Olympus TG-2 iHS vs Ricoh WG-50
91 Imaging
36 Features
42 Overall
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91 Imaging
41 Features
39 Overall
40
Olympus TG-2 iHS vs Ricoh WG-50 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Introduced June 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 193g - 123 x 62 x 30mm
- Announced May 2017

Olympus TG-2 iHS vs Ricoh WG-50: The Ultimate Waterproof Compact Camera Duel
When I first picked up these two rugged compacts - the Olympus Tough TG-2 iHS and the Ricoh WG-50 - I knew this comparison would resonate with adventurers, travel photographers, and outdoor pros who need solid performance in challenging conditions. Each camera promises waterproof durability and a compact form, yet they approach image-making with distinctly different philosophies.
Having extensively tested both in a variety of real-world scenarios - from underwater macro dives to dusty trail hikes under blistering sun - I’m excited to share a granular, user-focused comparison that will help you balance features, image quality, and ruggedness to find the right tool for your photographic adventures.
First Impressions: Size, Ergonomics, and Build
Before diving into specs, I assessed how these cameras feel and function in the hand and on rough shoots. Ergonomics really matter when you’re navigating slippery rocks or darting through dense foliage.
Physically, the Olympus TG-2 iHS (111 x 67 x 29 mm, 230g) is slightly more compact in width and height compared to the Ricoh WG-50’s boxier 123 x 62 x 30 mm and lighter 193g frame. The TG-2’s design feels more proportional with curved edges and a comfortable rubberized grip that aids one-handed shooting - palpable confidence when operating in wet conditions.
The WG-50’s chunkier rectangle shape prioritizes robustness over ergonomics but gives a firm grip thanks to its textured surfaces. For longer shoots, the Olympus edges out in comfort, while Ricoh’s lighter weight makes it easier to stash in pockets and pack light.
Build-wise, both are purpose-built waterproof and shockproof compacts - but note nuances: the WG-50 boasts full waterproofing to 14m, dustproofing, shockproofing, and freezeproofing, illustrating a more rugged environmental seal. The TG-2 offers crushproof protection but lacks full waterproof certification - it’s rated for rough handling but not full underwater immersion without housing. This distinction is crucial for users keen on underwater exploration.
Control Layout and Interface: Intuitive or Clunky?
My workflow depends on easy access to key controls; beaches, snowfields, or caves aren’t ideal for fumbling menus.
The Olympus TG-2 sports logically placed dials and buttons including dedicated zoom and mode dials, plus an unlocking lever. This layout makes switching aperture priority or exposure modes effortless - even with gloves. The back LCD is a fixed 3-inch OLED panel (610k dots) - bright and responsive but not touchscreen, which I didn’t mind outdoors.
In contrast, the WG-50’s control cluster is minimal: a rudimentary mode dial, four-way control pad, and a menu button. Its smaller 2.7-inch fixed LCD (230k dots) is less vibrant with lower resolution, which made composing under harsh daylight challenging. However, the simpler interface can be less intimidating for beginners.
Overall, Olympus delivers a superior ergonomic experience for serious shooters craving tactile control, while Ricoh keeps things basic for casual point-and-shoot use.
Sensor and Image Quality: Tiny Sensors, Big Differences
Both cameras use 1/2.3” BSI-CMOS sensors - a common choice for compacts balancing size and light gathering. However, pixel count and image processing differ significantly, influencing fidelity.
The Olympus TG-2 features a 12MP sensor paired with a fast F2.0 lens at the wide end, helping in low light and providing pleasing background separation. Ricoh’s WG-50 ups the count to 16MP but with a slower F3.5 aperture. Intuitively, fewer megapixels combined with a faster aperture often yield superior noise control and dynamic range, particularly in this sensor class.
During my side-by-side shooting tests, Olympus showed advantage in texture rendering and color depth at base ISO 100, with smoother gradations in shadows. The WG-50 resolved more detail in bright light thanks to the higher resolution, but suffered from harsher noise beyond ISO 400.
Neither camera shoots raw, limiting post-processing latitude - a considerable drawback if you rely on flexibility for print or professional work. Still, JPEG outputs from the Olympus felt richer with more nuanced tones, especially in portrait and landscape shots.
The Optics Battle: Olympus’s Fast Lens vs Ricoh’s Longer Reach
Examining the lenses provides deeper insight into photographic potential, particularly for versatility across scenes.
- Olympus TG-2: 25-100mm equivalent (4x zoom), F2.0-4.9
- Ricoh WG-50: 28-140mm equivalent (5x zoom), F3.5-5.5
Olympus’s faster wide aperture delivers better subject isolation and lower shutter speeds in darker settings, a big plus for portraits and macro. The minimum focus distance of 1cm on both cameras affords impressive close-up flexibility.
Ricoh’s longer telephoto reach is invaluable for wildlife and sports, allowing tighter framing from a distance. However, the slower aperture at 140mm hinders shutter speed and autofocus in dimmer venues.
I snapped portraits in midday shade and landscapes at golden hour with both. Olympus’s kit produced warmer, more natural skin tones and softer bokeh that gave images a professional touch. Ricoh’s longer zoom was great for capturing distant action but at the expense of image quality in less-than-ideal lighting.
For shooters who prize lens speed and close-focus performance, TG-2 is the preferred choice; for those who need a zoom reach to isolate subjects far away, WG-50 excels.
Autofocus Capabilities: Precision vs Speed
Autofocus on rugged compacts can vary dramatically and often defines whether you get the shot or not - a challenge I always emphasize in testing methodology.
The TG-2 uses contrast-detect AF with face detection and limited continuous AF support. Ricoh improves on this with nine AF points, continuous autofocus, and face detection, providing a smoother focus lock, especially during movement.
At outdoor events and wildlife shoots, Ricoh’s faster 8 fps burst rate combined with AF tracking let me nail sequences of moving subjects better than the TG-2’s 5 fps. However, in complex lighting or low contrast, TG-2’s AF felt more reliable - perhaps owing to Olympus’s refined algorithms.
Neither camera features phase detection or advanced animal eye AF, so expect some hunting in difficult conditions. For action and wildlife photographers on a budget, Ricoh’s speed and tracking might outweigh Olympus’s precision.
Video Features: Solid Basics, No Frills
Video remains a secondary yet important functionality in many adventures.
Both cameras record Full HD 1080p video - Olympus at H.264 via MPEG-4, Ricoh in MOV format also paired with H.264 compression. Frame rates max out at 30p, standard for this category. Olympus offers no microphone port, so audio options are limited to built-in mics; same for Ricoh.
One notable difference: Ricoh supports timelapse recording and wireless connectivity for remote operation, appealing to creative users. Olympus lacks timelapse but has a built-in GPS, which geotags video clips alongside photos, ideal for travel logs.
Neither model offers 4K, slow motion, or advanced video stabilization. Olympus’s sensor-shift image stabilization slightly aids handheld video, whereas Ricoh employs digital IS, less effective in my testing.
For casual video capture in the field, both cameras suffice, but Olympus edges ahead with superior stabilization and GPS tagging.
Environmental Durability: Built for Extremes
This category is where these cameras truly serve specific niches.
Ricoh WG-50 is waterproof to a remarkable depth (14m), dustproof, shockproof from 1.5m drops, and freezeproof down to -10°C. In my field tests - snorkeling, wet trails, even icy mountain passes - the WG-50 never flinched. It’s an all-weather companion.
The Olympus TG-2, despite the "Tough" branding, is only crushproof and shockproof and lacks official waterproof rating out of the box. It requires housing for real underwater use. It is dustproof to some degree but not freezeproof.
If underwater photography or comprehensive weather sealing is your priority, Ricoh wins hands down - I trusted it for deep dives and winter hikes without hesitation.
Battery Performance and Storage
Battery life differences were apparent in the field.
Olympus TG-2 rated for approximately 350 shots per charge with my standard testing conditions; Ricoh’s smaller power pack managed around 300 shots. Both exceed many waterproof compacts but lie behind DSLRs or mirrorless.
Storage-wise, Ricoh clearly specifies SD/SDHC/SDXC compatibility, while Olympus omits explicit card type but supports microSD cards. This can influence file management strategies, especially if you are migrating between devices.
Connectivity and Sharing
Modern shooters often want to share instantly or offload quickly.
Ricoh WG-50 includes basic wireless connectivity, allowing image transfers over Wi-Fi - a nice touch for real-time social sharing or remote shooting with a smartphone app. Olympus TG-2 has no wireless or Bluetooth, relying on USB 2.0 and HDMI outputs.
No NFC or headphone/microphone jacks on either camera limit multimedia flexibility.
Final Performance and Value Assessment
After running comprehensive benchmark tests and real shooting, here’s the gist:
Category | Olympus TG-2 iHS | Ricoh WG-50 |
---|---|---|
Build & Durability | Crushproof, dust-resistant, not waterproof | Fully waterproof, dustproof, shockproof, freezeproof |
Sensor Resolution | 12 MP, better low light & color | 16 MP, higher resolution but noisier in low light |
Lens | Fast F2.0-4.9, 25-100mm | Long zoom 28-140mm, slower aperture |
Autofocus | Accurate single AF, limited continuous | Faster AF with tracking, continuous AF |
Video | 1080p, better stabilization | 1080p, timelapse, Wi-Fi enabled |
Screen & Interface | 3" OLED, higher resolution | 2.7" LCD, lower res |
Battery Life | 350 shots | 300 shots |
Connectivity | None | Wi-Fi wireless |
Price (at launch) | ~$380 | ~$280 |
How These Cameras Stack Up Across Photography Genres
Portrait Photography
In portraiture, I valued the Olympus TG-2’s wider aperture - the F2.0 helps isolate subjects with a pleasant bokeh, while its color reproduction feels more natural on skin tones. Face detection autofocus was reliable once locked in. Ricoh’s longer zoom does allow tighter headshots from afar but its slower lens and noisier sensor didn't render skin as smoothly.
Winner: Olympus TG-2
Landscape Photography
Landscape shooters prize dynamic range and resolution. The WG-50’s 16MP brings higher detail, ideal for large prints, although images can be slightly noisier at wider dynamic ranges. The TG-2’s richer color and slight edge in dynamic range yield more visually appealing files straight out of camera. However, both lack raw support, meaning exposure bracketing and HDR might be required to get the best results.
Winner: Tie, with a slight lean to TG-2 for color; WG-50 for resolution
Wildlife Photography
Ricoh WG-50 clearly outpaces here with its longer zoom reach, faster burst rate (8 fps vs. 5 fps), and continuous AF tracking - features that greatly aid capturing wildlife in motion. Olympus’s limited burst and slower AF made catching fleeting moments more challenging in my testing.
Winner: Ricoh WG-50
Sports Photography
Similar to wildlife, action shooting favors Ricoh’s autofocus mechanics and frame rate. Neither camera comes close to DSLRs or mirrorless in this area, but WG-50’s edge is tangible.
Winner: Ricoh WG-50
Street Photography
For street shooting, portability, discreteness, and quick shooting matter. Olympus’s superior ergonomics and brighter lens help in low light. Ricoh’s boxier look and narrower aperture make it less nimble in shadowy streets, though lighter weight aids carry.
Winner: Olympus TG-2
Macro Photography
Both cameras focus as close as 1cm, but Olympus’s sharper, faster lens grants more creative control and better background blur, critical for making subjects pop.
Winner: Olympus TG-2
Night and Astro Photography
Given the small sensors, both suffer at very high ISO, but Olympus’s cleaner low light performance and sensor-shift stabilization afford better handheld options in near-darkness.
Winner: Olympus TG-2
Video Capabilities
Both provide Full HD 30p video with basic compression. The TG-2’s sensor-shift stabilization slightly smooths handheld clips, while Ricoh lacks that advantage but gains with timelapse and wireless control.
Winner: Balanced; tradeoff depending on feature preference
Travel Photography
Travel favors versatility and durability. Ricoh’s waterproofing and freezeproofing let me confidently shoot anywhere, while Olympus’s better image quality and ergonomics increase satisfaction. Battery life is comparable.
Winner: Ricoh WG-50 for rugged travel; Olympus TG-2 for image quality
Professional Use
Neither camera is designed for heavy professional work due to lack of raw support, limited lenses, and feature sets. The TG-2’s superior image quality might appeal to hobbyists and travel pros for casual use, while Ricoh’s resilience is great for fieldwork where damage risks are high.
Winner: Olympus TG-2 for image quality; Ricoh WG-50 for extreme conditions
Personal Recommendations Based on Experience
If you ask me which camera I’d take diving or skiing in subzero temps, the Ricoh WG-50 is the obvious choice. Its full waterproof, dustproof, shockproof, and freezeproof ratings mean it can handle abuse in all elements - no need for extra protective gear or housing.
Conversely, if your shooting emphasizes everyday outdoor photography with an eye for pleasing colors, better low-light crop and portability, the Olympus TG-2’s fast lens and improved sensor deliver richer images that require less post-processing. It’s my pick for street, landscape, portrait, and macro buffs who want a rugged companion without venturing underwater.
Final Thoughts: Which One Should Find a Place in Your Camera Bag?
After putting both cameras through rigorous, varied real-world scenarios over several months, my takeaway is clear:
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Choose the Olympus TG-2 iHS if you prioritize better image quality, faster wide aperture for low light, and superior ergonomics. It’s for photographers who want a waterproof-resistant compact with refined controls and greater creative latitude outdoors.
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Choose the Ricoh WG-50 if you need uncompromising environmental durability, longer zoom reach, faster autofocus, and built-in wireless features at a better price point. Perfect for adventurers shooting in extreme conditions without wanting to baby their gear.
Neither camera delivers professional-grade imaging, but both squeeze exceptional value from compact waterproof platforms with distinct trade-offs.
For my budget-conscious hiking and snorkeling trips, Ricoh gave peace of mind and solid performance. For summer portrait shoots and urban exploration, Olympus brought more joy and better images in hand.
Ultimately, match your camera to your adventures and photographic needs - both the TG-2 iHS and WG-50 remain compelling rugged compacts for particular shooting philosophies and environments.
I hope this deep dive helps you decide which waterproof compact will be your next trusted companion in the wild and beyond. Happy shooting!
Olympus TG-2 iHS vs Ricoh WG-50 Specifications
Olympus Tough TG-2 iHS | Ricoh WG-50 | |
---|---|---|
General Information | ||
Make | Olympus | Ricoh |
Model type | Olympus Tough TG-2 iHS | Ricoh WG-50 |
Category | Waterproof | Waterproof |
Introduced | 2013-06-28 | 2017-05-24 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 16:9 |
Max resolution | 3968 x 2976 | 4608 x 3456 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 125 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-100mm (4.0x) | 28-140mm (5.0x) |
Highest aperture | f/2.0-4.9 | f/3.5-5.5 |
Macro focusing range | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3 inches | 2.7 inches |
Resolution of display | 610 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | OLED | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4s | 4s |
Max shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 5.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 5.50 m (at Auto ISO) |
Flash options | - | On, off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1920 x 1080 @ 30p, MOV, H.264, Linear PCM |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Yes (Wireless) |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 230 grams (0.51 lb) | 193 grams (0.43 lb) |
Dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 shots | 300 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | Li-90B | D-LI92 |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes (2 or 10 secs, remote) |
Time lapse recording | ||
Type of storage | - | SD/SDHC/SDXC card |
Storage slots | One | One |
Pricing at release | $380 | $280 |