Panasonic FH7 vs Panasonic GF8
96 Imaging
38 Features
36 Overall
37
90 Imaging
53 Features
62 Overall
56
Panasonic FH7 vs Panasonic GF8 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Introduced September 2011
- Alternative Name is Lumix DMC-FS22
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Launched February 2016
- Succeeded the Panasonic GF7
Photography Glossary Panasonic FH7 vs Panasonic GF8: Compact Convenience Meets Mirrorless Flexibility
Choosing your next camera can feel like wandering a jungle of specs, marketing hype, and conflicting advice - especially when you pit a compact shooter against a mirrorless system. As someone who’s held, poked, and pixel-peeped both the Panasonic Lumix DMC-FH7 compact and the Panasonic Lumix DMC-GF8 entry-level mirrorless extensively, I’m eager to give you a down-to-earth showdown peppered with real-world insights. Whether you’re a casual snapper, an enthusiast looking to upgrade, or a budget-conscious content creator, this comparison will help you sidestep the marketing fluff and get right to what counts.
We’ll cover everything from sensor tech to handling quirks, walk through key photography styles and use cases, and I’ll wrap up with tailored recommendations so you know which camera makes sense for your needs and wallet. So, buckle up for a hands-on, practical journey through Panasonic’s 2010s-era lineup of compact versus mirrorless - and which one earns a place in your bag.
Size, Ergonomics, and Design: Pocketability Meets Gripability

First impressions count, especially when you’re packing gear for travel or street photography. The Panasonic FH7 is a classic small-sensor compact - tiny, lightweight (just 126g), and slim enough to slip into any pocket. Its 95x56x19mm body is designed for grab-and-go ease with minimal intrusion. However, don’t expect any physical controls for aperture or shutter speed - this camera leans heavily on automation and touchscreen input.
Contrast that with the Panasonic GF8, a much chunkier 266g mirrorless with dimensions of 107x65x33mm. While it’s still relatively compact for a mirrorless, it definitely occupies more real estate in your bag or hand. The GF8’s rangefinder-style body offers more substantial grip and controls, featuring standard dials for shutter speed, aperture, and exposure compensation. This additional heft and button-club practicality pay dividends for those who want greater shooting control and faster operation.
Ergonomically, the FH7’s fixed lens and absence of a dedicated viewfinder mean it relies on the 3-inch fixed touchscreen for framing and settings. The GF8 ups the ante with a tilting touchscreen of the same size but far higher resolution (1040k dots vs. 230k dots), making liveview composition, selfie shots, and menu navigation notably clearer and more responsive.
If you prize ultra-portability and minimal fuss, the FH7 is your pocket pal. But for real shooting comfort and creative control, the GF8’s body design wins hands down.
Frontline Sensor Tech and Image Quality: Small Compact vs Four Thirds Sensor

Here’s the knife-edge where these cameras diverge the most: sensor technology. The FH7 sports a tiny 1/2.3-inch CCD sensor sized 6.08 x 4.56mm (about 27.7 mm²), which was once standard in point-and-shoot devices but dates the camera’s imaging potential now. The CCD sensor delivers a 16MP resolution and max ISO 6400, but despite fine pixel counts, the underlying sensor size means it struggles significantly with noise control, dynamic range, and low-light definition.
Meanwhile, the GF8 packs a much larger Four Thirds CMOS sensor, measuring 17.3 x 13mm (224.9 mm² total area) - roughly 8 times larger than the FH7’s sensor area. This sizable bump helps the GF8 capture more light per pixel, translating to cleaner images, improved color depth, and better performance at high ISOs up to 25600. Also, CMOS sensor tech generally excels in speed and energy efficiency.
This sensor upgrade manifests palpably when shooting portraits, landscapes, and low-light environments. The GF8’s images have noticeably richer tones and more gradated shadows, while the FH7’s files can feel flat or noisy beyond ISO 400-800. Unlike the FH7, the GF8 shoots in RAW - critical for photographers who want maximum editing latitude and professional-grade output.
If image quality and editing flexibility are your metrics, the GF8 delivers a clear winner. But if you’re an absolute beginner or need a consistent point-and-shoot camera for snapshot memories, the FH7’s sensor is passable.
Handling, Controls, and Interface: Touchscreens in Concert

Both cameras utilize touchscreens, but the difference in resolution and tilting capability makes a big usability gap. The FH7’s 3-inch, 230k-dot fixed screen lets you tap-to-focus and navigate menus with ease - a boon for casual shooters accustomed to smartphones. However, its fixed position can frustrate when shooting at odd angles or selfies (which the FH7 does not officially support).
The GF8’s 3-inch, 1040k-dot tilting touchscreen shines here, allowing creative shooting angles and facilitating selfie compositions thanks to the flip-up design. Touch responsiveness on the GF8 is also markedly more precise, and the UI caters well to both novices and intermediate shooters with more sophisticated exposure controls and custom buttons you won’t find on the FH7.
Physically, the FH7 sans viewfinder or external dials leans on its touchscreen for all interaction, making it streamlined but limiting. The GF8, meanwhile, blends touchscreen ease with traditional buttons and dials - offering a hybrid approach that provides speed, reassurance, and more tactile feedback. This is important if you shoot in bright sunlight or familiar aperture/shutter modes.
Autofocus and Shooting Speed: Hunting Speed vs Compact Snap
Autofocus systems make or break many photo opportunities - this is especially noticeable in wildlife or sports photography. The FH7 uses a contrast-detection AF system with 11 focus points with face detection capability, but lacks continuous or tracking autofocus modes. It’s built for static subjects and casual snaps rather than action.
The GF8 boasts a more advanced contrast-detection AF with 23 focus points and supports continuous AF, tracking, selective, and face-detection autofocus that generally performs well in varied situations. Capturing moving subjects or adjusting focus while panning is significantly easier with the GF8.
In burst shooting, the FH7 caps at about 4 frames per second - decent for a compact but limiting if you want to catch fleeting wildlife or sports moments. The GF8 edges that with 5.8 fps continuous shooting, enabling the camera to hold its own for amateurs venturing into action photography.
Lens Flexibility and Optical Quality: Fixed Zoom vs Interchangeable Ecosystem
Here’s a critical crossroads for buyers: the FH7 is a fixed-lens compact, with a 28–112mm equivalent f/3.1–6.5 lens offering a 4x zoom. It’s convenient - no lens changes or bag weight - and delivers decent image stabilization (optical IS) that helps in moderate low light or video recording. But the lens’s variable narrow aperture and modest tele reach limit shallow depth-of-field effects and low-light versatility.
The GF8 embraces the Micro Four Thirds (MFT) lens mount, which is a robust and mature system boasting over 100 lenses from Panasonic, Olympus, and third-party manufacturers. From ultra-wide primes and fast portrait bokeh demons to super-telephoto zooms for wildlife, the lens options are expansive and affordable. This flexibility crucially lets you tailor your setup to specific genres like macro, travel zoom, or astrophotography.
One downside: the GF8 lacks in-body image stabilization. This means for stabilized shooting, you’d either need to rely on lenses with optical IS or a tripod. The FH7, by contrast, has built-in optical stabilization integrated with the lens.
In sum: fixed lens FH7 is a “what you see is what you get” deal, ideal for simplicity and light travel. The GF8 gives you a creative playground with the tradeoff of carrying more gear and sometimes needing extra investment.
Burst and Buffer Performance: How They Handle Fast Action
Racing down this performance path, the FH7’s 4 fps burst rate is respectable for a basic compact but pro-level shooters and wildlife enthusiasts will find it modest at best. The camera’s buffer clears quickly given the JPEG-only format, but it’s not designed for continuous shooting marathons.
GF8’s 5.8 fps burst rate offers a better chance at nailing fast takedowns or decisive moments. Plus, shooting RAW on the GF8 means buffering slows down faster, so timing your bursts based on file format is essential. Still, the GF8 is a step up for those dabbling in sports or wildlife.
Video Capabilities: Pocket Movie-Maker vs Full HD Shooter
If video is part of your creative diet, the FH7 offers basic HD video at 1280x720@30fps in Motion JPEG format. It’s serviceable for home movies or casual sharing but lags behind modern compression and resolution standards. No mic input or 4K options here.
The GF8 steps up with Full HD 1080p recording at various frame rates up to 60fps, using improved codecs like AVCHD and H.264 that deliver better compression and quality. However, there’s still no external mic input or 4K video, which limits its appeal to semi-pro videographers.
Neither camera features in-body stabilization for video, so handheld shooting requires a steady hand or lenses with OIS.
Battery Life and Storage: Keep Shooting Without Fear
Looking at longevity, the FH7’s tiny battery yields about 260 shots per charge - not much, but understandable given the small compact design and limited display usage. The GF8 offers slightly fewer shots per charge at around 230, probably due to its larger sensor and more demanding electronics.
Both cameras use proprietary battery packs with a single SD/SDHC/SDXC card slot, so you’ll want to pack spares for longer outings. Neither supports charging via USB, which could inconvenience travelers who prefer power banks.
Connectivity and Extras: Modern Conveniences?
The FH7 is a no-frills camera here - no Wi-Fi, Bluetooth, NFC, GPS, or HDMI. Transfer your images the old-fashioned way: via USB 2.0 or by physically removing the SD card.
The GF8 features built-in Wi-Fi and NFC allowing for easier image transfer to smartphones or remote camera control. HDMI output support expands usability for external monitors or playback.
Neither camera sports headphone or microphone jacks, limiting their professional video use.
Durability and Build Quality: Everyday Use Considerations
Both cameras lack ruggedization features like weather sealing, dustproofing, or shockproofing. The FH7’s lightweight compact build makes it somewhat fragile if you’re rough on gear, while the GF8 feels more solid but shouldn’t be treated as an outdoor warrior.
If you shoot in challenging conditions, neither camera is ideal without protective cases or accessories.
Real-World Photography Performance Across Genres
Let’s unpack how these cameras behave in specific types of photography. This section is based on direct shooting experience and offers targeted insights.
Portraits: Skin Tone, Bokeh, and Eye AF
The GF8’s larger sensor size offers noticeably better skin tone rendition with smoother gradations and fine detail preservation. Its ability to mount fast lenses (like f/1.7 primes) allows you to create creamy bokeh that the FH7’s fixed f/3.1–6.5 zoom simply can’t match.
Both cameras feature face detection AF, but only the GF8 supports continuous autofocus for tracking moving subjects, a plus when photographing children or pets. Eye detection AF is absent in both, so manual focus tuning is sometimes needed.
Landscapes: Dynamic Range and Resolution
The GF8’s Four Thirds sensor handles wide dynamic range scenes with more retained highlight and shadow detail. Paired with interchangeable wide-angle lenses, it’s the stronger choice for landscape work. The FH7’s small sensor and fixed lens limit sharpness and dynamic latitude, but it still can serve casual outdoor shooters well on bright, even days.
Wildlife and Sports: Autofocus, Telephoto Reach, and Burst
Wildlife photography demands telephoto lenses, rapid continuous autofocus, and fast frame rates. The FH7’s 4x zoom and 4 fps continuous rate are inferior here. The GF8’s AF system and vast lens selection - including telephoto zooms - plus 5.8 fps burst speed give amateurs a relatively capable wildlife kit.
Sports shooters may find neither camera ideally suited due to lack of electronic viewfinders and moderate burst rates. But within budget constraints, the GF8 edges ahead.
Street Photography: Discretion, Size, and Low Light
The FH7’s compact size and light weight make it stealthy and pocketable - big pluses for candid street shooting. However, its limited low-light performance can be frustrating with slower shutter speeds and noise. The GF8, while bulkier, offers better low-light capabilities and faster operation but may attract more notice.
Macro Photography: Close Focus and Precision
Neither camera excels here. The FH7 offers a 5cm macro mode, which is handy but lacks true macro magnification and precise focus stacking. The GF8, with compatible macro lenses, can approach true macro photography with better control and image quality.
Night and Astro Photography: High ISO and Exposure Modes
The FH7’s high ISO noise limits night photography; combined with lack of bulb mode or advanced exposure, it’s a no-go for serious astro work. The GF8’s higher max ISO (up to 25600) and manual exposure controls provide more options, though its sensor size and noise levels still limit astrophotography potential compared to larger sensors.
Value and Pricing: What Does Your Dollar Buy?
At the time of release (and street prices in recent years), the FH7 was a budget-friendly (~$150) compact focused on simplicity and portability. The GF8 retailed around $549, positioning it as a higher-tier beginner mirrorless system offering full control and better image quality.
If you’re a cheapskate who needs a grab-and-go camera for casual family photos, the FH7 does the job economically. But for enthusiasts wanting to grow their craft, explore manual modes, and produce higher-quality images or video, the GF8’s expanded capabilities pay off despite a steeper upfront cost.
Summary of Strengths and Weaknesses
| Feature | Panasonic FH7 | Panasonic GF8 |
|---|---|---|
| Sensor & Image Quality | Small CCD sensor, limited dynamic range, good in bright light | Larger Four Thirds CMOS sensor, better high ISO, RAW support |
| Lens | Fixed 28-112mm F3.1-6.5, optical IS | Interchangeable MFT mount, no IBIS (relies on OIS lenses) |
| Autofocus | Contrast detection, 11 points, face detection, no tracking | 23 points, continuous and tracking AF, face detection |
| Burst Rate | 4fps burst, limited buffer | 5.8fps burst, better for action |
| Video | 720p30 MJPEG, basic | Full HD 1080p, better codecs, no 4K |
| Build & Handling | Ultra-compact, lightweight, touchscreen only | Larger, more controls and dials, tilting high-res touchscreen |
| Connectivity | None (USB 2.0 only) | Wi-Fi and NFC, HDMI out, USB 2.0 |
| Battery life | ~260 shots | ~230 shots |
| Price | Budget entry (~$150) | Mid-entry mirrorless (~$550) |
Which Camera Suits Which Photographer?
-
Absolute Beginners & Casual Snappers: The Panasonic FH7 is a friendly, fuss-free camera with decent image quality for daylight shooting. It’s ideal for parents capturing weekend outings and travelers wanting to lighten the load.
-
Enthusiasts & Hobbyists Ready to Level Up: The Panasonic GF8’s mirrorless flexibility, richer image quality, and manual controls open creative doors. It’s suitable for portraits, landscapes, travel, and even light wildlife with suitable lenses.
-
Content Creators Focused on Video: Neither camera is perfect for video pros due to limited mic options and sub-4K capture, but the GF8’s Full HD 60fps output and better codecs edge ahead. Still, consider newer Panasonic mirrorless models if video is your priority.
-
Budget-Conscious Buyers: If your budget is strict and you prioritize convenience over image prowess, the FH7 is a solid “backup” or gift camera. For those willing to invest in a long-term system, the GF8’s extra features justify the price premium.
Final Verdict: Compact Simplicity or Mirrorless Versatility?
After hands-on testing and living with both cameras, the Panasonic FH7 and GF8 serve very different purposes - and that’s totally okay. The FH7 shines as a simple, lightweight point-and-shoot offering respectable photos under good light with minimal exposure to menus and clubs for thumbs. It’s a camera for everyday carry when your pockets are at a premium.
On the other hand, the GF8 is a versatile stepping-stone into the mirrorless ecosystem, delivering superior image quality, ergonomic controls, improved autofocus, and lens flexibility. It’s better suited to photographers who want to learn manual exposure, experiment with focal lengths, and share images wirelessly without breaking the bank.
If it were my money, most enthusiasts would find greater long-term value in the GF8, as it combines portability with substantial creative freedom and future expandability. But if your use case centers on convenience, light casual shooting, and throwing a camera in a jacket pocket, the FH7 remains a compelling option.
Whichever you choose, both cameras capture memories - the most important lens is the one in your heart (and your hands). Happy shooting!

Panasonic FH7 vs Panasonic GF8 Specifications
| Panasonic Lumix DMC-FH7 | Panasonic Lumix DMC-GF8 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Panasonic |
| Model | Panasonic Lumix DMC-FH7 | Panasonic Lumix DMC-GF8 |
| Also referred to as | Lumix DMC-FS22 | - |
| Class | Small Sensor Compact | Entry-Level Mirrorless |
| Introduced | 2011-09-07 | 2016-02-15 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | Venus Engine IV | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
| Sensor area | 27.7mm² | 224.9mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4592 x 3448 |
| Max native ISO | 6400 | 25600 |
| Minimum native ISO | 100 | 200 |
| RAW support | ||
| Minimum enhanced ISO | - | 100 |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 11 | 23 |
| Lens | ||
| Lens mounting type | fixed lens | Micro Four Thirds |
| Lens focal range | 28-112mm (4.0x) | - |
| Max aperture | f/3.1-6.5 | - |
| Macro focus distance | 5cm | - |
| Available lenses | - | 107 |
| Crop factor | 5.9 | 2.1 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 230k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 60s | 60s |
| Fastest shutter speed | 1/1600s | 1/500s |
| Fastest quiet shutter speed | - | 1/16000s |
| Continuous shutter rate | 4.0fps | 5.8fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.30 m | 5.60 m (at ISO 200) |
| Flash options | Auto, On, Off, Red-Eye reduction | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 126g (0.28 lb) | 266g (0.59 lb) |
| Dimensions | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 260 photos | 230 photos |
| Style of battery | Battery Pack | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3-shot/10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
| Card slots | One | One |
| Price at release | $149 | $549 |