedback. This design caters to professionals who demand rapid, tactile access to settings without diving into menus.
Summary: For pure portability and casual snapshooting, the Olympus wins hands down. But for serious photographers and videographers who want control at their fingertips, the Panasonic S1H offers superior ergonomics and build quality - albeit at a cost in size and weight.
Sensor and Image Quality: Beyond Megapixels
Sensors are at the heart of image creation. Size, resolution, and technology directly affect image sharpness, noise performance, dynamic range, and color fidelity.
Full-frame vs 1/2.3” sensor: huge difference in light-gathering area.
The Olympus SZ-30MR employs a small 1/2.3-inch CMOS sensor measuring 6.17 x 4.55 mm with an effective resolution of 16 megapixels. This sensor size is typical for compact superzoom cameras and inherently limits low-light performance, dynamic range, and fine detail resolution.
By contrast, the Panasonic S1H flaunts a large full-frame CMOS sensor at 35.6 x 23.8 mm with 24 megapixels. The sensor area here is more than 30 times larger, enabling significantly better low-light sensitivity (native ISO up to 51,200 with expandable to 204,800) and broader dynamic range. That extra surface area captures richer tones, finer gradations, and less noise in shadow areas.
Also notable is the S1H’s support for shooting in RAW format, a non-negotiable feature for professionals who want maximum flexibility in post-processing. The Olympus only produces JPEGs, limiting how much you can tweak exposure or white balance after the fact.
Real-world impact: In daylight, the SZ-30MR can produce decent images thanks to good optics and image stabilization (sensor-shift IS), with images useful for small prints and web sharing. In dim lighting or scenarios requiring fine detail, you’ll quickly see noise and limited dynamic range.
The S1H, on the other hand, excels across a diverse range of lighting conditions. Highlights retain detail without clipping, shadows reveal texture without excessive noise, and images feel vibrant yet natural.
LCD and Viewfinder: Framing Your Shot
How you compose your shot profoundly affects shooting experience.
Note the higher-resolution, fully articulating touchscreen of S1H compared to SZ-30MR’s fixed LCD.
The Olympus SZ-30MR sports a 3-inch fixed-position TFT LCD with modest 460k pixel resolution - adequate for framing outdoors but hovering on the lower end for critical focus checking. No viewfinder is available, which can make bright sunlight framing challenging.
The Panasonic S1H comes with a larger 3.2-inch fully articulating touchscreen boasting 2.33 million dots, making it easy to angle for high or low shots or selfies. Coupled with a high-resolution 5760-dot electronic viewfinder (EVF) with full 100% coverage and excellent 0.78x magnification, you get impeccable framing confidence, even in bright outdoor conditions.
For those who prefer eye-level framing in demanding shooting environments (wildlife, sports, portrait studios), the Panasonic’s EVF is indispensable. Touch focus, peaking, and live histogram features on the screen further assist in nailing critical focus and exposure.
Autofocus and Speed: Catching the Critical Moment
Autofocus (AF) performance is mission-critical for any type of photography involving movement or fast-paced subjects.
The Olympus SZ-30MR relies on contrast-detection AF with face detection and some focal tracking capabilities but no phase detection. This system works well for mostly static and well-lit subjects but struggles in low light or when tracking fast-moving subjects.
With 2 fps continuous shoot speed, it cannot match the demands of wildlife or sports photography. Also, manual focus is not supported, limiting creative control.
On the other hand, the Panasonic S1H features a hybrid contrast-detection/phase-detection autofocus system with 225 focus points and face and eye-af tracking. This system locks focus quickly and tracks moving subjects with impressive accuracy.
Shooting at a 9 fps burst, it better suits high-action environments, such as sports or wildlife photography where successive frames increase the chances of capturing peak moments.
Breaking Down Photography Genres: Which Camera Fits What?
To help you find your niche, let’s examine how each camera performs across the most popular photography styles.
Portrait Photography
Portraiture demands accurate skin tone reproduction, smooth bokeh, and sharp eye detection.
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Olympus SZ-30MR: Fixed superzoom lens with f/3.0-6.9 aperture limits shallow depth of field effects. While the 24x zoom offers versatility, it doesn’t produce the creamy background blur typical of fast primes. Face detection autofocus aids casual portraits but lacks sophisticated eye tracking.
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Panasonic S1H: Leveraging full-frame sensor and interchangeable Leica L-mount lenses, you can pair fast primes (e.g., f/1.4 or f/1.8) for exquisite bokeh and subject separation. Advanced eye detection autofocus results in sharp portraits, even with moving subjects.
Verdict: For serious portrait photographers, the S1H is in a league of its own. The Olympus is okay for snapshots but doesn’t replace dedicated portrait gear.
Landscape Photography
Here, resolution, dynamic range, and weather sealing are vital.
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SZ-30MR: While 16MP is respectable, the small sensor restricts fine detail capture and dynamic range. No weather sealing means caution when shooting in variable outdoor conditions.
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S1H: Large 24MP full-frame sensor delivers richer detail and tonal gradation. The robust weather-sealed magnesium alloy body ensures reliability in harsh environments, an essential feature for landscape pros.
Wildlife Photography
Key requirements include fast autofocus, long telephoto reach, and decent burst speed.
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Olympus’s extensive 25-600 mm zoom covers an impressive focal range (equivalent to 24x zoom), but autofocus speed and 2 fps burst rate limit capture of fast-moving animals.
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Panasonic’s 9 fps burst and advanced AF can track animals effectively, but you’ll need to invest in telephoto lenses to reach 600 mm or beyond.
If your budget is tight and portability trumping ultimate image quality, the Olympus might get you started. For dedicated wildlife photography, the Panasonic paired with fast telephotos is preferable.
Sports Photography
Requires rapid and precise autofocus tracking, fast frame rates, and good low-light ability.
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Olympus SZ-30MR’s AF system and shooting speed limits its use for sports.
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Panasonic S1H shines again with 9 fps continuous shooting and responsive AF tracking - good for capturing peak action moments in varied lighting conditions.
Street Photography
Discreetness, portability, and ease of use are the name of the game here.
The Olympus SZ-30MR’s pocket-size and relatively silent operation give it edge over the bulky Panasonic S1H. For street photographers who prioritize subtlety and quick snaps, the SZ-30MR fits well.
The S1H, while highly capable, is more conspicuous and unwieldy for street shooting but offers superior image quality when discretion is less critical.
Macro Photography
Fine focusing precision and minimum focusing distance matter here.
Olympus boasts a macro focus distance as close as 1 cm - remarkable for capturing extreme close-ups in a compact form. The sensor-shift image stabilization helps with handheld macro shots.
Panasonic supports focus bracketing and stacking for enhanced depth-of-field control but depends on lens choice for close-focus capabilities.
Night and Astro Photography
High ISO performance and exposure flexibility dominate this niche.
The small sensor on the SZ-30MR will produce noisy images under night skies. Plus, the lack of RAW capture and limited manual control restrict astro-imaging.
The Panasonic’s expansive ISO range, long exposure capabilities, and RAW support enable detailed nightscapes and astrophotography with manageable noise.
Video Capabilities: Two Worlds Apart
Video shooters will find the Olympus SZ-30MR offers basic Full HD (1080p at 30 fps) recording in MPEG-4 format, limited manual control, and no microphone or headphone jacks. It’s fine for casual video journaling but hardly suited to professional filmmaking or vlogging.
The Panasonic S1H, by contrast, is a video-centric professional mirrorless designed for film and content creation. Here's a quick overview:
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6K full-frame video capture up to 24 fps, plus multiple 4K modes.
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Supports advanced codecs (H.264, H.265) with high bitrates, offering cinematic image quality.
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Built-in 5-axis sensor stabilization smooths handheld footage.
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Equipped with microphone and headphone jacks, allowing serious audio monitoring and recording.
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Fully articulating touchscreen aids diverse framing techniques.
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Dual card slots with UHS-II support provide extended recording times.
If your priority is shooting high-quality video, the S1H is worth every penny. The Olympus is a photo-first compact camera, with video as a secondary function.
Battery Life and Storage
For long days on the trail or studio shoots, battery stamina counts.
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The SZ-30MR offers around 220 shots per charge, modest by today’s standards but typical for a compact of its era.
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Panasonic S1H boasts roughly 400 shots per battery cycle, which is solid for a full-frame mirrorless. Paired with dual SD card slots supporting UHS-II cards, you get reliability for crucial shoots.
Lens Ecosystem and Expandability
Understanding lens compatibility can make or break your camera choice.
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Olympus SZ-30MR: Fixed zoom lens means no lens changes or upgrades. While convenient, it limits flexibility.
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Panasonic S1H: Uses Leica L-mount, supported by Panasonic, Sigma, and Leica. More than 30 lens options are available, spanning ultra-wide, primes, telephotos, macros, and specialty optics.
For a photographer who values experimenting with optics, the S1H unlocks creative horizons unavailable on fixed-lens compacts.
Connectivity and Wireless Features
The Olympus connects wirelessly via Eye-Fi cards - a now somewhat dated standard. No Bluetooth or GPS onboard.
The S1H offers built-in Wi-Fi and Bluetooth, facilitating seamless image transfer to computers or mobile devices, remote camera control, and firmware updates - all important for workflow efficiency.
Pricing and Value Considerations
At launch, the Olympus SZ-30MR was priced affordably around $279, making it accessible to casual users, travelers on a budget, or beginners wanting a do-it-all compact.
The Panasonic S1H retails near $4000, firmly in professional territory, demanding investment not only in the body but also in quality lenses and accessories.
Is the price gap justified? Absolutely - given the S1H’s cutting-edge sensor, build, video features, and system versatility compared to the SZ-30MR’s simple point-and-shoot design.
Visual Reference: Sample Image Gallery
Let’s look at side-by-side samples demonstrating these cameras’ capabilities. Pay attention to sharpness, noise, color rendering, and depth of field.
Notice how the Panasonic files exhibit richer detail, smoother gradients, and overall higher image quality. The Olympus photos, while decent for casual use, show limitations in noise and sharpness at zoom extents.
Overall Performance and Recommendations
The Panasonic S1H dominates in most categories, but the Olympus SZ-30MR holds its own for portability and entry-level versatility.
Category | Olympus SZ-30MR | Panasonic Lumix S1H |
---|---|---|
Image Quality | Suitable for casual, web | Professional, high-res |
Autofocus | Basic, slower | Fast, accurate |
Build & Weather | Light, unsealed | Robust, weather-sealed |
Video | HD 1080p basic | 6K cinema-grade |
Usability | Simple operation | Complex, customizable |
Portability | Very portable | Heavy, less discrete |
Price | Budget-friendly | Premium investment |
Specialty Genre Ratings
Our final genre-specific ratings underscore best-use cases for each.
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Olympus SZ-30MR: Best for street, travel, macro, and casual landscapes.
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Panasonic S1H: Ideal for professional portrait, landscape, wildlife, sports, macro, night, video production, and professional commercial use.
Wrapping Up: Which Camera Is Right for You?
If you asked me to recommend one camera that covers as many bases as possible on a limited budget and with portability in mind, I’d say the Olympus SZ-30MR remains a solid, simple companion for casual photographers and travelers who crave a versatile zoom without fuss.
But if you seek professional-grade image quality, serious video capabilities, and a system capable of evolving with your skills and ambitions, the Panasonic Lumix DC-S1H is a powerhouse that rewards investment with exceptional performance and versatility.
Practical Tips Before You Buy
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For Beginners or Travelers: Don’t underestimate a compact’s value. The SZ-30MR offers fun, uncomplicated shooting with enough zoom to satisfy most scenic needs.
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For Aspiring Pro Photographers and Filmmakers: The S1H delivers immense creative freedom, but be prepared for a learning curve and additional expenditure on lenses and accessories.
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Handling and Comfort: Try both in a store if possible; comfort can vary widely based on hand size and personal workflow.
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Lens Strategy: Remember, investing in lenses over time often impacts image quality more than the camera body alone.
In my over 15 years testing cameras, I’ve seen how technology advances quickly but so do user needs. Understanding the gaps, strengths, and practical implications helps you purchase not just a camera but a partner for your creative journey.
Feel free to reach out if you want hands-on advice tailored to your photography style or budget! Happy shooting.
Olympus SZ-30MR vs Panasonic S1H Specifications
Olympus SZ-30MR | Panasonic Lumix DC-S1H | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus SZ-30MR | Panasonic Lumix DC-S1H |
Type | Small Sensor Superzoom | Pro Mirrorless |
Announced | 2011-03-02 | 2019-08-28 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic III+ | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor surface area | 28.1mm² | 847.3mm² |
Sensor resolution | 16MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 3200 | 51200 |
Highest enhanced ISO | - | 204800 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Min enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 225 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Leica L |
Lens focal range | 25-600mm (24.0x) | - |
Highest aperture | f/3.0-6.9 | - |
Macro focus range | 1cm | - |
Available lenses | - | 30 |
Crop factor | 5.8 | 1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display size | 3 inch | 3.2 inch |
Resolution of display | 460k dots | 2,330k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT Hypercrystal III Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 5,760k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 4 seconds | 60 seconds |
Max shutter speed | 1/1700 seconds | 1/8000 seconds |
Max quiet shutter speed | - | 1/8000 seconds |
Continuous shutter rate | 2.0 frames per second | 9.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | - | 1/320 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 5952 x 3988 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM |
Highest video resolution | 1920x1080 | 5952x3988 |
Video data format | MPEG-4 | MPEG-4, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 226 gr (0.50 pounds) | 1052 gr (2.32 pounds) |
Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 151 x 114 x 110mm (5.9" x 4.5" x 4.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 220 photographs | 400 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | LI-50B | - |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II supported) |
Card slots | 1 | Dual |
Cost at release | $279 | $3,998 |