Panasonic GF5 vs Pentax K-01
89 Imaging
48 Features
54 Overall
50


76 Imaging
56 Features
68 Overall
60
Panasonic GF5 vs Pentax K-01 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Released April 2012
- Succeeded the Panasonic GF3
- Later Model is Panasonic GF6
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Increase to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax KAF2 Mount
- 561g - 122 x 79 x 58mm
- Launched May 2012

Panasonic GF5 vs. Pentax K-01: An Expert’s Take on Two Distinct Entry-Level Mirrorless Contenders
When stepping into the bustling world of mirrorless cameras, the choices can feel both thrilling and bewildering - especially when two cameras released almost simultaneously look to grab your attention with very different philosophies. Enter the Panasonic Lumix GF5 and the Pentax K-01, both unveiled in 2012 and aimed squarely at entry-level users but diverging much more than just in their specs sheet.
I’ve spent extensive time shooting with these two - zoom lenses mounted, battery packs swapped, and pixel peered close-up - and I’m here to guide you through a detailed comparison based not just on data, but real-world experience. Whether you crave steady landscapes or quick wildlife shots, portrait perfection or street stealth, I’ll help you decipher which of these might actually suit your style and workflow best. Let’s dive in.
Getting a Grip: Size, Build, and Ergonomics
First impressions matter, and nobody asks for a turtle on the beach or a beach ball on a shelf. Size, weight, grip comfort - these can make or break your daily shoot.
Panasonic GF5: The GF5 is the quintessential compact mirrorless - weighing a mere 267g and measuring a tiny 108x67x37mm. It’s rangefinder-style, sleek, with rounded corners and a minimalist frame. This little guy slips into a jacket pocket or a small crossbody bag easily. Its slim profile makes it unobtrusive for daily casual shooting or travel, though sometimes feels a tad insubstantial to hold for long sessions.
Pentax K-01: The K-01 takes a different route: an SLR-style body that weighs more than double at 561g and measures 122x79x58mm with a chunky, blocky design - famously divisive. Some love the quirky, angular aesthetic; others find the hefty weight somewhat old-school and less pocket-friendly. The grip is substantial though, and it feels rock-solid. If you prefer a camera that feels like a tool rather than a slim gizmo, the K-01 delivers confidently.
Ergonomically, the GF5’s controls are modestly laid out but favor simplicity, whereas the K-01 offers more tactile buttons and a front thumb grip allowing better handling, especially paired with larger lenses. Consider your typical carry style: frequent travelers and street photographers often prefer the GF5’s featherweight ease, while enthusiasts shooting longer sessions might find the K-01’s heft a grounding advantage.
A Look From Above: Controls and Interface
The devil really is in the details, especially when it comes to how you interact with your camera mid-shoot.
The GF5’s top layout embraces minimalism - no dedicated dials for mode or exposure, relying heavily on the rear touchscreen for much control. The touchscreen itself is a responsive 3-inch fixed TFT LCD, an early adopter in its category. For quick set-up and casual shooting, this can actually speed things up - no fumbling through buttons - but if you favor tactile control for rapid adjustments, you’ll be frustrated.
The K-01, on the other hand, has more physical dials - shutter speed, ISO, exposure compensation - reminiscent of classic DSLR handling. Unfortunately, it lacks a touchscreen, which may slow menu navigation for some, but its physical controls provide feedback that many photographers find invaluable for manual shooting. The bigger dial sizes and more buttons make it a joy for those who like immediate, hands-on command.
In real-world tests, the GF5’s touchscreen works well for novice users but isn’t as precise or quick during fast-moving situations. The K-01’s control cluster, while a bit clunky (especially the shutter release iso-located oddly), suits photographers who want to remain fully in control without lifting their eye from the viewfinder (when using live view, as it has no EVF).
Sensor Showdown: Size, Resolution, and Image Quality
Here’s where things get juicy for image quality enthusiasts and pixel peepers alike.
Panasonic GF5 sports a 12MP Four Thirds sensor (17.3x13mm), while the Pentax K-01 offers a larger 16MP APS-C sensor (23.7x15.7mm). The larger sensor in the K-01 translates to a sensor area about 65% bigger, which generally means better light gathering, improved dynamic range, and higher potential image fidelity.
DxOMark scores reflect this: the K-01 clocks an overall of 79 compared to the GF5’s 50. Color depth of 23.7 bits vs. 20.5 bits and dynamic range of 12.9 stops vs. 10 stops clearly favor the Pentax. Its low light ISO performance doubles that of the Panasonic, with a score of 1135 vs. 573, indicative of cleaner noise levels in dim conditions.
What does this mean practically? Landscapes shot on the K-01 benefit from richer tonal gradations and greater ability to recover shadows and highlights in post - critical for golden hour or high-contrast situations. Portraits show smoother skin tones and more depth. Low light scenes (indoors, street at dusk) retain more detail with less visible noise at higher ISOs.
But the GF5’s sensor is no slouch. The smaller size paired with Panasonic’s Venus FHD processor yields decent image quality for its class, with sharpness and color rendition being quite enjoyable for web and casual printing purposes. It’s a camera that rewards careful exposure and post-processing to punch above its weight.
Bottom line: For image quality purists and those seeking flexibility in tough lighting, the Pentax K-01 holds a meaningful edge.
Screens and Live View Experiences
Let’s talk about the window to the world - your contemporary LCD screen and how you frame your shots.
Both cameras offer a fixed 3” screen with close resolution (~920k pixels), adequate for review and composition. The Panasonic GF5’s screen is a touchscreen, sporting multi-touch support and a wide viewing angle, making it versatile for creative angles like waist-level or overhead shooting. Touch to focus and shoot is a neat feature, especially for beginners or vloggers, although the lack of splash or dust sealing means you’ll need to be cautious outdoors.
The Pentax K-01’s screen, conversely, isn’t touch-enabled and offers a standard TFT LCD. While the lack of touch capability feels dated now, the clarity and color accuracy are solid. Its fixed position does limit flexibility for awkward angles or selfie-style framing, which is something to note if you intend to shoot video or vlogging.
Neither camera includes an electronic viewfinder (EVF), relying solely on rear LCD composition - not ideal in very bright sunlight but workable with some shading or external hoods.
If you rely heavily on touch interaction or want more shooting flexibility, the GF5’s screen is more “modern” feeling for its time. But if you prioritize a straightforward, no-frills display with less chance of accidental touches, K-01 delivers.
Autofocus and Performance: Hunting and Tracking
When shutter speed and timing truly matter - be it street scenes, wildlife bursts, or sports - autofocus (AF) system robustness is the true differentiator.
The GF5 features Panasonic’s contrast-detection AF system with 23 focus points, face detection, and continuous AF modes - including touch-AF on the screen. Its max shooting speed is approximately 4 fps, adequate for casual use but quickly showing its limits on action subjects.
The Pentax K-01 offers 81 AF points (contrast-detection as well, no phase detection) but lacks continuous AF tracking, which detracts in fast-paced shooting scenarios. However, its faster burst mode (6 fps) gives it a quantitative advantage for some action sequences.
In my experience, both cameras struggle somewhat with quick-moving subjects compared to modern mirrorless or DSLRs with hybrid phase-detection AF. The GF5’s face detection works well in portrait and street scenarios, aided by touchscreen AF targeting. The K-01’s plethora of focus points is appealing but hampered by the lack of effective continuous tracking - making it less reliable for wildlife flight or sports play-by-play.
For still subjects, macro, and landscapes, both perform adequately. The GF5’s touch AF adds some speed in selecting focus points quickly on the fly, an advantage if you work handheld and want instant responsiveness.
Flash and Exposure Control
Comparing built-in flash capability - always a mixed bag, but critical in low-light or fill scenarios.
The Panasonic GF5 has a modest pop-up flash with a flash range of 6.3 meters, supporting modes like Auto, On, Off, Red-Eye, and Slow Sync. It does not support external flash units, limiting expandability.
The Pentax K-01’s flash is more powerful - 12 meters at ISO 100 - and supports a wider variety of modes, including Trailing Curtain Sync, plus it accepts external flash units thanks to its hot shoe. This is a big plus for creative lighting setups and serious portrait or event photographers.
Both cameras offer exposure compensation, manual exposure, aperture priority, and shutter priority modes, giving adequate control for creative photographers. The K-01 edges out slightly in exposure bracketing and white balance bracketing support, useful for HDR or complex lighting conditions.
Video Capabilities: Recording Quality and Flexibility
Video shooting has become mainstream for even entry-level mirrorless cameras - but how do these two contenders fare?
The GF5 supports Full HD 1080p video recording at 60 or 50 fps and HD 720p at 60/30 fps, using MPEG-4 and AVCHD codecs. It’s the more modern spec here, with smooth frame rates and decent compression quality for basic videography. Unfortunately, no external mic input limits sound quality control, and no in-body stabilization means you’ll want steady lenses or gimbals.
The K-01 records Full HD 1080p but maxes out at 30 fps - more limiting for action capture. It uses MPEG-4 and H.264 codecs, and importantly includes a microphone port for better audio recording, a boon for vloggers or interviewers. However, no headphone jack means you cannot monitor audio live.
Neither camera offers 4K video or advanced video-centric features found in newer models, so consider this slice of functionality as basic rather than professional.
Battery Life, Storage, and Connectivity
Though cameras have surged in capability, battery endurance remains a practical metric.
The GF5 offers a battery life rated around 360 shots per charge - modest, and definitely requiring a spare if you plan long days shooting or travel. Storage uses a single SD card slot supporting SDHC and SDXC cards, pretty standard.
The K-01 impresses here with around 540 shots per battery, a noteworthy advantage for extended outings or fieldwork without recharge. Storage is again single-slot SD/SDHC/SDXC compatibility.
Neither camera features wireless connectivity such as Wi-Fi, Bluetooth, or NFC - a sign of their era. For sharing or remote control, you’ll rely on cables (both have USB 2.0) or manual card transfers. HDMI output is available on both - handy for external monitoring.
Lens Ecosystem and Compatibility
A camera is only as good as the glass you fit it with, and the mount determines your creative range.
The GF5 uses the Micro Four Thirds mount - a platform well-regarded today and already substantial in 2012, with over 100 lenses covering everything from ultra-wide primes to super-telephotos plus a host of third-party options. The 2.1x crop factor means a 25mm lens acts like a 50mm equivalent - so be mindful when planning focal lengths for portraits or wildlife.
The K-01 employs the Pentax KAF2 mount, traditionally associated with DSLRs. With over 150 lenses native and third-party, including legacy Pentax lenses, the K-01 benefits from a diverse lineup ranging from macro to super-telephoto. Its 1.5x crop factor is more moderate, giving a slightly wider field of view compared to MFT at the same focal length.
If you already own Pentax glass, the K-01 becomes an enticing option. Conversely, the GF5’s compact ecosystem pairs well with those seeking lighter travel kits.
Weather Sealing and Durability
Neither camera offers environmental sealing, shockproofing, or freezeproofing. Both require cautious use in inclement weather.
The build quality of the K-01 feels more robust and substantial - its metal body isn’t just for looks. The GF5’s plastic shell is less rugged but enables its featherweight status.
Real-World Sample Images
What good is all this talk without seeing the results?
Here are samples across various conditions - portraits showing delicate skin tones, landscapes showcasing dynamic range, close-ups for macro detail, and low light scenes testing noise control.
You’ll notice the K-01 generally delivers richer color fidelity, greater sharpness, and better noise control at higher ISOs, reflecting its sensor advantage. The GF5 images, while respectable, exhibit softer detail and earlier noise onset in dim conditions.
Both cameras handle bokeh moderately well, but the larger APS-C sensor of the K-01 naturally produces smoother background blur, a plus for portrait photographers.
How They Rate in Performance
Here’s a convenient summary scoring sensor performance, autofocus, build quality, and more:
- Pentax K-01: Overall score 79 - leading in image quality, exposure control, and battery life.
- Panasonic GF5: Overall score 50 - strong in portability and ease of use, less so in raw image fidelity.
Specialized Genre-By-Genre Analysis
Finally, let’s examine these cameras through the lenses of specific photographic disciplines, because your needs will dictate best fit.
Portrait Photography
K-01 wins: Larger sensor and better ISO handling create smoother skin tones and more natural bokeh. Built-in flash and external flash compatibility give lighting flexibility.
GF5’s face detection and touchscreen help novice portraits but overall less refined background separation.
Landscape Photography
K-01 wins: Superior dynamic range and resolution enable richer details in highlights and shadows. No weather sealing remains a caveat for rough conditions.
GF5 offers decent quality but limited dynamic range restricts post-processing latitude.
Wildlife Photography
Tie, with reservations: K-01’s faster burst frame rate is useful; however, both cameras lack phase detection autofocus, quick subject tracking, and high telephoto lens support. Crop factors differ but neither excels in this realm.
Sports Photography
Both cameras struggle with tracking fast action. The K-01’s 6fps is better on paper, but lack of continuous AF tracking is a big limiting factor.
Street Photography
GF5 preferred: Its compact size, touch controls, and unobtrusive design make it better suited for candid street shooting.
K-01’s bulk and conspicuous styling may draw unwanted attention.
Macro Photography
K-01’s more extensive lens options and sensor detail edge it slightly ahead. However, neither camera features highly specialized focus stacking or dedicated macro modes.
Night and Astrophotography
K-01’s better low-light sensitivity and dynamic range clearly win here. GF5 is less forgiving of noise and detail loss at high ISOs.
Video Capabilities
GF5 supports Full HD 60p for smoother footage but lacks mic input.
K-01 offers only 30p max but includes mic input for better audio capture.
Neither highlights video-centric features seen in modern models.
Travel Photography
GF5’s compact size, lighter weight, and touchscreen ease offer travel convenience.
K-01’s better battery life and rugged feel appeal to more dedicated photographers.
Professional Use
Neither is fully professional-grade, lacking weather sealing and fast AF; still, K-01’s RAW support, manual controls, and lens flexibility edge it towards serious amateur or backup option.
Final Thoughts and Recommendations
Both the Panasonic Lumix GF5 and the Pentax K-01 have their moments in the sun - and their shadows.
Choose the Panasonic GF5 if you:
- Prioritize portability and discreteness
- Are a beginning photographer valuing intuitive touchscreen operation
- Want decent image quality in a pocketable body for travel or street shooting
- Shoot more still subjects with moderate light demands
Opt for the Pentax K-01 if you:
- Want superior image quality with an APS-C sensor and better dynamic range
- Value extended battery life and robust handling
- Desire greater exposure and flash control options
- Already own Pentax lenses or want that broader lens ecosystem
- Are willing to trade pocketability for build and performance
Neither camera will satisfy professionals shooting fast sports or wildlife, nor videographers needing 4K or advanced AF. However, they are trustworthy companions for enthusiasts learning their craft and creative casual shooters.
In the grand scheme, the Pentax K-01’s advantages in sensor size and image quality make it the longer-term investment if you can handle its bulk and dated interface. The Panasonic GF5 remains a delightful option when convenience, simplicity, and portability top your priorities.
I hope this in-depth breakdown, backed by hands-on experience and nuanced technical analysis, helps you make a decision that's right for your photography journey. Happy shooting - and remember, the best camera is the one you have in your hands!
Panasonic GF5 vs Pentax K-01 Specifications
Panasonic Lumix DMC-GF5 | Pentax K-01 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DMC-GF5 | Pentax K-01 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2012-04-05 | 2012-05-30 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4928 x 3264 |
Highest native ISO | 12800 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 160 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 81 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 920k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT Color LCD with wide-viewing angle | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 4.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.30 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow-speed Sync, Trailing Curtain Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30, 25, 24 fps),1280 x 720 (60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 267 gr (0.59 pounds) | 561 gr (1.24 pounds) |
Dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 122 x 79 x 58mm (4.8" x 3.1" x 2.3") |
DXO scores | ||
DXO All around score | 50 | 79 |
DXO Color Depth score | 20.5 | 23.7 |
DXO Dynamic range score | 10.0 | 12.9 |
DXO Low light score | 573 | 1135 |
Other | ||
Battery life | 360 photos | 540 photos |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at launch | $600 | $899 |