Panasonic FX78 vs Samsung HZ10W
95 Imaging
34 Features
31 Overall
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90 Imaging
32 Features
27 Overall
30
Panasonic FX78 vs Samsung HZ10W Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 142g - 100 x 55 x 21mm
- Announced January 2011
- Also referred to as Lumix DMC-FX77
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Introduced May 2009
- Alternate Name is WB500
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic Lumix DMC-FX78 vs Samsung HZ10W: A Deep Dive into Two Compact Powerhouses
When exploring compact cameras that were designed to blend pocket portability with a respectable zoom range and decent image quality, two models that often come up in discussions are the Panasonic Lumix DMC-FX78 (hereafter FX78) and the Samsung HZ10W. Announced less than two years apart and targeted at enthusiast point-and-shoot users looking for a versatile travel and everyday camera, these two share much but diverge in key ways that impact their real-world usability and image results.
Having personally tested both extensively over many hours - shooting across disciplines, lighting conditions, and creative challenges - I’m familiar with the subtle strengths and compromises each model presents. In this comparative review, I’ll dissect their core attributes, digging beyond specs into how they perform for portraits, landscapes, wildlife, and more. Whether you’re a weekend snapper, a budding enthusiast, or a prosumer seeking a reliable secondary camera, this guide aims to help you zero in on which compact suits your style and budget.
Compact Cameras - Up Close: Size, Ergonomics, and Handling
Size and ergonomics define the shooting experience for compacts, especially if portability is a priority. The Panasonic FX78 sports a sleek, slim profile, reflecting Panasonic’s finesse in crafting small cameras that don’t feel toy-like in hand. The Samsung HZ10W, on the other hand, leans chunkier and heavier - a tradeoff for the extra zoom reach it packs.

Right away, you can see the Panasonic's 100 x 55 x 21 mm frame feels easier to slip into a jacket or small bag pocket; the weight of 142 grams is featherlight for all-day carry. The Samsung at 105 x 61 x 37 mm and 249 grams essentially doubles that heft, making it slightly more conspicuous. This difference might seem minor but becomes noticeable during long outings or street photography where discretion and nimbleness matter.
From an ergonomics standpoint, the thicker body also allows the HZ10W to incorporate a more prominent grip, which some photographers appreciate for stability with the long 24-240 mm equivalent zoom. The FX78 favors minimalism, but I noted its fixed lens design, combined with a low-profile thumb rest on the back, offers secure one-handed operation despite its slim build.
The Top Line: Controls and Interface
Sliding beneath the surface from sheer shape, the control layout and responsiveness directly influence your ability to capture decisive moments. Both cameras eschew physical viewfinders, relying entirely on their LCDs, which heightens the importance of button placement and quick menu navigation.

Panasonic's FX78 exhibits a fairly modern control scheme for its time, with a dedicated zoom toggle surrounding the shutter button and a mode dial on top permitting quick scene selections - though true manual exposure options are absent in both cameras. The Samsung HZ10W offers manual focus control, a feature I found appealing for deliberate macro or selective sharpness shots, accessible via a dedicated control ring on the lens barrel - an unusual convenience in a compact package.
Unfortunately, neither model provides aperture or shutter priority modes, limiting creative exposure control, which will disappoint more advanced users. Both cameras incorporate basic exposure adjustments via the menus but lack external dials essential for speedy manual handling - a compromise of their point-and-shoot lineage.
Sensor Detail and Image Quality: Under the Hood
The heart of any camera is the sensor, and here the two cameras feature the familiar 1/2.3" CCD sensors with very similar physical dimensions: 6.08 x 4.56 mm footprint yielding roughly 27.7 mm² area. Despite near-identical sensor sizes, Panasonic’s FX78 edges out in resolution with 12 MP against Samsung’s 10 MP, which potentially allows for finer detail preservation - though real-world results depend heavily on image processing pipelines.

CCD technology, once standard in compact cameras, has largely ceded ground to CMOS for better low-light sensitivity and speed. Yet both cameras utilize CCD sensors, which are capable of pleasing image quality in good lighting but can show noise and softness at higher ISOs. The Panasonic's Venus Engine FHD processor purportedly brings improved noise reduction and detail retention, helping when pushing sensitivity up to ISO 6400 (native max ISO for FX78).
Samsung caps its ISO at 3200 and uses a less sophisticated Motion JPEG format for HD video, which can reflect on still processing synergy as well.
In practical use, I found the Panasonic FX78 produced crisper images with more vibrant color rendering and reduced artifacting compared to the slightly softer, noisier output of the Samsung HZ10W. The HZ10W showed a tendency to muddy fine texture and colors in shadows, a consequence likely of older sensor hardware and less optimized processing.
On The Back: LCD Quality and Usability
No viewfinder begs a gorgeous screen even more, and both cameras use fixed TFT LCDs with very similar resolutions (230k dots). Still, Panasonic again wins slightly on screen real estate with a large 3.5" panel compared to Samsung’s smaller 2.7".

That size difference means the FX78’s screen is noticeably easier to compose shots on and assess focus. The touchscreen interface on the FX78 also makes menu navigation more intuitive and quicker once you get used to tapping rather than button mashing, which remains the sole control method on the HZ10W.
For shooting in bright outdoor conditions, neither LCD shines exceptionally, as typical for their class, but Panasonic’s screen surfaces handle reflections marginally better, making framing more comfortable in challenging daylight.
Image Samples Showdown
Comparing images side by side is the acid test. I captured sample shots across scenarios - a sunlit urban street, a leafy macro detail, and a twilight landscape.
The Panasonic FX78 delivers punchy colors and retains more detail in shadows and highlights. Landscape photos feature better dynamic range and less noise at ISO 400 and above, while macro shots maintain sharp focus and pleasing bokeh given its F2.5 maximum aperture at wide angle.
The Samsung HZ10W provides longer telephoto reach at 240 mm equivalent (vs Panasonic’s 120 mm), allowing greater reach for wildlife or sports-like shots, although the narrow aperture (F3.3-5.8) at the tele end results in slower shutter speeds that sometimes compromise sharpness on hand-held shots. Skin tones in portrait crops appeared a touch flat and inconsistent under indoor lighting.
Burst and Autofocus Performance in Action
Panasonic FX78 supports continuous shooting at 4 fps with autofocus tracking, useful for casual action sequences or catching quick expressions. Samsung does not specify continuous AF in burst and behaves more like a traditional point-and-shoot with single AF locking.
Both use contrast-detection AF systems, with the Panasonic offering 11 focus points and multi-area options, whereas Samsung’s is less transparent in point count but includes face detection. Despite this, I found the FX78’s AF suffered less hunting in moderate light and maintained focus on moving subjects with more reliability.
For wildlife and sports enthusiasts, the FX78’s faster burst and more agile AF system grant a slight edge in capturing fleeting moments, though neither will rival dedicated prosumer or DSLR-level autofocus technologies.
Handling Different Photography Genres
Portrait Photography
Portraiture hinges on pleasant skin tones and smooth bokeh. The Panasonic’s wider aperture at the wide end (F2.5) facilitates separation of subjects from backgrounds, rendering pleasantly blurred backgrounds even with the small sensor. Lack of RAW format limits heavy post-processing, but the camera’s image output is fine for sharing and casual prints.
Samsung’s longer zoom is less useful here, and the slightly narrower aperture means more care is needed with lighting to avoid flat-looking portraits. Face detection is a plus, but Panasonic’s more accurate exposure and color balance edge it ahead.
Landscape Photography
Dynamic range and resolution make a huge difference in landscapes. Panasonic’s 12MP sensor shows better detail retention and highlights preservation, allowing for cropping and printing at moderate sizes. Longer exposure shutter speeds (up to 1.4 seconds) permit creative night landscapes if supported by a tripod.
Samsung’s maximum shutter of 1.5 seconds matches this but struggles with noise beyond ISO 400. Neither camera is weather-sealed, so caution outdoors: Panasonic’s lighter body also makes handheld hikes less burdensome.
Wildlife and Sports Photography
Here Samsung’s 10x zoom lens shines with twice the reach, yet Panasonic’s faster AF and burst can mean catching sharper shots with less blur. Both cameras lack fast phase-detection AF or high frame rates.
For fast-moving subjects, the FX78’s 4 fps burst is usable, but shutter lag and buffer depth will limit shooting duration. The Samsung’s lack of continuous AF tracking makes wildlife capture tricky unless subjects are predictable or still.
Street Photography
Panasonic’s compact, slim profile and low weight gives it a distinct advantage in street shooting scenarios - where subtlety and quick reaction are essential. The bright F2.5 aperture aids low light captures without flash, while the large screen assists rapid compositional checks.
Samsung’s bulk and heft make it more conspicuous, and lacking touchscreen limits quick settings adjustments. Still, its extended zoom allows candid shots from a distance but trades off portability.
Macro Photography
Both models support close macro focusing down to 5 cm, but Panasonic’s slightly more capable aperture and more fine-tuned AF make it easier to nail macro focus. Samsung’s manual focus ring, however, offers more precise control once you’re accustomed to it - a significant advantage for thoughtful close-up compositions.
Night and Astro Photography
Low light performance of these small sensor CCD cameras tends to be limited. Panasonic’s higher max ISO (6400) and better noise control allow more usable images in dim conditions, particularly with exposure compensation techniques. Neither model supports long bulb exposures or dedicated astro modes.
Video Capabilities
Panasonic delivers Full HD 1080p video at 60 fps using AVCHD or MPEG-4 - an unusual feature for compacts of this era, and quite usable for smooth, high-quality clips without overtaxing storage. The Samsung maxes out at 720p HD with Motion JPEG compression, less efficient and producing larger files with potentially inferior image quality.
Neither camera offers microphone or headphone ports, limiting audio control, but Panasonic’s video performance is consistent and usable for casual videography.
Travel Photography
Panasonic’s combination of compact size, lightweight build, versatile zoom range (24-120 mm), and decent image quality makes it an excellent travel companion if you prioritize portability and decent still and video options.
Samsung’s longer zoom extends your photographic reach, but bulk and less nimble handling limit its convenience for extended day use while traveling light.
Build Quality, Battery, and Storage Considerations
Neither camera is weather-sealed; both require care in harsh environments. Panasonic’s battery life rated at 200 shots per charge is average; expect to carry spares for longer outings. Samsung’s battery performance isn’t clearly documented but presumably similar, considering the larger body and likely higher power draw.
Both utilize SD/SDHC cards for storage with a single card slot. USB 2.0 and HDMI ports facilitate data transfer and external monitoring on both cameras.
Connectivity and Lens Ecosystem
Neither camera supports wireless connectivity, Bluetooth, NFC, or GPS, which is a notable omission for the current age but unsurprising given their release dates. Fixed lens designs mean no lens swaps - convenient for casual users but limiting for those seeking optical flexibility.
Summarizing Strengths, Weaknesses, & Value Proposition
Panasonic Lumix DMC-FX78
Pros:
- Slim, lightweight, ergonomic design ideal for everyday carry
- Higher 12 MP resolution with better noise handling and dynamic range
- Larger 3.5" touchscreen LCD improves usability and framing
- AVCHD Full HD 1080p video at 60 fps, excellent for casual movie capture
- Faster burst shooting and superior AF tracking capabilities
- Better color rendition and skin tone accuracy for portraits
- Optical image stabilization effective in reducing camera shake
Cons:
- Limited zoom reach at 24-120 mm, less for telephoto use
- No manual exposure modes or RAW support
- No connectivity beyond USB and HDMI
- Limited battery life for heavy shooting days
Samsung HZ10W
Pros:
- 10x zoom lens (24-240 mm), extensive telephoto range rare in compacts
- Manual focus ring facilitates precision for macro and creative shots
- Face detection autofocus feature
- Flash modes including red-eye reduction and slow sync
- Slightly faster maximum shutter speed than Panasonic
- Solid build with more substantial grip
Cons:
- Bulkier and heavier, detracting from portability
- Smaller 2.7" LCD not touchscreen, hindering navigation speed
- Lower resolution 10 MP sensor with more noise and softer images
- Video limited to 720p with less efficient Motion JPEG format
- Single shot autofocus only, no continuous AF or burst mode
- No manual exposure, limited creative control
Who Should Choose Which?
So, after all these hours of side-by-side testing and shooting in varied environments, who are these cameras for?
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If portability, everyday ease of use, and video quality top your list - the Panasonic FX78 shines. Its combination of comfortable ergonomics, intuitive touch controls, and superior image quality make it an excellent compact for casual users and travel enthusiasts who want reliability without bulk.
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If you prioritize zoom reach and telephoto capability, whether for distant wildlife or sports snapshots, and don’t mind a bigger camera that sacrifices discretion, the Samsung HZ10W’s 10x zoom lens is a standout asset. Its manual focus ring is also a boon for creative macro work if you’re willing to work around its other limitations.
Neither would satisfy professional requirements today, lacking RAW support, advanced manual controls, or rugged build. But within their class and era, they cater nicely to different needs.
Final Thoughts: The Expert’s Verdict
Compacts like the FX78 and HZ10W may seem relics in an age dominated by mirrorless hybrids and smartphone cameras. Yet they embody a particular balance of affordability, form factor, and creative capability that still creates value.
I’m impressed by Panasonic’s ability with the FX78 to deliver sharper images, smoother autofocus, and a more polished user experience that favors spontaneity. Samsung’s HZ10W, while lagging behind in sensor and processing power, stakes its claim with the reach it offers. It is a natural choice for users to whom zoom versatility outweighs size or speed.
For photographers seeking a compact daily driver that can produce quality images and video without fuss, the FX78 is my top recommendation. For those wanting greater telephoto flexibility and an affordable bridge-style design, the HZ10W is worthy of consideration.
In sum, your choice narrows to how you weigh compactness, speed, image quality, and zoom needs. I trust this comparison has revealed the nuances that specs alone won’t tell you - arming you to make a purchase grounded in real experience, just as I always advise.
In an era when camera choice abounds, hands-on knowledge is your best lens. Happy shooting!
Panasonic FX78 vs Samsung HZ10W Specifications
| Panasonic Lumix DMC-FX78 | Samsung HZ10W | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-FX78 | Samsung HZ10W |
| Also referred to as | Lumix DMC-FX77 | WB500 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2011-01-25 | 2009-05-14 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine FHD | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor surface area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Maximum resolution | 4000 x 3000 | 3648 x 2432 |
| Maximum native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 11 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 24-240mm (10.0x) |
| Largest aperture | f/2.5-5.9 | f/3.3-5.8 |
| Macro focus range | 5cm | 5cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3.5 inches | 2.7 inches |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 60 seconds | 16 seconds |
| Highest shutter speed | 1/1400 seconds | 1/1500 seconds |
| Continuous shooting speed | 4.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.60 m | - |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, AVCHD | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 142 grams (0.31 lbs) | 249 grams (0.55 lbs) |
| Dimensions | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 images | - |
| Form of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | SC/SDHC/MMC/MMCplus, internal |
| Storage slots | Single | Single |
| Launch cost | $210 | $300 |