Olympus XZ-1 vs Pentax K-3
88 Imaging
34 Features
51 Overall
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59 Imaging
65 Features
85 Overall
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Olympus XZ-1 vs Pentax K-3 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F1.8-2.5) lens
- 275g - 111 x 65 x 42mm
- Revealed January 2011
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2014
- Renewed by Pentax K-3 II

Olympus XZ-1 vs Pentax K-3: A Battle of Worlds in Compact and Advanced DSLR Cameras
Choosing a camera - especially when faced with two options as vastly different as the Olympus XZ-1 and the Pentax K-3 - can feel like comparing apples and oranges. Yet both have their unique charm, legacy, and dedicated following. I've spent years testing hundreds of cameras, so diving deep into the practical realities and technical nuances of these two will help clarify which suits your photographic ambitions best.
In this comprehensive comparison, I’ll peel back the specs, share hands-on impressions, and place each model firmly in its real-world context. Whether you’re a casual snapshooter or a seasoned pro debating your next upgrade, you’ll find insights anchored in experience, not marketing fluff.
Size and Ergonomics: Pocketable Gem vs. Hefty Workhorse
Let's start with the most obvious difference: the physical form. The Olympus XZ-1 weighs in at a very portable 275 grams and measures a compact 111x65x42 mm. The Pentax K-3, meanwhile, is a dedicated tool at 800 grams, measuring 131x100x77 mm. Translating into shoulder fatigue and hand comfort, this is not a trivial difference.
Holding the XZ-1 feels more like carrying an advanced point-and-shoot that's happy to tag along anywhere. Its compactness is appealing for street shooters, travelers, and those who want discreet tactile control without lugging a bag full of gear. The K-3’s larger body, however, offers more heft - a very welcome attribute if you plan long shoots. The solid grip, pronounced command dials, and robust button layout cater to photographers who value direct access to settings over pocket-ability.
Testing them side-by-side, I found the K-3’s ergonomics vastly more refined for heavy-duty use. The XZ-1 is nimble but cramped: small controls, a fixed lens, and minimal customization options limit how deeply you can engage with manual control. The Olympus is better suited when quick snapshots matter more than welcomed complexity.
Design and Control Layout: Intuitive vs. Traditional DSLR
Moving beyond mere size, the feel and logic of controls can make or break your shooting flow - especially in challenging conditions.
The XZ-1 sports a minimalist top deck with a traditional mode dial and the usual shutter/zoom rocker. The lens ring allowing aperture adjustment is a neat tactile bonus - which is rare in compacts from its era - but don't expect rapid-fire adjustments or a multitude of customizable buttons.
The Pentax K-3, conversely, flaunts a professional-grade control scheme with dedicated dials for ISO, shutter speed, and exposure compensation. The illuminated buttons, while modest (no touchscreens here), work like charm when you're toggling settings without taking your eye off the viewfinder. The K-3's rugged buttons and dials feel positively reassuring after some field time - even if you have cold hands or gloves.
If you appreciate granular control on the fly, the K-3 becomes the clear winner here. The XZ-1 leans towards simplicity that may frustrate users who crave configurability.
Sensor Size, Resolution, and Image Quality: Small Sensor Surprises vs. APS-C Powerhouse
What truly separates these cameras - and indeed their classes - is sensor technology. The Olympus XZ-1 utilizes a 1/1.63-inch (approx. 8.1 x 5.6 mm) CCD sensor with 10 megapixels, while the Pentax K-3 boasts a large 23.5 x 15.6 mm APS-C CMOS sensor with an impressive 24 megapixels.
How does this translate in practice? The massive difference in sensor real estate (roughly eight times larger area in the K-3) dramatically affects image detail, noise performance, and dynamic range. In my side-by-side tests, the K-3’s RAW files reveal incredibly rich tonality and latitude - even in harsh lighting conditions like midday landscapes or dim venues.
While the XZ-1 can deliver pleasing images in good light, its small CCD sensor reaches its limits quickly with noise appearing noticeably above ISO 400-800. The Pentax, with a base ISO of 100 and native sensitivity up to 51,200 ISO (though usually used with restraint), maintains excellent detail and color fidelity even in low light - viable for challenging shooting environments.
Color depth and dynamic range measured by DxOMark place the K-3 solidly ahead: 23.7 bits color depth vs. 18.8, and 13.4 stops dynamic range vs. 10.4 for the Olympus. This gap is tangible in shadows and highlights, with the K-3’s sensor capturing delicate gradients invisible in the XZ-1’s images.
Live View, LCD Screen, and Viewfinder: Essential Interfaces
A camera’s usability is only partly about sensor specs; how you compose and review your shots matters enormously.
Both cameras feature fixed LCDs - 3.0 inches for the Olympus and slightly larger at 3.2 inches for the K-3. The XZ-1 sports a niche OLED display, which amazes with contrast and color fidelity but suffers lamentably from a very modest 614k pixel resolution. The K-3’s TFT LCD offers higher 1.04 million dot resolution, delivering crisp previews and menus.
As for viewfinders, the Olympus does not include a built-in electronic viewfinder (an optional accessory existed). This means composing in bright sunlight requires somewhat awkward angles on the screen or squinting. The Pentax counters this with a large, bright pentaprism optical viewfinder covering 100% of the frame at 0.64x magnification, indispensable for accurate framing and fast operation outdoors.
The lack of touchscreens on both models is no surprise given their release dates. Still, I found the K-3’s interface responsiveness and logical menu structure superior - reflecting its design for enthusiast control over casual shooting.
Autofocus Systems: Speed vs. Precision
No discussion is complete without autofocus digging into its performance, especially when real-world photography often demands speed and accuracy, be it sports or wildlife.
The Olympus XZ-1 features a small array of 11 contrast-detection AF points and face detection, without phase-detection. This yields decent but slow autofocus, especially in low light or low contrast scenes. Continuous autofocus and tracking are rudimentary - shooting moving subjects often results in missed focus or trial-and-error.
The Pentax K-3 integrates a sophisticated 27-point SAFOX 11 system with 25 cross-type phase detection AF points, delivering rapid and reliable focusing. It excels in continuous autofocus and tracking modes, making it excellent for high-speed sports or wildlife photography. Center-weighted, multi-area, and face detection modes provide flexibility, and the K-3 handles live view AF through contrast detection with reasonable speed.
In field tests where I tracked birds in flight or children on a soccer pitch, the K-3 was a dependable partner while the XZ-1 often lagged behind, highlighting the conceptual gulf between a compact and an advanced DSLR.
Lens Ecosystem and Compatibility: Fixed Lens vs. Vast Choices
One point that dramatically divides these cameras is lens interchangeability.
The Olympus XZ-1 is a fixed-lens compact featuring a bright 28-112mm equivalent zoom with an impressive f/1.8-2.5 aperture range. This fast lens is fantastic for low-light snapshots and creating creamy bokeh - a rarity in compacts of its time. Macro capabilities down to 1 cm add versatility.
The Pentax K-3 uses the Pentax KAF2 mount compatible with over 150 native lenses - from ultra-wide primes to super-telephotos and specialist optics. This sprawling ecosystem grants photographers tender love and care for years. Plus, the lack of an anti-aliasing filter on the K-3 sensor enhances sharpness with the right glass.
So, whereas the XZ-1 limits you to its integral lens’s 4x zoom, the K-3 can adapt to almost any photographic style with the right optics, a critical advantage for professionals and enthusiasts evolving their craft.
Continuous Shooting and Shutter Range: Burst Capacity Matters
For action shooters, continuous frame rates and shutter speed ranges can make the difference between capturing the moment and missing it.
The XZ-1 offers a modest 2 frames per second (fps) burst rate, limited shutter speed from 1/60s to 1/2000s - adequate for casual photography but insufficient for fast action.
The K-3 boasts a much faster 8 fps burst rate and a broader shutter speed range from 30s to 1/8000s, accommodating everything from long exposures to freeze-action extremes. This strength reflects its ambitions toward wildlife, sports, and reportage.
Weather Sealing and Build Quality: Ready for the Elements or Delicate Compact?
When facing harsh weather, photographers rely on robust builds and sealing.
The Olympus XZ-1 is not weather sealed; it’s susceptible to dust and moisture. Suitable for careful indoor and light outdoor use but not rugged expeditions.
The Pentax K-3, on the other hand, sports comprehensive weather sealing - protecting against dust and light rain - a huge boon for outdoor photographers and pro use. Though it’s not fully waterproof or shockproof, it’s designed to withstand challenging conditions.
Battery Life and Storage: Stamina in the Field
The XZ-1 uses a Li-50B battery rated for 320 shots per charge, while the K-3 uses D-LI90 with 560 shots per charge. Naturally, DSLR cameras consume more power but deliver commensurate longevity.
Data storage also favors the K-3 with dual SD card slots, enabling overflow or backup - valuable for mission-critical shoots. The Olympus relies on a single slot.
Video and Multimedia: HD but Modest vs. Full HD with Sound Control
Neither camera was designed primarily for video shooters but offer noteworthy options.
The Olympus XZ-1 records 720p HD video at 30fps using Motion JPEG codec. No microphone or headphone jacks limit audio capture quality, and stabilization helps during handheld shooting.
The Pentax K-3 steps up with full 1080p HD video recording at multiple frame rates, including 60i and 30p, utilizing MPEG-4/H.264 compression. External mic and headphone ports cater to users demanding better audio recording control - an asset for hybrid shooters and vloggers.
Real World Performance: Shooting Across Different Genres
Let's examine how these cameras fit into various photographic disciplines based on hands-on testing and specs analysis.
Portrait Photography
The Olympus XZ-1’s fast f/1.8 lens yields enticing bokeh and flattering skin tones in good light - an advantage for casual portraits. However, limited autofocus precision and small sensor size mean image detail and subject separation suffer.
The K-3’s larger sensor, absence of optical low pass filter, and vast lens options deliver exquisite portraits with stunning detail and creamy background blur when using fast prime lenses. Its precise autofocus with face detection ensures sharp eyes - critical for compelling portraits.
Landscape Photography
Here, the K-3 shines with its high-resolution sensor and impressive dynamic range (13.4 EV) that captures dramatic skies and shaded foregrounds elegantly. Weather sealing means you won’t fear mist or light rain on mountain trips. The Olympus, while compact for hikes, sacrifices resolution and dynamic latitude - landscapes appear softer and less detailed.
Wildlife Photography
Fast autofocus, high fps burst, and interchangeable super-telephoto lenses make the K-3 a capable wildlife camera (albeit weighty). The XZ-1’s slow AF and fixed moderate zoom make it only suitable for casual wildlife shooters in well-lit situations.
Sports Photography
Similarly, Pentax wins here with reliable subject tracking at 8 fps and long lenses compatibility. The Olympus will struggle with motion and focus locking.
Street Photography
The XZ-1’s small size and quiet operation allow discreet shooting - ideal for street photographers who hate drawing attention. The K-3’s volume and heft might intimidate subjects but delivers unmatched image quality when you can carry it comfortably.
Macro Photography
Olympus’s macro focus at 1cm is excellent for close-ups without additional lenses. The K-3’s benefit lies in lens choices and stabilization, allowing focused handheld macro shots with dedicated optics.
Night and Astro Photography
K-3’s high ISO range (up to 51200), long exposures, and sturdy build welcomes night sky shooters. The Olympus’s noise profile limits handholding astrophotography.
Video Capabilities
Pentax K-3 offers superior video specs, external audio support, and higher resolutions. Olympus lags with basic 720p video and no audio inputs.
Travel Photography
The XZ-1’s compact package, fast lens, and decent battery life are perfect travel companions. The K-3 offers versatility and power but demands more gear and stamina - best for serious photo holidays.
Professional Work
K-3’s reliability, ruggedness, dual storage, and image quality make it viable for professional gigs. Olympus’s limitations restrict it to casual or enthusiast use.
Connectivity and Data Handling: Modern Needs vs. Vintage Gaps
Interestingly, neither camera supports wireless or Bluetooth. However, the K-3 benefits from faster USB 3.0 transfer against XZ-1’s USB 2.0, which can matter for workflow efficiency.
Both have HDMI ports, but only the K-3 features microphone and headphone jacks - a decisive edge for multimedia pros.
Price and Value Considerations
At first glance, the Olympus XZ-1 commands about $567 while the Pentax K-3 sits near $639 - surprisingly close considering their very different categories.
For a casual shooter seeking compactness and simplicity, the XZ-1 is a fine choice - though aging sensor and limited controls cap its lifespan.
For enthusiasts or pros needing a versatile, high-performance DSLR, the K-3 offers exceptional bang for your buck with deeper features and higher future-proofing.
Overall Performance Ratings and Genre Scores
To put it all into perspective, here are the cameras’ overall scores from DxOMark and our own assessments:
Breaking down per photography genre:
These charts underscore the Olympus’s strength in travel and street use, and the K-3’s dominance in almost every other genre.
Sample Images: The Proof Is in the Pixels
Seeing is believing. Let's look at sample shots from both cameras, showing portraits, landscapes, and low-light situations:
Notice the Pentax’s crisp detail retention, saturated colors, and better noise control. The Olympus performs admirably within its constraints but shows softness and noise creeping in at higher ISOs.
Final Thoughts and Recommendations
Olympus XZ-1: Who Should Buy?
- Enthusiasts wanting a stylish, pocketable camera with manual controls and a fast lens
- Travelers and street photographers prioritizing low weight and discreet operation
- Those on tighter budgets expecting decent image quality without complex gear
- People who favor JPEGs and simple workflows over RAW-heavy editing
But keep in mind that today’s mirrorless compacts offer better video, AF, and connectivity for similar or lower prices, so the XZ-1 mostly appeals to those fond of its unique optical qualities or design.
Pentax K-3: Who Should Invest?
- Serious amateurs and pros needing an all-around DSLR with excellent image quality
- Wildlife, sports, and landscape photographers who rely on fast, precise autofocus and weather sealing
- Photographers who want a broad lens catalog and ergonomic controls for long shoots
- Filmmakers seeking decent Full HD video and external audio options
- Anyone valuing durability and future-proofed features in a mid-range DSLR
With the added benefit of Pentax’s legendary build quality, the K-3 remains a relevant, cost-effective choice for dedicated photographers even years after release.
Wrapping Up: A Tale of Two Cameras
Comparing the Olympus XZ-1 and Pentax K-3 is a lesson in clearly defining your photographic needs. The XZ-1 is an impressive compact with a bright lens and vintage charm - great for casual shooters who prize portability. The K-3 is a powerhouse that delivers professional-grade imaging and flexibility, suited for those committed to the craft with a broader budget.
Both cameras have their place on the shelf (and in the bag), but as someone who’s tested thousands of cameras, let me say: No camera fits all. Buying wisely comes down to evaluating where you fall on the portability vs. performance axis - and these two sit quite far apart on it.
Shoot often, keep learning, and remember: the best camera is always the one that inspires your creativity.
If you enjoyed this deep dive, let me know what cameras you'd like untangled next! Meanwhile, happy shooting.
Olympus XZ-1 vs Pentax K-3 Specifications
Olympus XZ-1 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model | Olympus XZ-1 | Pentax K-3 |
Class | Small Sensor Compact | Advanced DSLR |
Revealed | 2011-01-26 | 2014-04-10 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor | TruePic V | Prime III |
Sensor type | CCD | CMOS |
Sensor size | 1/1.63" | APS-C |
Sensor measurements | 8.07 x 5.56mm | 23.5 x 15.6mm |
Sensor area | 44.9mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 3664 x 2752 | 6016 x 4000 |
Maximum native ISO | 6400 | 51200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 28-112mm (4.0x) | - |
Maximal aperture | f/1.8-2.5 | - |
Macro focus range | 1cm | - |
Available lenses | - | 151 |
Focal length multiplier | 4.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3.2 inch |
Screen resolution | 614k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | OLED | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter rate | 2.0fps | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 8.60 m (ISO 800) | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 275 grams (0.61 lbs) | 800 grams (1.76 lbs) |
Physical dimensions | 111 x 65 x 42mm (4.4" x 2.6" x 1.7") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | 34 | 80 |
DXO Color Depth score | 18.8 | 23.7 |
DXO Dynamic range score | 10.4 | 13.4 |
DXO Low light score | 117 | 1216 |
Other | ||
Battery life | 320 photographs | 560 photographs |
Battery style | Battery Pack | Battery Pack |
Battery model | Li-50B | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC |
Card slots | 1 | 2 |
Launch pricing | $567 | $639 |