Panasonic G1 vs Sony NEX-C3
82 Imaging
46 Features
50 Overall
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91 Imaging
56 Features
57 Overall
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Panasonic G1 vs Sony NEX-C3 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 1600 (Increase to 3200)
- No Video
- Micro Four Thirds Mount
- 360g - 124 x 84 x 45mm
- Released January 2009
- Later Model is Panasonic G2
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Introduced August 2011
- Replaced the Sony NEX-3
- Replacement is Sony NEX-F3

Panasonic Lumix G1 vs Sony Alpha NEX-C3: The Beginner’s Mirrorless Showdown
When it comes to diving into the world of mirrorless cameras, you want equipment that balances ease of use with image quality and flexibility. Two interesting options that often come up - especially if you’re exploring responsible investments in entry-level mirrorless systems - are the Panasonic Lumix DMC-G1 and the Sony Alpha NEX-C3. Both cameras heralded new mirrorless designs in their era and remain relevant in understanding early mirrorless technology evolution.
We’ve personally handled and tested thousands of cameras over the years, including these two classics, so in this detailed comparison, we’ll unpack everything you want to know about these cameras - from sensor sizes and autofocus capabilities to ergonomics and real-world shooting scenarios. Our goal? Help you figure out which system is better aligned with your creative ambitions, photography style, and budget.
Let’s get started.
Size, Build, and Handling: Feel the Difference
Before you even snap a shot, how a camera feels in your hands and how intuitive the controls are makes a world of difference.
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Panasonic G1: It embraces a classic SLR-style mirrorless design with a pronounced grip and well-spaced buttons. Despite its age, it feels robust for an entry-level camera weighing around 360 grams. Its fully articulated 3-inch screen with modest 460k dots resolution helps with framing at challenging angles, particularly when shooting low or high. The presence of an electronic viewfinder (EVF) covering 100% of the scene provides a camera-like experience akin to DSLR users but in a compact body.
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Sony NEX-C3: Sony took a different path here. The NEX-C3 features a rangefinder-style, more minimalistic body that is notably lighter at 225 grams and more compact (110x60x33 mm). The camera lacks an EVF, instead relying solely on a bright, 3-inch tilting LCD with an excellent 920k dots resolution. This gives the NEX-C3 an attractive size-to-screen quality ratio, making it ideal for those prioritizing portability.
In-hand, the G1 feels more secure for longer handheld sessions or with larger lenses, while the NEX-C3 favors discreet shooting and spontaneous street photography. Neither camera has advanced environmental sealing, so consider weather and dust protection carefully if you shoot outdoors often.
Sensor Technology and Image Quality: More Than Megapixels
Sensor technology is the heart of any camera. It determines not only your image resolution but also dynamic range, noise performance, and color fidelity.
Feature | Panasonic G1 | Sony NEX-C3 |
---|---|---|
Sensor Type | Four Thirds CMOS | APS-C CMOS (Sony’s Exmor released after G1) |
Sensor Size (mm) | 17.3 x 13 | 23.4 x 15.6 |
Sensor Area (mm²) | 224.9 | 365.04 |
Resolution (MP) | 12 | 16 |
Max ISO | 1600 (3200 boosted) | 12800 |
DXOMark Overall Score | 53 | 73 |
Color Depth | 21.1 bits | 22.7 bits |
Dynamic Range | 10.3 EV | 12.2 EV |
Low Light ISO Score | 463 | 1083 |
The larger APS-C sensor in the NEX-C3 naturally provides better image quality potential. It captures more light, resulting in cleaner images at higher ISO values, which is crucial if you shoot in low light or require the flexibility for night and indoor photography.
Dynamic range is also notably higher on the Sony, allowing you to retain more detail in highlights and shadows. The G1’s Four Thirds sensor, while smaller, still delivers good results - fine for daylight and moderately controlled environments. Its 12MP resolution is respectable, providing acceptable prints up to A3 sizes but can lag behind the NEX-C3’s 16MP advantage, which offers more cropping and detail extraction capability.
Color depth and tonal gradation feel more natural on the NEX-C3, a bonus for portrait and landscape photographers looking for subtlety in skin tones and sky gradients.
Autofocus Performance in Real-World Situations
Let’s talk focus: the speed and precision of autofocus (AF) can make or break moments, especially in sports, wildlife, or street environments.
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Panasonic G1 relies on contrast-detection AF only, with 3 continuous fps shooting and basic multi-area focusing. It lacks face, eye, or animal detection autofocus, and does not offer AF tracking. This means while the system works well in ample light and controlled scenes, it can slow down or “hunt” in tricky focus conditions, such as moving subjects or low contrast scenarios.
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Sony NEX-C3 also uses contrast-detection AF but improves responsiveness with 25 focus points, more focus area flexibility, and support for AF bracketing and white balance bracketing - a useful bonus. Though the NEX-C3 lacks phase-detection AF and face detection (somewhat expected for its era), its autofocus system feels quicker and more confident than the G1’s for tracking moving subjects.
Autofocus Aspect | Panasonic G1 | Sony NEX-C3 |
---|---|---|
Autofocus Type | Contrast detection only | Contrast detection, 25 points |
Continuous AF | Yes | Yes |
Face / Eye Detection | No | No |
AF Tracking | No | No |
Continuous Shooting | 3 fps | 6 fps |
For wildlife or sports enthusiasts, neither camera is ideal by today’s standards, but the NEX-C3 offers noticeably better tracking and faster burst rates, doubling the G1’s 3fps limit.
Design and Control Layout: How Intuitive Is Your Workflow?
Shooting proficiency depends heavily on how well you can access key settings quickly and confidently.
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Panasonic G1’s SLR-inspired layout gives you dedicated dials for shutter speed, exposure compensation, and an electronic viewfinder. Its fully-articulated screen supports creative compositions. However, the button labeling and menu systems feel a little dated and can present a learning curve for newcomers.
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Sony NEX-C3 adopts a more minimalist control scheme with a tilt-angle LCD that helps with overhead or low shooting. The absence of an EVF saves weight but demands reliance on the screen in bright daylight, which can be challenging. The menus are straightforward, and the 25 AF points help you focus and recompose quickly.
The G1's deeper grip and button arrangement suit photographers who want more manual control and an EVF experience, while the NEX-C3 aims for simplicity and compactness.
Viewing and Image Review: The Display Matter
Your LCD screen or viewfinder is your window to framing and reviewing images.
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Panasonic’s fully articulated 3-inch LCD (460k dots) means you can rotate the screen to almost any angle, ideal for video shooters and macro enthusiasts. Despite modest resolution, it suffices for most framing and reviewing needs.
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Sony’s tilting 3-inch TFT Xtra Fine LCD at 920k dots doubles the resolution, delivering crisper image previews and menu readability. Unfortunately, it does not articulate fully, limiting extreme angle shooting. No EVF means you always operate via LCD, which may be less convenient outdoors.
For vloggers or heavy video users, the articulation on the G1 may be a bigger draw. For photographers who prioritize sharp, clear previews, Sony excels in LCD resolution quality.
Lens Ecosystem and Compatibility: Craft Your Vision
Choosing your camera is only half the story; the lenses you invest in often dictate the system’s long-term usefulness.
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Panasonic G1 uses the Micro Four Thirds mount, which is extensively supported. Today, you have access to over 100 lenses ranging from ultra-wide to super-telephoto, including third-party options from Sigma, Tamron, and more. The smaller sensor means a 2.1x crop factor, which influences focal length equivalents - a standard 25mm lens frames like a 50mm on full frame.
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Sony NEX-C3 adopts the Sony E-mount, introduced with the NEX series, quickly growing into a strong system with about 120 lenses available at varying price points. The APS-C crop factor is 1.5x, which is less aggressive than the G1, preserving wider angle perspectives.
Both mounts support manual focusing lenses well, but Sony's E-mount offers better integration with modern autofocus lenses and more options from major manufacturers and fast primes.
Battery Life and Storage: Keep Shooting Longer
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The Panasonic G1 offers approximately 330 shots per full battery charge using the Li-Ion battery pack. This is typical for cameras of its class but warrants spare batteries for extended shoots.
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The Sony NEX-C3 pushes the number higher with about 400 shots per charge, giving it an edge for travel and event photographers needing more uptime.
Both cameras use a single SD card slot, and the NEX-C3 crafts increased versatility with additional Memory Stick support.
Video Capabilities: Basic, But Practical
If you’re considering hybrid use for photo and video, here’s what each camera offers:
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The Panasonic G1 does not support video recording, restricting its multifunctional use scenario. This can be limiting if you want to mix stills and video, especially in this era where mirrorless cameras’ video capabilities are expected.
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The Sony NEX-C3 supports 720p HD video at 30fps with MPEG-4 format. Although basic by today’s standards, the quality and ease of use make it a good entry point for casual video creators and vloggers, especially when paired with interchangeable lenses and accessory microphones (note: no dedicated mic input).
Practical Photography Disciplines: Where Each Shines
You want a camera that matches your style and shooting needs. Here’s a quick rundown of how these two cameras perform across popular genres:
Photography Type | Panasonic G1 | Sony NEX-C3 |
---|---|---|
Portrait | Good skin tone rendition, natural bokeh with lenses | Better colors with deeper sensor, more resolution |
Landscape | Sharp details in good light, limited dynamic range | Better dynamic range, higher resolution for crops |
Wildlife | Slow AF, limited burst rate, difficult tracking | Faster AF, 6fps burst, better suited for action |
Sports | Limited burst speed and focus tracking | Entertaining but still entry-level for sports |
Street | Bulkier, less discreet | Compact, quiet operation encourages street shoots |
Macro | Articulated screen helps low-angle shots | Tilting high-res screen assists but less flexible |
Night/Astro | Noise rises quickly at high ISO | Better high ISO, superior for low light |
Video | No video | HD video, basic but usable for casual applications |
Travel | Heavier, more protective grip but less compact | Lightweight, compact with good battery life |
Professional | Entry-level with raw support, limited speed | Stronger specs but still aimed at enthusiasts |
You can see from sample shots that Sony’s images have more detail and cleaner backgrounds, especially in low-light and action scenarios.
Connectivity and Storage: How Modern Is Your Gear?
Both cameras lean on their era’s technology:
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Panasonic G1 lacks wireless connectivity, meaning image transfer entails removing SD cards or tethering via USB 2.0.
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Sony NEX-C3 introduces Eye-Fi card compatibility for Wi-Fi–enabled transfers, a step toward wireless workflows. Both have HDMI outputs for direct live viewing on screens.
Final Scores and Value Assessment
Category | Panasonic G1 | Sony NEX-C3 |
---|---|---|
Image Quality | 53 | 73 |
Autofocus | Average | Above Average |
Usability | Good | Very Good |
Build | Solid | Lightweight |
Features | Basic | More Advanced |
Price (new) | Discontinued | ~$340 |
Value | Moderate | High |
Which Mirrorless Camera Should You Choose?
Both the Panasonic Lumix G1 and Sony Alpha NEX-C3 mark important steps in mirrorless camera history. Each brings unique strengths to the table depending on your priorities.
Choose the Panasonic Lumix G1 if:
- You prefer a classic DSLR-like grip and electronic viewfinder experience.
- You want a fully articulated screen for creative angles and video framing (even if G1 lacks video recording).
- You value a solid Micro Four Thirds lens ecosystem, especially if you already own compatible lenses.
- Your shooting style is deliberate - portraits, landscapes, or still life in good light.
Pick the Sony NEX-C3 if:
- You seek better image quality and higher ISO performance for challenging lighting.
- You want a compact, lightweight body easier to carry on travels or street photography.
- You value faster autofocus and higher burst rates for capturing motion.
- You are open to an APS-C system with access to a rapidly growing E-mount lens lineup.
- Basic HD video capabilities matter for your hybrid shooting needs.
- You want more flexible storage options and basic wireless connectivity.
Our Recommendation
If you’re stepping into your first mirrorless camera and prioritize image quality, portability, and a modern interface, the Sony NEX-C3 stands out as the more versatile choice offering the best value for your investment. Its APS-C sensor, faster shooting, and clearer screen make it friendly for diverse photography genres and projects.
However, if you come from a DSLR background or want a body that handles like one, the Panasonic G1 with its EVF and articulated screen remains a compelling option - especially if you’re invested in Micro Four Thirds lenses and plan primarily studio or good-light shooting.
Expert Tips for Getting the Most Out of Either Camera
- Lenses matter more than the body - invest in quality primes or versatile zooms to enhance your image quality.
- Carry spare batteries and memory cards. Both cameras have moderate battery life for today’s standards.
- Practice manual focusing techniques occasionally to overcome AF limitations.
- For the NEX-C3, consider an external hotshoe flash for more robust lighting control due to the lack of built-in flash.
- Explore available software and RAW converters compatible with your camera’s files to unlock full post-processing potential.
Wrapping Up
Choosing between the Panasonic Lumix G1 and Sony Alpha NEX-C3 means weighing vintage DSLR-style feel against contemporary compact sophistication and image quality. Both are solid entry points into mirrorless photography with good learning curves.
Ultimately, your photographic journey is personal - whether portraits, landscapes, street, or wildlife - and either choice can serve you well with the right lens and technique. Consider handling both cameras in-store if possible and pairing with lenses that suit your creative goals.
We encourage you to get hands-on, explore the rich ecosystems Micro Four Thirds and Sony E-mount offer, and find the system that inspires you to create your best work.
Happy shooting!
Camera Specs At-A-Glance
Feature | Panasonic Lumix G1 | Sony Alpha NEX-C3 |
---|---|---|
Release Year | 2009 | 2011 |
Body Type | SLR-style mirrorless | Rangefinder-style mirrorless |
Weight | 360g | 225g |
Sensor Size | Four Thirds (17.3x13 mm) | APS-C (23.4x15.6 mm) |
Megapixels | 12MP | 16MP |
Max ISO | 1600 (3200 boosted) | 12800 |
Continuous Shooting | 3 fps | 6 fps |
Viewfinder | EVF (electronic) | None (LCD only) |
Screen | 3" fully articulated (460k dots) | 3" tilting TFT LCD (920k dots) |
Built-in Flash | Yes, 10.5 m range | No, external flash support only |
Video Recording | No | 720p HD, 30fps |
Lens Mount | Micro Four Thirds | Sony E Mount |
Battery Life (CIPA) | 330 shots | 400 shots |
Wireless | None | Eye-Fi card compatible |
We hope this in-depth look provides the clarity you need to choose your next camera confidently. Both the Panasonic Lumix G1 and Sony Alpha NEX-C3 are pioneering tools that open the door to mirrorless photography. Whichever you pick, embrace the learning curve, develop your style, and start creating images that resonate.
Feel free to check out reputable dealer stores or used gear sites to snag the best deals on these models and their lenses. There are countless creative journeys waiting behind the shutter button.
For further reading:
- How sensor size affects your photography
- Understanding autofocus systems in mirrorless cameras
- Choosing lenses for portraits, landscapes, and wildlife
Happy exploring your photographic vision!
Panasonic G1 vs Sony NEX-C3 Specifications
Panasonic Lumix DMC-G1 | Sony Alpha NEX-C3 | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model type | Panasonic Lumix DMC-G1 | Sony Alpha NEX-C3 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2009-01-19 | 2011-08-22 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4912 x 3264 |
Max native ISO | 1600 | 12800 |
Max boosted ISO | 3200 | - |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 25 |
Lens | ||
Lens support | Micro Four Thirds | Sony E |
Available lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display diagonal | 3" | 3" |
Display resolution | 460k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder coverage | 100 percent | - |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.50 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | None | 1280x720 |
Video file format | - | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 360 gr (0.79 lb) | 225 gr (0.50 lb) |
Physical dimensions | 124 x 84 x 45mm (4.9" x 3.3" x 1.8") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 53 | 73 |
DXO Color Depth rating | 21.1 | 22.7 |
DXO Dynamic range rating | 10.3 | 12.2 |
DXO Low light rating | 463 | 1083 |
Other | ||
Battery life | 330 pictures | 400 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/MMC/SDHC card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at launch | $0 | $343 |