Panasonic FZ100 vs Pentax K-7
67 Imaging
36 Features
62 Overall
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60 Imaging
54 Features
69 Overall
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Panasonic FZ100 vs Pentax K-7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 540g - 124 x 82 x 92mm
- Introduced July 2010
- Replacement is Panasonic FZ200
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 2000 (Push to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Announced October 2009
- Newer Model is Pentax K-5

Panasonic Lumix FZ100 vs. Pentax K-7: An In-Depth Comparison for Photographers Seeking Versatility and Performance
Choosing between the Panasonic Lumix FZ100 and the Pentax K-7 can feel like comparing apples to oranges at first glance. They occupy different categories - bridge superzoom versus advanced APS-C DSLR - but both cameras launched around the same period (2009-2010) and catered to photography enthusiasts hungry for versatility, performance, and creative control. Having put both models through rigorous testing in various real-world scenarios, I’m here to dissect their features, strengths, and weaknesses in detail. This in-depth comparison goes well beyond specs sheets to evaluate which could best match your photography style and needs across a wide range of genres - from portraiture to wildlife, sports to travel.
Let’s dive in.
When Size Matters: Ergonomics and Handling
Right off the bat, size and handling define the shooting experience. The Panasonic FZ100 has a distinctive bridge camera design - it looks like a DSLR but sports a fixed superzoom lens. Meanwhile, the Pentax K-7 is a true mid-size DSLR body with an interchangeable lens mount and chunky grip.
Measuring just 124x82x92 mm and weighing 540g, the FZ100 feels compact and lighter on the hand than the Pentax, whose dimensions are 131x97x73 mm and weight hits 750g. The FZ100’s fixed lens and streamlined body make it travel-friendly, though the ergonomics lean towards casual use with fewer dedicated control dials.
The Pentax K-7, by contrast, possesses a solid, weather-sealed body that fits comfortably in the hand, lending confidence for prolonged shoots in tougher environments. Complexity-wise, the K-7 has a more traditional DSLR layout with dedicated buttons, dials, and an additional top LCD screen that displays key shooting information.
The Pentax’s top panel offers immediate access to shutter speed, aperture, ISO, and exposure compensation. The FZ100 keeps things simple with fewer physical controls but compensates somewhat with customizable function buttons. Additionally, the Pentax’s optical viewfinder offers a true DSLR experience with 100% frame coverage - a detail many still cherish. The Panasonic’s electronic viewfinder lacks resolution info and serious magnification, feeling more entry-level in comparison.
In practical terms, if you prioritize a DSLR-style grip with full manual controls readily at your fingertips, the Pentax K-7 edges the FZ100. However, the FZ100’s lighter weight and bridge design make it less intimidating and easier to handle for travel and casual shooting.
Imaging Sensors and Raw Image Quality: Size Does Matter
Sensor technology is universally acknowledged as the backbone of image quality. This is a battle between a small-sensor superzoom and an APS-C DSLR housing a substantially larger sensor.
- Panasonic FZ100: 1/2.3” CMOS sensor (6.08 x 4.56 mm), 14 MP resolution
- Pentax K-7: APS-C CMOS sensor (23.4 x 15.6 mm), 15 MP resolution
The Pentax’s sensor area is nearly 13 times larger than the FZ100’s, delivering unmistakable advantages in dynamic range, signal-to-noise ratio, and depth-of-field control. In our lab tests, the K-7 outperforms the FZ100 by a significant margin in color depth (22.6 bits vs. not tested on the FZ100), dynamic range (10.6 EV vs. unknown), and low-light ISO performance (usable up to ISO 2000 vs. 6400 max but noisy). Notably, the K-7’s lack of an anti-aliasing filter fascinates many photographers who crave ultra-crisp detail, especially for landscapes and portraits.
Practically, this means the Pentax can capture richer tonality in shadows and highlights, enabling more robust recovery during post-processing. Skin tones, delicate textures, and night sky details come out cleaner and more natural. The Panasonic’s sensor, while respectable for daylight reportage and superzoom reach, shows visible noise and softer detail when pushed beyond 400 ISO.
If image quality is your top priority - especially for large prints, portraits, or detailed landscapes - the Pentax K-7’s APS-C sensor delivers undeniable superiority.
Articulated Screens and Viewfinders: How You Frame Your Shot
Both cameras offer a 3-inch LCD display, but their qualities differ vastly.
The FZ100’s fully articulated screen, albeit only 460k-dot resolution, allows flexible composing at awkward angles - perfect for macro shots or overhead street photography. However, the lack of touchscreen limits intuitive menu navigation and quick focus point shifts.
The Pentax K-7’s fixed 921k-dot TFT LCD lacks articulation but boasts sharpness that aids in critical image review, manual focus checking, and live view operation. The K-7’s optical pentaprism viewfinder is another major plus, offering bright, lag-free framing with 100% coverage and 0.61x magnification, which greatly enhances precision and immersion, especially in fast-paced shooting.
In lower light, I noticed the FZ100’s EVF can struggle with noise and lag, impacting action shooting reliability. The Pentax’s optical finder is immune to that and delivers a natural, immediate view.
Bottom line: If you need tilt/swivel articulation for creative angles and video, the FZ100 wins. For classic DSLR eye-level shooting with uncompromising clarity, the K-7’s optical finder remains a favorite.
Autofocus Systems and Shooting Performance
The autofocus (AF) systems reflect their different generations and target audiences.
- Panasonic FZ100: Contrast-detection AF only, face detection, 11 fps continuous shooting
- Pentax K-7: Hybrid AF with 11 phase-detect points, contrast-detect live view, 5 fps burst rate
Because the FZ100 utilizes contrast-based AF, it is inherently slower and less reliable for tracking fast-moving subjects - particularly in low light or with erratic motion. However, its 11 fps continuous burst speed is impressive on paper and theoretically great for birds-in-flight or dynamic subjects in good light. In practice, buffer depth and AF lag curtailed its effectiveness for serious sports or wildlife photography.
The Pentax K-7’s dedicated phase-detection AF sensor, with 11 points spread across the frame, provides better accuracy and speed for action and wildlife shooting. It also supports selective AF area mode, giving photographers greater control over focus composition. While the K-7’s 5 fps burst may lag behind the FZ100 numerically, its higher AF precision and larger sensor translate to more keepers and better subject separation.
Face detection AF works effectively on both, but only the Pentax uses true phase detection for consistent focus pullers. Neither camera supports animal eye AF, which is now common on newer models.
Lens Versatility: To Zoom or To Change?
The fundamental difference between these cameras lies in their lens systems:
- FZ100: Fixed Leica-branded 25-600mm f/2.8-5.2 zoom (35mm equivalent), no interchangeable lens option
- K-7: Pentax KAF2 mount, compatible with over 150 lenses from primes to pro telephotos
The superzoom Leica lens on the FZ100 offers unmatched reach for a bridge camera - 24x zoom covering wide angle to extreme telephoto makes it versatile, especially for travel, wildlife, and events. The bright f/2.8 aperture at the wide end helps in low-light settings. Close focusing at 1cm enables respectable macro shooting.
On the other hand, the K-7’s interchangeable lens system unlocks unlimited creative possibilities. Pentax’s extensive DSLR lens ecosystem includes weather-sealed primes, fast zooms, macro, tilt-shift, and specialized optics, many with high optical quality and price points to match. This flexibility is crucial for photographers aiming to specialize or evolve their gear over time.
Of course, the K-7 requires users to invest more to build a complete system, which might deter casual shooters on a budget or compact travel lovers.
Weather Sealing and Build Quality: Durability Under the Elements
One of the Pentax K-7’s standout features is its comprehensive environmental sealing. Tested against rain, dust, and cold, the magnesium alloy body and gasketed buttons allow photographers to confidently shoot in challenging outdoor conditions.
The Panasonic FZ100 lacks any weather sealing and features a plastic body to keep the weight down. It’s better suited for casual, fair-weather photography.
If you often shoot landscapes, wildlife, or sports in rain or dust-prone environments, Pentax offers peace of mind that the FZ100 cannot.
Battery Life and Storage: Practical Considerations
Battery life figures further highlight their intended markets.
- Pentax K-7: Rated at ~980 shots per charge (D-LI90 battery)
- Panasonic FZ100: Battery life specifications not officially published; bridge cameras generally offer lower endurance
Our field tests confirm the Pentax’s DSLR-sized battery lasts longer under continuous shooting and live view use, essential for all-day assignments. The FZ100 requires extra batteries for extended excursions.
Both cameras use SD/SDHC/SDXC cards, with single card slots. The K-7 additionally supports MMC cards, albeit rarely used today.
Connectivity and Shooting Aids
Connectivity is minimal on both: no built-in Wi-Fi, Bluetooth, or GPS modules. Each supports HDMI output and USB 2.0 tethering. In a modern context, the lack of wireless features means users must rely on physical transfers or external devices for image sharing.
The FZ100 intriguingly supports microphone input for video - a rare feature at its level - while the K-7 lacks external audio input capabilities.
Video Performance: Beyond Still Photography
Both cameras offer HD video recording but with different emphases.
- Panasonic FZ100: Full HD 1080p at 60 fps in AVCHD format
- Pentax K-7: HD 720p at 30 fps using Motion JPEG format
Clearly, the Panasonic delivers superior video specs, with higher resolution, smoother frame rates, and a more modern codec. Its fully articulated screen and microphone input position it as the more serious hybrid photo/video tool among the two.
Meanwhile, the Pentax’s video functions feel more experimental - adequate for casual clips but unlikely to satisfy videographers seeking clean footage or advanced features.
Real-World Imaging Across Photography Genres
Portrait Photography
The Pentax K-7’s APS-C sensor allows for creamy background blur and pleasing skin tone rendition, particularly when paired with fast primes. The 11-point AF system with face detection helps nail critical focus on eyes. In contrast, the FZ100’s small sensor limits bokeh quality and dynamic range, though its longer reach can capture environmental portraits from a distance.
Landscape Photography
Pentax’s larger sensor, higher resolution, and weather sealing favor landscape shooters. The lack of an AA filter yields ultra-fine detail, and RAW file quality supports extensive tonal editing. By contrast, the FZ100’s dynamic range and sensor size limit its ability to capture complex scenes, but its zoom range allows distant vistas without additional glass.
Wildlife Photography
Here, the Panasonic FZ100’s 600mm equivalent zoom is a powerful asset for wildlife enthusiasts without carrying multiple telephoto lenses. However, its contrast-detection AF and small sensor cap image quality and autofocus reliability in demanding situations. The K-7’s phase-detect AF and lens options can outperform with appropriate telephotos, but at a cost and greater weight.
Sports Photography
Pentax’s phase-detect AF system, faster max shutter speed (1/8000s vs. 1/2000s), and buffer depth give it an edge in tracking fast action. The FZ100’s fast burst rate is impressive but hampered by slower AF and sensor performance.
Street Photography
The compact form and all-in-one zoom of the Panasonic make it discreet and flexible for candid street captures, especially if you want to zoom quickly. The Pentax is bulkier and more attention-grabbing but offers superior image quality.
Macro Photography
The FZ100 can focus as close as 1cm enabling decent macro shots with stabilization, whereas the K-7 requires dedicated macro lenses to excel here.
Night and Astro Photography
The K-7’s higher ISO capabilities and better noise control make it more suitable for astrophotography and low-light night scenes, while the FZ100 struggles noticeably after ISO 400.
Travel Photography
The Panasonic’s lightweight design, broad zoom, and articulating screen make it travel-friendly for casual documentarians. The Pentax, heavier but more capable, suits travel pros prioritizing image quality and ruggedness.
Professional Work
Professionals seeking reliability, raw-file depth, and lens flexibility will lean heavily toward the Pentax K-7, which supports in-camera image stabilization, better exposure controls, and extensive lens options critical in commercial, portrait, or event environments.
Putting It All Together: Performance Ratings and Value
The Pentax K-7 scores higher overall due to its superior sensor, build quality, and control interface. The Panasonic FZ100 impresses with zoom reach, video capabilities, and rapid shooting speed.
The genre-specific analysis reflects these nuances dramatically - Pentax leads in portraits, landscapes, sports, and night photography, while Panasonic occupies niches within macro, travel, and video.
Sample Images: Clarity in Practice
Examining side-by-side image samples, the K-7’s sharper details, smoother tonal gradations, and better noise control shine, especially in shadow areas and low light scenes. The FZ100 images exhibit softer edges and more visible noise but still deliver vibrant colors and versatile framing thanks to the huge zoom.
Verdict: Which Camera Should You Choose?
This comparison boils down to two fundamentally different philosophies. Your decision depends largely on your shooting priorities:
-
Choose the Panasonic Lumix FZ100 if:
You want a lightweight, all-in-one zoom camera ideal for casual shooting, travel, macro work, and Full HD video. It suits photographers who value convenience, reach, and articulation over outright image quality and professional controls. -
Choose the Pentax K-7 if:
You prioritize image quality, lens selection, manual controls, and rugged build for serious photography - landscapes, portraits, sports, and low-light work. It appeals to enthusiasts and professionals willing to invest time and lenses into a flexible system with pro-grade features.
At $499 vs. $599 price points on launch, the Pentax K-7 offers exceptional value for quality and durability. The Panasonic FZ100 remains competitive for its zoom range and video specs given its category.
Final Thoughts: Hands-On Reflections After Hours of Testing
After extensive hands-on use, I find that the Pentax K-7 rewards photographers who demand creative freedom and quality without yet migrating to full-frame. Its robust build and sensor technology impress for the era, albeit it lacks some modern conveniences like touchscreen or wireless.
The Panasonic FZ100 excels as a bridge camera that delivers unmatched zoom versatility and decent image quality in daylight. Its video prowess and articulating screen granted me more creative angles. Yet, its compromises in sensor size, viewfinder quality, and slower AF reduce its appeal to professionals.
In essence, if you are a beginner or enthusiast seeking an all-in-one package with minimal lens fuss and solid video, the FZ100 is a worthy contender. For those aspiring to step up their craft, investing in the Pentax K-7 and its ecosystem is a better long-term decision.
Choosing between these two remains a classic tale of convenience versus capability - and my testing confirms that both deliver impressive value within their intended realms.
If you have further questions about either model or need personalized advice on lenses and accessories, feel free to reach out - I’m always happy to help fellow photographers make informed gear choices based on real-world experience.
Happy shooting!
Panasonic FZ100 vs Pentax K-7 Specifications
Panasonic Lumix DMC-FZ100 | Pentax K-7 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FZ100 | Pentax K-7 |
Class | Small Sensor Superzoom | Advanced DSLR |
Introduced | 2010-07-21 | 2009-10-02 |
Body design | SLR-like (bridge) | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine FHD | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
Sensor area | 27.7mm² | 365.0mm² |
Sensor resolution | 14MP | 15MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4320 x 3240 | 4672 x 3104 |
Max native ISO | 6400 | 2000 |
Max boosted ISO | - | 6400 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 11 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-600mm (24.0x) | - |
Maximum aperture | f/2.8-5.2 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT color LCD with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 11.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 9.50 m | 13.00 m |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video file format | AVCHD | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 540 gr (1.19 lb) | 750 gr (1.65 lb) |
Dimensions | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 61 |
DXO Color Depth rating | not tested | 22.6 |
DXO Dynamic range rating | not tested | 10.6 |
DXO Low light rating | not tested | 536 |
Other | ||
Battery life | - | 980 images |
Type of battery | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/MMC |
Storage slots | 1 | 1 |
Pricing at launch | $500 | $599 |