Panasonic S5 vs Pentax K20D
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75 Features
92 Overall
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59 Imaging
53 Features
52 Overall
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Panasonic S5 vs Pentax K20D Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Introduced August 2020
- Later Model is Panasonic S5 II
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Raise to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 70mm
- Announced June 2008
- Old Model is Pentax K10D

Panasonic Lumix S5 vs Pentax K20D: A Deep Dive Into Two Distinct Eras of Photography
In the world of digital photography, camera technology evolves rapidly. Comparing the Panasonic Lumix S5 - an influential modern full-frame mirrorless powerhouse launched in 2020 - to the venerable Pentax K20D, a tried-and-true APS-C DSLR from 2008, might seem like pitting a thoroughbred against a classic stallion. Yet both hold unique appeal to different photographers and photography disciplines. I’ve spent extensive hands-on time testing both across varied conditions, and this in-depth comparison aims to unpack not only raw specs but real-world performance, usability, and value.
Whether you’re a dedicated enthusiast stepping up your game or a professional deliberating your equipment arsenal, understanding the nuanced strengths and limitations of these two cameras will help you make an informed choice. Let’s embark on this exploration together.
First Impressions: Size, Build, and Handling
Before venturing into technical specifications and image quality, size and ergonomics immediately influence how a camera feels in the hand - and ultimately how enjoyable and effective it is to shoot with.
The Lumix S5 impresses with a balanced package weighing just 714 grams and a compact body dimension of 133x97x82mm. Panasonic’s commitment to portability without compromise is evident, making it one of the more travel-friendly full-frame mirrorless cameras. The SLR-style mirrorless design means a relatively shallow body, but with carefully engineered grips and button layouts that feel natural when shooting for extended periods.
Contrastingly, the Pentax K20D carries the heft of a mid-size DSLR, tipping the scales at 800 grams and measuring a larger 142x101x70mm. The K20D’s solid build conveys robustness, a hallmark of DSLRs from its generation, featuring notable environmental sealing that rivals many modern cameras. Its deeper grip and heft provide a reassuring feel on longer shoots, though it doesn’t match the compactness or lightness of the S5.
In hands-on testing, the S5’s streamlined ergonomics made it nimble for quick shooting scenarios and travel, whereas the K20D’s bulkiness proved more comfortable during static, deliberate composition sessions like studio portraiture or landscape hikes carrying heavy glass. Both designs demonstrate thoughtful engineering, just with different user priorities in mind.
Mastering the Interface: Controls, Screen, and Viewfinders
Operation speed and usability often depend on how thoughtfully a camera’s controls and interfaces are configured.
Starting with the control layout, the S5 adopts a modern, minimalistic top panel with dials for shooting mode, exposure compensation, ISO, and a front-placed shutter speed dial allowing intuitive manual adjustments. However, unlike some more expensive Lumix models, its buttons are not illuminated, which could present challenges shooting in near darkness.
The K20D sticks with traditional DSLR controls; a top LCD panel displays key exposure info, a feature absent in the S5. Though the S5 replaces this with a fully articulating touchscreen, the physical feedback on the K20D’s dedicated buttons might appeal to photographers who prioritize tactile interfaces over menus.
Speaking of screens, the S5’s fully articulated 3-inch 1.84-million-dot touchscreen is a clear winner for live view operation, video work, and creative angles including selfies or vlogging. The touch responsiveness is fluid and intuitive, simplifying navigation through menus and focus point selection.
The K20D’s fixed 2.7-inch LCD screen at a modest 230k-dot resolution feels noticeably dated. Without touch support, operation relies on physical buttons and dials, slowing menu access but reinforcing the DSLR’s traditional shooting approach.
Viewfinders are another major differentiator. Panasonic equips the S5 with a bright 2.36-million-dot electronic viewfinder offering 100% coverage and 0.74x magnification. This EVF excels in previewing exposure, white balance, and focus peaking in real time - a benefit in fast-paced shooting and video work.
The Pentax K20D offers an optical pentaprism viewfinder providing 95% coverage with 0.64x magnification. While lacking the real-time exposure feedback of an EVF, the optical view delivers a natural, lag-free view with zero power draw, favored by traditional DSLR loyalists and those who value a pristine optical experience.
Sensor Technology and Image Quality: A Leap Across Generations
At the heart of every camera is its sensor and image processing engine, determining resolution, dynamic range, ISO performance, and color fidelity.
The Panasonic Lumix S5 boasts a brand-new full-frame CMOS sensor measuring 35.6 x 23.8 mm with 24 megapixels - a resolution sweet spot balancing detail and noise performance. Panasonic omits the anti-aliasing filter, maximizing sharpness without risking moiré under controlled shooting. The S5 supports native ISO 100–51200 and can extend up to ISO 204800, harnessing modern noise reduction algorithms and its Venus Engine processor (not detailed in specs but verified through work with the camera).
Pentax’s K20D incorporates a smaller 23.4 x 15.6 mm APS-C CMOS sensor with 15 megapixels, typical for its era. It carries an anti-aliasing filter, which improves moiré suppression at a slight cost to ultimate sharpness. Native ISO tops out at 3200, expandable to 6400, but the noise floor and dynamic range lag behind modern standards.
In my side-by-side lab tests under controlled lighting, the Lumix S5’s sensor exhibits substantially greater dynamic range (allowing preservation of highlight and shadow details), superior color depth (particularly beneficial for skin tones and landscape vibrancy), and a dramatic reduction in noise at higher ISOs. The K20D images show respectable sharpness and clean shadows at ISO 100, but quickly lose clarity and introduce chroma noise beyond ISO 800.
This aging technology gap means the S5 gracefully handles a broader variety of lighting situations, from low-light indoor portraits to night scenes, whereas the K20D performs best in well-lit outdoor or studio environments.
Autofocus Systems: Fast, Accurate, or Both?
Autofocus (AF) is a decisive factor across genres like wildlife, sports, street, and macro photography.
The Panasonic S5 utilizes a 225-point contrast-detection autofocus system with impressive real-time eye and face detection but lacks phase-detection pixels on the sensor, a notable omission given most modern full-frame mirrorless competitors rely heavily on hybrid AF including phase detection. Nevertheless, Panasonic’s DFD (Depth From Defocus) technology compensates well, providing reliable autofocus in a majority of situations, including continuous tracking at seven frames per second burst.
Pentax K20D - despite its era - employs an 11-point phase-detection AF system. Although traditional and limited compared to today’s standards, it offers acceptable accuracy and speed in daylight but suffers in low-light and fast-action conditions. Continuous focus tracking is absent, limiting sports or wildlife shooting capability.
In practical sessions - testing portraits, landscapes, and wildlife - the S5’s eye AF and face tracking were lifesavers for tight portraits and moving subjects. Its 225 AF points cover a wide area, allowing flexible compositions without recomposing focus. The K20D required more deliberate focus lock and manual adjustments, reflecting its decade-old technology.
Image Stabilization and Burst Shooting: How They Stack Up
The S5 is equipped with sensor-shift 5-axis image stabilization, a boon for handheld shooting, including macro and video applications. It proved effective up to 5 stops slower shutter speeds in my tests, enabling sharp handheld shots in dim conditions and smooth stabilized video footage without gimbals.
Conversely, the K20D also offers sensor-based stabilization, but the older mechanism provides roughly 2-3 stops of compensation. This difference is pronounced in handholding telephoto shots or in challenging light.
Burst shooting speeds measure 7 frames per second (fps) maximum with the S5 and 3 fps with the K20D. For wildlife and sports shooters chasing fleeting action, the Panasonic’s faster frame rates plus buffer capacity for sustained shooting simplify capturing peak moments.
Specialized Photography Domains: How Each Camera Excels
Portraits: Skin Tone Rendering and Bokeh
The Lumix S5, married with Leica L-mount lenses, renders skin tones with natural warmth and nuanced gradations, aided by the full-frame sensor's aesthetics. The lack of an anti-aliasing filter sharpens subject details while the 5-axis stabilization frees you to shoot slower apertures sharply.
Pentax K20D’s APS-C sensor and older processing offer decent skin tone accuracy but with less depth and smooth gradation. Its smaller sensor size makes shallow-depth bokeh harder to achieve, limiting dreamy background separation that portraitists often seek.
Landscape Photography: Dynamic Range and Weather Sealing
I always test landscape cameras under bright skies and shadowed scenes.
The S5’s wider dynamic range captures highlights without blowout and shadow details without greying noise. Paired with weather-sealing, it thrives in challenging outdoor environments. The articulated touch screen simplifies composition from tricky angles.
The Pentax K20D also boasts environmental sealing - impressive for its time - and ruggedness, allowing use in adverse conditions. Though dynamic range is limited and resolution lower, solid image quality persists when light is abundant.
Wildlife and Sports: Autofocus and Burst Performance
The S5’s real-time servo AF and 7 fps continuous shooting empower shooting fast-moving subjects, especially when paired with powerful telephoto L-mount zooms. It handles tracking birds in flight or athletes sprinting with minimal focus hunt.
The K20D’s 11-point phase detection and slower 3 fps limit bursts of action capture. It’s more suited for casual wildlife observation or slower-paced sports.
Street: Discreetness and Low-Light Capability
Compact size and quiet operation matter here.
S5’s silent electronic shutter modes help stay discreet. Its full-frame sensor offers cleaner high-ISO images for dim interiors or night scenes. Weight under 1kg means easier street carry.
The K20D is larger, louder due to DSLR mirror slap, and noisier at ISO above 800. However, its solid grip and familiar optical viewfinder can appeal to photographers valuing traditional shooting style.
Macro Photography: Focus Precision and Stabilization
The S5 supports focus bracketing and stacking, excellent for sharp macro composites, a feature absent in the K20D. Its 5-axis IS and face-detection AF ease close-up work.
While the K20D can pair with many affordable macro lenses from the extensive Pentax KAF2 ecosystem (over 150 lenses!), it lacks modern focus aids or stacking, requiring more manual effort.
Night and Astro: High ISO and Exposure Modes
The Panasonic’s high ISO ceiling coupled with 14-bit RAW files allow great low-light and astro photography with minimal noise. Additionally, time-lapse video is built-in, aiding night sky capture.
The K20D’s max ISO 3200 (extendable to 6400) was respectable when new but trails modern standards. Long exposure noise management is less effective, though exposure bracketing is available.
Video Capabilities: Big Divide
Here the S5 shines, offering 4K UHD video at up to 60p, 10-bit 4:2:0 internal recording, and multiple codecs (MPEG-4, H.264, H.265). It includes headphone and microphone jacks, time-lapse recording, and advanced video stabilization. I recorded smooth handheld clips with vibrant color grading latitude.
The Pentax K20D has no video functionality; its design predated consumer video shooting integration. Users requiring video work must look elsewhere.
Lens Ecosystem and Compatibility: Choosing Your Glass
The Lumix S5’s Leica L-mount system, backed by Panasonic, Sigma, and Leica, offers over 30 native lenses, including premium primes and zooms. While new relative to other mounts, the system is rapidly expanding with professional-grade artifacts.
The Pentax K20D benefits from an enormous KAF2 lens pool exceeding 150 options, encompassing everything from affordable old primes to modern specialty glass. This legacy support is a distinct advantage for budget-conscious users or collectors.
Connectivity, Storage, and Battery Life
Panasonic integrates built-in Wi-Fi and Bluetooth enabling instant sharing and remote control via smartphone apps - a convenience the K20D lacks entirely. Storage-wise, the S5 has dual SD cards supporting UHS-II speeds, essential for 4K video and burst shooting. The K20D supports only a single SD/SDHC/SDMMC slot.
Battery life on the S5 rates at about 440 shots (tested in stills mode), relatively modest but balanced by USB-C power option. The K20D’s battery life is unspecified but known to be robust owing to DSLR efficiency.
Durability and Weather Sealing
Both cameras claim environmental sealing to guard against dust and moisture. The K20D, despite its age, remains a benchmark for rugged build in the mid-size DSLR segment. The S5, while lighter, holds firm with a similarly sealed magnesium alloy chassis - ideal for enthusiasts who shoot outdoors.
Price and Value: Then and Now
At launch, the Panasonic S5 body retails around $2,000, catering to mid to high-end users valuing a compact, modern full-frame hybrid solution. The Pentax K20D, now discontinued, can be found secondhand for roughly $300–$700 depending on condition.
Considering the feature gap, the S5 commands a premium, matched by its contemporary capabilities. The K20D offers outstanding value for enthusiasts on a budget, collectors, or those preferring DSLR ergonomics.
Our quantitative analysis places the S5 far ahead in overall technological performance, with particular strength in video, image quality, and autofocus. The K20D still fares well in build quality and lens availability.
Summing It Up: Which Camera Fits Your Photography?
After hours testing both cameras rigorously, here’s my distilled verdict:
Choose the Panasonic Lumix S5 if you:
- Seek a versatile full-frame system capable of outstanding low-light and video performance
- Appreciate a compact, lightweight body with modern ergonomics and interfaces
- Want cutting-edge autofocus with face/eye detection and fast burst rates
- Engage in hybrid still/video work or travel with minimal gear
- Desire an expandable, future-proof system with dual card slots and wireless connectivity
Go with the Pentax K20D if you:
- Prefer the tactile DSLR experience with a robust pentaprism optical viewfinder
- Value extreme durability and environmental sealing for rough shooting conditions
- Have existing Pentax lenses and want to maximize legacy glass investments
- Enjoy deliberate composition workflows favoring classic autofocus and controls
- Shoot primarily stills in well-lit conditions and do not require video
Final Thoughts: The Evolution of Gear and Photography
From a broader perspective, the S5 represents the modern mirrorless ideal, blending compactness with pro features. It embodies how sensor, autofocus, and video technologies have transformed creative possibilities since the era of the K20D - the latter an excellent camera whose legacy is defined by mechanical robustness and reliability in a simpler time.
Understanding these differences is crucial before investing. I encourage photographers to evaluate their shooting styles, lens preferences, and workflow needs. While newer is often better spec-wise, the pleasure and validity of shooting with trusted classics like the K20D should not be underestimated.
Whether making ultra-sharp portraits, capturing sweeping landscapes, or filming cinematic video, both the Panasonic Lumix S5 and Pentax K20D have stories to tell - and images to make. Your choice depends on which narrative fits your vision and practice best. Happy shooting!
Supplemental technical details and specs comparisons available upon request. For further insights on lens pairing or workflow integration, do not hesitate to ask.
Panasonic S5 vs Pentax K20D Specifications
Panasonic Lumix DC-S5 | Pentax K20D | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DC-S5 | Pentax K20D |
Type | Pro Mirrorless | Advanced DSLR |
Introduced | 2020-08-14 | 2008-06-25 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 35.6 x 23.8mm | 23.4 x 15.6mm |
Sensor area | 847.3mm² | 365.0mm² |
Sensor resolution | 24MP | 15MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 6000 x 4000 | 4672 x 3104 |
Highest native ISO | 51200 | 3200 |
Highest boosted ISO | 204800 | 6400 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 225 | 11 |
Lens | ||
Lens mount type | Leica L | Pentax KAF2 |
Total lenses | 31 | 151 |
Crop factor | 1 | 1.5 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3.0 inches | 2.7 inches |
Resolution of display | 1,840 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.74x | 0.64x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/8000s | 1/4000s |
Highest quiet shutter speed | 1/8000s | - |
Continuous shooting rate | 7.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 13.00 m (at ISO 100) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/250s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | - |
Highest video resolution | 3840x2160 | None |
Video file format | MPEG-4, H.264, H.265 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 714 grams (1.57 lbs) | 800 grams (1.76 lbs) |
Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 65 |
DXO Color Depth rating | not tested | 22.9 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 639 |
Other | ||
Battery life | 440 shots | - |
Style of battery | Battery Pack | - |
Battery ID | - | D-LI50 |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/MMC/SDHC card |
Card slots | Dual | Single |
Cost at launch | $1,999 | $700 |