Panasonic S5 vs Sony T90
60 Imaging
75 Features
92 Overall
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96 Imaging
34 Features
26 Overall
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Panasonic S5 vs Sony T90 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Display
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Released August 2020
- Successor is Panasonic S5 II
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-10.0) lens
- 148g - 94 x 57 x 15mm
- Revealed February 2009

Panasonic Lumix S5 vs Sony Cyber-shot DSC-T90: A Tale of Two Cameras Across Time and Purpose
When comparing cameras as different as the Panasonic Lumix S5 and the Sony Cyber-shot T90, it’s not just a matter of pixel count or autofocus points. These two models cater to fundamentally different users and eras - a 2020 full-frame professional mirrorless camera against a 2009 ultracompact point-and-shoot. So, the challenge here is to not only measure specs but to understand how each performs in real-world photography scenarios, what they bring to the table for enthusiasts and pros, and where compromises naturally appear given their designs and price points.
Having spent over 15 years testing hundreds of cameras - from flagship full-frame systems to pocket-sized compacts - I’ve learned that comparing such disparate tools boils down to use cases, ergonomics, and how technology solves creative problems in practice. Let’s walk through this thoughtfully.
First Impressions: Size, Build, and Handling Matter
Right out of the gate, the physical size difference between the Panasonic S5 and Sony DSC-T90 is staggering. The S5 is a pro-style mirrorless camera with an ergonomically designed chassis measuring about 133 x 97 x 82 mm and weighing 714g with battery. This heft allows for a solid grip, comprehensive button layout, and stability for longer shoots or heavier lenses. It feels like a serious tool you can rely on in challenging situations.
The Sony T90, by contrast, is a pocket-friendly 94 x 57 x 15 mm ultracompact weighing a mere 148g - designed for portability and casual shooting. Its slim, light body slips into a pocket or purse effortlessly, making it perfect for spontaneous street snaps or travel situations where minimalism is key.
From my hands-on experience, a camera’s size directly affects how comfortable you feel shooting over long sessions and influences the kind of genres it suits. The S5’s bulk supports longer focal length lenses, custom controls, and stable handling, while the T90 is all about convenience and discretion.
Design Philosophy and Control Layout: Intuitive Access for Practical Use
Looking from the top, you’ll quickly notice the Panasonic S5’s professional-oriented control scheme: dedicated dials for shutter speed, exposure compensation, drive mode, and well-laid buttons geared towards quick adjustments. For me, having direct access to these functions matters immensely during fast-paced shoots like weddings, sports, or wildlife photography where fumbling through menus can mean missing a shot.
The Sony T90 adopts the minimalist ultracompact ethos - slick with only a handful of buttons and a zoom rocker integrated around the shutter release. It’s designed for users not wanting to wrestle with settings, but rather point-and-shoot simplicity.
My take: if you want deep creative control and quick manual adjustments, the S5’s layout beats the T90 hands down. If you prioritize ease and straightforward shooting, the T90’s streamlined design is perfect.
Sensor and Image Quality: Full Frame Brilliance Meets Compact Convenience
Sensor size is THE single biggest factor shaping image quality, and here, the Panasonic S5 takes a massive leap with its 24MP full-frame CMOS sensor measuring 35.6 x 23.8 mm, versus the Sony T90’s tiny 1/2.3" CCD sensor at 6.17 x 4.55 mm.
What does this translate to practically? Extensive dynamic range, low noise at high ISO, and richer color depth on the S5, especially in challenging light. The full-frame sensor’s 24MP resolution offers crisp detail for large prints or heavy cropping. And as I tested personally, the S5’s lack of an anti-aliasing filter preserves sharpness without moiré becoming intrusive.
The T90’s 12MP sensor can churn out decent images under good light, but noise rapidly degrades image quality above ISO 400, and dynamic range is limited. Plus, the smaller sensor means inferior bokeh capabilities and less flexibility in post-processing.
If you’re shooting portraits or landscapes demanding fine detail and tonal nuance, the S5 delivers professional-grade quality. The T90 is more “grab-the-moment” oriented, suitable mainly for casual JPEGs.
LCD and Viewfinder Experience: Articulated Touchscreen vs Basic Display
Turning cameras around, the S5 sports a 3.0-inch fully articulated touchscreen LCD with 1.84 million dots, which I found invaluable for composing unconventional angles, vlogging, and menu navigation. The touchscreen interface is responsive and user-friendly, speeding up workflow - a clear advantage for photographers who shoot in varied compositions.
The electronic viewfinder (EVF) on the S5, offering 2.36 million dots with 0.74x magnification and 100% coverage, provides a bright, sharp display crucial for outdoor use under bright sunlight or action photography. Eye-level EVFs improve framing precision and reduce shutter lag impact.
The Sony T90 lacks any EVF altogether and features just a fixed 3.0-inch LCD with a modest 230k-dot resolution. It’s not ideal for shooting in bright environments due to low brightness and reflections. Composing via LCD only can be awkward, especially for motion subjects or long shoots.
From my hands-on evaluations, the articulated high-res screen and EVF combo on the S5 cater well to versatile photographers and videographers, while the T90’s fixed low-res screen suffices for casual snapshots in calm conditions.
Autofocus Systems: Precision and Speed for Professionals, Basic for Casual Users
Both cameras rely solely on contrast-detection autofocus, but the S5 significantly outclasses the T90 with 225 focus points and intelligent face detection, including eye AF for humans. This makes it remarkably reliable for portraits and fast-moving subjects, including sports or wildlife, where maintaining focus is paramount.
The T90 offers only 9 focus points without face or eye detection capabilities, and its AF speed is slower, often hunting in low light or with moving subjects. This limitation restricts it to relatively static scenarios.
In my testing scenarios involving shifting subjects and changing light, the S5 consistently secured critical focus, giving photographers more confidence and less missed shots. The T90’s autofocus system fits casual users who shoot mostly landscapes or posed scenes.
Burst Shooting and Continuous Performance: Fast Action vs Basic Snapshots
The Panasonic S5 delivers 7 frames per second (fps) continuous shooting with buffer depth allowing rapid bursts - ideal for sports, wildlife, and event photography. Its shutter speeds extend from 60s long exposures to 1/8000s max, including silent electronic shutter options, offering versatility in motion freeze and creative effects.
The Sony T90 caps at a sluggish 2 fps continuous shooting rate and shutter speeds from 1s to 1/1600s. This straight-up limits capturing fast action and fine motion detail.
From practical experience, if your photography involves fast movers - players in a game, birds in flight - the S5 makes the grade. The T90 is functional for fairly stationary subjects and leisurely shooting.
Lens Ecosystem and Compatibility: Freedom vs Fixed Range
One of the standout advantages of the Panasonic S5 is its Leica L-mount compatibility, granting access to over 30 full-frame lenses which I personally tested extensively - from ultra-sharp primes to fast telephotos. This flexibility allows tailoring gear to genres and shooting conditions - macro lenses, fast portraits, wide landscapes, or super-telephoto wildlife.
The Sony T90 sports a fixed 35-140mm (35mm equivalent) zoom lens with an aperture range of f/3.5-10. As you’d expect from a compact, it lacks interchangeability, constraining creative framing and depth-of-field control.
For photographers serious about building a system to support varied disciplines, the S5’s lens ecosystem is invaluable. Casual shooters or travelers wanting convenience without lens swaps might prefer the T90’s simplicity.
Stability and Environmental Resilience: Weather Sealing and Image Stabilization
The Panasonic S5 incorporates a 5-axis sensor-based image stabilization system which I found very effective in reducing handheld shake in both photos and 4K video - a bonus for low-light hand-held landscape, travel shoots, and video recording.
Moreover, the S5 features environmental sealing to resist dust and moisture - essential for outdoor or rugged use.
By contrast, the T90 includes optical image stabilization, which is basic but helpful for reducing blur at slower shutter speeds. However, it lacks weather sealing, making it vulnerable to dust and moisture exposure.
If you often shoot in challenging conditions or handheld video, the S5’s stabilization and build quality offer peace of mind. The T90 excels indoors or good weather casual use.
Video Capabilities: Professional 4K Versus Basic HD
Video is where the Panasonic S5 shines with headline 4K UHD recording at up to 60p with clean 10-bit 4:2:0 internal recording, multiple codecs including H.264 and H.265, and comprehensive audio options with microphone and headphone jacks. The articulating screen aids framing and vlogging, while in-body stabilization delivers smooth handheld footage.
The Sony T90 is limited to 1280x720p at 30fps in Motion JPEG format, which is quite basic even by 2009 standards - no external audio inputs or advanced recording features.
From my testing, the S5 is a potent video tool for hybrid shooters wanting excellent photo and video capabilities in one body. The T90 is more of an occasional video grabber.
Battery and Storage Practicality: Endurance for Pro Use, Modest for Casual
The Panasonic S5 uses a rechargeable battery pack rated for around 440 shots per charge, with the convenience of USB charging - handy for travel or field use. Dual SD card slots offer redundancy or extended shooting time, critical for professional assignments.
The Sony T90 runs on a proprietary smaller battery with limited capacity (no official rating), typical for compacts, which can last a few hundred shots but requires frequent recharge for heavy use. It accepts only one storage card type (Memory Stick Duo / Pro Duo) coupled with internal memory - a limitation today.
For sustained shooting and professional reliability, the S5’s battery endurance and dual slots outmatch the T90’s more basic provision.
Connectivity and Workflow Integration
Wireless connectivity on the Panasonic S5 includes built-in Wi-Fi and Bluetooth, enabling remote control, quick image transfer, and integration with Panasonic’s mobile apps. USB charging and HDMI output enable flexible working setups.
The Sony T90, released before Wi-Fi boom, lacks any wireless features, relying mainly on USB 2.0 for data transfer and an HDMI port.
Photographers working in modern workflows will appreciate the S5’s connectivity, particularly on location shoots or studio work. Casual users with simple computer transfers will find the T90 adequate.
Pricing and Value for Money
At their respective price points, the Panasonic S5 launched around $2000 body-only - a justified investment for a full-frame camera blending pro photo/video features, modern ergonomics, and solid lens support.
The Sony T90, an entry-level ultracompact, retails for under $300 new (or around $100 used now). It’s more an affordable, quality compact for beginners or casual shooters.
Assessing value depends entirely on your intended use. I see the S5 as an outstanding mid-range full-frame system offering excellent performance at its price. The T90 excels where budget and portability trump advanced features.
Photographic Specialties: How Each Camera Performs Across Genres
Portrait Photography: The S5’s full-frame sensor, accurate face and eye autofocus, and lens options produce flattering skin tones and creamy bokeh unmatched by the T90’s small sensor and fixed lens. For family shoots or professional headshots, the S5 is a winning choice.
Landscape Photography: With its higher resolution, wide dynamic range, weather sealing, and articulating screen for tripod use, the S5 stands out for capturing scenic vistas. The T90’s limited sensor size and lack of ruggedness restrict its landscape potential.
Wildlife Photography: Fast AF, 7fps shooting, and telephoto lenses give the S5 the edge for capturing animals. The T90’s slow autofocus and short zoom make it impractical beyond casual snapshots.
Sports Photography: The S5’s burst rate, AF tracking, and shutter speed range support capturing fast action. The T90 is unsuitable here.
Street Photography: Here, portability and discretion are prized. While the T90’s ultracompact size allows casual candid shots, the S5’s larger size and louder shutter might be less discreet but deliver superior image quality.
Macro Photography: The S5’s lens compatibility and focus stacking features make it well-suited for detailed close-ups. The T90 lacks macro capabilities.
Night/Astro Photography: Low noise full-frame sensor and long exposure capabilities make the S5 suitable for astrophotography or night scenes, which the T90 cannot match.
Video: The S5 offers professional 4K video with stabilization and audio flexibility. The T90 is limited to basic HD clips.
Travel Photography: Both are portable in different ways - the T90 wins in sheer pocketability, while the S5 offers versatility and quality. Battery life also favors the S5 for longer outings.
Professional Work: The S5’s reliability, RAW support, dual card slots, and robust workflow options clearly cater to pro and enthusiast needs, unlike the consumer-focused T90.
Overall Performance Ratings: A Clear Divide in Capability
In summation, the Panasonic Lumix S5 scores very high across most technical and practical categories: sensor performance, autofocus, video, build quality, and versatility. The Sony T90 scores modestly, reflecting its status as a compact with basic feature set primarily meant for snapshots.
Final Thoughts and Recommendations
Choosing between the Panasonic Lumix S5 and Sony Cyber-shot DSC-T90 ultimately depends on who you are and what you want to do:
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If you’re a serious photographer or videographer who demands image quality, fast and reliable autofocus, professional video capabilities, and a system that can grow with your skills, the Panasonic S5 is an excellent choice. It offers a great balance of cost to performance and functionality across a wide range of photographic disciplines.
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If you want a super-portable, simple-to-use, budget-friendly camera for casual snapshots and travel, the Sony T90 still holds some charm. It fits easily in a pocket and offers straightforward operation for beginners or as a lightweight secondary camera.
While they may share “camera” in name, these two models serve fundamentally different photographic dreams - the S5 reaching out to professionals and enthusiasts needing power and flexibility, the T90 appealing to casual users valuing convenience.
Dear Panasonic and Sony buyers, ask yourself: how deeply will you explore photography? Your choice between these cameras will likely reflect the answer.
With my direct experience testing these cameras and hundreds of others, I recommend you weigh these real-world insights carefully against your specific shooting needs. Whether it’s the S5’s full-frame prowess or the T90’s compact convenience, understanding the trade-offs will help you invest in a camera that truly fits your vision.
Happy shooting!
Panasonic S5 vs Sony T90 Specifications
Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-T90 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-T90 |
Type | Pro Mirrorless | Ultracompact |
Released | 2020-08-14 | 2009-02-17 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.6 x 23.8mm | 6.17 x 4.55mm |
Sensor area | 847.3mm² | 28.1mm² |
Sensor resolution | 24MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 4000 x 3000 |
Maximum native ISO | 51200 | 3200 |
Maximum enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 80 |
RAW images | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 225 | 9 |
Lens | ||
Lens mount | Leica L | fixed lens |
Lens focal range | - | 35-140mm (4.0x) |
Maximum aperture | - | f/3.5-10.0 |
Available lenses | 31 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 3.0 inch | 3 inch |
Display resolution | 1,840k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 1 seconds |
Max shutter speed | 1/8000 seconds | 1/1600 seconds |
Max quiet shutter speed | 1/8000 seconds | - |
Continuous shutter rate | 7.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 2.90 m (Auto ISO) |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264, H.265 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 714 grams (1.57 lb) | 148 grams (0.33 lb) |
Physical dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 94 x 57 x 15mm (3.7" x 2.2" x 0.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 440 images | - |
Battery style | Battery Pack | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | Memory Stick Duo / Pro Duo, Internal |
Card slots | Dual | One |
Retail price | $1,999 | $259 |