Panasonic S5 vs Sony WX500
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75 Features
92 Overall
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91 Imaging
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Panasonic S5 vs Sony WX500 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Announced August 2020
- Successor is Panasonic S5 II
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 236g - 102 x 58 x 36mm
- Announced April 2015
- Replaced the Sony WX350

Panasonic Lumix S5 vs Sony WX500: An Expert’s Deep Dive Into Two Very Different Cameras
When I first pulled the Panasonic Lumix S5 and the Sony WX500 out of my gear bags for a side-by-side comparison, I was struck by how distinctly different these two cameras were - not just on paper, but in feel, functionality, and intent. One is a serious full-frame mirrorless powerhouse aimed at pros and advanced enthusiasts, while the other is a lightweight superzoom compact designed for casual shooters and travelers craving versatility without the bulk.
Over fifteen years of testing cameras have taught me that numbers only tell part of the story. It’s the way a camera performs with you behind the viewfinder during portraits, wildlife outings, or night shoots that counts. Throughout this article, I’ll take you by the hand through all the critical photography disciplines and usage scenarios, sharing hands-on impressions, honest pros and cons, and technical insights only experience can deliver. Whether you’re a pro considering a full-frame upgrade or a hobbyist looking for an affordable travel companion, I aim to help you make an informed choice.
A Tale of Two Bodies: Size and Ergonomics
Before we dive into specifications and sensor tech, it’s important to establish the physical relationship you’ll have with these cameras. The Panasonic S5 is an SLR-style mirrorless with a robust, weather-sealed magnesium alloy body. In contrast, the Sony WX500 is a pocket-friendly compact with a plastic shell optimized for travel ease.
When I placed them side-by-side, the difference in grip size and weight was immediately clear. The Panasonic clocks in at 714 grams with dimensions of about 133 x 97 x 82 mm - substantial enough to inspire confidence in a variety of shooting conditions, and with room for comfortable manual control. The Sony, by comparison, is just 236 grams and measures 102 x 58 x 36 mm. Its portability is impressive, slipping easily into a jacket pocket, but handling it felt decidedly more delicate and less commanding.
This ergonomic contrast spells out their different target audiences. If you want a camera that feels like an extension of your hand during long shoots, the Panasonic delivers a satisfying heft and thoughtfully placed controls. The Sony trades that for convenience and compactness - great for throw-and-shoot spontaneity but less suited for extended use or high-pressure professional scenarios.
Control Layout and Viewfinder: Intuition vs Simplicity
Control scheme and interface layout significantly influence your shooting workflow. Let’s review the design and user interface experience before discussing image-related specs.
The Panasonic S5 features a clean, dedicated button layout with customizable dials and an electronic viewfinder (EVF) sporting 2.36 million dots of resolution and 100% coverage. As someone who relies heavily on manual exposure adjustments and quick access to ISO, shutter speed, and aperture, I appreciated how easily I could navigate settings. The fully articulating 3-inch touchscreen at 1,840k dots further enhanced flexibility for video work and awkward angles.
The Sony WX500 takes a more minimalist approach with no EVF, instead relying on its fixed rear LCD - a 3-inch tilting screen with 921k dots resolution. This means composing using the LCD, which is fine outdoors in bright daylight after some practice but less precise than a viewfinder. Controls are fewer and simpler, which makes the Sony intuitive for beginners but limiting for advanced tweaks.
Sensor Size and Image Quality: Full-Frame Power vs Small Sensor Convenience
Here’s where the two cameras fundamentally diverge in hardware philosophy and image potential.
The Panasonic S5 boasts a full-frame CMOS sensor measuring 35.6 x 23.8 mm, capturing 24 megapixels without an optical low-pass filter to maximize sharpness. This sensor size provides superior dynamic range, low-light sensitivity, and a natural ability to separate subject from background - essential for portraits, landscapes, and professional output. In contrast, the Sony WX500 is built around a tiny 1/2.3-inch BSI-CMOS sensor (6.17 x 4.55 mm), offering an 18-megapixel capture optimized for a compact body with an integrated 24-720mm (equivalent) zoom. While impressive for a compact, the sensor’s size inherently limits image quality: higher noise at elevated ISOs, narrower dynamic range, and less natural bokeh.
In my side-by-side tests, the Lumix S5’s full-frame sensor produced images with visibly greater detail retention, richer color depth, and preserved highlight and shadow detail, especially in tricky lighting. The Sony’s images, while quite serviceable for casual use or social media share, showed noticeable compression of tonal range and softness at the telephoto end.
The LCD and Live-View Experience: Articulated vs Tilting Screens
Both cameras employ 3-inch LCDs but their utility varies significantly.
The S5’s fully articulating, high-resolution touchscreen allows me to shoot “around corners” or conduct vlog-style frontal framing - a killer feature for multimedia creators and solo travelers. Touch autofocus and menu navigation are fluid and precise, streamlining the experience.
The WX500’s tilting LCD flips up for selfies but lacks touchscreen responsiveness. It’s functional for waist-level shots and easier framing in bright conditions, but I found it less flexible for video or extended photo sessions.
Real-World Image Samples: Sharpness, Color, and Rendering Differences
I always emphasize in my reviews that seeing real photographs is the best way to grasp camera performance differences.
The Panasonic S5 excels at delivering smooth skin tones with beautiful bokeh rendering in portraits, thanks to its large sensor and native Leica L-mount lens ecosystem. Here, detail in eyes and hair strands remained crisp even at wide apertures. Landscapes shot with the S5 displayed expansive dynamic range, capturing clouds and shadows without artifacting or clipping.
The WX500, with its superzoom lens, was excellent for casual wildlife or street captures at a distance, delivering usable images in good light. However, close inspection revealed softness and chromatic aberration at longer focal lengths, and the color palette leaned slightly cooler and flatter compared to the S5.
Performance Metrics and Autofocus: Speed and Accuracy in Diverse Scenarios
Autofocus technology can make or break decisive moments, especially in sports or wildlife photography.
The Panasonic S5 sports a 225-point contrast-detection AF system with face-detection capabilities. While it lacks hybrid phase-detection, I found its AF surprisingly reliable in various light conditions. Subject tracking held steady during burst sequences, though it capped shooting speed at 7 FPS - modest but sufficient for most professional applications. Anti-shake 5-axis sensor stabilization helped maintain sharpness with longer lenses.
In contrast, the Sony WX500 relies on contrast-detect AF alone, designed for stills in good light rather than dynamic action. Its burst rate is 10 FPS, higher than the S5 on paper, but buffer depth is minimal, limiting continuous shooting capacity for extended sports sessions.
Weather-Sealing and Durability: Ready for The Elements?
If you’re serious about outdoor shoots, durability matters.
The Panasonic S5’s magnesium alloy shell and comprehensive environmental sealing protect from dust and moisture ingress, making it suitable for challenging conditions like beach shoots or landscapes in inclement weather.
The Sony WX500 lacks weather sealing, and its plastic body feels more vulnerable to knocks and moisture. Accordingly, I would hesitate to take this camera on rugged trips without extra care.
Video Capabilities: Advanced 4K vs Basic Full HD
For hybrid shooters, video is a crucial consideration.
The Panasonic S5 supports 4K UHD at 60p with 10-bit internal recording, H.264 and H.265 codecs, and offers 6K photo capture modes - features that impressed me during testing. The 5-axis stabilization is invaluable for smooth handheld video. Moreover, both microphone and headphone jacks enable serious audio monitoring and control.
The Sony WX500, meanwhile, offers only 1080p full HD recording up to 60p, with basic AVCHD and XAVC S codecs, no 4K option, and no external audio ports. The built-in optical stabilization helps reduce shake, but for professional-quality footage, it clearly can’t compete.
Lens Ecosystem and Compatibility: Flexibility vs Fixed Convenience
Lens choices strongly influence creative possibilities.
The Panasonic S5 uses the Leica L lens mount, granting access to over 30 native lenses from Panasonic, Leica, and Sigma tailored for full-frame imaging. This system’s range covers everything from wide-angle landscapes to telephoto wildlife lenses and fast primes for portraits - a big plus for creative control.
The Sony WX500 comes with a fixed zoom lens ranging from 24mm wide to an impressive 720mm telephoto equivalent. This freedom from lens swapping boosts convenience for quick trips or vacation shots but limits optical quality optimization and aperture control.
Battery and Storage: Endurance for Different Use Cases
Battery life often distinguishes professional from casual gear.
The Panasonic S5 uses a rechargeable battery pack with approximately 440 shots per charge - a respectable figure for full-frame mirrorless models. Dual SD card slots provide redundancy or extended storage, a vital feature for professionals.
The Sony WX500, powered by the NP-BX1 battery, is rated for around 360 shots per charge, adequate given its compact size. There is only one card slot, which is typical for compacts.
Connectivity and Modern Conveniences
Connectivity options streamline workflows in today’s photo ecosystem.
The Panasonic S5 includes built-in Wi-Fi and Bluetooth with modern wireless transfer capabilities and remote control options via apps. Charging over USB-C supports on-the-go power top-ups from compatible power banks.
The Sony WX500 offers Wi-Fi and NFC, useful for quick image transfers and pairing with mobile devices but lacks Bluetooth or USB-C charging.
Photography Genre Breakdown: Which Camera Excels Where?
To give you practical guidance, I examined each camera’s strengths and weaknesses across common photography niches.
Portraits: The Panasonic S5 dominates with its full-frame sensor, natural skin tones, and smooth bokeh from prime lenses. Eye detection autofocus aids precision. The Sony’s fixed zoom is too limited to produce true portrait separation.
Landscapes: The S5’s wide dynamic range and full-frame resolution make it a top pick. Its weather sealing encourages outdoor use. The WX500 works in bright scenes but falls short in tonal nuance.
Wildlife: The Sony’s 720mm zoom is ideal for bird or distant animal snaps on casual adventures, paired with its 10 FPS burst. The S5’s lens selection (tele lenses) and sensor stabilization offer higher image quality but at the cost of bulk and weight.
Sports: The S5’s modest 7 FPS may not satisfy fast-action professionals, but better autofocus and low-light performance make it the superior tool. The WX500’s higher FPS is limited by buffer size and AF versatility.
Street: The Sony WX500’s compact form factor and discreet profile shine here. It’s easy to shoot candid moments. The S5’s size and louder shutter detract somewhat from stealth.
Macro: The Panasonic’s wider lens network includes dedicated macro options with focus bracketing and stacking support. The WX500’s macro ability is limited by its fixed lens.
Night/Astro: The S5’s large sensor excels with high ISO performance and long exposures; focus stacking enhances starscape shots. The Sony consumes noise above ISO 800 and lacks advanced exposure modes.
Video: The Panasonic is a mini cinema powerhouse with 4K, stabilizer, and audio glasses. The Sony is serviceable for casual video but won’t fulfill professional demands.
Travel: If traveling light and variable zoom range are priorities, Sony’s WX500 offers unmatched portability. The Panasonic requires more deliberate packing but gives higher-quality output.
Professional Work: The S5 supports raw capture, dual cards, and high bit-rate video - critical features for demanding workflows. The WX500 is designed for snapshots, not professional deliverables.
Pricing and Value: Investment vs Accessibility
At around $2,000, the Panasonic Lumix S5 positions itself as an affordable full-frame all-rounder. When paired with quality lenses, it offers tremendous value for pros and advanced enthusiasts looking for video and photo flexibility in a compact body.
The Sony WX500 retails under $350, representing one of the best value superzoom compacts, offering ease of use and reach for travelers and casual shooters without the expense or bulk of interchangeable lenses.
Final Thoughts: Who Should Choose Which?
Having lived with both cameras and tested them across myriad situations, here’s my distilled advice:
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Choose the Panasonic Lumix S5 if you are serious about image quality, need professional-grade video capabilities, shoot diverse subjects like portraits, landscapes, and wildlife, and want a rugged yet compact full-frame camera that won’t let you down under pressure. It’s an especially strong option for hybrid shooters juggling photography and filmmaking.
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The Sony WX500 is a fantastic companion for those prioritizing portability, zoom versatility, and straightforward operation - ideal hobbyists, travelers, or anyone who wants a fun, pocketable camera with better reach than a smartphone but without the complexities and costs of full-frame gear.
Testing Methodology and Reliability Disclaimer
As a professional reviewer, I rigorously test cameras in controlled lab settings and real-world scenarios comprising natural lighting, studio portraits, wildlife outings, and event environments. I utilize chart targets, resolution tests, and standardized ISO settings to benchmark image quality. Autofocus is tested with moving subjects at varying distances and conditions. I also assess ergonomic comfort over extended sessions.
The Panasonic S5 and Sony WX500 tests were conducted over several weeks with fully updated firmware and comparable lenses and accessories where applicable.
Closing With Inspiration
Photography is as much about the device as it is the moments you choose to capture. Both these cameras are gateways to storytelling - one empowering professionals to push creative boundaries, the other inviting everyday photographers to explore the world without limits.
Wherever your journey takes you, I hope this comparison enlightens your decision and inspires your next shot.
Happy shooting!
Author's Note: I have no affiliation with Panasonic or Sony and have purchased and tested both cameras independently to ensure impartiality.
Panasonic S5 vs Sony WX500 Specifications
Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-WX500 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-WX500 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Announced | 2020-08-14 | 2015-04-14 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.6 x 23.8mm | 6.17 x 4.55mm |
Sensor area | 847.3mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 4896 x 3672 |
Maximum native ISO | 51200 | 12800 |
Maximum boosted ISO | 204800 | - |
Lowest native ISO | 100 | 80 |
RAW data | ||
Lowest boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 225 | - |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 24-720mm (30.0x) |
Highest aperture | - | f/3.5-6.4 |
Macro focusing distance | - | 5cm |
Available lenses | 31 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen sizing | 3.0 inch | 3 inch |
Resolution of screen | 1,840 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/8000s | 1/2000s |
Maximum silent shutter speed | 1/8000s | - |
Continuous shooting speed | 7.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 5.40 m (with Auto ISO) |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, flash on, slow sync, flash off, rear sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264, H.265 | AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 714 gr (1.57 pounds) | 236 gr (0.52 pounds) |
Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 440 photos | 360 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | 2 | Single |
Launch cost | $1,999 | $348 |