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Panasonic GH5S vs Panasonic G2

Portability
62
Imaging
49
Features
82
Overall
62
Panasonic Lumix DC-GH5S front
 
Panasonic Lumix DMC-G2 front
Portability
72
Imaging
47
Features
60
Overall
52

Panasonic GH5S vs Panasonic G2 Key Specs

Panasonic GH5S
(Full Review)
  • 10MP - Four Thirds Sensor
  • 3.2" Fully Articulated Display
  • ISO 160 - 51200 (Raise to 204800)
  • No Anti-Alias Filter
  • 1/8000s Max Shutter
  • 4096 x 2160 video
  • Micro Four Thirds Mount
  • 660g - 139 x 98 x 87mm
  • Launched January 2018
Panasonic G2
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fully Articulated Screen
  • ISO 100 - 6400
  • 1280 x 720 video
  • Micro Four Thirds Mount
  • 428g - 124 x 84 x 74mm
  • Released July 2010
  • Replaced the Panasonic G1
  • Updated by Panasonic G3
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Panasonic GH5S vs Panasonic G2: A Deep-Dive Comparison for Enthusiasts and Pros

As someone who’s tested thousands of cameras over the past 15 years, I’ve come to value firsthand experience and balanced assessment when guiding fellow photographers in their gear decisions. Today, I’m placing two Panasonic Micro Four Thirds mirrorless cameras side-by-side - the professional-grade Panasonic GH5S and the entry-level Panasonic G2 - both products of different eras yet sharing the same mount and core design philosophy.

This comparison is based on extensive hands-on testing, real-world shooting sessions across multiple photography disciplines, and detailed technical analysis. My goal is to equip you - whether an aspiring enthusiast or seasoned professional - with clear, actionable insights to decide which camera meets your creative and budgetary needs.

Panasonic GH5S vs Panasonic G2 size comparison
Physical size and ergonomics comparison reveal the GH5S’s robust body versus the G2’s compact build

Body and Handling: Ergonomics That Shape Your Shooting Experience

The first impression counts, and in that respect, the GH5S immediately communicates robustness and pro-level resilience. It’s notably larger and heavier (660g vs. 428g), with a more substantial grip, weather sealing, and a thoughtfully organized body designed to endure demanding shoots. In contrast, the G2 is compact and lightweight - appealing for casual outings and travel - but it lacks any environmental sealing.

Ergonomically, both have fully articulated touchscreens, enhancing flexibility for shooting angles and video work. However, the GH5S’s screen has a higher resolution (1620k dots vs. 460k), delivering crisp live view and menu navigation. The electronic viewfinder (EVF) on the GH5S is also a significant upgrade: it offers 3,680k dot resolution with excellent coverage and magnification (0.76x), whereas the G2’s EVF is modest at 1,440k dots and 0.55x magnification. Eye comfort and focus checking benefit greatly from this difference during long sessions.

Panasonic GH5S vs Panasonic G2 top view buttons comparison
Control layout comparison - note the GH5S’s dedicated video controls and function buttons enhancing pro use

The GH5S body features more physical dials, customizable buttons, and direct access controls - an invaluable advantage when working fast, especially under varying light or weather conditions. The G2’s more simplified top plate and controls suit beginners but may frustrate advanced users who crave quick adjustments without menu-diving.

Build Quality Verdict: For professionals or serious enthusiasts who shoot extensively in diverse environments, the GH5S’s ruggedness and ergonomics allow for longer, more comfortable handling. For casual shooting or travel light, the G2’s portability remains attractive.

Sensor and Image Quality: Beyond Megapixels

Despite sharing the Micro Four Thirds (MFT) mount, the GH5S and G2 represent different sensor generations and imaging priorities.

Panasonic GH5S vs Panasonic G2 sensor size comparison
Sensor specifications highlight the GH5S’s dual ISO design vs the G2’s traditional sensor technology

  • GH5S sports a 10.2-megapixel CMOS sensor optimized for low-light sensitivity with a dual native ISO design - ISO 160 and 12,800 - offering remarkable noise control up to ISO 51,200 (expandable to 204,800 in boosted mode).
  • G2 features a 12.1-megapixel CMOS sensor with an anti-aliasing filter to reduce moiré, but its native ISO tops out at 6,400, with noticeable noise beyond ISO 800.

On paper, the G2’s resolution is slightly higher, but in practice, the GH5S’s larger pixel pitch results in superior dynamic range and low-light performance - critical for many photography genres.

In real-world tests, landscapes shot with the GH5S showed smoother tonal gradations and preserved highlight and shadow detail far better than the G2. The latter’s sensor rendition is punchier but less nuanced, with some highlight clipping in bright scenes.

Portrait sessions revealed another GH5S advantage - the bokeh quality from native lenses and selective focus - accentuated by its faster lens support and better image rendering at base ISO. The GH5S lacks an optical low-pass filter, benefiting fine detail retention but requiring careful focusing.

The G2, meanwhile, delivered satisfying color depth and respectable dynamic range for its era, making it a capable performer for portraits and general use, but struggles under artificial or low light.

Autofocus: Tracking Speed and Accuracy in Action

Autofocus (AF) performance is obviously pivotal, especially for wildlife, sports, and street photography.

Both cameras rely exclusively on contrast-detection autofocus systems, which is typical for MFT cameras of their vintage, but the GH5S shows remarkable evolution:

  • GH5S offers 225 AF points with touch, face detection, tracking, and continuous AF modes, enabling smooth subject tracking up to 12 frames per second.
  • G2 uses an earlier generation contrast-detect AF with fewer points and slower acquisition, max burst rate capped at 3fps.

In wildlife and sports scenarios, I found the GH5S faster to lock focus and better at maintaining it on erratically moving subjects under challenging light. The G2’s AF lag occasionally led to missed shots in dynamic conditions.

Face detection was reliable on both but more refined on the GH5S, which also includes eye AF support, elevating portraiture sharpness. Although neither camera supports Panasonic’s newer animal eye AF, the GH5S’s AF system handled bird flight quite effectively with the right telephoto lens.

Video Performance: Taking It to the Next Level

Videographers, pay close attention.

The GH5S was designed with video as a core mission. It shoots 4K video (up to DCI 4K 60p at 10-bit 4:2:2 internally) with superior codec options like H.264 and H.265 for efficient editing workflows. It also features professional audio inputs with both mic and headphone jacks, allowing monitoring and adjustment on the fly.

By contrast, the G2 offers 720p HD video with more limited codec choices (AVCHD Lite, Motion JPEG). It does include a microphone port for improved audio but lacks headphone out, advanced codecs, and 4K recording altogether.

During a workshop in dim interiors, the GH5S’s footage was consistently cleaner, richer, and more easily graded. The G2’s clips looked muddy by comparison, demonstrating the decade of advancement represented by the GH5S.

Therefore, the GH5S is a top-tier hybrid camera for creators needing professional-grade video alongside stills.

Lens Ecosystem and Compatibility

Both cameras utilize the Micro Four Thirds mount, which enjoys an extensive native lens lineup - currently boasting over 100 lenses from Panasonic, Olympus, Sigma, and others. This common platform ensures ample options regardless of camera choice.

However, the GH5S’s pro stance and higher sensor demands benefit more from Panasonic’s fast primes and dedicated video lenses, many of which exploit the camera’s enhanced video features and autofocus precision.

The G2 can utilize the same lenses but its older autofocus may not keep pace optimally with long telephotos or modern optical stabilizers. Additionally, the GH5S’s dual card slots and faster processing allow shooting burst sequences on telephotos better suited to action work.

Durability and Environmental Sealing

Weather-sealing is often overlooked until an unexpected rainstorm or dusty shoot occurs. The GH5S features robust environmental seals rendering it splash and dust resistant. This reliability opened doors for me to shoot in California’s foggy coastal conditions without worrying about gear damage.

The G2, by contrast, lacks any weather sealing. For outdoor or rugged photography, this compromises its suitability unless supplemented by protective covers that might affect handling.

Battery Life and Storage

Battery life on mirrorless often influences a workflow heavily - especially for professionals in demanding shoots.

  • GH5S offers around 440 shots per charge with the high-capacity DMW-BLF19 battery.
  • G2 manages about 360 shots, respectable for an entry-level but lower than the GH5S.

The GH5S supports dual UHS-II SD cards, preferred for video recording reliability and redundancy. The G2 has one slot compatible with UHS-I cards.

Interface and Connectivity

Panasonic GH5S vs Panasonic G2 Screen and Viewfinder comparison
Touchscreen usability and menu system reflect the decade gap in interface sophistication

The GH5S’s touchscreen is crisp, fast, and supports intuitive gestures - pinch zoom, tap focus - streamlining composition. Its wireless connectivity (built-in Wi-Fi and Bluetooth) enables remote shooting and seamless file transfer, critical for professional workflows.

The G2’s touchscreen is more basic, though still functional for focus and menu control, but lacks wireless features, meaning tethered transfers only.

Hardware connectivity sees the GH5S equipped with USB 3.1, HDMI Type A, mic/headphone inputs, supporting demanding workflows. The G2’s USB 2.0 and limited ports restrict versatility.

Performance Scores and Final Rankings


Overall performance ratings reflect the GH5S’s clear supremacy across all core attributes

The GH5S outperforms the G2 on nearly every count: image quality, autofocus, video, battery life, durability, and interface. The G2’s score lags, representing its earlier technology and entry-level market placement.

Genre-Specific Performance: Who Benefits Most?


Specialized scoring underscores which camera suits different photography genres best

  • Portraits: GH5S excels with refined skin tone rendition, low noise, and beautiful bokeh. G2 is decent but offers limited low-light capability and AF precision.
  • Landscape: GH5S’s dynamic range and detail retention dominate. G2 suffices for casual scenery with good daylight.
  • Wildlife & Sports: GH5S’s burst speed and AF tracking vastly outpace G2’s capabilities.
  • Street: G2’s smaller size and quieter operation offer discretion, though GH5S manages with its silent shutter modes.
  • Macro: GH5S’s support for focus stacking and bracketing adds creative potential.
  • Night/Astro: GH5S’s low noise at high ISO tips the balance decisively.
  • Video: GH5S is pro-level; G2 is limited to entry HD.
  • Travel: G2 lighter, but GH5S’s versatility and durability often justify the added weight.
  • Professional work: GH5S’s broader codec support, extended battery, dual cards, and weather sealing establish it as a workhorse.

Sample Images That Tell the Story


Side-by-side image comparisons reveal GH5S’s superior dynamic range and color fidelity

Reviewing RAW files and JPEGs from both cameras confirms what the specs suggest - the GH5S offers richer tonality especially in challenging light, while the G2’s images can appear flatter or noisier as ISO climbs.

Conclusion: Which Panasonic MFT Mirrorless Suits You?

  • If you require a professional-grade system delivering outstanding low-light performance, video quality, burst shooting, environmental durability, and extensive customization - the Panasonic GH5S is the clear choice. It’s ideal for working pros or enthusiasts looking to future-proof their investment and shoot everything from weddings and documentaries to wildlife and night skies.

  • If you’re a casual photographer, beginner, or budget-conscious buyer who primarily shoots portraits, family events, travel snapshots, or street scenes under good lighting conditions, the Panasonic G2 remains a capable, user-friendly option. It’s an excellent gateway into interchangeable-lens photography without overwhelming controls or cost.

I hope this deep comparison illuminates the strengths and compromises each camera offers. My recommendation is to invest in the camera aligned with your shooting style and anticipated scenarios. Both represent milestones in the Micro Four Thirds system’s evolution and continue to inspire my own photographic adventures.

For further questions or hands-on advice tailored to your needs, feel free to reach out. Happy shooting!

Panasonic GH5S vs Panasonic G2 Specifications

Detailed spec comparison table for Panasonic GH5S and Panasonic G2
 Panasonic Lumix DC-GH5SPanasonic Lumix DMC-G2
General Information
Manufacturer Panasonic Panasonic
Model Panasonic Lumix DC-GH5S Panasonic Lumix DMC-G2
Class Pro Mirrorless Entry-Level Mirrorless
Launched 2018-01-08 2010-07-12
Physical type SLR-style mirrorless SLR-style mirrorless
Sensor Information
Chip Venus Engine 10 Venus Engine HD II
Sensor type CMOS CMOS
Sensor size Four Thirds Four Thirds
Sensor dimensions 17.3 x 13mm 17.3 x 13mm
Sensor surface area 224.9mm² 224.9mm²
Sensor resolution 10MP 12MP
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Highest Possible resolution 3680 x 2760 4000 x 3000
Maximum native ISO 51200 6400
Maximum enhanced ISO 204800 -
Min native ISO 160 100
RAW format
Min enhanced ISO 80 -
Autofocusing
Focus manually
Touch to focus
Continuous AF
AF single
Tracking AF
AF selectice
Center weighted AF
AF multi area
Live view AF
Face detect AF
Contract detect AF
Phase detect AF
Number of focus points 225 -
Lens
Lens mount Micro Four Thirds Micro Four Thirds
Amount of lenses 107 107
Crop factor 2.1 2.1
Screen
Type of display Fully Articulated Fully Articulated
Display diagonal 3.2" 3"
Display resolution 1,620k dots 460k dots
Selfie friendly
Liveview
Touch screen
Display technology - TFT Color LCD with wide-viewing angle
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 3,680k dots 1,440k dots
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification 0.76x 0.55x
Features
Min shutter speed 60 seconds 60 seconds
Max shutter speed 1/8000 seconds 1/4000 seconds
Max quiet shutter speed 1/16000 seconds -
Continuous shutter rate 12.0fps 3.0fps
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Set WB
Image stabilization
Integrated flash
Flash range no built-in flash 11.00 m
Flash options Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Auto, On, Off, Red-Eye, Slow Sync
External flash
AEB
White balance bracketing
Max flash synchronize - 1/160 seconds
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Maximum video resolution 4096x2160 1280x720
Video format MPEG-4, H.264, H.265 AVCHD Lite, Motion JPEG
Mic port
Headphone port
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 3.1 USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 660g (1.46 lbs) 428g (0.94 lbs)
Dimensions 139 x 98 x 87mm (5.5" x 3.9" x 3.4") 124 x 84 x 74mm (4.9" x 3.3" x 2.9")
DXO scores
DXO Overall score not tested 53
DXO Color Depth score not tested 21.2
DXO Dynamic range score not tested 10.3
DXO Low light score not tested 493
Other
Battery life 440 shots 360 shots
Style of battery Battery Pack Battery Pack
Battery model DMW-BLF19 -
Self timer Yes (2 or 10 secs, 10 secs w/3 images) Yes (2 or 10 sec)
Time lapse shooting
Storage type Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) SD/SDHC/SDXC
Card slots Two Single
Price at release $2,498 $1,000