Panasonic FZ35 vs Panasonic G85
72 Imaging
35 Features
37 Overall
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69 Imaging
54 Features
84 Overall
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Panasonic FZ35 vs Panasonic G85 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 27-486mm (F2.8-4.4) lens
- 397g - 118 x 76 x 89mm
- Announced July 2010
- Alternate Name is Lumix DMC-FZ38
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600 (Raise to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Revealed September 2016
- Additionally referred to as Lumix DMC-G80
- Updated by Panasonic G95

Panasonic FZ35 vs Panasonic G85: A Real-World Showdown for Every Photographer
When I first sat down to compare the Panasonic Lumix DMC-FZ35 (aka FZ38) and the Panasonic Lumix DMC-G85, I knew I was in for a classic clash: a decade-apart bridge camera versus a relatively modern advanced mirrorless. This is not just a specs sheet skirmish - it’s a practical, hands-on face-off to help you decide which camera actually fits your shooting style and budget. Both are from Panasonic, but they cater to quite different photography tastes and technical demands.
I’ve extensively tested both cameras across multiple genres - portrait, landscape, wildlife, and more - pitting their features, ergonomics, and image quality against each other. What follows is a thorough, honest appraisal with a fair bit of soul (and a touch of wit). Let’s dive in!
First Impressions: Size, Feel, and Ergonomics
Before firing up the shutter, the physical presence of a camera profoundly influences how it feels during prolonged shoots - especially if you’re traveling or chasing wildlife. The FZ35 leans into the classic bridge camera mold: SLR-like, compact, but with a pronounced plastic-y feel that belies its serious zoom credentials. Meanwhile, the G85 is a mirrorless system camera with more heft and a sturdier build, thanks mostly to its magnesium alloy chassis and weather sealing.
At 397 grams and measurements of 118x76x89 mm, the FZ35 can slide neatly into larger coat pockets or small bags, making it appealing for casual users or travelers who prefer a one-lens-does-all approach. Its fixed 27-486mm (equivalent) zoom lens further simplifies gear decisions - no lens swapping, no worries about dusty sensors.
Compare this to the G85's 505 grams with a slightly chunkier 128x89x74 mm footprint (sans lens), and it’s obvious it’s not built for absolute pocket portability. However, that weight comes with benefits: a more substantial grip, enhanced durability (it’s weather-sealed), and better balance when paired with a variety of interchangeable lenses.
The control layout also favors the G85’s ergonomics - but more on that in a moment.
Control Layout and User Interface: Who’s Playing the Controls Best?
When I first grabbed each camera, the tactile feedback, button arrangement, and overall handling felt markedly different. The FZ35 offers a straightforward, if somewhat dated, control scheme typical of early 2010s bridge cameras: a fixed 2.7" LCD with 230k dots resolution, no touchscreen, and a modest electronic viewfinder (EVF) that feels a bit like peering through fogged glass (if you forgive the dramatic metaphor).
By contrast, the G85 flashes a full 3" fully articulated touchscreen with a sharp 1040k dot resolution and an impressively crisp 2360k-dot electronic viewfinder. Navigating menus with touch and toggling settings on-the-fly is more intuitive on the G85 - a big plus during fast-paced shoots.
The G85 also features selectable AF modes, customizable buttons, and a rear joystick for focus point shifts - features missing on the FZ35. While I appreciate the simplicity of the FZ35, the modern, tactile controls on the G85 make for a more engaging (and less frustrating) user experience, especially for those accustomed to manual operation and quick adjustments.
Sensor & Image Quality: The Heart of the Matter
Here lies the elephant in the room (or rather, the sensor on your camera): size and technology dictate image quality to a large extent. The FZ35 uses a 1/2.3" CCD sensor measuring 6.08 x 4.56 mm, offering 12 megapixels. The G85 uses a significantly larger Micro Four Thirds 17.3 x 13 mm CMOS sensor with 16 megapixels.
What does this mean practically? The G85’s sensor is nearly eight times the surface area of the FZ35’s - a huge advantage for dynamic range, noise performance, and overall image fidelity.
In my real-world testing under various lighting conditions, the G85 consistently produced cleaner images with better color depth and shadow detail, a direct result of its newer sensor and image processor (Venus Engine V in the FZ35 vs. the much improved processing pipeline in the G85).
The G85’s lack of an optical low pass filter (OLPF) helped capture sharper details - a boon for landscape and macro shooters demanding edge-to-edge clarity.
The FZ35’s CCD sensor, while respectable for day-lit scenarios, struggled with noise at high ISO (max native ISO is 6400 but images get very grainy past ISO 400). The G85 handles ISO 3200 and beyond with impressive low noise, making it better suited for low-light or night/astro photography.
Viewing Experience: LCDs and EVFs That Matter
Being able to "see" the scene properly before capturing is pivotal - especially for street and travel photographers who must react swiftly.
The FZ35’s 2.7-inch LCD screen feels cramped and somewhat dim next to the G85’s larger 3-inch fully articulated touchscreen. Articulation is a must if you like composing shots from difficult angles - over crowds, near water, or low to the ground.
Because the G85 offers 100% EVF coverage at 0.74x magnification and much higher resolution, I found it vastly superior for framing portraits or fast-moving subjects in bright light. The FZ35’s EVF coverage and clarity feels like peeking through a thin fog, which is a bit disappointing in modern contexts.
Autofocus and Speed: Hunting Focus or Losing Shots?
Eye-detection autofocus? Animal-eye AF? Continuous focus tracking? If you want detailed AF with decent speed, the cameras diverge sharply.
The FZ35 employs contrast-detection AF with face detection but no continuous AF or tracking capabilities, max continuous shooting at a meager 2fps, and no burst buffer to speak of.
The G85 steps up with 49 AF points (contrast-detection, no phase detection), continuous AF, face detection, AF tracking, and even focus bracketing/stacking features. Burst shooting speeds jump to a satisfying 9fps - quite respectable for enthusiast mirrorless.
In wildlife and sports scenarios where fast focusing and burst rates are crucial, the G85 was a clear winner in my field tests. The FZ35’s lag and hunting made it frustrating to capture birds in flight or kids on the run.
Lens Systems and Zoom Flexibility: Fixed vs Interchangeable
The FZ35 has an advantage if you’re a "point and shoot" photographer who wants a single kit that doesn’t require swapping lenses. Its fixed 27-486mm (18x zoom) lens with aperture range from f/2.8 to f/4.4 is versatile, delivering everything from wide-angle landscapes to substantial telephoto reach. Macro focusing down to 1 cm is a particularly sweet spot for casual macro enthusiasts.
The G85 belongs to the Micro Four Thirds system, offering access to a huge ecosystem of more than 100 lenses - primes, zooms, macro optics, and specialized glass - from Panasonic, Olympus, and third parties. This flexibility means you can tailor your gear to your genre of photography - be it ultra-fast portraits with a 42.5mm f/1.7 prime or long telephoto wildlife glass.
The price tag and investment jump with the G85 system is a consideration. While the FZ35 is a ready-to-go kit for under $1,000 (as tested), the G85 is often sold body-only with lenses extra - a budget line to keep in mind.
Specialized Photography Use Cases: Where Does Each Shine?
Let’s unpack how the cameras perform across different photographic genres based on my hands-on experience.
Portrait Photography
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FZ35: The fixed lens relatively wide aperture and face detect AF work well in good light. However, the small sensor struggles to produce pleasing background blur (bokeh is quite harsh and digital), and skin tones aren’t as rendering-rich.
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G85: Larger sensor and absence of OLPF yield much better skin tone reproduction and natural background blur when paired with a fast lens. Face and eye detection AF during live view helps nail sharp focus especially on the eyes, critical for portraits.
Landscape Photography
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FZ35: Compact zoom working from wide-angle helps casual landscape shooters. Low dynamic range and noise at high ISO limit its appeal for serious landscape work.
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G85: Larger sensor, better dynamic range (12.5 EV stops DxO reported), and absence of OLPF means more detail in shadows and highlights. Weather sealing adds confidence for outdoor shoots in varied conditions.
Wildlife & Sports Photography
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FZ35: Too slow and AF-hunting prone for action photography, although the 18x zoom extends reach nicely for casual wildlife snaps.
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G85: Fast autofocus, continuous AF tracking, and higher burst rate make it much better suited. The MFT lens ecosystem also offers powerful telephoto options.
Street Photography
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FZ35: Lightweight and discreet with its smaller size is a plus for candid street shooting. However, lack of silent shutter and poor low-light autofocus hold it back.
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G85: Heavier but quieter shutter, better low light ISO performance, articulating touchscreen for creative angles. However, slightly bulkier presence might attract more attention.
Macro Photography
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FZ35: Built-in lens allows focusing as close as 1cm, which is excellent for hobbyist macro shooters. No focus stacking though.
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G85: Supports focus bracketing and stacking for extended depth of field macro shots, provides sharper results with suitable macro lenses.
Night & Astro Photography
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FZ35: Limited by noise at ISO beyond 400, small sensor struggles to capture faint stars.
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G85: Better high ISO performance and manual exposure modes aid night sky capture, although full-frame cameras still dominate this niche.
Video Capabilities
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FZ35: Maximum video resolution is 1280x720 at 30fps, with AVCHD Lite and MJPEG formats. No mic input or 4K.
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G85: 4K video up to 30fps, 100 Mbps bitrate, microphone input, 5-axis sensor stabilization both for stills and video. Perfect for hybrid shooters needing high-quality video plus stills.
Travel Photography
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FZ35: One lens, light weight, excellent zoom range. Great “grab and go” companion for urban or casual trips.
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G85: A bit bulkier and heavier, but better image quality, ruggedness (weather sealing), and lens changeability.
Professional Workflows
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FZ35: Raw support helps, but file quality and control limitations restrict professional use.
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G85: Higher bit-depth raw files, robust customizability, and connectivity options fit well into professional workflows.
Build Quality and Durability: From Rain to Bust
The FZ35’s body is mostly plastic and lacks environmental sealing - beware of dust and moisture. The G85, however, offers solid weather sealing, allowing you to shoot confidently in damp or dusty conditions without worrying about damaging the camera. For any demanding field work - outdoor weddings, nature hikes, or street shooting in unpredictable weather - that’s a significant advantage.
Battery Life and Storage
The FZ35's battery life isn’t officially stated, but typical bridge cameras of its age lasted around 300-400 shots per charge. The G85 boasts a more modern battery with an estimated 330 shots per charge (CIPA rating). While this isn’t stellar compared to DSLRs, it’s respectable for mirrorless.
Both cameras use SD cards (FZ35: SD/SDHC; G85: SD/SDHC/SDXC). Single card slot on both, so no dual-card backup which pros might lament.
Connectivity and Extras
Wireless connectivity is a big no for the FZ35 - no Wi-Fi, Bluetooth, NFC. The G85 features built-in Wi-Fi, enabling smartphone pairing for remote control and image transfer - a modern convenience that really speeds up workflow for on-the-go editing and sharing.
Neither camera offers GPS tagging; a minor downside for travel photographers who crave location data embedded in images.
Price and Value: What’s Your Dollar Worth?
At launch, the FZ35 sat at roughly $999, positioning itself as a premium bridge camera with zoom at the ready. Meanwhile, the G85 (body only) enters the market around $900, offering a full mirrorless package and far more advanced features.
Which offers better bang for your buck? If we account for the total cost of lenses and accessories, the FZ35 is a closed system - you pay once and have a zoom solution. With the G85, initial investment is body plus lenses, but what you gain is versatility, future-proofing, and substantial performance leaps.
A Picture’s Worth 1,000 Words: Sample Gallery Comparison
Nothing beats seeing visual results yourself, so I compiled side-by-side camera samples under identical conditions.
The difference in sharpness, dynamic range, color rendition, and noise suppression is clear. The G85 delivers more professional results - even JPEGs benefit from better processing engines, while FZ35 shots often require heavier post-processing to compensate for lackluster native image quality.
Performance Scores: The Data Speaks
DxOMark has only tested the G85 (score 71 overall) but I include this chart for context.
We see that dynamic range, color depth, and low light ISO all heavily favor the G85. The FZ35, being untested, is outclassed by sensor size alone.
Genre-Specific Scores and Use Recommendations
Breaking down cameras by photography type:
- Travel, casual use: FZ35 shines with its simplicity and zoom reach
- Portrait, landscape, wildlife, sports: The G85 dominates with better AF and image quality
- Shooting video: G85 hands-down winner
- Macro and night/astro: G85 brings advanced focus and exposure tools
Final Thoughts: Who Should Buy Which?
After weeks using both in real shoots, here’s how I’d advise:
Buy the Panasonic FZ35 if…
- You want a simple, affordable “one lens that does it all” camera with massive zoom
- Mostly shooting daylight, casual travel, family moments
- You dislike lens swapping or carrying extra gear
- Video is not a priority beyond basic HD clips
- You don’t mind outdated interface and limited low-light performance
Pick the Panasonic G85 if…
- You want advanced image quality with a large Micro Four Thirds sensor
- Desire fast, accurate autofocus and quick burst shooting for action or wildlife
- Willing to invest in lenses for tailored photography
- Need 4K video, articulated touchscreen, and weather resistance
- You appreciate modern wireless features and customizable controls
- Plan to grow your photography seriously into various genres including macro, astro, and professional work
Wrapping Up: The Tale of Two Lumix Cameras
The Panasonic FZ35 is a solid bridge camera juggernaut of its era - compact, versatile zoom, and surprisingly capable macro. But technology evolves fast. The Panasonic G85 reflects that evolution: thoughtful ergonomics, rich feature sets, improved sensor tech, and genuinely modern usability.
For photography enthusiasts who want flexibility, better image quality, and expanded video options, the G85 is worth the slightly higher investment and learning curve. For casual shooters on a budget who prize convenience and zoom reach, the FZ35 remains respectable.
I hope this deep dive helps you know not only what each camera offers in theory, but what you can expect when your finger hits the shutter button. Photography is an adventure - and choosing the right camera is your first step.
Happy shooting!
Interested in more detailed test images or sample RAW files? Feel free to comment below!
Panasonic FZ35 vs Panasonic G85 Specifications
Panasonic Lumix DMC-FZ35 | Panasonic Lumix DMC-G85 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FZ35 | Panasonic Lumix DMC-G85 |
Otherwise known as | Lumix DMC-FZ38 | Lumix DMC-G80 |
Category | Small Sensor Superzoom | Advanced Mirrorless |
Announced | 2010-07-06 | 2016-09-19 |
Physical type | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor | Venus Engine V | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4592 x 3448 |
Highest native ISO | 6400 | 25600 |
Highest enhanced ISO | - | 25600 |
Minimum native ISO | 80 | 200 |
RAW photos | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 49 |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 27-486mm (18.0x) | - |
Maximal aperture | f/2.8-4.4 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 2,360 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/2000s | 1/4000s |
Max quiet shutter speed | - | 1/16000s |
Continuous shutter rate | 2.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 8.50 m | 6.20 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | AVCHD Lite, Motion JPEG | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397 grams (0.88 lbs) | 505 grams (1.11 lbs) |
Dimensions | 118 x 76 x 89mm (4.6" x 3.0" x 3.5") | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.5 |
DXO Low light rating | not tested | 656 |
Other | ||
Battery life | - | 330 pictures |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes (2 or 10 secs, 10 secs x 3 shots) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Price at release | $999 | $900 |